The Jubilee Coronation Pack
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Królewski Kościół Katedralny Na Wawelu. W Rocznicę Konsekracji
Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Dekoracja zachodniej ściany katedry dobitnie ilustruje powiązanie św. Stanisława z ideą polityczną ostatnich władców z dynastii Piastów. Szczyt wieńczy figura św. Stani sława, poniżej na drzwiach widnieje monogram króla Kazimierza Wielkiego - a między nimi Orzeł, herb Królestwa Polskiego - heraldyczny łącznik spajający dwie personifikacje religijnej i świeckiej władzy. [...] Dlatego krakowska katedra jest w każdym znaczeniu tego słowa „kościołem królewskim” - a przy tym jedną z najwcześniejszych takich realizacji w Europie Środkowej. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Kraków 1985 [The] demonstration of the link between St Stanislaw and the political ideology of the last Piast King is provided by the decoration of the west front of the cathedral. Above, in the gable is the figure of St Stanislaw; below, on the doors, is the pronounced signature of Kazimir the Great; and between them, as a heraldic link between these two personifica tions of the religious and secular authority, is the Polish eagle, the arms of Poland [...] In every sense of the word, therefore, Krakow cathedral is - a Konigskirche. It is moreover one of the earliest of its kind in Central Europe. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Krakow 1985 Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Kraków 2014 UNIW ERSYTET PAPIESKI JANA PAWŁA II WYDZIAŁ HISTORII I DZIEDZICTWA KULTUROWEGO PONTIFICAL UNIVERSITY OF JOH N PAUL II FACULTY OF HISTORY AND CULTURAL HERITAGE KRAKOWSKA AKADEMIA IM. -
Hour 3: Mo'narchs, Mo' Problems Part I: British Royals 1
Hour 3: Mo'narchs, mo' problems Part I: British royals 1. First monarch to live in Buckingham Palace? Victoria 2. Which English monarch was the youngest of sixteen children? Edward II 3. Who was known to his/her family by the moniker “pussy”? Victoria, Princess Royal (DO NOT ACCEPT “Victoria” or “Queen Victoria”--this is Queen Victoria’s daughter) 4. Name the postcode where Queen Elizabeth II was born. W1J 6QB 5. What does King James II of Scotland have in common with Princess Josephine of Denmark and Prince Wolfgang of Hesse? Twins 6. Patrick Melrose met which member of the British royal family in 1994? Princess Margaret 7. Where did Charles I fail to check out a library book? The Bodleian Library at the University of Oxford 8. Who carved a poem into a wall (or possibly a window) while under house arrest in Oxfordshire? Elizabeth I 9. Which nephew of Henry IV spearheaded Portugal’s colonial activities? Henry the Navigator 10. What did Johannes Klencke give to Charles II in 1660? An atlas 11. Which king’s death was blamed on someone wearing black velvet? William III 12. Which disputed English king’s life was saved by a well-timed bout of diarrhea? King Stephen 13. Which disputed English king was crowned in Ireland? Lambert Simnel 14. Where are three English queens who shared a common cause of death buried? The Church of St Peter ad Vincula, London 15. What drink did the future George IV order after meeting his future wife? Brandy Part II: General Trivia 16. -
There and Back Again: Mobilising Tourist Imaginaries at the Tower Of
There and Back Again: Mobilising Tourist Imaginaries at the Tower of London Matthew Hughes Ansell 2014 Dissertation submitted in partial fulfillment of the requirements for the degree of MA in Cultural Heritage Studies of University College London in 2017 UCL INSTITUTE OF ARCHAEOLOGY ‘Those responsible for the brochure had darkly intuited how easily their readers might be turned into prey by photographs whose power insulted the intelligence and contravened any notions of free will: over-exposed photographs of palm trees, clear skies, and white beaches. Readers who would have been capable of skepticism and prudence in other areas of their lives reverted in contact with these elements to a primordial innocence and optimism. The longing provoked by the brochure was an example, at once touching and bathetic, of how projects (and even whole lies) might be influenced by the simplest and most unexamined images of happiness; of how a lengthy and ruinously expensive journey might be set into motion by nothing more than the sight of a photograph of a palm tree gently inclining in a tropical breeze’ (de Botton 2002, 9). 2 Abstract Tourist sites are amalgams of competing and complimentary narratives that dialectically circulate and imbue places with meaning. Widely held tourism narratives, known as tourist imaginaries, are manifestations of ‘shared mental life’ (Leite 2014, 268) by tourists, would-be tourists, and not-yet tourists prior to, during, and after the tourism experience. This dissertation investigates those specific pre-tour understandings that inform tourists’ expectations and understandings of place prior to visiting. Looking specifically at the Tower of London, I employ content and discourse analysis alongside ethnographic field methods to identify the predominant tourist imaginaries of the Tower of London, trace their circulation and reproduction, and ultimately discuss their impact on visitor experience at the Tower. -
