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Lorne Bair :: Catalog 21
LORNE BAIR :: CATALOG 21 1 Lorne Bair Rare Books, ABAA PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 2621 Daniel Terrace Winchester, Virginia USA 22601 (540) 665-0855 Email: [email protected] Website: www.lornebair.com TERMS All items are offered subject to prior sale. Unless prior arrangements have been made, payment is expected with order and may be made by check, money order, credit card (Visa, MasterCard, Discover, American Express), or direct transfer of funds (wire transfer or Paypal). Institutions may be billed. Returns will be accepted for any reason within ten days of receipt. ALL ITEMS are guaranteed to be as described. Any restorations, sophistications, or alterations have been noted. Autograph and manuscript material is guaranteed without conditions or restrictions, and may be returned at any time if shown not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Overseas shipping will vary depending upon destination and weight; quotations can be supplied. Alternative carriers may be arranged. WE ARE MEMBERS of the ABAA (Antiquarian Bookseller’s Association of America) and ILAB (International League of Antiquarian Book- sellers) and adhere to those organizations’ standards of professionalism and ethics. PART ONE African American History & Literature ITEMS 1-54 PART TWO Radical, Social, & Proletarian Literature ITEMS 55-92 PART THREE Graphics, Posters & Original Art ITEMS 93-150 PART FOUR Social Movements & Radical History ITEMS 151-194 2 PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 1. CUNARD, Nancy (ed.) Negro Anthology Made by Nancy Cunard 1931-1933. London: Nancy Cunard at Wishart & Co., 1934. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
Descargar Libro
AVENTURERO IDEALISTA George Sossenko AVENTURERO IDEALISTA George Sossenko Prólogo de Gabriel Jackson Ediciones de la Universidad de Castilla-La Mancha Cuenca, 2004 SOSSENKO, George Aventurero idealista / George Sossenko ; prólogo de Gabriel Jackson.— Cuenca : Ediciones de la Universidad de Castilla-La Mancha, 2004 160 p. ; 24 cm.— (La luz de la memoria; 3) ISBN 84-8427-350-4 1. Sossenko, George (1918-) 2. Brigadas Internacionales - Historia 3. España - Historia - Guerra civil, 1936-1939 - Memorias y recuerdos 1. Jackson, Gabriel, pr. II. Universidad de Castilla-La Mancha, cd. III. Título IV. Serie 929 Sossenko, George 355.087.2(460)"1936/39"(093.3) 355.337.2(460)"1936/39"(093.3) 94(460)" 1936/39"(093.3) Esta edición es propiedad de EDICIONES DE LA UNIVERSIDAD DE CASTILLA-LA MANCHA y no se puede copiar, fotocopiar, reproducir, traducir o convertir a cualquier me- dio impreso, electrónico o legible por máquina, enteramente o en parte, sin su previo consen- timiento. © de los textos e imágenes: sus autores. © de esta edición: Universidad de Castilla-La Mancha. Edita: Servicio de Publicaciones de la Universidad de Castilla-La Mancha. Directora: Carmen Vázquez Varela. Colección LA LUZ DE LA MEMORIA n°3. Dirigida por Manuel Requena. P ed. Tirada: 500 ejemplares. Diseño de la colección y de la cubierta: C.l.D.I. (Universidad de Castilla-La Mancha). I.S.B.N.: 84-8427-350-4 D.L.: CU-256/04 Fotocomposición e Impresión: ANGAMA Artes Gráficas (Ciudad Real) Impreso en España - Printed in Spain. ÍNDICE Prólogo....................................... ... ... .................................... .............. 9 Preámbulo............................................................................................ Libro 1 1.Mi niñez .......... ...................................... ......................................... 19 2.Signos de infancia ................................................ -
ABSTRACT Title of Document: from the BELLY of the HUAC: the RED PROBES of HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philos
ABSTRACT Title of Document: FROM THE BELLY OF THE HUAC: THE RED PROBES OF HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philosophy, 2009 Directed By: Dr. Maurine Beasley, Journalism The House Un-American Activities Committee, popularly known as the HUAC, conducted two investigations of the movie industry, in 1947 and again in 1951-1952. The goal was to determine the extent of communist infiltration in Hollywood and whether communist propaganda had made it into American movies. The spotlight that the HUAC shone on Tinsel Town led to the blacklisting of approximately 300 Hollywood professionals. This, along with the HUAC’s insistence that witnesses testifying under oath identify others that they knew to be communists, contributed to the Committee’s notoriety. Until now, historians have concentrated on offering accounts of the HUAC’s practice of naming names, its scrutiny of movies for propaganda, and its intervention in Hollywood union disputes. The HUAC’s sealed files were first opened to scholars in 2001. This study is the first to draw extensively on these newly available documents in an effort to reevaluate the HUAC’s Hollywood probes. This study assesses four areas in which the new evidence indicates significant, fresh findings. First, a detailed analysis of the Committee’s investigatory methods reveals that most of the HUAC’s information came from a careful, on-going analysis of the communist press, rather than techniques such as surveillance, wiretaps and other cloak and dagger activities. Second, the evidence shows the crucial role played by two brothers, both German communists living as refugees in America during World War II, in motivating the Committee to launch its first Hollywood probe. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
