Rap Battle: How I Learned to Stop Worrying and Love the Hip-Hop

Total Page:16

File Type:pdf, Size:1020Kb

Rap Battle: How I Learned to Stop Worrying and Love the Hip-Hop The Roots Report: Indigo Girls Okee dokee folks… Thursday night the enduring duo Indigo Girls performed a show, accompanied by Francisco Noya and the RI Philharmonic, to an enthusiastic audience of about 2,300 at Providence Performing Arts Center. The Indigo Girls dominated the Newport Folk Festival during the early ’90s and were a fan favorite for most of that decade. They have played the area many, many times over the ensuing years and this recent show had 65+ musicians playing along with them. I believe this is the second (maybe third) time that they have performed this show at PPAC. Each time they present this show it is a treat. Thursday night was no exception. The “Girls” played a 17-song, two-set show that included selctions from some of their 30+ year catalogue of recordings: Swamp Ophelia, Beauty Queen Sister, Poseidon And The Bitter Bug, One Lost Day, Rites of Passage, 1200 Curfews and, of course their eponymous release Indigo Girls. Unfortunately, performing with a band of such size and type has its limitations and restrictions — no requests, no encore, much to the dismay of the screaming fans — but on the other end you hear songs with strings, brass and woodwinds like you have never heard them before. Though the orchestra rehearses the arrangements in depth before the performance, they only get a once through rehearsal with the Indigo Girls in advance. Amy Ray goofed a little during one song, she stopped and they all started over again. It was all fine and they had a laugh. The song of resistance, “Go” took on the feeling of a Bond theme with the help of the Francisco Noya and the RI Philharmonic. The biggest songs of the night were, of course, the more popular ones such as “Galileo,” which brought the first set to a close with the audience singing along so loudly it almost drowned out the large band. Other songs such as “Kid Fears,” “The Power of Two” and “Chickenman” were also big hits with the audience. There was quite a bit of “hooting and hollering,” something that you would not normally hear at an orchestral show. The musicians just happily drank it all in! No Indigo Girls show would be complete without their signature song, “Closer To Fine.” This one always has Indigo Girls turning a verse or two over to the crowd to sing and they never miss a word. That ended the 90-minute show to the dismay of the legions of fans who wanted more, but as I mentioned before there isn’t much wiggle room when an orchestra is involved! I have been a fan of the Indigo Girls since I first heard their music back in 1988. I saw them open for Neil Young around that time and they were still just performing as a duo. Though the duo is still my personal favorite incarnation I enjoy all they do and have seen them live maybe 30 or more times in 30 years. As with any musical act time takes its toll and unfortunately Emily Saliers’ voice is starting to falter a bit. She still has power and showed it by belting out a long note but her vocals were somewhat wavery. Oddly, on the other hand, Amy Ray’s voice seems to have gotten stronger and more powerful over the years. Regardless the duo still sounds great and the vocal and guitar interplay compensate for each other. Their songs are still strong and have stood the test of time. Hopefully they can endure for many years to come. That’s it for now. Thanks for reading. www.JohnFuzek.com The Roots Report: (Made-Up) Words of Wisdom: Have a little pride, people! Okee dokee folks… Last night I coined a new word, “gignity,” in reference to musicians who will play anywhere, anytime, and under any conditions for little to no pay — these people have no “gignity.” I will just say this: It is better for you and for the music community as a whole if you don’t play shitty gigs. Read on… Are you constantly searching for your lost shaker of salt? Are you inclined to wear loud shirts and grass skirts? If so, then you might be a “Parrothead” and should be in attendance at The Providence Performing Arts Center for Jimmy Buffet’s Escape To Margaritaville the musical! The plot revolves around a part-time bartender/singer who falls for a tourist. The show features music and lyrics by Buffett and runs through October 5. For more, “Bama Breeze” to PPACRI.org The Common Fence Music Series kicked off in the newly renovated Hall on Anthony Road in Portsmouth. Woody Pines played to a packed house full of folks eager to get back into the regularity of concerts in the community hall. The place has been beautifully remodeled with a large foyer and wall- sized corner windows, and the main entrance has been moved to the side with deck-like stairs and a couple of Adirondack rockers placed up top for atmosphere. An elevator has been added and the kitchen has been updated. CFM has quite a few great shows coming up! On Saturday, October 5, Radio Jarocho plays rowdy, upbeat music born in the countryside of Veracruz and mixed with the sounds of urban New York. The Fall Moon Festival returns on November 2, Front Country is November 16 and The Sweetback Sisters return on December 14 for their annual Christmas Sing-a-long show. Don’t forget the Friday Night Hope & Main shows! For more, overhaul over to commonfencemusic.org The Empire Revue, one of the best monthly shows in this state, will present its October edition on Sunday the 6th with The