Stone of Destiny a 'Fake to Dupe Invading English' Abbot of Scone Hid Real Stone from Edward I, Says Salmond
Printer Friendly http://www.timesonline.co.uk/tol/news/uk/scotland/article4144587.ece?pr... From The Times June 15, 2008 Stone of Destiny a 'fake to dupe invading English' Abbot of Scone hid real stone from Edward I, says Salmond David Lister, Scotland Correspondent Do you think the Stone should be sent to England? Vote here For centuries it has held a mystical place in Scottish history, but Alex Salmond sparked fresh debate about the Stone of Destiny yesterday by claiming that the version on display at Edinburgh Castle is a fake. The stone, said to have been used in the coronation of early Scottish monarchs and in Biblical times by Jacob as a pillow, is one of the earliest symbols of Scottish nationhood and has been an emblem of strained relations with England ever since it was stolen by Edward I in 1296. But the First Minister has claimed that the block of red sandstone held until 1996 at Westminster Abbey, and now on permanent display in Edinburgh, was almost certainly not the original coronation stone. He said that monks at Scone Abbey had probably duped the English into believing that they had stolen the stone when in fact they took a replica. “If you're the Abbot of Scone and the strongest and most ruthless king in Christendom is charging toward you in 1296 to steal Scotland's most sacred object and probably put you and half of your cohorts to death, do you do nothing and wait until he arrives or do you hide yourself and the stone somewhere convenient in the Perthshire hillside? I think the second myself,” Mr Salmond said. -
Crowned with Authority Because of His Grace We Have Been Given Authority to Defeat Satan and Advance the Kingdom of God!
Crowned with Authority Because of His grace we have been given authority to defeat satan and advance the kingdom of God! British Monarchy: Kingdom: United Kingdom & 16 Commonwealth states (Australia, Canada, Jamaica, Saint Lucia etc.) Ceremony - Coronation: is the act of placement or bestowal of a crown upon a monarch's head. The coronation usually takes place several months after the death of the previous monarch, as it is considered a joyous occasion that would be inappropriate while mourning continues. The Imperial State Crown: is one of the Crown Jewels of the United Kingdom and symbolizes the sovereignty of the monarch. - Heavy Weight: The Imperial State Crown is 12.4 inches tall and weighs 2.3 lbs (heavy). Queen of England advised that she has to hold her head up when wearing it because if not if feels like you would break your neck. Its purple velvet cap is trimmed with ermine. The frame is made of gold, silver and platinum, and decorated with 2,868 diamonds, 273 pearls, 17 sapphires, 11 emeralds, and 5 rubies. - Great Value (Glory): Usually, the crown is taken to the Palace of Westminster under armed guard in its own carriage and placed in the Robing Room, where the Queen puts on her robes and puts on the crown before giving her speech to Parliament. We may never sit on the thrown in England, but we are crowned and sit from a place of authority! We are citizens of a Heavenly Kingdom Philippians 3:20 New American Standard Bible 20 For our citizenship is in heaven, from which also we eagerly wait for a Savior, the Lord Jesus Christ; - You get the rights of where you live 1 Peter 2:9 The Passion Translation 9 But you are God’s chosen treasure—priests who are kings, a spiritual “nation” set apart as God’s devoted ones. -
“We Wanted a Parliament but They Gave Us a Stone” the Coronation Stone of the Scots As a Memory Box in the Twentieth Century