PETALUMA Courier
Pulling the ‘Ripcord’ ■ Witty, sarcastic roommate play sees debut at Cinnabar. PAGE C3 Sports: Basketball playoffs on the line Local high school teams down to the wire. PAGE B1 Food: Treating your sweetheart Restaurants offer Valentine’s Day specials. PAGE D1 ArgusPETALUMA Courier California General Excellence Winner FEBRUARY 6, 2020 ■ PETALUMA360.COM An edition of The Press Democrat City approves controversial apartments Sid Commons, opposed for proximity to Petaluma sioners. The project has undergone all River wetlands, will add 180 new housing units necessary environmental im- Opponents of pact review processes and will Sid Commons, By KATHRYN PALMER The disputed development be subject to state regulations a proposed ARGUS-COURIER STAFF received the go-ahead at Mon- and permits, however, some housing de- For the second time in two day night’s meeting following citizens questioned the report’s velopment off weeks, Petaluma’s City Council significant adjustments to the accuracy. Payran, want overturned a Planning Com- project’s footprint and makeup This doubt colored much of to preserve the mission housing development since its Nov. 19 Planning Com- the project’s presentation, as wetlands, the denial, this time by approving mission hearing. It has been the city’s senior planner and oak trees and Monday the Sid Commons denounced by an avid group environmental planner spent open space. apartment project near the of citizens over environmental significant time going through Petaluma River, which has concerns, and was the prima- staff findings -
Anti-Fascism, Anti-Communism, and Memorial Cultures: a Global
ANTI-FASCISM, ANTI-COMMUNISM, AND MEMORIAL CULTURES: A GLOBAL STUDY OF INTERNATIONAL BRIGADE VETERANS by Jacob Todd Bernhardt A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University May 2021 © 2021 Jacob Todd Bernhardt ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Jacob Todd Bernhardt Thesis Title: Anti-Fascism, Anti-Communism, and Memorial Cultures: A Global Study of International Brigade Veterans Date of Final Oral Examination: 08 March 2021 The following individuals read and discussed the thesis submitted by student Jacob Todd Bernhardt, and they evaluated the student’s presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. John P. Bieter, Ph.D. Chair, Supervisory Committee Shaun S. Nichols, Ph.D. Member, Supervisory Committee Peter N. Carroll, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by John P. Bieter, Ph.D., Chair of the Supervisory Committee. The thesis was approved by the Graduate College. DEDICATION For my dear Libby, who believed in me every step of the way. iv ACKNOWLEDGMENTS Throughout the writing of this thesis, I have received a great deal of support and assistance. I would first like to thank my Committee Chair, Professor John Bieter, whose advice was invaluable in broadening the scope of my research. Your insightful feedback pushed me to sharpen my thinking and brought my work to a higher level. I would like to thank Professor Shaun Nichols, whose suggestions helped me improve the organization of my thesis and the power of my argument. -
Alwood, Edward, Dark Days in the Newsroom
DARK DAYS IN THE NEWSROOM DARK DAYS in the NEWSROOM McCarthyism Aimed at the Press EDWARD ALWOOD TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2007 by Edward Alwood All rights reserved Published 2007 Printed in the United States of America Text design by Lynne Frost The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Alwood, Edward. Dark days in the newsroom : McCarthyism aimed at the press / Edward Alwood. p. cm. Includes bibliographical references and index. ISBN 13: 978-1-59213-341-3 ISBN 10: 1-59213-341-X (cloth: alk. paper) ISBN 13: 978-1-59213-342-0 ISBN 10: 1-59213-342-8 (pbk.: alk. paper) 1. Anti-communist movements—United States—History—20th century. 2. McCarthy, Joseph, 1908–1957—Relations with journalists. 3. Journalists— United States—History—20th century. 4. Journalists—United States— Political activity—History—20th century. 5. Press and politics—United States—History—20th century. 6. United States—Politics and government— 1945–1953. 7. United States—Politics and government—1953–1961. I. Title. E743.5.A66 2007 973.921—dc22 2006034205 2 4 6 8 9 7 5 3 1 In Memoriam Margaret A. Blanchard Teacher, Mentor, and Friend Do the people of this land . desire to preserve those so carefully protected by the First Amendment: Liberty of religious worship, freedom of speech and of the press, and the right as freemen peaceably to assemble and petition their government for a redress of grievances? If so, let them withstand all beginnings of encroachment. -
Abraham Lincoln Brigade: African American Internationalism Manifested Jason Huang
