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Bealby; a Holiday
HANDBOUND AT THE UNIVERSITY OF TORONTO PRESS BE ALBY BY THE SAME AUTHOR THE TIME MACHINE THE WONDERFUL VISIT THE WHEELS OF CHANCE THE ISLAND OF DOCTOR MOREAU THE COUNTRY OF THE BLIND (Short Stories) THE INVISIBLE MAN THE WAR OF THE WORLDS LOVE AND MR. LEWISHAM THE FIRST MEN IN THE MOON THE SEA LADY ANTICIPATIONS THE FOOD OF THE GODS IN THE DAYS OF THE COMET A MODERN UTOPIA KIPPS NEW WORLDS FOR OLD THE FUTURE IN AMERICA THE WAR IN THE AIR TONO BUNGAY ANN VERONICA THE HISTORY OF MR. POLLY THE NEW MACHIAVELLI MARRIAGE THE PASSIONATE FRIENDS THE WIFE OF SIR ISAAC HARMAN AN ENGLISHMAN LOOKS AT THE WORLD THE WORLD SET FREE B E A LB Y A HOLI'DAY ,X BY H. G. WELLS METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON First Published in 1915 PR 5774 DEDICATION AND NOTE TO THE READER irresistible impulse made me give a lead- to a Lord Chancellor ANing part in this story who delighted in Hegel. I fought against in the it, in vain. Well I knew that there was world a Lord Chancellor who read Hegel and was in no other respect like my Lord Chancellor. No one who knows the real man will for a moment is meant for imagine that my figure him, are physically, temperamentally they absolutely unlike. But there is always that provincial " " fool who reads behind the lines and who and "cari- is always detecting "portraits" catures" in innocently creative work. Him, " not take I warn. You may say, But why it Lord Chief out the figure, alter it, make other mental Justice for example, give it some " habit than the Hegelian ? That shows you know nothing of the art of fiction. -
Tono Bungay by H. G. Wells
Tono Bungay By H. G. Wells 1 BOOK THE FIRST THE DAYS BEFORE TONO-BUNGAY WAS INVENTED CHAPTER THE FIRST OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY I Most people in this world seem to live "in character"; they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than "character actors." They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have played the part. But there is also another kind of life that is not so much living as a miscellaneous tasting of life. One gets hit by some unusual transverse force, one is jerked out of one's stratum and lives crosswise for the rest of the time, and, as it were, in a succession 2 of samples. That has been my lot, and that is what has set me at last writing something in the nature of a novel. I have got an unusual series of impressions that I want very urgently to tell. I have seen life at very different levels, and at all these levels I have seen it with a sort of intimacy and in good faith. I have been a native in many social countries. I have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks--the unjustifiable gifts of footmen--in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and--to go to my other extreme--I was once--oh, glittering days!--an item in the house-party of a countess. -
The New Machiavelli
THE NEW MACHIAVELLI by H. G. Wells CONTENTS BOOK THE FIRST: THE MAKING OF A MAN CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN CHAPTER THE SECOND ~~ BROMSTEAD AND MY FATHER CHAPTER THE THIRD ~~ SCHOLASTIC CHAPTER THE FOURTH ~~ ADOLESCENCE BOOK THE SECOND: MARGARET CHAPTER THE FIRST ~~ MARGARET IN STAFFORDSHIRE CHAPTER THE SECOND ~~ MARGARET IN LONDON CHAPTER THE THIRD ~~ MARGARET IN VENICE CHAPTER THE FOURTH ~~ THE HOUSE IN WESTMINSTER BOOK THE THIRD: THE HEART OF POLITICS CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN CHAPTER THE SECOND ~~ SEEKING ASSOCIATES CHAPTER THE THIRD ~~ SECESSION CHAPTER THE FOURTH ~~ THE BESETTING OF SEX BOOK THE FOURTH: ISABEL CHAPTER THE FIRST ~~ LOVE AND SUCCESS CHAPTER THE SECOND ~~ THE IMPOSSIBLE POSITION CHAPTER THE THIRD ~~ THE BREAKING POINT Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com BOOK THE FIRST: THE MAKING OF A MAN Downloaded from https://www.holybooks.com CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN 1 Since I came to this place I have been very restless, wasting my energies in the futile beginning of ill- conceived books. One does not settle down very readily at two and forty to a new way of living, and I have found myself with the teeming interests of the life I have abandoned still buzzing like a swarm of homeless bees in my head. My mind has been full of confused protests and justifications. In any case I should have found difficulties enough in expressing the complex thing I have to tell, but it has added greatly to my trouble that I have a great analogue, that a certain Niccolo Machiavelli chanced to fall out of politics at very much the age I have reached, and wrote a book to engage the restlessness of his mind, very much as I have wanted to do. -
