Studio Christian Wassmann
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Michael Portnoy CV WL 1.2.2020
Michael Portnoy (1971) Works and lives in New York (US) Education 1995 MA Performance Studies, Tisch School of the Arts, New York University, New York, US 1993 BA Comparative Literature/Creative Writing, Vassar College, New York SELECTED SOLO-EXHIBITIONS AND PERFORMANCES 2020 Progressive Touch, 3-Channel Video Installation, De Vleeshal, Middelburg (NL) URGENT, Wilfried Lentz Rotterdam (NL) 2018 Touching on Everything, steirischer herbst ’18, Graz (AT) Performance, FIAC, Paris (FR) Relational Stalinism - The Musical, American Realness, Abrons Center, NY (US) wrixling.com, online performances presented by CAC Vilnius (LT) A new performance at Hauser & Wirth, New York on November 30th: 2017 Character Assassination (performance), Akademie der Künste der Welt, Cologne (DE) Progressive Touch - Total Body Language Reprogramming (performance), KW Institute for Contemporary Art, Berlin (DE) 2016 Relational Stalinism — The Musical, 6 weeks of world-bending, Witte de With Center for Contemporary Art, Rotterdam (NL) 2015 Fiktion:POPPPAPPP, performance with Momus and Michael Portnoy, 7 pm. Haus der Kulturen der Welt, Berlin (DE) 2014 100 Beautiful Jokes, Stedelijk Museum Amsterdam(NL) 100 Beautiful Jokes, Crikoteca, Krakow (PL) 2013 Thrillochromes, Wilfried Lentz Rotterdam (NL) Thrillochromes, Nuit Blanche Paris (FR) 100 Big Entrances, Palais de Tokyo, Paris (FR) 27 Gnosis, The Kitchen, New York (US) 27 Gnosis, STUK, Leuven (BE) The Bet, A Study About Doubt, Contingency and Meaning in the Economy and in Society, Kunst Werke, Berlin (DE) (performance -
Celebrating Contemporary Art and Music from Africa in the Historic City of Évora, Portugal
Celebrating contemporary art and music from Africa in the historic city of Évora, Portugal 25 May - 25 August 2018 Preview: 25 May Évora - Portugal Omar Victor Diop, Aminata, 2013 ● More than 30 contemporary artists, musicians and performers from Africa will gather in the city of Évora in Portugal to celebrate the culture and heritage of the continent ● The contemporary art exhibition African Passions, curated by André Magnin and Philippe Boutté, will be accompanied by a music programme and concerts directed by Alain Weber and Alcides Nascimento ● Democratic Republic of Congo, Ivory Coast, Madagascar, Mali, Mozambique, Senegal, South Africa and Burkina Faso are some of the countries that will be represented in the festival ● Music and dance workshops will be part of the educational programme by the Mozambican music and dance company, the Xindiro Companhia, and by the orchestra of Ballaké Sissoko, master of the kora and Mandingue tradition From the 25 May until 25 August 2018, the Palace of the Dukes of Cadaval will present Evora Africa festival, a multicoloured and extravagant celebration of African heritage through a diverse programme of exhibitions, concerts, performances, conferences, griots and DJs, in the historic city of Évora in Portugal. With the opening on the 25 May coinciding with Africa Day, African traditions will be preserved and imparted while interlinked with the blossoming contemporary African art scene. Bringing art and music from Africa to Portugal, Evora Africa will retrace the roots and historical connections between the continents while celebrating new urban expressions and the influences on Portuguese culture. Over its 3-month duration, Evora Africa aims to strengthen the cultural bonds and exchange between Africa and Europe. -
Informazione Regolamentata N. 0149-29-2015