Wicked Show (in RI we say “wicket”). Keith Munslow and The Sparkling Beatniks always have something new brewing for each revue. Comedy, music and skits are all part of the fun, and y.ou will get plenty of bang, err, laughs, for your eight bucks! To purchase advance tickets and find out more about the show, banana over to fb.com/EmpireRevueProvidence The Knickerbocker in Westerly always has something good going on, and October is no exception. Andrew Victor curates the Folks For Now Series in The Tap Room that brings Allysen Callery on Oct 3, Thor Jenson on the 4th, and Russ Connors on the 6th. The main room hosts a Hurricane relief benefit for the Bahamas with Hope Road, a Bob Marley tribute, on October 5 and on October 6 it’s Women’s Voices 3: A Concert to Benefit the Institute for the Musical Arts Rock and Roll Camp for Girls. This show features the amazing Christine Ohlman (The Beehive Queen from SNL), Rebel Montez, Daphne Lee Martin, Arlene Wow and Sue Mead & Friends. For more, paddywack to KnickMusic.com We now have 3 billion birds fewer in this country since the ’70s; ecosystems are collapsing. The Norman Bird Sanctuary in Middletown helps the avian population by preserving and protecting habitats and providing environmental education. Every year they hold a Harvest Fair to raise money and awareness. This year, the event runs from 10am until 5pm on October 5 and 6. Bob Kendall has lined up some great music to provide a soundtrack at the fair, including Silverteeth, John Faraone, Long Trees, Smith & Weeden, and The CarLeans on Saturday; and Melissa Chaplin, Andie Belle, Mark Cutler, The Weisstronauts, and Los Duderinos on Sunday. For more, fly over to: NormanBirdSanctuary.org If you are someone who works for the weekend then you will definitely want to hear that anthem performed live at Twin River’s Event Center on Saturday, October 12. Loverboy has been “Working for the Weekend” and playing shows around the world since forming in 1978. The band includes original members Mike Reno, Paul Dean, Doug Johnson, and Matt Frenette. Ken “Spider” Sinnaeve, a former member of Dean and Frenette’s pre-Loverboy band, Streetheart, replaces the late Scott Smith on bass. To find “Heaven In Your Eyes” get to twinriver.com for more. Also coming up at the event center are The Stylistics, Harold Melvin’s Blue Notes & The Delfonics on October 11. Tiverton Four Corners presents Trio Camino, made up of guitarists David Grimes, Gregory Newton and Michael Nigro, on October 11 at The Meeting House. Their imaginative classical guitar programs are impressive. Check out what they do and Tirando to TrioCamino.com For more about the show, take the square root to FourCornersArts.org Fellswater will be making their debut at Linden Place Mansion in Bristol on Sunday, October 20, at 2pm. The Boston based Celtic band includes three Rhode island members: Chris Myers, Diane Meyers and Kyle Forsthoff. The ensemble performs a wide range of music that draws from the heritage of all the Celtic nations. For more, reel over to LindenPlace.org From the “It’s All About Me” department, I have two important shows coming up! On November 2, my band, Forever Young — A Tribute To The Music of Neil Young, performs a RARE, stripped-down (not naked), intimate (again, not naked), acoustic show at the Pumphouse Music Works in Peacedale. These performances are a blast and we have wanted to do one of these again for a long time! For more, “Hey, Hey, My, My” to ForeverYoungNeilYoungTribute.com The show that I am most excited about is the 30th anniversary celebration concert of my duo Fuzek-Rossoni at The Blackstone River Theatre on November 16. If any of you remember the ’90s folk boom, Mary Ann and I rode it high all over the East Coast and beyond.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • September 23, 2009 Quality of Life Echoes Offi Cials Aim to Fi Ll Students in Princeton Review Ranks, on South 40 Construction Plans
    Sign up for newspaper Learn all the pros and cons of ‘The The Editorial Board tackles the recent e-mail editions online at Beatles: Rock Band’ video game in controversy surrounding “Pretending.’ STUDLIFE.COM CADENZA, PAGE 8 FORUM, PAGE 4 STUDENT LIFE the independent newspaper of Washington University in St. Louis since eighteen seventy-eight Vol. 131, No. 13 www.studlife.com Wednesday, September 23, 2009 Quality of life echoes Offi cials aim to fi ll students in Princeton Review ranks, on South 40 construction plans University admins say Re-I Chin Contributing Reporter of students, also noted the role of WU took 4th in students’ feedback in the Univer- sity’s high quality of life ranking. While many students have ‘Quality of Life,’ “[Continuing to seek input of come to accept the towering our students and other University cranes, mounds of clay and 10th in best food colleagues] is the way things are inconvenient fences as a norm Lauren Olens done here—it is part of our cam- of life on the South 40, the con- Assignment Editor pus culture,” Carroll said. struction setup still begs the A Campus Services Com- question: Why is there a hole in mittee within Student Union and the South 40? Washington University offi - headed by junior Greg Schweizer So far, most students only cials expressed satisfaction last focuses on improving non-aca- have vague ideas of what the week with the school’s high demic aspects of the University, ongoing construction project quality of life rankings in the such as dining, transport, security, might bring.
