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OJ) E G N r R Ë N^url 0 N A L OMUIft, oMt eu# t UN BON PATRIOTE ? OSBORNE ■au DIRECTION ANTOINE VITEZ Vagenende 1900 La Brasserie du Présent UN BON HUITRES COQUILLAGES PATRIOTE ? FOIE GRAS de John OSBORNE Adaptation de Pol QUENTIN Coréalisation du Théâtre national de l'Odéon et du Théâtre des Célestins avec la participation de la Comédie-Française au Théâtre national de l'Odéon du 24 janvier au 26 février 1989 Mise en scène Jean-Paul LUCET Décous et costumes Philippe BINOT CUISINE TRADITIONNELLE Lumière Jean-Michel BAUER BRASSERIE Son André SERRÉ Duel et bagarre Christian GONON Chorégraphie Brigitte MAZÈRES DÉJEUNERS - DINERS - SOUPERS TOUS LES JOURS JUSQU'A 1 H DU MATIN Les squelettes figurant dans la scène du bal ont été aimablement prêtés par la maison Proscience Les décors ont été réalisés dans les ateliers de la ville de Lyon sous la direction de M. Georges Audin et de M. Joseph Granjean Pour vos réservations AS Perruques Denis Poulin Chaussures Pompéi 66 .26 142. boulevard Saint-Germain - Paris A3 avec par ordre d'entrée en scène Jean-Pierre BOUVIER Pensionnaire de la Comédie-Française Alfred liedl Jean-Yves DUBOIS Pensionnaire de la Comédie-Française Lieutenant August Siczynski, un jeune homme, Paul, lieutenant Stefan Kovacs, lieutenant Victor Jerzabek Christian GONON Steinbauer Frédéric Van Den DRIESSCHE Ludwig Max von Kupfer André FALCON Sociétaire honoraire de la Comédie-Française Lieutenant-colonel von Môhl Jean-Michel NOTRE P Maximilian von Taussig Jean-Noël STSSIA Alb redit Muriel MAYETTE Pensionnaire de la Comédie-Française Hilde Pierre BIANCO Colonel Mise h a Oblensky Philippe GIRARD Stanitsin Michel ETCHEVERRY Sociétaire honoraire de la Comédie-Française Général Conrad von Hôtzendorf Christine FERSEN Sociétaire de la Comédie-Française Comtesse Delyanoff Jean-Claude DURAND Procureur Jaroslav Kunz Claude LOCHY Pensionnaire de la Comédie-Française Baron von Epp Yves LLOBREGAT Ferdy Alain SALOMON Lady Godiva Jean-Jacques CI IALAMET La tzarine Armand CHAGOT L aide de camp du Lt-colonel von Môhl, Marie-Antoinette, un maître d'hôtel André SANFRATELLO Docteur Schoepfer et Benjamin Follin, Denis Jourda, Fabrice de la Villehervé Armes de 1 empire austro-hongrois. 3 ineme année, sa pièce, Look back in cela qu'il a remis en faveur la « tirade ». anger, est montée par VEnglish Stage Pourtant ce qu'il a accompli de plus Company. Bien que la forme de la pièce important est d avoir ramené le théâtre ne soit pas révolutionnaire, son contenu anglais, réduit pendant longtemps à des était inattendu. On voyait pour la pre- tableaux décrivant la vie dans les classes mière lois sur scène des jeunes gens entre supérieures de la société, à un réalisme vingt et trente ans qui n'avaient pas vigoureux dans la peinture de la vie participé à la Deuxième Guerre mon- contemporaine. diale et qui trouvaient que l'après- guerre était à la fois minable et dénuée de promesses. Le héros de la pièce, un (ils Pièces traduites en français (I ouvrier, a pu, grâce aux études qu'il a faites, s'élever jusqu'à une position Jeune homme en colère (1956) sociale assez inconfortable. Il est au seuil Luther (1961), de la classe moyenne. Il peut en observer La Grande-Bretagne (1962), les privilèges mais n'en l'ait pas partie. Il Témoignage irrecevable (1964), cont mue à l ravailier dans le commerce et Un bon patriote (1965), passe sa rage sur sa femme et ses amis Epitaphe pour George Dillon ( 1969). qui, eux, y appartiennent. Osborne ne propose pas de solution au problème. Pièces non traduites en français La pièce suivante, The Entertainer l'Ile Entertainer (1957), (L'Amuseur, 1957), décrit la Grande- l'Iie World of Paul Slickey (1959), Bretagne actuelle, amoindrie et ayant lime présent ( 1968), perdu une partie de sa