Informazione Data/Ora Ricezione Regolamentata n. 04 Maggio 2015 MTA 0149-29-2015 20:08:05 Societa' : EXOR Identificativo : 57616 Informazione Regolamentata Nome utilizzatore : EXORN01 - Mariani Tipologia : IRCG 01 Data/Ora Ricezione : 04 Maggio 2015 20:08:05 Data/Ora Inizio : 04 Maggio 2015 20:23:05 Diffusione presunta Oggetto : Filing of EXORs lists of candidates for corporate bodies Testo del comunicato Vedi allegato. Turin, May 4, 2015 PRESS RELEASE Filing of EXOR’s lists of candidates for corporate bodies With reference to next Annual General Meeting, which will be held on May 29th, 2015 EXOR hereby reports that the shareholder Giovanni Agnelli e C. S.a.p.az. has filed the following list of candidates for the renewal of the EXOR’s Board of Directors: Annemiek Fentener van Vlissingen (Independent Director) Andrea Agnelli Vittorio Avogadro di Collobiano Ginevra Elkann John Elkann Mina Gerowin (Independent Director) Jae Yong Lee (Independent Director) António Horta-Osório (Independent Director) Sergio Marchionne Alessandro Nasi Lupo Rattazzi Robert Speyer (Independent Director) Michelangelo Volpi (Independent Director) Ruthi Wertheimer (Independent Director) Giuseppina Capaldo (Independent Director) A group of international and domestic investment management companies and institutional investors, which owns 1.02% of EXOR shares, filed the following list: Giovanni Chiura ( Independent Director) The Company welcomes these candidacies, which, if approved by Shareholders, will allow for the election of a Board of Directors -
Rachel Howard
RACHEL HOWARD BIOGRAPHY Born 1969 in Easington, County Durham, UK Lives and works in UK EDUCATION 1989 - 1992 BA Fine Art & History or Art, Goldsmiths College, London, UK AWARDS 2008 British Council Award, London, UK 2004 Jerwood Drawing Prize, London, UK (shortlisted) FORTHCOMING SOLO EXHIBITIONS 2021 Simon Lee Gallery, London, UK SELECTED SOLO EXHIBITIONS 2019 Rachel Howard L'appel du vide, Blain Southern, New York, NY 2018 Paintings of Violence (Why I am Not a mere Christian), MASS MoCA, North Adams, MA Repetition is Truth - Via Dolorosa, Newport Street Gallery, London, UK Der Kuss, Blain Southern, London, UK 2016 Rachel Howard, MACRO Testaccio, Rome, Italy 2015 At Sea, Jerwood Gallery, Hastings, UK 2014 Northern Echo, BlainSouthern, London, UK 2011 Folie à Deux, BlainSouthern, London, UK Repetition is Truth – Via Dolorosa, Museo d’ArteContemporanea Donna Regina, Naples, Italy Still Life / Still Here. Rachel Howard. New Paintings, Sala Pelaires, Palma de Mallorca, Spain 2010 Human Shrapnel – oil drawings on paper, Other Criteria, London, UK 2009 Der Wald, Haunch of Venison, Zurich, Switzerland 2008 Rachel Howard: invited by Philippa van Loon, Museum van Loon, Amsterdam, The Netherlands (exh. cat.) How to Disappear Completely - New Work by Rachel Howard, Haunch of Venison, London, UK (exh. cat.) 2007 Fiction/Fear/Fact, Bohen Foundation, New York, NY (exh. cat.) Rachel Howard - New Paintings,Gagosian Gallery, Los Angeles, CA (exh. cat.) 2003 Guilty, Bohen Foundation, New York, NY Can’t Breathe Without You, Anne Faggionato, London, UK (exh. cat.) 2001 Painting 2001, Anne Faggionato, London, UK (exh. cat.) 1999 Rachel Howard: New Paintings, A22 Gallery, London, UK SELECTED GROUP EXHIBITIONS 2020 I WANT TO FEEL ALIVE AGAIN, Lyles and King, New York, NY MOVING ENERGIES – 10 years, me Collectors Room, Berlin, Germany Received Wisdom, Sunderland Museum and Winter Gardens, Arts Council Collection, UK A Dreadful Day, Paul Stolper Gallery, London, UK 2019 Galerie Simpson: Selection Box, Pallant House, Chichester, UK Birth, T. -
Press Release (PDF)
G A G O S I A N G A L L E R Y 14 December 2015 My camera and I, together we have the power to confer or to take away. —Richard Avedon They always say that time changes things, but you actually have to change them yourself. —Andy Warhol Gagosian London is pleased to present the first major exhibition to pair works by Richard Avedon and Andy Warhol. Both artists rose to prominence in postwar America with parallel artistic output that occasionally overlapped. Their most memorable images, produced in response to changing cultural mores, are icons of the twentieth century. Portraiture was a shared focus of both artists, and they made use of repetition and serialization: Avedon through the reproducible medium of photography, and in his group photographs, for which he meticulously positioned, collaged, and reordered images; Warhol in his method of stacked screenprinting, which enabled the consistent reproduction of an image. Avedon’s distinctive gelatin-silver prints and Warhol's boldly colored silkscreens variously