N O . 8 44
ETC HI N G S A ND EN G RAV I NG S
MA I N L Y T H E C O L L E CT I O N OF
’ 09m étbnmb er
T H E W E LL -K N OW N D RY-POI NT A RT I S T
I NC L UD I NG
EXAMPL ES OF HI S OWN D RY-PO I NTS MODERN ETCHINGS B Y WHISTLER ; ,
BUHOT HADEN D A A H E D O HE S O S LY I ED , , E G R CH I N AN T R , M T N SI G N
PROOF STATE ETC HI NGS A FTER W DENDY SA DLER SI GNED B Y ; . ,
B OTH ETOHER AND PA INTER ; COL OR PRINTS ; PORTRAI TS
AND EN RAV IN S B Y ED EL I NC K A NTE I L G G , N U ,
BRE V ET AND OTHER MASTERS OF
ENGRAV I NG OF THE I7TH AND
TH ENT RIES ET 18 C U , C .
T O B E S O L D
MAY 1 7 , 1 8 AND 1 9 , 1 9 1 0
UE SD A Y EV E NI NG O TS 1—150 T , L
W E DN E SD A Y EV E N I NG 1 1—300 , 5 H URSD A Y EV E NI N G 0 1— 4 1 T , 3 5
’ SALES B EGI N AT O CLO CK
O O SD A Y A 2 0 P M M Y 1 1 A. M TO . EXHIB I TI N F R M THUR , , . .
flint gunm an S uction atompauy
I 12 EAST 4GT E S TRE E T
NEW YORK
ELE O E MURRAY HI LL 120 T PH N , ART AND MI S C E L L ANEOUS .
Conditions Of Sale
1. A b ds b er L ot as n m b d in h al ll i to e p u ere t e Cat ogue. 2 Th h h i . e ig est b dder to be the buyer ; in all cases of disp uted bids the sh s th A n lot all be re old, but e uctio eer will use his judgment as to the fah all i s and his s n h l fin H good it of cla m deci io s al be al. e also reser ves the right to reject any fractional or nominal b id which in his judgment d n r s ff h s may elay or i ju iou ly a ect t e ale . 3 am . Buyers to give their n es and addr esses and to make such cash
n s on n as i in payme t accou t may be requ red, default of which the lots pur h s d b m di d c a e to e im e ately res ol . 4 Th ’ . e lots to be taken away at the buyer s expense and risk within w n - h r s th n s n of al h d t e ty four ou from e co clu io the s e, and t e remain er of the h s n b bs ad on b d i d purc a e mo ey to e a olutely p i or efore el very, in efault of which the Anderson Auction Company will not be responsible if the s s s n s b h b lot or lot be lo t, tole , damaged, or de troyed, ut t ey will e left at the s s of th r h s n h ole ri k e pu c a er, ad subject to storage c arges. 5 n an n n . T n in d e d in n in h o preve t i accuracy livery, co ve ie ce t e settle n Of h s s no 0 b n me t pur c a e , 1 1: will e delivered dur i g the s ale.
All s i hi w 6. lots will be expo ed for publ c ex bition t o or more days b h al for n n in n n r h nd h efore t e date of s e, exami atio by te di g pu c asers, a t e Anderson Auction Company will not be responsible for the correctness of
s n n n n n ss for an d l in the de criptio , authe ticity, ge ui e e , or y efect or fau t or n n n an and no w n wh b wil s l h lot co cer i g y lot, make arra ty atever, ut l e l eac e a i is u r u r n in b f the xactly s t , w ith o t e c o s e . But upo receiv g e ore n n date of s ale exp ert opinion in wr iti g that any lot is not as represe ted, ’ the And erson Auction Company will us e every efiort to furnish proof to h n and in ul s h th wil s s b ct to t e co trary, defa t of uc proof e lot l be old u je
‘ h d n h s h b n i th wn or t e eclaratio of t e afore aid exp ert, e ei g l able to e o er owners thereof for damage or injur y occasioned by such declaration.