    [Show full text]
  • Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
    “Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists.
    [Show full text]
  • The New Hampshire, Vol. 66, No. 2 (Sep. 9, 1975)
    the new Hampshire Volume 66 Number 2 Tuesday, September 9, 1975 " Durham, N.H. Traffic, ski team problems aired doesn’t know what’s going on. By Rich Mori There has been a lot of misinfor­ The parking problem and the mation handed out by them and elimination of the ski team dom­ the residence people; misinfor­ inated discussion at the first mation concerning parking stick­ Student Caucus meeting Sunday, ers, availability of parking, and n i g h t . the process of petition.” The Traffic Bureau’s new peo- Farnham urged all student sen­ cedure of monitoring cars by sta­ ators to tell their constituants tioning patrolmen in four booths “to see me at the student gov­ around campus, the elimination ernment office before paying of parking spaces, and the park­ what they believe are unjust ing status of cars owned by mini­ fines. I’ve seen students with dorm students has caused a $100 to $300 in fines last year great deal of confusion among and they had to pay them re­ members of the university com­ gardless of whether they had a munity. legitimate reason for parking David Famham, a member of their cars where they were Student Government who is also tagged, because the registrar can a member of the University withold their grades.” Parking and Traffic Committee Later he criticized the resi­ said that “the system of student dence office for telling large Ever have thirteen roommates? Fourteen residents of Randall Hall live in this commune type input did not work. Last semes­ numbers of perspective mini­ build-up.
    [Show full text]
  • Loggins-Messina, Chi Coltrane to Perform at University April 29
    University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 4-19-1973 Loggins-Messina, Chi Coltrane to perform at University April 29 University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Loggins-Messina, Chi Coltrane to perform at University April 29" (1973). University of Montana News Releases, 1928, 1956-present. 26491. https://scholarworks.umt.edu/newsreleases/26491 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ~---------~~news Information Services iver ity of montana missoula, montana 59801 • (406) 243-2522 IMMEDIATELY sale/pc/bb 4-19-73 local + cs + LOGGINS-~ffiSSINA, CHI COLTRANE TO PERFORM AT UNIVERSITY APRIL 29 MISSOULA ... - A double-bill show featuring recording artists Loggins and Messina and entertainer Chi Coltrane will be presented by the Program Council of the Associated Students of the Univer- sity of Montana at 8 p.m. April 29 in the Harry Adams Field House. Loggins and Messina recorded the hit single, "Your Mama Don't Dance and Your Daddy Don't Rock and Roll." Advance tickets to the April 29 show are on sale at the University Center ticket office, Mercantile Record Shop and Western Montana National Bank.