“We wanted a parliament but they gave us a stone” The Coronation Stone of the Scots as a Memory Box in the Twentieth Century JÖRG ROGGE In this article a memory box is presented, in which and to which different meanings were contained and attached in the course of seven centuries.1 This memory box is the coronation stone of Scottish kings, nowadays on display in Edinburgh Castle, the external form of which has remained for the most part unchanged. The roughly 150 kg heavy, 67 cm long, 42 cm wide and 28 cm high sandstone block was used in the Middle Ages at the inauguration of Scottish kings.2 In the course of history, however, it was removed from its original functional context and transferred to other cultural and political contexts. In this connection, both diachronic and also synchronic transfers of the coronation stone and the concepts of political order in the island of Britain stored in it were carried out. At present it is still an important memory box filled with political concepts, and it was and is a starting point for research into the relationship between the Scots and the English over the past 700 years. It is remarkable that this stone was used by nationally emotional Scots and also by the Government in London as symbol in important debates in the twentieth century. Historical recollections are transported by the Scots and the English with the stone that one may certainly call a container of memory. Here I 1 My thanks go to John Deasy for translating the German text into English as well as to the editors for finishing the final formatting. -
Download 1960 Guide
-. i. kdational Cdlegiate Athletic Assogiation WRESTLING GUIDE!: The Official Rules Book AND RECORD BOOK OF Collegiate and Scholastic Wrestling B. R. Patterson, Editor 1 produced and distributed by \ THE NATIONAL COLLEGIATE ATHLETIC BUREAU NEW YORK ", I. A .- ' ,' I ; .. .. , ., . .. , '\ ..'.! ,{..-. .2 " >' . ;i. ' - F' F' .,, 8'. , . ,: . , ! .. , .~ I . , % , il. - . _.- < ..:.. :. - : .- - .. > I ;i i!.! .; , 3. 2. I.. : 1,-> ! . .. I. - .. ,I' ,., , , . , by Dick Stahlberger PENNSYLVANIATEACHERS TOURXAMENT ..................................... 17 .. by Russell E. Houk WILKESCOLLEGE OPEN TOURNAMENT ........................................ 17 bp Weltm G. Fawax MIDDLEATLANTIC STATES COLLEGIATE ATHLETIC CONFERENCE .................. 19 by weltow G. Farrar ATLANTICCOAST CONFPRENCE .............................................. 19 by Frank W. Finger SOUTHEASTE~~NINTERCOLLEGIATE CHAMPIONSHIPS ............................. 20 by Swede Umbach SOUTHERNC~NFERENCE TOURNAMENT ....................................... 20 by John Gwzton --MAS'ON-DIXON -- CONFERENCE TOURNAMENT ............................. .: ..... 20 by .TO%~ R. Toston CIAA CHAMPIONSHIPS.................................................... 20 " by Samuel E. Barnes COLLEGECONFERENCE oq ILLINOISTOURNAMENT ............................. 21 by George Olson BIG TEN CHAMPIONSHI~S.................................................. 21 by Wallace Johnson. MID-AMERICANCONFEI~ENCE TOUR~~~ENT ....................... : ........... 21 by Don Cunl~ingham FOUR-ITOURNAMENT ........... ......................................... -
From Charlemagne to Hitler: the Imperial Crown of the Holy Roman Empire and Its Symbolism
From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism Dagmar Paulus (University College London) [email protected] 2 The fabled Imperial Crown of the Holy Roman Empire is a striking visual image of political power whose symbolism influenced political discourse in the German-speaking lands over centuries. Together with other artefacts such as the Holy Lance or the Imperial Orb and Sword, the crown was part of the so-called Imperial Regalia, a collection of sacred objects that connotated royal authority and which were used at the coronations of kings and emperors during the Middle Ages and beyond. But even after the end of the Holy Roman Empire in 1806, the crown remained a powerful political symbol. In Germany, it was seen as the very embodiment of the Reichsidee, the concept or notion of the German Empire, which shaped the political landscape of Germany right up to National Socialism. In this paper, I will first present the crown itself as well as the political and religious connotations it carries. I will then move on to demonstrate how its symbolism was appropriated during the Second German Empire from 1871 onwards, and later by the Nazis in the so-called Third Reich, in order to legitimise political authority. I The crown, as part of the Regalia, had a symbolic and representational function that can be difficult for us to imagine today. On the one hand, it stood of course for royal authority. During coronations, the Regalia marked and established the transfer of authority from one ruler to his successor, ensuring continuity amidst the change that took place. -
The King, the Crown and the Colonel: How Did Thomas Blood Try to Steal the Crown Jewels in 1671?