The Ad-Man As Narrative Negotiation Between Art, Desire, and Consumer
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Soliciting desire: the ad-man as narrative negotiation between art, desire, and consumer capitalism in twentieth-century novels Jessica McKelvie Kemp Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Kemp, Jessica McKelvie, "Soliciting desire: the ad-man as narrative negotiation between art, desire, and consumer capitalism in twentieth-century novels" (2007). LSU Doctoral Dissertations. 1486. https://digitalcommons.lsu.edu/gradschool_dissertations/1486 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SOLICITING DESIRE: THE AD-MAN AS NARRATIVE NEGOTIATION BETWEEN ART, DESIRE, AND CONSUMER CAPITALISM IN TWENTIETH-CENTURY NOVELS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jessica McKelvie Kemp B.A., Drury University, 1998 M.A., University of Rochester, 2000 May 2007 Acknowledgements I would never have thought to embark upon a Ph.D. without the encouragement and support I received from Dr. Peter Meidlinger and Dr. Thomas Austenfeld at Drury College; I give great thanks to both of them for getting me started. Additional thanks are due to Dr. -
The Theme of Man's Instinctual Life in Selected
by Roger Bowon B.A. (~ons) Cambridge University, 1965 A TICSIS Srn~E'l'Trn IN PttPTIAL mmmn OF THE REQUIR@~I~SFOX TEE DEGREE OF NASTER OF iL9TS in the Department 0 f %lish 0 Roger Sowen 1968 SIMON FRASER UITIVXRSITY July 1968 Senior Supervisor &mining Connittee Wining Coimittoe PARTTAL COPYRIGIIT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Sttldies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/~issertation: Author: (signature ) (name ) (date) In the General Introduction to the Atlantic Edition Wells defines his work as %xperinents in statementtt. This study works forward from a consideration of Wells as a tlphilosophe of the Darwinian &gelt (H.G. Wells and the World State, agar) and of his concept of the temporary texperimentt of evolution to a textual analysis of his literary experiment, which he assumed was doomed to a similar impermanence. The primary metaphysic which emerges from Wellsts scientific background, the philosophical meat and drink" (Magar) derived from Darwin and Hdey, is a recognition of the vulnerability of human nature, composed as it is of an acquired %oral senseI1, and a recognition also of an inbred instinctual life, a kind of biological stain with its source in mants animal origins. -
The Goodreads “Classics”: a Computational Study of Readers, Amazon, and Crowdsourced Amateur Criticism Melanie Walsh and Maria Antoniak
Journal of April 20, 2021 Cultural Analytics The Goodreads “Classics”: A Computational Study of Readers, Amazon, and Crowdsourced Amateur Criticism Melanie Walsh and Maria Antoniak Melanie Walsh, Cornell University Maria Antoniak, Cornell University Peer-Reviewer: Katherine Bode Data Repository: 10.7910/DVN/GJYYKE A B S T R A C T This essay examines how Goodreads users define, discuss, and debate “classic” literature by computationally analyzing and close reading more than 120,000 user reviews. We begin by exploring how crowdsourced tagging systems like those found on Goodreads have influenced the evolution of genre among readers and amateur critics, and we highlight the contemporary value of the “classics” in particular. We identify the most commonly tagged “classic” literary works and find that Goodreads users have curated a vision of literature that is less diverse, in terms of the race and ethnicity of authors, than many U.S. high school and college syllabi. Drawing on computational methods such as topic modeling, we point to some of the forces that influence readers’ perceptions, such as schooling and what we call the classic industry — industries that benefit from the reinforcement of works as classics in other mediums and domains like film, television, publishing, and e-commerce (e.g., Goodreads and Amazon). We also highlight themes that users commonly discuss in their reviews (e.g., boring characters) and writing styles that often stand out in them (e.g., conversational and slangy language). Throughout the essay, we make the case that computational methods and internet data, when combined, can help literary critics capture the creative explosion of reader responses and critique algorithmic culture’s effects on literary history. -
“When Men Think They Are Like Gods They Are Usually Much Less Than Men Being Conceited Fools”