T r m a h U n w h th n i ns 7 . e s C s . po failure to comply it e above co dit o an s m s s n h and all s h s as y u depo ited apart payme t s all be forfeited, uc lot
n n d w n - h s th n s n the s remai u cleare after t e ty four our from e co clu io of ale, will be r e- sold by either private or public sale at such time as the Ander o n n n wi h h n nd if an s n Auctio Compa y shall determi e, t out furt er otice, a y deficiency arises from such r e- sale it shall be made good by the defaulter n n h h s con at this sale together with all the expe ses i curred t ereby. T i dition shall be without prejudice to the right of the Anderson Auction
- n w h w h s h r e s l . C ompany to enforce the co tract ith t e buyer, it out uc a e Th An A n C n wi ff i the 8 . e derson uctio ompa y ll a ord every fac lity for th h s s wi not b e employment Of carriers and packers by e purc a er , but ll responsible for any damage arisin g from the acts of such carrier s and s packer . THE AND ER N A TI ON MPANY S O UC CO , 12 EA S 4G TE TREET NEw YO T S , RK.
Pr iced Cop y of this Catalogue m ay b e s ecur ed for N O . 8 44
can
t IIation Otto 3 . étbmi tt QDS
N AG AR (J OH ) .
E n 18th 9 h n n h s 1 t . glis ti p ple e graver . to ce tury
1 O EL MINA EEN O SWE EN . . D OR TH EA VV IL H , QU F D im Stipple engraving . Colored . Very beautiful
pres sion .
A E MA L HE R L L ND ( O U I S C T O ) .
n h n and h 19th n w ho s d the s as an Fre c p ai ter etc er, ce tury , pur ue art fin f hi h n s n b d s e h n s . A O s s a mu eme t , ut execute ome very etc i g ll etc i g n few s h n b n n h s are extremely rare . o ly a proof avi g ee take for im elf and his nds and not s d ns n h w h frie , ol , co eque tly t ey are rarely met it .
A S A E . O in 2 . L ND C P ( n the left four Slender trees , the u foregro nd bushes , on the right and i n the back
t . 15 169 ground alevel coun ry 3 x m m . Not i n
B r ldi. . Or e a Le B Catalogue , in ) ’
185 3 . Drypoint , dated Proof , with collector s stamp .
AL MA- T AD E MA L ( . )
A ES ES A . 3 . THE H RV T F TIV L
h . Etc ing by L Lowen s tei n . Remarque proof printed a on Japan p per , and Signed by both painter and
etcher . Foli o .
AMAN T -I ( I . )
A E ES N . 4. C TTL R TI G
n . Etchi g Proof on India paper , from the G iacom
elli collection , wi th stamp .
APP I AN AD O L P H E ( ) . N ’ S 5 . S E E U S A FI H RM H T , IT LY .
h n . 4 . Etc i g Proof . to
6 . O E A R CKY RIVER B D .
E tching , pri nted in brown . Proof on Japan paper . 4 Large to . A D RAN B E NE D C T U ( I ) .
D s n sh d 17th n F n h n a i ti gui e ce tury re c e gr ver . JOANNES AU U S N P L BIG ON .
. r w Portrait Line eng aving . First state , ith th e s s 1 . dedication to Franci cu de Grai n , 703 Very
fine impres sion . Folio .
A D RAN E AN U (J ) .
n h 18th n n r f G d A Fre c ce tury e g aver, pupil O erar udran. YP 8. NOEL C O EL . i Portrait of the pai nter . L ne engraving . Very fine s s n th impre io of e only s tate . A l n r d his n the A d in 17 8 p ate e g ave for receptio at ca emy 0 .
AVRI L E AN AC E S (J J Q U ) . L A S E AN A 9 . . E P TRIOTI M FR C IS h i Fam ily group , the father presenti ng s Oldest s on a
of s . sword beneath a bust Loui XVI Folio , with
margins . Very fine impress ion .
T F B AR O L O Z Z I ( . )
L OD ONA .
n n Coswa . Stipple e gravi g , after Maria y Very fine i w orig nal impression , pri nted i n bro n , with margin . 9 1 2. Folio . 7
N S A A N A B A JOH TU RT , B RO C RDIFF , and THE R
ONESS CARDIFF .
ss . Stipple engravings after Romney . Good impre ions
4to. (2)
T T L E S E B A C NES .
