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La Casa Amatller Quilòmetre Zero Del Modernisme Planetari Salvador Tarragó
arquitectura històrica secció a càrrec d’Antonio Armesto i Salvador Tarragó La casa Amatller Quilòmetre zero del Modernisme planetari Salvador Tarragó Autors dels plànols: Salvador Tarragó, Eliana Vieria, Maria Turull i Martín Capeluto, arquitectes Casa Amatller La casa Amatller Kilometer zero of the Kilómetro cero planetary “Modernisme” del Modernismo planetario Una façana trencadora 0 A ground-breaking façade Una fachada rompedora Projecte de façana Josep Puig i Cadafalch consideró a Ildefons Josep Puig i Cadafalch va considerar Ildefons Cerdà i antecessora de la casa Josep Puig i Cadafalch considered Ildefons Amatller, obra del Cerdà and Barcelona’s Eixample as great Cerdà y el ensanche de Barcelona como sus l’Eixample de Barcelona com els seus grans antagonistes mestre d’obres Antoni antagonists that spurred him to produce grandes antagonistas que le incentivaron a que el van incentivar a elaborar una idea pròpia de l’ar- Robert i Morera. his own idea of architecture and the city, elaborar una idea propia de la arquitectura y de la ciudad, rechazo compartido por la quitectura i de la ciutat, un rebuig compartit per bona Arxiu Administratiu a rejection shared by the majority of de l’Ajuntament de modernist architects. mayoría de arquitectos modernistas. part dels arquitectes modernistes. Barcelona. La façana de la casa Amatller fou la primera que va The façade of Casa Amatller was the first La fachada de la casa Amatller fue la primera en romper la ordenanza de la trencar l’ordenança de l’horitzontalitat del terrat com a to break the regulation of horizontality of the roof terrace as the building’s crowning horizontalidad del terrado como corona- coronament de l’edifici, amb l’increment de l’alçada amb feature, its height being increased using the miento del edificio, con el incremento de su l’excusa de l’estudi fotogràfic del propietari i amb un pi- excuse of the owner’s photography studio altura con la excusa del estudio fotográfico del propietario y con un piñón escalonado. -
21-467-Planol Plegable Caraa Agost 2021
Sant Genís Cementiri de Collserola Cementiri de Collserola Montcada i Reixac Ciutat Meridiana Ciutat Meridiana C Pl. Parc de Ciutat Meridiana Funicular t 112 Barris Zona 97 r 112 Velòdrom Horta Torre Baró a Sant 185 102 de Vallvidrera . 112 Montbau la Vall 185 Nord d Genís Mpal. d’Horta 183 62 96 e 19 76 Ctra. Horta 182 Vallbona S 112 d’Hebron 18 Peu del Funicular t. a Cerdanyola 3 u C 97 0 e 183 l u a 8 l 19 r g 76 Sant Genís 1 a r e a r a t Transports d 183 C i v Pl. 76 V21 l Lliçà n l 76 Bellprat 0 a Meguidó s 8 a Parc de a de le te Av. Escolapi CàncerTorre Baró Torre Baró 83 1 V t e 1 C Mundet l s u Metropolitans Hospital Universitari 135 A Roq Vallbona e La Font 102 Ronda de Dalt C tra. d Sinaí 76 de la Vall d’Hebron Arquitecte Moragas e r del Racó M19 Can Marcet D50 104 d Rda. Guineueta Vella o j Sarrià Vall d’Hebron 135 Pl. Valldaura a 60 de Barcelona Pg. Sta. Eulàlia C Montbau Pg. Valldaura Metro Roquetes Parc del Llerona 96 35 M o 9 1 Botticelli Roquetes 97 . llse M1 V23 Canyelles / 47 V7 v rola Vall d’Hebron 135 185 Pla de Fornells A 119 Vall d’Hebron V27 Canyelles ya 27 R 180 104 o 196 Funicular M19 n Pl. 127 o 62 ibidab 60 lu C drig . T del Tibidabo 102 ta Porrera de Karl 185 Canyelles 47 a o B v a Canyelles ro alenyà 130 A C Marx sania Can Caralleu Eduard Toda Roquetes A rte Sant Just Desvern 35 G e 1 d r Campoamor a r t Barri de la Mercè Parc del n e u V3 Pl. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
Comisión De Twirling Campeonato De España De Twirling Semifinal De Parejas Y Conjuntos