depict many of the same recognizable faces, including Marella Agnelli, Bianca Jagger, Jacqueline Kennedy, Marilyn Monroe, and Rudolf Nureyev. Both Avedon and Warhol originated from modest beginnings and had tremendous commercial success working for major magazines in New York, beginning in the 1940s. The 1960s marked artistic turning points for both artists as they moved away increasingly from strictly commercial work towards their mature independent styles. The works in the exhibition, which date from the 1950s through the 1990s, emphasize such common themes as social and political power; the evolving acceptance of cultural differences; the inevitability of mortality; and the glamour and despair of celebrity. -
Fondazione Pinacoteca Del Lingotto Giovanni E Marella Agnelli
Fondazione Pinacoteca del Lingotto Paranormal Un vivo ringraziamento a tutti i prestatori delle opere Giovanni e Marella Agnelli Tony Oursler vs Gustavo Rol in mostra e, in particolare a / A warm thank you to the 3 novembre 2017 – 25 febbraio 2018 lenders of the artworks and in particular to: November 3, 2017 – February 25, 2018 Fondatori / Founders Pinacoteca Giovanni e Marella Agnelli Tony Oursler Giovanni Agnelli Giovanna Demeglio Marella Caracciolo Agnelli A cura di / Curated by Laura Russo, Sotheby’s Margaret Agnelli De Pahlen Paolo Colombo Museo di antropologia criminale “Cesare Lombroso”, John Elkann Sistema museale di ateneo, Università di Torino Lapo Elkann Direzione della Mostra / Director of the Exhibition Ginevra Elkann Marcella Pralormo e a tutti i collezionisti privati che preferiscono mantenere Paolo Fresco l’anonimato / and the private collectors who do not wish Gianluigi Gabetti Progetto di allestimento / Exhibition Design to be mentioned. Francesca Gentile Camerana Marco Palmieri Franzo Grande Stevens Alessandro Nasi Collaborazione all’organizzazione della mostra Un ringraziamento speciale a Maria Luisa Giordano e alla comunicazione / Collaboration to the organization per l’aiuto / A special thank you to Maria Luisa Giordano of the exhibition and to communication: for her kind help. Comitato Direttivo / Board of Directors ARTECO: Beatrice Zanelli, Marta Di Vincenzo Presidente Onorario / Honorary President Organizzazione presso lo studio di Tony Oursler / PARTNER Marella Caracciolo Agnelli Organization at Tony Oursler’s -
Film Lions Winners Cat
Film Lions Winners Cat. No Entry No Title Advertiser Product Entrant / Agency Country Production Company Prize A15/098 02973 100 LEICA GALLERY LEICA F/NAZCA SAATCHI & BRAZIL STINK Sao Paulo Grand Prix SÃO PAULO INSTITUTIONAL SAATCHI São Paulo C01/019 01014 UNSKIPPABLE: FAMILY LONG GEICO INSURANCE THE MARTIN AGENCY USA PARK PICTURES Grand Prix FORM 01 Richmond New York A02/034 02695 PROUDLY SEEKING PLEASURE UNILEVER MAGNUM LOLA LOWE & PARTNERS SPAIN PROPAGANDA Gold Lion Madrid PRODUCCIONES Madrid A03/006 00815 MADE OF BLACK DIAGEO GUINNESS AMV BBDO London / UNITED KINGDOM ROGUE London Gold Lion BBDO SOUTH AFRICA Johannesburg A04/090 00775 MADE IN NY GATORADE GATORADE TBWA\CHIAT\DAY Los USA SMUGGLER Los Gold Lion Angeles Angeles, CA A06/008 00778 DADSONG OLD SPICE PERSONAL CARE WIEDEN+KENNEDY USA BISCUIT Gold Lion Portland FILMWORKS Los Angeles A08/024 01091 RIPPLE NIKE GOLF APPAREL AND WIEDEN+KENNEDY USA BISCUIT Gold Lion FOOTWEAR Portland FILMWORKS Los Angeles / JOINT EDITORIAL Portland / THE MILL Los Angeles A12/024 00460 BEDS IKEA BEDROOM HOME MOTHER London UNITED KINGDOM MJZ LONDON Gold Lion FURNISHINGS / RETAIL C01/045 03230 #LIKEAGIRL PROCTER & ALWAYS LEO BURNETT TORONTO CANADA CHELSEA PICTURES Gold Lion GAMBLE / LEO BURNETT Los Angeles CHICAGO / LEO BURNETT LONDON / HOLLER London D01/005 00598 BETWEEN TWO FERNS WITH WHITE HOUSE HEALTHCARE.GO FUNNY OR DIE Los USA Gold Lion ZACH GALIFIANAKIS: V Angeles PRESIDENT BARACK OBAMA D01/041 02652 THE GAME BEFORE THE GAME BEATS BY DR. BEATS SOLO2 R/GA LONDON UNITED KINGDOM THE SWORD FIGHT Gold -
Vogue on Yves Saint Laurent
