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Bompiani Fall Rights List
BOMPIANI FALL RIGHTS LIST 2019 1 Fall 2019 rights list 2 BOMPIANI HIGHLIGHTS Arianna Farinelli American Gothic 8 MUNIZIONI Daphne Caruana Galizia Speak the Truth Even if Your Voice Shakes 9 FICTION Emanuele Altissimo Light Stolen from the Day 13 Marta Barone Submerged City 14 Zoya Barontini Chronicles from the Dust 15 Gianfranco Calligarich Last Summer in Town 16 Andrea Camilleri Now Tell Me About You 17 Giulia Caminito A Day Will Come 18 Paola Capriolo Marie and Herr Mahler 19 Mario Fortunato The Innocent Days of War 20 South 21 Cristiano Governa The Clarissine Strategy 22 Loredana Lipperini Black Magic 23 Claudio Morandini The Swayers 25 Lia Piano Planimetry of a Happy Family 26 Bianca Pitzorno The Dream of the Sewing Machine 27 Roberto Piumini Brod’s Rose 28 Pino Roveredo We Could Use a Saxophone 29 Francesca Scotti Vital Capacity 30 Antonio Scurati M- Son of the Century 31 Igiaba Scego The Colour Line 32 Flavio Soriga In My Veins 33 MODERN Corrado Alvaro Man in the Maze CLASSICS 34 Man is Strong 35 Cesare Brandi Lands of Italy 36 Alberto Moravia The Leopard Woman 37 Poems 38 Guido Piovene The Furies 39 BOMPIANI NON FICTION BOMPIANI YOUTH BOOKS PHILOSOPHY Annalisa Ambrosio Plato. How Pain Changes the World 42 CHILDREN Mario Bellini Design Explained to Children 62 & LITERATURE & YA Marino Niola To Become Don Juan 43 Chiara Carminati Out of Focus 63 Travel, Verse 64 Nicola Cinquetti The Giro of 1944 65 REFLECTING Guido Barbujani A Beginners’ Primer of Genetics 44 ON OUR TIME Carlo Collodi Pinocchio 66 Stefano Bartezzaghi Banality. -
ITALIAN BOOKSHELF Edited by Dino S
ITALIAN BOOKSHELF Edited by Dino S. Cervigni and Anne Tordi As of the 2008 issue, book reviews are published exclusively online. Please visit the journal’s website for the complete text: www.ibiblio.org/annali GENERAL & MISCELLANEOUS STUDIES Joshua Arthurs. Excavating Modernity. The Roman Past in Fascist Italy. Ithaca: Cornell University Press, 2012. Pp. 216. During the interwar period, Europeans evinced a common interest towards antiquity. The revival, christened classicism, manifested itself in arts, literature, architecture, and in a growing interest in the study of antiquity. Classicism served many purposes: on the one hand, the totalitarian regimes found its monumentality useful in architecture to convey the state’s authority. On the other hand, in a Europe that was painfully recovering from the disasters of the First World War, classicism represented a “return to order,” a conservative reaction after the avant-garde experiments of the prewar period, the continuity of the Western cultural heritage, and stability in the midst of the crisis provoked by modernity. Joshua Arthurs’s book concerns the cult of ancient Rome, — romanità — in Fascist Italy during the entire twenty-year period that Mussolini was in power. The introductory chapter deals with the idea of Rome from the second half of the 19th century until Mussolini’s seizure of power, and with Italy’s cultural life in the early twentieth century. Successively, Arthurs concentrates on four important topics, namely, the Institute of Roman Studies, the urban planning of Rome, the Emperor Augustus exhibition, and the question of race, to each of which he dedicates a chronologically organized chapter. -
JONAS of the SEQUOIAS Big Ancient Sequoias of Italy
JONAS OF THE SEQUOIAS Big Ancient Sequoias of Italy A project by Tiziano Fratus Sequoias arrived in Europe between 1840 and 1853. The first trees planted in the north of the country was in 1848, on the Burcina Hill (Bric Burcina) by Giovanni Piacenza, at the beginning history of the local botanic park; five specimens of Sequoia sempervirens planted to celebrate the enactment of Statuto Albertino, the first important Constitution the will be adopted also by the successive unified Reign of Italy (1861). For what concern the first Sequoiadendron giganteum arrived in Italy we don’t have documents but we know they arrived in the ‘50es and ‘60es of the XIX Century in some north region as Piemonte, Lombardia, Veneto, Friuli, Trentino and Tuscany. Today, more than 150 years after, we could count sequoias in almost all the regions: Valle d’Aosta, Piedmont, Liguria, Lombardia, Veneto, Trentino Alto Adige, Friuli Venezia Giulia, Toscana, Emilia Romagna, Marche, Lazio, Abruzzo, Molise, Campania, Basilicata, Calabria, Sicilia and Sardinia. Centenarian Specimens are placed in Valle d’Aosta, Piedmont, Lombardia, Veneto, Friuli Venezia Giulia, Trentino Alto Adige, Tuscany, Basilicata. The most giants Trees are in Piedmont: tallest are the five sequoias in Park Burcina in Pollone, ranging 50 meters of Height, a few kilometers from Biella, the largest is one of the two big Giant Sequoias of a private garden in Roccavione, in the province of Cuneo, with the trunk circumference equal to 11 meters and 80 centimeters, at the base 16 meters and 10 centimeters. The bigger concentration is in the woody Heart of Tuscany, at Reggello, 30 kilometers south of Florence; there, on the hill conducting to the Castle, you could meet more than 200 redwoods, some secular and some young. -
Brooklyn College of the City University of New York
Journal of Italian Translation is an interna- Editor tional journal devoted to the translation of liter- Luigi Bonaffini ary works from and into Italian-English-Italian dialects. All translations are published with the original text. It also publishes essays and reviews Associate Editors Gaetano Cipolla dealing with Italian translation. It is published Michael Palma twice a year. Joseph Perricone Submissions should be in electronic form. Translations must be accompanied by the orig- Assistant Editor inal texts, a brief profile of the translator, and a Paul D’Agostino brief profile of the author. Original texts and translations should be on separate files. All Copy Editor submissions and inquiries should be addressed Alessandro Zammataro to [email protected] Editorial Board Book reviews should be sent to Paolo Adria Bernardi Spedicato [email protected] Geoffrey Brock Franco Buffoni Website: www.jitonline.org Barbara Carle Peter Carravetta Subscription rates: John Du Val U.S. and Canada. Individuals $30.00 a year, Luigi Fontanella $50 for 2 years. Anna Maria Farabbi Institutions $35.00 a year. Rina Ferrarelli Irene Marchegiani Single copies $18.00. Francesco Marroni For all mailing abroad please add $15 per Sebastiano Martelli issue. Payments in U.S. dollars. Make checks Anthony Molino payable to Journal of Italian Translation, Dept. Stephen Sartarelli of Modern Languages and Literatures, 2900 Cosma Siani Bedford Ave. Brooklyn, NY 11210. Marco Sonzogni Paolo Spedicato Journal of Italian Translation is grateful to Joseph Tusiani the Sonia Raiziss Giop Charitable Foundation Lawrence Venuti Pasquale Verdicchio for its generous support. Paolo Valesio Journal of Italian Translation is published Antonio Vitti under the aegis of the Department of Modern Languages and Literatures of Brooklyn College of the City University of New York.