A O A EN ENNES 1793 ATT CK N V L CI , , engraved by t L outh er b our has Wm . Bromley af er D e g ( been n f S er in aa . 180 1 o o folded) , Lond , ; The St rm i g g p
P N L TT P F V endr am ini e R . tam , O E E ER ROO by , aft r obt
t fine s . . 180 3 . . Ker Por er , i mpres ion Lond Line Large 2 folio . ( )
I ’ RE A N MA D AL E N B AT T ON S D I G G .
LA MAD DELENA DEL B ATTONI .
n . . . Line engravi g by C G Schultze . India proof . Folio
B E RT HE L MY (E )
4 Shipping . Etch ing . to . B L O I S (AB RAH AM D E ) .
15 ESSE O A AR N. . ORTANCE MANZINI , D UCH F M Z I
Mezzotint after Lely .
B OC OU RT (ET IE NNE ) .
EN A . 16. D ANSE ESPAGNOLE (C ARM CIT )
Etching after Sargent . Japan Proof .
1 . 7 BOOK WORM (THE) .
n . Etching . I dia Proof
EM L E B O U L ARD ( I ) .
E POP INNOC ENT X .
n t . Etchi g af er Velasquez . Proof printed on vellum
P RT A T F O . O R I :O JULES DUPRE . pen Letter Proof F HOL PORTRAIT OF A YO UNG WOMAN, A TER I BE N . Remarque Proof on Japan paper . 2 Etchings . ( )
V D F E L B RAC Q U E MON ( IX) .
’ LA NUEE D ORAGE . on b Etch ing . Early Proof India paper efore the
clean i n g of th e edges of the plate .
UNE SURPRISE (CANARD S SURPRIS) .
h ss th e . Etc ing . Good impre ion from reduced plate L ’ E L I P C SE.
’ “ Etching to Auguste V acquer ie s Sonnets et Eaux %
th t . forte s . India Proof Of e third s ate
ALPHONSE LEGROS . h n on Etc i g . Proof thin Japan paper of the reduced
plate .
E ’ METAI RI SUR LES B ORDS DE L OISE .
th has Etching after Rouss eau . Third State ( e title s been era ed) . U UE 'A ES S D ’ N ’ A BO Q T D RBR PRE U COURS D E U . ss Etching after Rou eau . Published state . INTERIEUR DE LA CHAM BRE D E THEOPHILE
GAUTI ER .
Etching . Proof on Chi na paper from the Giacomelli h collection , wit s tamp . 5 R B E . O C K (c. )
% THE RIVALS . A series of finely executed water w n 6 On on e w n color dra i gs ( ) sheet , sho i g the ad Of th e ventures the hero , heroine and th e rival in “ n % crossi g a stream with a satis factory res ult .
Fol io , in oak frame . Signed .
B RU NE T — D E B AINE S .
THE CORNFIELD . h n Etc i g after Constable . The small plate . Fine ’ Artist s Proof printed on vellum .
IFFLEY MILL . F AS E AND OX ORD C TL MILL .
Etchings . (2)
B RYANT W L L AM C L E ( I I U L N) .
P A . ORTR IT , BUST n Line engravi g by Al fred Jones and S . A . Sch ofi,
n . 4 after Dura d India Proof . to . A h and d d n d b B Jan. 10 8 3 utograp e ate y rya t , , 1 7 .
B H O T FEL U ( IX) . UNE MATINEE D ’ HIVER AU QUAI DE L ’ HOTEL
D IEU .
n . Etchi g Third State . Printed on a toned paper O th e s to btai n best repre entation of the wet street .
The lower margin covered wi th remarques . * ’ One Of the s s Buhots E mo t famou of plates . arly states fi n are dif cult to obtai .
E E ES : S E B RG RI OL IL COUCHANT .