FEDB - COMISIÓN DE TWIRLING CAMPEONATO DE ESPAÑA DE TWIRLING SEMIFINAL DE PAREJAS Y CONJUNTOS HORARIO DE LA COMPETICIÓN SABADO 26 DE ABRIL DE 2014 HORA ACTO 09.30 H. CONCENTRACION CLUBES - ENTREGA DE CREDENCIALES 10.00 - 10.30 H. CERMONIA DE APERTURA PRESENTACIÓN DE LOS CLUBES PARTICIPANTES COMUNIDAD AUTONOMA DE ANDALUCÍA CLUB TWIRLING CHICLANA (CÁDIZ) COMUNIDAD AUTONOMA DE MURCIA CLUB TWIRLING MONTEAGUDO (MURCIA) COMUNIDAD AUTONOMA DE MADRID CLUB TWIRLING ALEGRIA (MEJORADA DEL CAMPO) CLUB TWIRLING GETAFE COMUNIDAD AUTONOMA DE VALENCIA CLUB TWIRLING LLUCENA DEL CID (CASTELLÓ DE LA PLANA) COMUNIDAD AUTONOMA DE CASTILLA - LEÓN CLUB TWIRLING CARBAJOSA DE LA SAGRADA (SALAMANCA) COMUNIDAD AUTÓNOMA DE CATALUNYA CLUB TWIRLING ALCANAR (TARRAGONA) CLUB TWIRLING BENAVENT DE SEGRIÀ (LLEIDA) CLUB TWIRLING BLANES (GIRONA) CLUB TWIRLING COSTA BRAVA (GIRONA) CLUB TWIRLING ELS ALFACS (TARRAGONA) CLUB TWIRLING ELS MAGRANERS (LLEIDA) CLUB TWIRLING GORNAL (BARCELONA) CLUB TWIRLING LA VIE D'ULLDECONA (TARRAGONA) CLUB TWIRLING L'AMETLLA DE MAR (TARRAGONA) CLUB TWIRLING MATARÓ (BARCELONA) CLUB TWIRLING SANT FELIU DE GUIXOLS (GIRONA) CLUB TWIRLING L'HOSPITALET (BARCELONA) (Club Organizador) PRESENTACION DE LOS JUECES JURAMENTO DEL DEPORTISTA Srta. ANDREA LUCAS JURAMENTO DEL JUEZ Sra. JESSICA DIEZ PARLAMENTOS: 1. Sr. Ginés González - Presidente C.T. Monteagudo 2. Sra. Sara Abad - Presidenta de la Comisión Twirling de la FEBD 3. Autoridad local. 10.30 - 10.35 H CALENTAMIENTO PAREJAS INFANTILES SERIE C 10.35 - 11.15 H. COMPETICION 11.15 - 11.20 H. CALENTAMIENTO PAREJAS CADETE SERIE C 11.20 - 11.40 H. COMPETICION 11.40 - 11.45 H CALENTAMIENTO PAREJAS JUNIOR SERIE C 11.45 - 12.30 H. COMPETICION 12.30 - 12.35 H. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
El Foix Routes Marked with an Asterisk (*)
a Barcelona Standard symbols Facilities and services Vilafranca BV del Penedès motorway park ofce -2128 TGV dual carriageway information Signposted itineraries road construction of interest trail museum, permanent N-340a exhibition These are circular routes that return to the starting point, except GR (long-distance footpath) cultural facility N-340 El Foix routes marked with an asterisk (*). The routes are designed to audiovisuals B-212 PR (short-distance park footpath) documentation centre reveal the richness of the natural and cultural heritage of different Cal Rubió SL (local footpath) places within the park and are usually adapted for families. nature school PR-C 148 IP park itinerary bird observatory AP-7 Train / TGV start of signposted itinerary el Sant Sepulcre A B A B urban area la Múnia 1 2 hrs 7.8 km 3 30 min 1.4 km rock shelter/cave (Castellví de la Marca) els Monjos park boundary spring (Santa Margarida i els Monjos) From castle to castle: from Penyafort Along the riverbank from El Foix to PR-C 148 boundary of other food produce Moja to Castellet* Penyafort protected spaces winery C-15 Starting point: Penyafort castle (Santa Starting point: Penyafort castle (Santa peak la Costa restaurant Margarida i Els Monjos) Margarida i Els Monjos) Catalan farmhouse, GR 92-3 Molí del Foix Torre building rural tourism nt d e M el Serral a closed-off pat recreational area ta -r font de Mata-rectors e 2 1 hr A B 4 km c signposted controlled shing BV 181,8 m Espitlles to Sant Miquel d’Olèrdola itineraries -2176 rs railway station Els Monjos -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
As Indicators of Habitat Quality in Mediterranean Streams and Rivers in the Province of Barcelona (Catalonia, Iberian Peninsula)
International Journal of Odonatology, 2016 Vol. 19, No. 3, 107–124, http://dx.doi.org/10.1080/13887890.2016.1172991 Dragonflies (Insecta: Odonata) as indicators of habitat quality in Mediterranean streams and rivers in the province of Barcelona (Catalonia, Iberian Peninsula) Ricard Martín∗ and Xavier Maynou Catalan Odonata Study Group, Institució Catalana d’Història Natural, Barcelona, Spain (Received 7 November 2015; final version received 24 March 2016) In a field study carried out in 2011 and 2014 adult dragonflies were identified as a rapid and easy-to-use means of assessing habitat quality and biological integrity of Mediterranean streams and rivers in the province of Barcelona (Region Catalonia, Iberian Peninsula). The study included sampling sites from five different river catchments: Besòs, Foix, Llobregat, Ter and Tordera. Multivariate statistical