Education Service The king, the crown and the colonel: How did Thomas Blood try to steal the crown jewels in 1671? This resource was produced using documents from the collections of The National Archives. It can be freely modified and reproduced for use in the classroom only. The king, the crown and the colonel : How did Thomas Blood try to steal the crown jewels in 1671? 2 Introduction After the execution of Charles I in 1649 many of the crown jewels were sold or destroyed. Oliver Cromwell ordered that the orb and sceptres should be broken as they stood for the 'detestable rule of kings'. All the gemstones were removed and sold and the precious metal was used to make coins. When the monarchy was restored in 1660, two new sceptres and an orb costing £12,185 were made for the coronation of Charles II in 1661. Can you spot any of these items in the picture at the top of this page? During the ceremony, the new king held the Sceptre with the Cross in his right hand and the Sceptre with the Dove in his left. The sceptre was a rod or staff which represents royal power and the dove refers to the Holy Spirit. The king was crowned with St Edward's Crown. At some point the king also held the orb, a hollow golden sphere decorated with a band of jewels and a jewelled cross on top. The orb refers to the king’s role as protector of the church. Charles II allowed the crown jewels to be shown to members of the public for a viewing fee paid to a custodian (keeper) who looked after the jewels in the Martin Tower at the Tower of London. -
The King's Nation: a Study of the Emergence and Development of Nation and Nationalism in Thailand
THE KING’S NATION: A STUDY OF THE EMERGENCE AND DEVELOPMENT OF NATION AND NATIONALISM IN THAILAND Andreas Sturm Presented for the Degree of Doctor of Philosophy of the University of London (London School of Economics and Political Science) 2006 UMI Number: U215429 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U215429 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I Declaration I hereby declare that the thesis, submitted in partial fulfillment o f the requirements for the degree of Doctor of Philosophy and entitled ‘The King’s Nation: A Study of the Emergence and Development of Nation and Nationalism in Thailand’, represents my own work and has not been previously submitted to this or any other institution for any degree, diploma or other qualification. Andreas Sturm 2 VV Abstract This thesis presents an overview over the history of the concepts ofnation and nationalism in Thailand. Based on the ethno-symbolist approach to the study of nationalism, this thesis proposes to see the Thai nation as a result of a long process, reflecting the three-phases-model (ethnie , pre-modem and modem nation) for the potential development of a nation as outlined by Anthony Smith. -
The Cultural Significance of Precious Stones in Early Modern England
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support. -
Campaign for the German Imperial Constitution Written: August 1849-April 1850; Source: MECW Volume 10, P
Friedrich Engels The Campaign for the German Imperial Constitution Written: August 1849-April 1850; Source: MECW Volume 10, p. 147-239; First Published: Neue Rheinische Zeitung. Politisch-okonomische Revue Nos. 1, 2 and 3, 1850; Transcription/Markup: Unknown; Proofed: and corrected by Mark Harris, 2010. Table of Contents Introduction ................................................................................................................................ 2 I. Rhenish Prussia ....................................................................................................................... 5 II. Karlsruhe .............................................................................................................................. 16 III. The Palatinate ..................................................................................................................... 24 IV. To Die for the Republic! ..................................................................................................... 34 Introduction Hecker, Struve, Blenker, Zitz und Blum, Bringt die deutschen Fürsten um! This refrain [Hecker, Struve, Blenker, Zitz and Blum, slay the German princes!– Ed.] which on every highway and in every tavern from the Palatinate to the Swiss frontier rang out on the lips of the South German “people's militia” to the well-known tune of “Surrounded by the Sea”, a mixture of chorale and barrel-organ–this refrain sums up the whole character of the “magnificent uprising for the Imperial Constitution”.1 Here you have in two lines