Etching . Proof printed on paper soaked in turpen On e Of th s ti ne. e pecial proofs pulled u nder th e ’ s own Etcher eyes and with his stamp . ONTREE THE S AM E. A C PREUV E . as n - Printed the former o n turpenti e soaked paper , uh ’ but without B ot s s tamp . E E A 9 E E E 1 LA PLA C BR D , D C MBR 879 . w h n Etching . Proof ( i t o ly four dogs in the fore r d ground on Papier V e atr e) . One Of the Special h ’ copies with B u ot s s tamp .
LA PLACE PIGALLE EN 1878. ’
s . Etchi ng . Arti t s Proof One Of the Special copies ’ with B uhot s stamp . Only s ome Six or seven proofs h were pri n ted of t is . * Th s is th e b the w as w i larger plate efore copper cut a ay, h n s in the a n and h and avi g remarque bottom m rgi , als o avi ng the fou ntai n and funeral in the upper right Of the plate o nly s h d in and the d the n h s in the b cratc e , clou over ce tre ou e ack d n b n s h grou n otyet ur i ed out . 6 — d B U H O T ( FEL I X) Contin uc .
E S A E . THE SAM E. LAT R T T n With th e alteration s noted in the precedi g . Proof
on D utch paper . In b ot h thi s and the precedi ng Buhot experime nted in the b n n a n and h n b the f h com i atio of aqu ti t etc i g , ut effect O t e s is n in the s former proce s m ore appare t later tate .
LES OI ES . s on th e Etch ing . Fourth tate with eigh t geese right
i n s tead of s ix . Proof . E UNE JETEE EN ANG LETERR .
- n n a . Dry poi nt and aqu ti t Fi e proof on D utch paper , ’ w i th B uhot s s tamp .
LES VOISINS DE CAM PAGNE .
- h n n . t é s Etc i g and aquati t Con re preuve , tamped with ’ B uhot s s tamp .
' One Of the few etchi ngs Of Buhot in w hich he has a humor
ous touch .
’ L AD ORATION DES MAGES .
E tching after a miniature . I ’ BIBERON EN FA ENCE D OIRON.
n . Etch i g . India proof
- D IX EA ES . JAPONISM E . UX F ORT COMPLETE
SET OF THE TEN ETCHINGS . o s - H lland Paper Proof , the ti tle page bein g pencilled
O 1. 15 0 . O N 3 nly O f all were pri nted . Complete
s ets are rarely met with .
N E E E B U RNE Y (FRA C O I S U G N ) .
n h n G d Fre c e graver , pupil of aillar .
4 N . 3 . THE VIRGI AND CHILD
- e a . Engrav d after a h s relief Signed India Proof ,
before title .
E R B U RNS (RO B T) .
4 EN . 4 . PORTRAIT , HALF L GTH
s Line engraving by J . Hor burgh , after a pai nting by
1 6. Peter Taylor i n 87 Small folio .
C AL IFOFNIA
4 N WA E - AW N O 5 . ORIGI AL T R COLOR D R I G F MOUN
TAIN S CENERY .
n w - - Fine draw ater color , signed Barbara . Leigh
4 x 1 O . 8 . n t 185 6. 1 1 s Smi h 1 } in Pasted trawboard . C AME RO N D ( .
46. E E P RTH BRID G .
h . 4 Etc ing to .
A L A C RS ( U RE NT) .
d n h n f h h n N E O t t c . ote Fre c graver , early part e 18 e tury
E AN E S E . MIC H L GUI R , CULPT U R
n . i Line engravi g After Revel . Extremely fine m
pressio n . Folio .
’ The n s A d e graver ca emy piece .
AS AN A ANT NE C O V ( O I ) . E N N 48 . COLUM BUS R TUR I G IN CHAINS .
- - s h s s r Pen and ink ketc es , being tudie for the la ge n s m n E etching . Sig ed Fragment de o tudes pour
mon tableau de Christophe Colomb . Paris ,
Folio leaf .
A NE E D AR C H H I ( G ) .
n h E h His - n s ss n in mi d C ontemporary Fre c tc er . dry poi t i ued o ly li te nu b and in s m ers proof tate .