Model Carrie Nygren in Rive Gauche’s black double-breasted jacket and mid-calf skirt with long- sleeved white blouse; styled by Grace Coddington, photographed by Guy Bourdin, 1975. Linda Evangelista wears an ostrich-feathered couture slip dress inspired by Saint Laurent’s favourite dancer, Zizi Jeanmaire. Photograph by Patrick Demarchelier, 1987. At home in Marrakech, Yves Saint Laurent models his new ready-to-wear line, Rive Gauche Pour Homme. Photograph by Patrick Lichfield, 1969. DIOR’S DAUPHIN FASHION’S NEW GENIUS A STYLE REVOLUTION THE HOUSE THAT YVES AND PIERRE BUILT A GIANT OF COUTURE Index of Searchable Terms References Picture credits Acknowledgments “CHRISTIAN DIOR TAUGHT ME THE ESSENTIAL NOBILITY OF A COUTURIER’S CRAFT.” YVES SAINT LAURENT DIOR’S DAUPHIN n fashion history, Yves Saint Laurent remains the most influential I designer of the latter half of the twentieth century. Not only did he modernize women’s closets—most importantly introducing pants as essentials—but his extraordinary eye and technique allowed every shape and size to wear his clothes. “My job is to work for women,” he said. “Not only mannequins, beautiful women, or rich women. But all women.” True, he dressed the swans, as Truman Capote called the rarefied group of glamorous socialites such as Marella Agnelli and Nan Kempner, and the stars, such as Lauren Bacall and Catherine Deneuve, but he also gave tremendous happiness to his unknown clients across the world. Whatever the occasion, there was always a sense of being able to “count on Yves.” It was small wonder that British Vogue often called him “The Saint” because in his 40-year career women felt protected and almost blessed wearing his designs. -
Press Release
Simon Starling A-A’, B-B’ 15 October 2019 - 11 January 2020 Galleria Franco Noero is pleased to announce the opening A-A’, B-B’, the sixth solo exhibition by Simon Starling and the first to be shown in the spaces of Piazza Carignano 2. This expansive new body of work is composed of an intricate network of objects and images held together by physical transformations, juxtapositions, historical facts, speculation and the artist’s own brand of logic. The exhibition is, in part, inspired by the elaborate 18th century interior of the exhibition space it will occupy on Piazza Carignano. The project is in two parts. An exhibition currently happening at the Modern Institute in Glasgow until the end of October, followed by the one in Piazza Carignano. The exhibition’s title, A-A’, B-B’, refers to two cuts made approximately two hundred years apart, through two very different objects – Giambattista Tiepolo’s painting The Finding of Moses and a blue Fiat 125 Special, which was a favourite car of Giovanni Agnelli, the former head of the Turin- based manufacturer and an influential Italian industrialist. Starling’s ability to identify connections in seemingly disparate narratives ties the story of the cutting of The Finding of Moses to the Fiat supremo. The Finding of Moses, painted circa 1736–38, takes a humble biblical story and glamorously restages it in the context of, what appears to be, 17th century courtly splendour with all the accompanying trappings; ladies-in-waiting, halberdiers, dwarfs and sylphlike greyhounds. Even the lowly halberdiers are dressed in noble finery. -
Shortlist (Film Craft Lions)
Shortlist (Film Craft Lions) Cat. No Entry Title Client Product Entrant Company Country No A01 (Direction) A01/012 20011 FEVICOL - DAHI PIDILITE ADHESIVES CORCOISE FILMS Mumbai INDIA HANDI INDUSTRIES A01/015 20403 PAPER AMERIAN HONDA HONDA RPA Santa Monica USA MOTOR CO. A01/018 20189 BECOMING H&M H&M ADAM&EVEDDB London UNITED BECKHAM KINGDOM A01/019 20190 TINY DANCER JOHN LEWIS PREMIER HOME ADAM&EVEDDB London UNITED INSURANCE INSURANCE KINGDOM A01/020 20191 THE MAN ON JOHN LEWIS JOHN LEWIS ADAM&EVEDDB London UNITED THE MOON KINGDOM A01/022 20310 CLOSE TO HOME AT&T AT&T BBDO New York USA A01/066 20377 UNDER ARMOUR UNDER ARMOUR UNDER ARMOUR DROGA5 New York USA RULE YOURSELF A01/081 20250 HOME FOR EDEKA ZENTRALE EDEKA JUNG von MATT Hamburg GERMANY CHRISTMAS & CO. KG A01/082 20027 CILLIT BANG CILLIT BANG CILLIT BANG'S PARTIZAN Paris FRANCE 'THE MECHANIC' CLEANING PRODUCTS. A01/083 20058 AMBUJA KHALI AMBUJA CEMENT AMBUJA CEMENT