    [Show full text]
  • Ceremonial Role Events and Ticket/Pass Distributions a Public Document 1
    Agency Report of: Ceremonial Role Events and Ticket/Pass Distributions A Public Document 1. Agency Name Date Stamp California California Department of Food & Agriculture Form 802 Division, Department, or Region (if applicable) [ 32nd District Agricultural Association Designated Agency Contact (Name,Title) Ken Karns, VP Business Operations Amendment (Must Provide Explanation in Part 3.) Area Code/Phone Number E-mail Date of Original Filing: (714) 708-1500 [email protected] (month, day, year) 2. Function or Event Information Varies see spreadsht ! Yes No 2019 OC Fair Concert Series 7619 82219 !" Date(s) / / / / Provide Title/ Explanation Ticket(s)/Pass(es) provided by agency? Yes No If no: Name of Source Was ticket distribution made at the behest If yes: Yes No "!R$%&'* [ 3. Recipients tUse Section A to identify the agency’s department or unit. t Use Section B to identify an individual. t Use Section C to identify an outside organization. Number A. Name of Agency, Department or Unit of Ticket(s)/ Describe the public purpose made pursuant to the agency’s policy Passes Number B. Name of Individual of Ticket(s)/ Identify one of the following: &'* Passes Aitken, Ashleigh #$% Other Income If checking “Ceremonial Role” or “Other” describe below: 78 Job duties of the OCFEC Official require his or her attendance at the event (Policy 2.11.3.E.iii.b) #$% Other Income If checking “Ceremonial Role” or “Other” describe below: Number Name of Outside Organization C. of Ticket(s)/ Describe the public purpose made pursuant to the agency’s policy (include address and description) Passes 4. [ !!! with the requirements.
    [Show full text]
  • Atlanta Rhythm Section, Firefall, Pure Prairie League, And
    120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Media Contact: Jason Nichols [email protected] Atlanta Rhythm Section, Firefall, Pure Prairie League, and The Family Stone to nd appear at 42 Annual Norfolk Harborfest®! Don’t miss the sounds of Southern Rock Saturday featuring Atlanta Rhythm Section, Firefall, and Pure Prairie League on Saturday, June 9, 2018 AND Soul Rock Legend, The Family Stone, on Sunday, June 10, 2018. FREE * Open to the public * Rain or shine Norfolk, Virginia (November 28, 2017) – And they’re coming in hot! Norfolk Festevents is pleased to announce the first of many headliners for the 42nd Annual Norfolk Harborfest®! Beloved by locals and visitors alike, Norfolk Harborfest® is an out-of-this-world three-day love letter to all things nautical, tradition, and community. The longest-running, free maritime festival kicks off Friday, June 8, 2018. On Southern Rock Saturday, June 9, 2018, southern rock greats, Atlanta Rhythm Section, Firefall, and Pure Prairie League will get you off your feet and dancing before one of the largest fireworks show on the East Coast begins at 9:30 pm. 120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Atlanta Rhythm Section Performing on the Main Stage, Saturday, June 9, 2018 at 8:15 pm* For more than 30 years, members of The Atlanta Rhythm Section have entertained audiences all over the world with their hits. The members of Atlanta Rhythm Section originally came together as a session band 120 W.
    [Show full text]
  • JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release Date: 8/26/14
    JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release date: 8/26/14 1. The Things I Haven’t Done (Bruce Coughlan) Bruce Coughlan Music (SESAC) The opening track, by Bruce Coughlan, a talented singer-songwriter from British Columbia with whom I’ve had the privilege of collaborating over the years, captures the theme of Sixty: I’ve been blessed with an amazing life and career. As with most of us, my journey has not been without loss and sacrifice, but by and large, I’ve been able to make a living doing what I love. One of the joys in my life has been to sing on records of people I admire greatly. Singing on Rodney Crowell’s recordings since the landmark “Houston Kid,” has been a source of great pride and satisfaction for me. I was a fan of his long before our lives intersected and we became friends. Having Rod on this song means very much to me. Alison Brown - Banjo | Rodney Crowell - Background Vocal, Lead Vocal on Bridge | Danny Flowers - Harmonica | Jim Pugh - B3 Organ | Ed Toth - Drums | John Cowan - Bass | John McFee - Acoustic 6 and 12-String Guitars, Electric 12-String Guitar, Pedal Steel, Vocals 2. Why Are You Crying (Rick Roberts) Hori Pro Entertainment Group Inc. dba Sixteen Stars Music (BMI)/Reservoir 416 (BMI) After dropping out of my first year of college in Indiana (where I seemingly confused GPA with THC), I moved back to Louisville, Kentucky, to pursue “the dream.” While working in a car wash full time and playing music on the weekends, I met a budding young concert promoter by the name of Rusty Lovell.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • MSC Suffers Budget Cuts
    Montclair State University Montclair State University Digital Commons The Montclarion Student Newspapers 2-6-1974 The Montclarion, February 6, 1974 The Montclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The Montclarion, "The Montclarion, February 6, 1974" (1974). The Montclarion. 1427. https://digitalcommons.montclair.edu/montclarion/1427 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The Montclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Thurs., Feb. 6,1974 Vol. 50, No. 2 Montclair State College, Upper Montclair, NJ 07043 MSC Suffers Budget Cuts; Tuition Stable By Ann Karen McLean "Save your money -- it looks like hard tim es!'' is the advice given to MSC students from Vincent Calabrese, vice-president of administration and finance. Reflecting on Governor Brendan T, Byrne's budget recommendations for fiscal year (fy) 1975-76, Calabrese revealed that MSC's budget "w ill be short anywere from 12%-I5%." Despite the Governor's admittedly austere budget recommendations, the state has not recommended a tuition hike at the state colleges, in addition: "State Higher Education Chancellor Ralph A. Dungan has urged that New Jersey's 110,000 resident public college undergraduates be spared tuition increases this year but recommended drastic out-of-state fee hikes to discourage nonresidents from attending state schools," according to the Jan. 19 Star-Ledger. AT FIRST glance, it appears that $677,000 cut, Calabrese maintenance work w ill be done next MSC will suffer the most drastic cut approximated.