N . 49 . PISA . SAN ICCOLO
3 . Signed Proof , marked
S S E S . EN E . O 50 . V IC THE TW I T R
42 . Signed Proof , marked
S A E . 5 1. VENICE . THE FI H M RK T
42. Signed Proof , marked
5 2. N NA. VENICE . I
41 . Signed Proof , marked
S N E S . EN E . E 5 3 . V IC THE P ARL TRI G R
37. Signed Proof , marked
O A E . E 5 4. MONTE OLI V ET , M GGIOR LES TR M % BLES .
22 . Signed Proof , marked
E E A E . E 5 5 . MONT OLIV TO , M GGIOR THE OLIV
TREES .
Signed Proof , marked U O E A E. 5 6. M NTE OLIV TO , M GGIOR THE C LTI
V ATED TERRACES .
20 . Signed Proof , marked A C HAIG NE U (F . )
THE SH EPH ERD . n on Etch ing . Sig ed Proof Japan paper , with large
untri mmed margin s . Folio .
C P O L O E E NE A H AM L I N ( U G . )
SARAII B ERNHA RDT .
Etching after Bastien Lepage . Fine Remarqu e
- Proof . 4tO.
VASE D E G USTAVE D ORE .
Etching . Remarque Proof .
’ L ETE .
E tching after Lancre t. Proof before ti tle , with large
margins .
A C H U VE L (T H E O P H I L E) .
h s n n h R h s One of t e mo t oted of Fre c eproductive Etc er .
’ E ’ A L ETANG D E VILL D VRAY .
n t . After Corot . Ope Let er Proof (Fine reproduction ’ Of one Of Cor ot s masterpieces . )
NEAR D ORD RECHT .
s . After Jongki nd . (Title era ed ) ’ A AVANT L OR GE .
Storm near Moret . On Holland paper .
C HE RE AU (F) L L N NE LOUIS DE B OU O G . ’ Line engraving after the painter s own portrait . h Small repair at the top Of t e print .
P R AN AE C I I I (G T ANO) .
AN . 6 A O G . F A E KN WN 5 . PORTR IT F R B RBI RI ( O As
GUERCINO) . ’ own Line engraving after the painter s portrait .
IndiaProof , mounted .
N C O C H I (C . N. ) E UN B E A E POMP F E R DE M RI THERESE, No
V EMBRE 1746.
Line engraving by Cochin . Large Folio . POMPE FUNEBRE DE PHILIPPE DE FRANCE RO ’ ES NE C MB 1 4 Y D PAG D E E RE 7 6.
Line engraving by Cochin . Large folio . 9 C O L E R D E AM E T L O I G (S U L AY R) .
E - 68. N A M ZZ OTI T PORTR IT , three quarter length , seated ,
. O . . . T s by W Geller , after T C . homp on Folio s ( tain i n blan k margin) .
F INE INDIA PROOF BEFORE LETTERS .
L R PR NT C O O I S .
N ESS E E . PRI C LIZAB TH , by Cheesman , after Sir W m
e . T Y Be chy D ELICA EL PRINTED I N COLORS . Small
. 1 6 foli o Lond . 80 . ESS O WIRTEMBER DU CH F G , by Chees man , after
h . T Beec y PRIN ED I N COLORS . Small folio .