conliancc en soi. Hôtel in Amsterdam (1(H>8), Le personnage principal est un acteur West of Suez (l')71), raté et l'auteur utilise le thème de la A Sense of detachment (1972), decadence du music-hall comme sym- Lhe End of me old cigar (1975), bole du déclin de la vitalité nationale. Watch it corne down (1976). Lu 1958, Osborne et le metteur en scène 1 ony Bichardson fondaient la firme Adaptations Woodfall Film Productions qui devait produire les versions cinématogra- A Bond honoured, d après Lope de Vega (1966), phiques de Look back m anger, de The Ile<Ida Gabier, Entertainer ainsi que Tout Jones, adapté ( J01 IN OSBORNE par Osborne d'après le roman de I lenry d'après Ibsen ( 1 >72), A place calling itself Home, POL QUENTIN Les Chasseurs de têtes d I lenry Denker ( ( Fielding (1963). John Osborne est né en l )2 ). Il est Luther, pièce épique sur le thème du d'après le Coriolan de Shakespeare, Au cours de sa carrière théâtrale, ( Théâtre national belge). auteur dramatique cl producteur de créateur de la Béforme (1(H>I), montra The Picture of Dorian Gray, Pol Quentin a été favorisé par des mises Comme un Oiseau de Ronald Millar lilms. Sa pièce, Look Ixick m anger encore une fois l'aptitude d Osborne à d après Wilde ( 1975). en scène de Jean Vilar. Jean Louis Bar- ( I liéâtre Antoine). (Jeune homme en colère, 1956), lit créer une grande figure de théâtre. Les rault, Raymond Bouleau, Georges \\ iI- I n Poète en \méri<pu'{\c Sidne\ Micliael prendre au théâtre britannique un tour- deux pièces qui ont pour titre commun Pièces pour la télévision son. Raymond (Jérôme, Roman Po- ( I lléâtre (In Rond-Point), Lawrence d Arabie de Terrence Ratigan nant nouveau qui le plaça au premier Phiys for England (La Crande-Breta- A subject of scandai and concern, lanski... Aujourd'hui avec I n bon ('Théâtre du Bond-Point). rang du répertoire mondial. John gne, 1962) sont, l'une, une satire de la The right prospectus, patriote d Osborne, il a la chance d'être Le Signe du taureau de Ladislas Fodor Osborne lut le premier de ces «jeunes royauté, Blood ofthe Bambergs, l autre, Very like a whale, interprété par les Comédiens-Français i Théâtre du Gymnase). hommes en colère ». Look bock in anger Under plain corer, l'étude d'un couple Atmost a vision, dans une mise en scène de Jean-Paul Iim de Paul Osborne (Théâtre nous présente un garçon cultivé, issu de incestueux se livrant à des jeux de A gift of friendship, Lucet. Edouard \ II). la classe ouvrière, en révolte contre les domination et de soumission. You 're not watching me, privilèges sociaux que dépeignait le Cuk/ souris aveugles d'Agatha Christie Les arguments du héros de Look back Mummy, Pièces originales de Pol (Quentin : théâtre de cette époque. Son succès Théâtre Ldouard VII ). in anger sont repris par celui de Inad- Try a little tenderness, La Liberté est un dimanche (Théâtre commercial et I accueil que lui réserva la I il homme d'action de William Dinner missible Evidence ( 1964). Mais ici les God rot Tunbridge we/ls, I lébertot). critique ouvrit une brèche dans laquelle et William Moruin Théâtre de Boche- problèmes semblent plus médiocres, A better class of persan I il Français à Moscou ( Théâtre de la allaient s'engouffrer de nombreux au- fort). parfois arbitraires. A Patriot J'or me (pièce autobiographique). Renaissance). tres jeunes écrivains. (1965) trace le portrait d'un officier I n bon patriote Y de John Osborne Football (Théâtre de la Gaieté-Mont- I héâtre des Célestins. Lyon). Issu lui aussi d'un milieu modeste, autrichien homosexuel qui vécut pen- Scénarios de cinéma parnasse). Osborne utilisa l'argent de l'assurance dant la période précédant la Première Jeux d'enfants de Robert Marasco Tom Jones ( I '">2 - Oscar) Le ( hâteau de Kafka (Compagnie ( I héâtre I lébertot). (111 il reçut à la mort de son père, en Guerre mondiale. Osborne y montre son Renaud-Barrault). 