“When men think they are like gods they are usually much less than men being conceited fools”. (D. H. Lawrence, “Men Like Gods” In a letter to Eileen Garrett, dated 14 April 1962, Huxley refers to a forthcoming talk in New York at the American Academy of Arts and Letters and the National Institute of Arts and Letters, scheduled for 24 May1. Apparently he was part of the "distinguished gathering of authors, artists and composers"2 honored by the two affiliated societies. His address, published in the following year, consists of two parts: the first deals with the genesis of Brave New World as a parody of Men Like Gods; the longer second part classifies the various types of literary utopia, and serves to remind us of Huxley's wide reading and life-long interest in the genre. One might be surprised to see, in the first sentence of the essay, that Huxley incorrectly refers to the publication date of Men Like Gods as 1930, fully seven years after it had appeared. Now, despite Huxley's assertion above that he started Brave New World as a direct satiric reply to Men Like Gods, and notwithstanding George Orwell's convincing suggestion that the parodic source of both Brave New World and his own Coming up forAir (1939) was Wells's 1923 utopia "of enlightened sunbathers whose sole topic of conversation is their own superiority to their ancestors,3" surely Huxley's slip is solid enough basis for the speculation that he did not limit himself to Men Like Gods for inspiration. -
The Wells Circle
The Wells Circle Arnim, Elizabeth von (1866-1941), novelist. Chiefly remembered today for Elizabeth and her German Garden (1898), she met HGW in late 1910 and began an affair with him which continued until 1912. His nickname for her was 'Little e'. In 1916 she married John Francis Russell, brother of Bertrand Russell, and continued to write novels, including Vera (1921) and The En chanted April (1923). She is portrayed as 'Mrs Harrowdean' in HGW' s novel Mr Britling Sees It Through. Bagnold, Enid (1889-1981 ), novelist and playwright. She and HGW met in 1916 and began a lifelong friendship. She served as a nurse in the First World War and wrote an account of her experiences, Diary Without Dates (1917). Her most well known work is the novel National Velvet (1935). Barrie, Sir James Matthew (1860-1937), novelist and playwright. The author of a number of successful novels, including A Window in Thrums, Margaret Ogilvy and Sentimental Tommy, Barrie met HGW in 1898 and the two began a lifelong friendship. It was Barrie's When a Man's Single (1888) which provided HGW with the inspiration to write articles on everyday topics instead of philosophical ideas and thus helped to launch him on his lit erary career (cf. Experiment in Autobiography, pp. 371-4). Baxter, William (1860-1934), local historian. HGW and Baxter's wife were fellow pupils at Mrs Knott's dame school in Bromley. Baxter later became a respected local historian, writing numerous articles on Bromley. He wrote a 32-page manuscript on HGW, now deposited at Bromley Library, and frequently wrote to HGW requesting biographical information. -
The Open Conspiracy
THE OPEN CONSPIRACY by H. G. Wells Summary: 'The Open Conspiracy' was Wells' 'Blue print for a world revolution'; he regarded this book as his finished statement on the way the world ought to be ordered. Possibly he underestimated, or ignored, the fact that it is often in the interest of subsets of the human race to act against other subsets. Moreover the emphasis on religion seems odd, from a rationalist. Introduction: H. G. Wells (1866-1946) entirely by chance came across an application form to study under T. H. Huxley; after his education in London, and writing a biology textbook, he became a prolific writer of fiction, first gaining widespread fame with 'The Time Machine' in 1895; he wrote humorous novels based on his own life (The Wheels of Chance, Kipps..) and in 1900 published 'Anticipations of the Reaction of Mechanical and Scientific Progress on Human Life and Thought' based on lectures at the Royal Institution, where Faraday and others had lectured. After the First World War, observing the lack of knowledge of most people about most things, he turned to history, starting, in 1918, his 'Outline of History' first published in parts with 'gorgeous' covers, then in 1920 as a two-volume work including colour plates of a lavish nature for the time. In effect it was jointly authored - his chapters were sent to collaborators, and the resulting multiple corrections reassembled by the duly-chastened Wells. A 'popular' one volume edition appeared in 1930. By the standards of its time this was a best-seller. It was praised decades later by A J P Taylor as 'still the best introduction to history'.