    [Show full text]
  • Your Mama Don't Dance
    Release Date: October 16, 2020 NEW RELEASE UPC: 194690259814 “Your Mama Don’t Dance” Studio Featuring musicians that frequent Sacramento, Huey Lewis CA. The Track Shack Studios, joined Chuck Bari (aka Chuck Hansen), to record this new version of Loggins & Messina’s ‘Your Mama Don’t Dance,’ featuring Huey Lewis. Anchored by former Tower of Power lead guitarist & executive producer, Jeff Tamelier, and sound engineer, Peter De Leon, the team recorded old friend Huey Lewis vox & har- monica to re-introduce this (nearly) 50-year- old classic (#5 on U.S. Billboard Chart, 1972). A chance first meeting of Huey Lewis & Chuck Hansen after one of his Broadway per- formances of the musical ‘Chicago,’ brokered by mutual friend Jeff Tamelier, led to a 2006 performance where Chuck got added to the horn section on a Lake Tahoe gig with Huey Lewis & The News. While Johnnie Bamont is Huey’s long-time bari player in The News, Chuck’s string of appearances with Huey at the AT&T Pro Am Band and parties at Clint Eastwood’s Tehama Golf Club led to recording ‘Your Mama Don’t Dance’ for charity. “If it wasn’t for COVID, I’m not sure we would have released this tune,” states Han- sen. “But, Huey’s & Jeff’s encouragement & addition of Lifehouse as our charity, motivated me to lay down a version of Jon Clarke’s bari solo from the original tune. I hope you like our mix.” Elvis Presley sang a few lines from ‘Your Mama...’ as part of a medley in 1974 for his album Recorded Live On Stage In Memphis.
    [Show full text]
  • Poco Bringing High Energy Country to MCC by Jerry Carapella Amazes Crowds with His Remarka- Ester Area
    rmonroe DOCTRNE VOLUME 15 — NUMBER 27 MONROE DOCTRINE THURSDAY, APRIL 28, 1977 Bat to open show Poco bringing high energy country to MCC by Jerry Carapella amazes crowds with his remarka- ester area. He worked his way On Wednesday night, March ble versitility. Besides playing around the city playing clubs and 4th, the MCC concert committee pedal steel Rusty is quite compe- coffee houses and soon gained a is bringing to our gym a band tent on 6 and 12 string electric strong following. Not until the whose career has spanned 8 and acoustic guitars, banjo, man- release of his most recent album, years and produced 12 albums. dolin, and dobro, he also sings "From the Blue Eagle", did he At 8:30 p.m. Rochester's own Bat and writes. The other members of gain the national recognition he McGrath will open the show for the band include Timothy B. so richly deserves. The single ABC recording artists POCO. Schmit on bass, George Gran- and album are getting plenty of Advance tickets are $3 for MCC tham on drums, and Paul Cotton air play on radio stations across students with ID'S and $5 for all on guitars. These men along with the country and Bat's career is others. Tickets are avaialbe at departed members Jim Messina, looking brighter everyday. At the MCC, Fisher, RIT, and Brockport. now with Loggins and Messina, concert Bat is sure to play his Poco originated during the late and Richie Furay, now with the rendition of "Over the Rainbow", 60s and in the words of Peter Southern, Hillman, Furay Ban, a song that is extremely popular Fornatale of WHEN-FM, N.Y., have produced an impressive with local audiences.
    [Show full text]