1941, pour se faire inscrire au Belmont intérêt pour le déclin d'un empire et les A collaboré aux scénarios de : Le Fit rouge d'Henry Denker i Théâtre Adaptations : College, dans le Devon. Mais il ne sup- dangers auxquels se trouve exposé un Look back in anger, Lhe Entertainer, du Gymnase). porta pas longtemps la situation d'étu- ( Inadmissible evidence, Ce fou de Platonov de Tchekov Le Che Guevara de Malissard de John non-conformiste. West of Suez (1 )?1) (T.N.P.). diant et partit, non sans avoir frappé le révélait chez son auteur une certaine The Charge of lhe lig/it brigade. Spurling ( Théâtre Palace). Thomas More de Robert Boit (T.N.P.). directeur. Il revint chez sa mère, à sympathie pour le type du colonialiste Allergie et une heure pour déjeuner de Le long voyage dans la nuit d'Lugène Londres, et, après un bref passage dans anglais qui a vu la lin de ses beaux jours Herbert Morlimer (Théâtre du Ter- le journalisme, travailla dans une troupe O'Neill (Théâtre Marigny). tre). et son antipathie pour ses adversaires L I louinie au parapluie de William l)in- de jeunes comédiens qui faisait des idéologiques dont il donne une vision Le Bat eau pour Lipaïa d'Alexeï Arbuzov ner et William Moruin ( Théâtre de tournées en province. Ce fut son entrée confuse et névrotique. (Comédie des Chanips-Llysées). Bocliel'ort). dans le théâtre. Il devint lui-même Comédien au début de sa carrière, I ii grand avocat d'Henry Denker Constance de Somerset Maugham comédien, puis auteur dramatique. Osborne se distingue par son adresse à i Théâtre Mogador). (Théâtre Sarali-Bernhardt). La dernière nuit de l'été d'Alexeï Arbu- C'est en 1 qu'il joue pour la écrire des pièces dans lesquelles les rôles Caroline de Somerset Maugham ( Théâ- première fois à Londres.
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  • Publications Editor Prized Program Contributors Tribute Curator

    Publications Editor Prized Program Contributors Tribute Curator

    THE NATIONAL FILM PRESERVE LTD. presents the Julie Huntsinger Directors Tom Luddy Gary Meyer Michael Ondaatje Guest Director Muffy Deslaurier Director of Support Services Brandt Garber Production Manager Bonnie Luftig Events Manager Bärbel Hacke Hosts Manager Shannon Mitchell Public Relations Manager Marc McDonald Theatre Operations Manager Lucy Lerner ShowCorps Manager Erica Gioga Housing/Travel Manager Kate Sibley Education Programs Dean Elizabeth Temple V.P., Filmanthropy Melissa DeMicco Development Manager Kirsten Laursen Executive Assistant to the Directors Technical Direction Russell Allen Sound, Digital Cinema Jon Busch Projection Chapin Cutler Operations Ross Krantz Chief Technician Jim Bedford Technical Coordinator Annette Insdorf Moderator Pierre Rissient Resident Curators Peter Sellars Paolo Cherchi Usai Godfrey Reggio Publications Editor Jason Silverman (JS) Prized Program Contributors Larry Gross (LG), Lead Writer Sheerly Avni (SA), Serge Bromberg (SB), Meredith Brody (MB), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Roger Ebert (RE), Scott Foundas (SF), Kirk Honeycutt (KH), Tom Luddy (TL), Jonathan Marlow (JM), Greil Marcus (GM), Gary Meyer (GaM), Michael Ondaatje (MO), Milos Stehlik (MS) Tribute Curator Chris Robinson 1 Shows The National Film Preserve, Ltd. A Colorado 501(c)(3) non-profit, tax-exempt educational corporation 1a S/Fri 6:30 PM - G/Sat 9:30 AM - 1b L/Sun 6:45 PM Founded in 1974 by James Card, Tom Luddy and Bill & Stella Pence 1 A Tribute to Peter Weir Directors Emeriti Bill & Stella Pence Board of Governors Peter Becker, Ken Burns, Peggy Curran, Michael Fitzgerald, Julie Huntsinger, Linda Lichter, Tom Luddy, Gary Meyer, Elizabeth Redleaf, Milos Stehlik, Shelton g. Stanfill (Chair), Joseph Steinberg, Linda C.