EEN E . A P T QU CHARLOTT Proof , DELIC TELY RIN ED
181 . I N COLORS . 7 N E E W E . V LI A ITH HER FATH R , by N . Colibert
Colored by hand . Small folio . “ ASS E S O s Of C I R n the Scheldt . Facsimile I 2 t G A W A . he ORI N L TER COLORS Small folio . ( ) E A E DWARD VII . AS A M ST R MASON . Three
th G . quarter leng , standing . LAR E COLORED PRINT
n % OYS TON (GEORGE) . A Su ss ex Commo ; Near
’
ss . FA I M S F THE Arundel , Su ex COLORED CS ILE O
ORIGINAL PAINTING S . (2)
% % TOJETTI Mercy ; Peace . TWO LARGE COLORED PRINTS AFTER THE ORIGINAL PAINTINGS
T i. 2 by V . oj ett ( )
Jealo usy (children) after L effier More “ % Frightened than Hurt Three Mu s es and “ % s To etti. . L D Angel , after j Folio CO ORE after 4 th e origi nal pai n tings . ( )
AF T ETTI . Ch erubs , COLORED TER OJ Three , differ
ent . TW O T FOOTBALL RUG BY . LARGE COLORED PRIN S h h w n AF THE PA G . . s TER INTIN S by C A Fe c , S o i g the
grand s tand s and full team s on th e field . (2)
% “ % GOSSIPS (Leon Moran) ; Au Revoir (Percy “ Moran) ; Engli sh B eau ty (Wi nner O f the com
n . AFT THE PA petitio ) Folio . COLORED ER INT G 3 IN S . ( ) A ha “ MORS ET VIT , after C mpney ; Lived Happily % “ Ever After (Maude Goodman) ; The Debut
Toj etti) LARGE COLORED PRINTS . (3)
% “ t n FALSTAF F ; N igh (woma ) , by Floret ; May “ ti me and Sweet FINELY COL
AF THE G A PA G . 4 ORED TER ORI IN L INTIN S Folio . ( ) 10 — C O L O R PR I N T S Confirm ed. “ 83 T EMPLE OF HARMO NY (Maude Goodman) ; Un % % decided ; May Wi ne and another after h n A G P S I N MA S . 4 Sc weni ger . L R E COLORED RINT T ( )
’ “ S N S S . s ss 84. OLOMO WI D OM (L Knau ) ; Connoi eur d h e o T um nn . Little B ggar ( g) , and photo , after a H AFT G A PAI G T REE COLORED ER ORI IN L NTIN S .
m . (n
% “ 85 . s s a YO UTH , Marguerite (carbon print ) ; Vill ge h and C L D . Beauty (p oto) , Tambourine ( O ORE ) 4 Fol io . ( )
’ “ 86. ENG LISH RUSTIC S C ENES . Wheatley s Ru s tic % “ % n h A Sympathy ; Gu i ea Pigs , Gat ering p % “ a % n t . M ples , and Juve ile Navig tio n af er G OR
LAND . Carbon facsi miles in carmi ne and brown 4 tints . Folio . ( ) 87 A WA SEN S A . o THOR LD T TU RY Phot graphs of Venus ,
. 4 Cupid and Psyche , and two others Folio . ( ) — 88. S ffe URF B EATEN S HORE . Three d i rent carbon
hs . 2 . . 3 photograp ( , circular ) Folio ( )
89 . S . . . s G . PORTRAIT Franklin , J Q Adam , en Knox ,
and . Walter Scott , Humboldt Carbon photograph s
s . O . 4 O . 5 f famous painting val , etc Small to ( )
90 . E w HIGH BRID G , near Georgeto n ; Cologne Cathedral , “
Rh . G The i ne , St Moritz Baths , rande Char %
s . A G PH treu e , and another L R E COLORED OTO G 6 RAPHS . ( )
’
E . 9 1. MOORE S IRISH M ELODI S N ineteen engraved portraits to illustrate Moore ’ s 4 Irish Melodies . Pri nted i n colors . to . (19)
C O L U MBU S .
S E . 92. CH RI TOPH COLOMB and s t Chaall Line ipple engraving by Vidal , after e,
representing Colum b us landing in chains . Open
letter proof .
C O NT I . A LA DISTR CTIO N . French 18th century print Of a child playing with a
i . 4 bird in a cage . Stipple engrav ng after Dareis to .
C OOPE R (R) E CHARLOTTE (Q UE N) . s G E ngraved portrai t, full length , eated , after eo . F IN P F IMP S SI N ON ND IA D awe. Folio . E ROO RE O I
. 1813 . PAPER . Lond C O RT RY C H ARL E U ( S ) . A E 95 . C TTL AT A D RINKING PLACE
O . riginal etching Signed proof on large paper .
Folio . M NKA Y 9 6. U CS S T AIT THE IN HIS TUD IO . (POR R S OF A TIST AND HIS W IF R E . ) Munkacs Etched after y . Remarqu e proof on thi n
Japan paper .