procedures and indicator species analysis were used to investigate the relationship between river ecological status, study sites and dragonfly species or species assemblages’ occurrence. The dragonfly association identified with western Mediterranean permanent streams, i.e. Cordulegaster boltonii, Boyeria irene, Onychogom- phus uncatus and Calopteryx virgo meridionalis, was found only at the sites with the highest status. All these taxa were identified as indicator species of sites with the best scores for the macroinvertebrate based IBMWP index and for the combined IASPT index, which reflects the sensitivity of the macroinvertebrate families present to environmental changes; besides, B. irene and C. virgo meridionalis alsoprovedtobe indicator species of the riparian forest quality index and C. boltonii of the more inclusive ECOSTRIMED, which assesses the overall conservation status of the riverine habitats. The information obtained on habi- tat preferences and indicator value showed that adults of these taxa may constitute a valuable tool for preliminary or complementary cost-effective monitoring of river status and restoration practices as part of a broader set of indices reflecting biodiversity and ecosystem integrity. -
GESTIÓ ESPORTIVA Memòria Anual
Secretariat d’Entitats de Sants, Hostafrancs i la Bordeta 2012 Memòria anual Presentació La coordinació associativa i el foment de projectes comuns entre les entitats ha tornat a ser durant el 2012 un dels grans eixos de treball del Secretariat. A més, com qualsevol entitat viva i arrelada al territori i la comunitat, el Secretariat és sensible als canvis i a les necessitats que un context socioeconòmic com l’actual provoca en la ciutadania. L’accentuació de la crisi econòmica està provocant sotragades importants i, en aquest sentit, durant el 2012 vam posar l’accent a l’hora de potenciar i impulsar totes aquelles iniciatives orientades a aconseguir una societat més justa i més cohesionada. La taula intercultural és un exemple plenament consolidat, però a més durant el 2012 vam iniciar alguns projectes amb un clar component d’acció comunitària: ens referim a l’Espai de deures, una iniciativa de reforç escolar adreçada a joves dels nostres barris, i la taula social, un nou espai de coordinació associativa que sumarà esforços per sensibilitzar la població i contribuir a minimitzar situacions de vulnerabilitat. A més, vam continuat formant part de projectes que fomenten la llengua i cultura catalanes, amb activitats de llarg recorregut com el Projecte Parlem, el Xerrem o el Correllengua, i d’altres més recents com ara la recuperació del certamen literari dels Jocs Florals o bé l’impuls del català en l’àmbit laboral del Secretariat. I com a novetats del 2012, vam sumar-nos a iniciatives compartides com ara la Marxa de torxes per a la independència, la vigília de la manifestació de la Diada, una jornada històrica per al futur del nostre país en la qual nombroses entitats del territori vam mobilitzar-nos per reivindicar que Catalunya sigui un nou estat d’Europa. -
Alcanar : La Moleta Del Remei
Cultura Museus C C La Moleta del Remei ALCANAR ALCANAR Museu d’Arqueologia de Catalunya de Catalunya. Guías del Museu d’Arqueologia Guías del Museu d’Arqueologia de Catalunya ALCANAR LA MOLETA DEL REMEI ISBN 843937285-X Generalitat de Catalunya Departament de Cultura 9 7 8 8 4 3 9 3 7 2 8 5 1 Guías del Museu d’Arqueologia de Catalunya ALCANAR LA MOLETA DEL REMEI Francisco Gracia Alonso, David Garcia i Rubert, Glòria Munilla Cabrillana, y M. del Mar Villalbí Prades Ruta de los Iberos Generalitat de Catalunya Departament de Cultura Índice 6 Introducción 8 Situación y acceso 11 Entorno medioambiental 14 Descripción del asentamiento 17 Historia de las investigaciones 18 Fases de ocupación 18 Primer Hierro 20 Ibérico Pleno 22 Ibérico Final 22 Economía 29 Sociedad 32 Creencias y rituales 37 Arquitectura 37 Ámbitos de habitación 41 Edificios singulares 44 Sistema defensivo 46 Tipologías materiales 50 Contextualización: La Moleta y el poblamiento protohistórico en las