Abraham Lincoln Brigade: African American Internationalism Manifested Jason Huang “The earth bounced under my rubbery legs like the deck of the ship that had brought me across the Atlantic. Each bomb tore open a new hole. Mounds of earth and white-hot shrapnel flew about me. Suddenly I felt a sudden stinging in my legs, but with so much happening I didn’t think any more about it. At moments the entire world seemed to be flying upwards, further darkening and polluting the already thick sulfurous air,” wrote James Yates in his memoir Mississippi to Madrid.1 To the average person, this might sound like a scene from World War Two: the brave American soldier charging fascist lines. However, this took place during the middle of the Spanish Civil War, around three years before the outbreak of the Second World War, and James Yates was not fighting for the United States Armed Forces. Instead, he was one of around ninety African Americans fighting alongside 2700 white Americans in the Abraham Lincoln Brigade, an International Brigade composed of volunteers from the United States of America, 3300 miles away from home.2 The intersectionality present on the Republican side of the Spanish Civil War led to one of the most diverse locations in the world in 1936. International Brigades, volunteer battalions consisting of anti-fascists from all over the world, broke down racial, class, and gender barriers. Republican International Brigades had 40,000 volunteer troops from fifty-three countries, some of the furthest coming from China, Palestine, and Costa Rica.3 People of every ideological background, from social democrats to anarcho- syndicalists, to Stalinist communists, all flocked to fight against fascism. -
An Examination of Three Attorneys Who Represented
UCLA UCLA Entertainment Law Review Title Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced Permalink https://escholarship.org/uc/item/7mq6r2rb Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Bose, Erica Publication Date 1999 DOI 10.5070/LR862026987 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un- American Activities Committee Hearings in 1947 and the Consequences They Faced Erica Bose* I. INTRODUCTION On September 30, 1952 an attorney appeared before the House Subcommittee on Un-American Activities in Los Angeles as an extremely hostile witness. Ben Margolis, prominent labor lawyer and well-known radical, vehemently refused to answer nearly every question Chairman John S. Wood put forth to him. When asked if he knew Edward Dmytryk, one of the first "unfriendly witnesses" to appear before the House Un-American Activities Committee (H.U.A.C.) in Washington in 1947 who later recanted and named names, Margolis responded by stating, "Unfortunately he has become a member of your stable. I refuse to answer on the ground that it would tend to degrade me by association with any such person."' When "J.D. candidate, UCLA School of Law, 2001. I would like to express my sincere thanks to Ben Margolis, Patricia Bosworth, Ellenore Bogigian Hittelman, Ring Lardner, Jr., Ann Fagan Ginger, and Michael O'Malley. Without their help, I would never have been able to write this comment. -
Mccarthyism and the Id: "Forbidden Planet" (1956) As a Veiled Criticism of Mccarthyism in 1950S America
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 McCarthyism and the Id: "Forbidden Planet" (1956) as a Veiled Criticism of McCarthyism in 1950s America William Lorenzo Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1358 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] McCarthyism and the Id: Forbidden Planet as a Veiled Criticism of McCarthyism in 1950s America by William Lorenzo A Master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2016 © 2016 WILLIAM LORENZO All Rights Reserved ii McCarthyism and the Id: Forbidden Planet as a Veiled Criticism of McCarthyism in 1950s America by William Lorenzo This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. ____________________ ________________________________________________ Date Robert Singer Thesis Advisor ____________________ ________________________________________________ Date Matthew K. Gold Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract McCarthyism and the Id: Forbidden Planet as a Veiled Criticism of McCarthyism in 1950s America by William Lorenzo Advisor: Robert Singer Many American science fiction films of the 1950s served as political allegories commenting on the post-war fears of the nation. -
Spain Welcomes the Brigadistas the Best the 20Th Again the Cities Century Offered and the Hills by Vicente Navarro by Milton Wolff
Vol. XIX, No. 1 Winter 1996-97 Spain welcomes the Brigadistas The best the 20th Again the cities Century offered and the hills By Vicente Navarro By Milton Wolff s a Catalan and the son of parents who fought on y Delta flight to Madrid was on schedule. Tom the Republican side against fascism, I grew up E n t w h i s t l e1 met me at the Madrid airport. A with an enormous admiration for the members M That evening I was lecturing at the College of the International Brigades. I will always remember for International Studies, one of two schools that had the day when my parents made us — all their children paid my way over. Before meeting with the students, — sit around the dining table and promise with all all Americans, I met with the Directora, Mercedes solemnity that whenever and wherever we found mem- Vaquero, and several staff members in her office. bers of the brigades we should offer them our home as if The building housing the school is one of those edi- it were their own. My parents spoke on behalf of those fices representational of the old Spanish architecture who fought and lost that anti-fascist war. The promise — imposingly massive and impressively baroque, typi- was made during the nightmare of the fifties, when fas- cal of the old grey stone-faced buildings of Madrid’s cist repression in Spain was at its height, with fascists main plazas that I remembered so well from my first killing and assassinating more people than they did dur- leave after Brunete in 1937.