S N AR C O U I (C H L ES ) .
n h En 19th n Fre c graver , early Ce tury . A E 9 . U N E 7 THE IMM C LAT CO C PTION .
Line engraving after Murillo . India proof before
title on Large Paper . ne his O of be st plates .
C O S NS AM E L U I (S U ) .
D s n sh d th C n z z n E i ti gui e 19 e tury Me oti t ngraver .
N ESS WE U ESS O S E AN 98. COU T GO R (D CH F UTH RL D )
AND CHILD .
Mezzotint after Lawrence . India proof . Brilliant
impression . N 99 . MASTER LAM BTO .
Mezzotint after Lawrence . Ind ia proof . Brilliant
impress ion .
E . 100 . ELIZAB TH FRY h s Full lengt , tanding , mezzotint after Geo . Rich
. P F P N L TT . mond Large folio , O E E ER ROO
E C O U S INS (5 ) AND W AL K R (W . )
E U NS . 101. ROB RT B R
l s . Bu s t i n ova , after the Na myth painting Mezzotint .
Folio , i n oak frame . Scarce .
C RE PY L O S ( U I ) .
F E E ES . . 102. LE SACRI IC A C R After Nicolet
French Eigh teenth Century engraving . Folio .
C RO C KE T T (D AVI D ) .
h P n and Ind n h T e Famous io eer ia Fig ter .
EN . PORTRAIT , HALF L GTH
h a . . O Lithograp , p inted by S S sgood ,
4. h . 183 Child s and Lehmann . P ila
India proof . Rare . D AMMAN (B E NJAMI N) .
N d his h n s Of he n n s M ote for etc i g t pai ti g of illet .
1 A E . 04. WAS HERWOM EN ON THE B NK O F A RIV R
Etched after J . F . Millet . Signed remarque proof
printed on vellum . Foli o .
A C F D U B I G NY ( . . )
The Famou s Fre nch Painter .
E LA V NDANGE .
n f . 4 . Etch ing . Fi e impres s ion o the second state to
LA POULE ET SES POUSSINS .
n f f h s . 8V O . Etchi g . Ind ia proo o t e only tate
E E LE V RG R .
. 8V O. Etching . Fine impres sion Of the second state
RUINES DU CHATEAU DE CREMIEUX .
Etch ed and roulette work . India proof of the only
state .
- EAUX F ORTES PAR D UBIG NY.
Etched title - page repre s en ting a crown of field fl owers
n f . ad wheat . Ind ia proof O the fifth state
E L L D B I Y (C . ) E H LENA FO RMAN . n Etchi g after Rubens . Remarque proof on thin
Japan paper .
D E S NOY E RS (AU G U S T E B O U C H E R) .
b d n h En f T O d . Cele rate Fre c graver , pupil ar ieu
FRANCOI S I ET MARGUERITE D E NAVARRE. v im Line engra ing after Richard . Very brilliant
press ion . Large folio .
D O NNAY (AU G U S T E ) .
2 N E S HAMAD RIAD ES E S D E 11 . PRI T MP ( ET FL U R N MAG OLIA) .
Etching pri nted in carmine . Signed Japan proof . 4 to .
E E T B R V (C L AU D E ) .
E AL A RAO D PO T 113 . S C V I N P TRU , A B BE E IG NIAC . a a Line engr ving fter Le Prieur . Very fine impres s sion , but clo ely tri mmed and mounted . Folio . 13 D RE V E P I E R MBE T T ( RE I R ) .
114. LOUIS XV . R n n XV Line engraving after igaud , represe ti g Louis . h i n his yout in royal robes . Good early impres s h ion , wit margin . Scarce .
D B -M U O I S E NANT .
115 . O EN A A E E E RI T L GO T HERD . (LA VI ILL CH V E RI RE . )
O . riginal lithograph by the pai nter . India proof
Folio .
D U RAND (A. B ) O 116. M SID RA U . e n s Lin engravi g de igned and engraved by D urand .
Open letter proof . V ery fine original impressio n of one Of the masterpieces Of A n n n merica e gravi g .