EARLY MAN FILMS INDIA Mumbai A01/088 20649 VOODOO IN MY VIRGIN RECORDS MASSIVE ATTACK RATTLING STICK London UNITED BLOOD FT. YOUNG KINGDOM FATHERS A01/091 21277 FRONT SEAT KOHL'S KOHL'S PARK PICTURES New York USA A01/093 21281 MOVIE NIGHT KOHL'S KOHL'S PARK PICTURES New York USA A01/112 20714 ULTIMATE SEA SHEPHERD ANTI WHALING THE WORKS SYDNEY AUSTRALIA DEATH SCENE AUSTRALIA A01/120 21517 FLETCHER'S AT&T - IT CAN WAIT ITCANWAIT.COM SMUGGLER New York USA DRIVE A01/137 21351 YOU'RE ALIVE HORNBACH DIY HOME HEIMAT Berlin GERMANY IMPROVEMENT SUPERSTORES A01/154 20248 NSPCC - NSPCC CHARITY KNUCKLEHEAD London UNITED ASTRONAUT -
Ugo Rondinone in Boijmans Van Beuningensee Page 7
Art Rotterdam Week 10 - 14 February 2016 1 Ugo Rondinone in Boijmans Van Beuningen see page 7 A Home from Detroit ULAY in Nederlands at Art Rotterdam Fotomuseum see page 5 Ryan Mendoza demolishes and rebuilds see page 4 Momu & No Es, Highway (video still),2015 Anthony Nestel, first Artist-in-Residence at AVL-Mundo/Atelier Van Lieshout Charlemagne Palestine, photo Agnès Gania TENT, Digital technology AVL Mundo open Performance artists in in our daily life see page 6 to the public see page 5 Witte de With see page 6 Art Rotterdam Week 10 - 14 February 2016 2 Art Rotterdam Week 10 - 14 February 2016 Introduction film Art Rotterdam makes Perfect start for a fair visit Van Nellefabriek New this year is an introduction the city sparkle film, compiled by art critic and writer Hans den Hartog Jager. In this film Den Hartog Jager among A festival week concen- others illustrates his personal Main Section international highlights of the fair and puts these trated at three places into an art-historical frame. The galleries show the most recent film is shown in a separate space at Free shuttle busses operate between the Intersections. Van Nelle Fabriek, AVL-Mundo, Museum developments in visual art Quarter and Wilhelminapier. xxxxxxxxxxx Use the Artsy App at Art Rotterdam From February 4, 2016 all art works that will be presented at Art Intersections Patty Morgan Rotterdam are also available online Radio at the art platform Artsy.net. Visit Introductiefilm artsy.net/art-rotterdam-2016 or Detroit huis download the Artsy App for iPhone and iPad. -
Redefining Brand Identity – Case Bobbyhouston
Redefining brand identity – Case BobbyHouston Elina Sotaniemi Bachelor’s Thesis Degree Programme in International Business 2016 Abstract Date Author Elina Sotaniemi Degree programme International Business Report/thesis title Number of pages and appendix pages Redefining brand identity – Case BobbyHouston 32 + 8 The purpose of this product thesis is to build a theoretically based framework and analysis that enables a better understanding of corporate rebranding processes among small compa- nies. Corporate rebranding is created as tangible manual concentrating on changes to corpo- rate identity, visual elements, position, name and logo as well as perception, competitive ad- vantage and value proposition. The theoretical background and competition analysis is based on literary of brand identity, rebranding and internal branding. Goals are to elaborate and gain knowledge on the important factors in rebranding process in order to better build the rebranding manual as a separate product for case company Bobby- Houston. The scope is kept narrow, based on theory, analysis of competition and interviews to better provide a deeper understanding of the product as a whole. As mentioned interviews were conducted to support the rebranding manual and they were carried out logically to clarify case company’s current identity, needs and market situation. They opened the door to the company and gave necessary information in order to create a sufficient manual. In conclusion the theory base, analysis and rebranding manual will serve as a tool to build and develop BobbyHouston new brand even further and to help them better communicate internally and externally. It is advised to strengthen brand awareness as well as brand mes- sage they deliver to their target audience to be able to strengthen their brand identity at the same time.