tierras del río Sénia 52 El proyecto de difusión 53 El Museu Comarcal del Montsià y la gestión del patrimonio arqueológico territorial 57 Bibliografía básica 14 4 2 12 13 5 Puntos de interés: 4. Torre 7. Ámbito 9 11. Ámbito 17 1. Edificio singular 1 5. Muralla o muro de 8. Ámbito 12 12. Ámbito 62 2. Edificio singular 2 circunvalación 9. Ámbito 13 13. Ámbito 64 3. Edificio singular 3 6. Ámbito 7 10. Ámbito 14 14. Ámbito 67 3 1 11 10 7 8 2 9 6 6 Introducción Introducción La Moleta del Remei es uno de los primeros yacimientos ibéricos catalanes que despertó interés entre la comunidad científica del país: su existencia ya fue notificada al Institut d’Estudis Catalans (Instituto de Estudios Catalanes) en una fecha tan antigua como el año 1919. -
Ourgeois Taste in Decorative Arts in the Collections of the Museu Nacional D'art De Catalunya
SHORT ourgeois Taste in Mariàngels ARTICLESB Decorative Arts Fondevila Spain ART NOUVEAU in the Collections of the Museu Nacional D'Art de Catalunya Gaspar Homar (1870-1955) Settee with side cabinets and marquetry panel Circa 1905 120 x 154 x 4 cm Oak wood, marquetry, green velvet upholstery and leaded glass Inv. number: 071703-000 Purchased 1967 Museu Nacional d'Art de Catalunya (Barcelona) Lluís Domènech i Montaner In 1880 the Italian travel writer Edmondo de (1850-1923) Amicis observed while visiting Barcelona: Hydraulic floor tiles There are large buildings, long streets, regular squares. Circa 1900 210 x 120 x 3,5 cm Luxurious homes are being constructed in the Hydraulic floor tiles Eixample for the new middle and upper classes. Inv. number: 153252-CJT Donated by OCSA, By the end of the century, Barcelona had beco- 1991 me the most industrialized, populous, and cul- Museu Nacional d'Art turally advanced city in Spain, open to the de Catalunya outside world and proud of its economic (Barcelona) potential after the success of its Universal Ex- position of 1888. Modernisme was made pos- sible in Catalonia by the growth of construc- tion through the urban development project of the Eixample (expansion) following a plan by Ildefonso Cerdà. The old walls were demo- lished in 1854, and a new city sprang up. The emerging bourgeoise, enriched thanks in parti- cular to the textile sector, was looking for ways to show off its power. This was a golden age for the architects, the real protagonists of Mo- dernisme, who broadened horizons and excer- cised their skills in other fields. -
Catalonia 1400 the International Gothic Style
Lluís Borrassà: the Vocation of Saint Peter, a panel from the Retable of Saint Peter in Terrassa Catalonia 1400 The International Gothic Style Organised by: Museu Nacional d'Art de Catalunya. From 29 March to 15 July 2012 (Temporary Exhibitions Room 1) Curator: Rafael Cornudella (head of the MNAC's Department of Gothic Art), with the collaboration of Guadaira Macías and Cèsar Favà Catalonia 1400. The International Gothic Style looks at one of the most creative cycles in the history of Catalan art, which coincided with the period in western art known as the 'International Gothic Style'. This period, which began at the end of the 14th century and went on until the mid-15th century, gave us artists who played a central role in the history of European art, as in the case of Lluís Borrassà, Rafael Destorrents, Pere Joan and Bernat Martorell. During the course of the 14th century a process of dialogue and synthesis took place between the two great poles of modernity in art: on one hand Paris, the north of France and the old Netherlands, and on the other central Italy, mainly Tuscany. Around 1400 this process crystallised in a new aesthetic code which, despite having been formulated first and foremost in a French and 'Franco- Flemish' ambit, was also fed by other international contributions and immediately spread across Europe. The artistic dynamism of the Franco- Flemish area, along with the policies of patronage and prestige of the French ruling House of Valois, explain the success of a cultural model that was to captivate many other European princes and lords.