I AR E D E L NC K (G E R D ) .
1 AN A E . 17. JC NES B APTIST DE BLY n ld Line e graving after Ladam . Good O im pression ,
but has been creased .
E D W ARD S (E D W I N) .
- A f n n b h w n w n En sh E h . S s O C s . s erie ou try Sce e , etc , y t i ell k o gli tc er
NN n 118. O E LD NGLISH I . (A Co verted Q ueen Anne
Man s ion . )
Signed proof on Japan paper .
1 E EE INN . 1 9 . THE CH RRY TR
Signed proof on Japan paper . 2 E E AY— E ER% 1 0 . COV R D W CH ST
Signed proof on Japan paper .
121 AS E INN . . THE CROWN AND C TL
Signed proof on Japan paper . O 122 A E A E . . M RK T PL C (With ld Inn and Cathedral
in th e background . ) n Signed proof on Japa paper .
’
2 S E E N. 1 3 . THE TURK H AD TAV R
Signed proof on Japan paper .
O E S on . 124. LD NGLI H INN ( river bank)
S igned proof on Japan paper . O INN. V 125 . LD ENGLISH (Rear ie w from garden , with
lane on each s ide . )
Signed proof on Japan paper . 14
' E TC H I N G S B Y N O T E D E RO P E A E H E RS — o t U N TC C n z nued. N OF 4. EE N 13 THE QU S O G , by Richard . N A E a . M RI , by Del tre
‘
. O EN AN MARY I F GL D , by Milius . E S O A D AU GHT R T M RRY , by Monz ies .
N . THE B OAR HU T After Snyders . Remarque
proofs . (5)
’ E N E A - 135 . CH MI E DE L TELIER DE TERRE NE UVE ,
by Rochebrunne . E NNE NNAN E L uill r i a e m e. B R TO VA T LE BL , by g E N E CA AN TCHI G AFT R S OV E . N N S ENE r z z D RI KI G C , by Co ta o. S s . 5 THE AIL LOFT , by Galton . Mostly proof ( )
NA ES auch er l. . O G 136 B AY F PL . by e ’ E S A E E u ux LE PAG POTATO G TH R RS , by L e Co te . S E S S . AT THE I T R , by Lucas E AN A . L DS C P , by Marvy
A E . THE F RM R , by Pinchot au n E ES G ea. . 6 CH RRI , by j Mostly proofs ( )
FO . 137. UN U , by Ribot E PAYSAG , by Rudaux .
E N EESE s . FE DI G G , by Te sier E AND E E DANT B ATRIC , by Lecomte .
E . MARIE THERES , by Perine
A E . . 6 EN PIC RDI , by Villevielle Mostly proofs ( )
ENS . 138. KITT , by Lambert
AY . D O ORW , by Huot
EN . ROU , by Ni colle E EEN au h l A S W G c er e . 10 TH M AT GR ICH , by ; etc ( )
139 . COROT , by Grenand .
E S . THI R , by G ill B b 1 N A o . 0 VIS COU T LTHORP , by i eton ; etc ( )
T ic ENNE a e . 140 . GAR , by , India proof E ORANG WHARF , by Ridley . h lm F S N S Bar t e . 10 I HI G B OAT , by y ; etc ( ) S EE % 141. A L P , by Delorme
N i . VIRGI , by Marc Anton o (heliogravure) E AS . MAIN CO T , by Farrer
. 10 REST , by Waltner ; etc ( )
A E SEA G auch er el. 142. G L AT , by
E E h s . FURN SS AB B Y , by T oma 8 SEA . STORM AT , by Montbard ; etc ( )
E S an d l 143 . H RODIA , three Pastora s , all proofs on Japan 4 paper . ( )
E V E RS HE D (ART HU RL
T WI CKENHAM .
Landscape i n brown i nk . 16 FAL S T AFF.
a. s f A 145 . BEN DE BAR s Fal taf , en graved by INDI
P F l . ROO . Smal folio
N L E P L D FL AME G ( O O ) .
' THE NIGHT WATC II .
t. Etched after Rembrand Proof before title , with h th s h t e name s of e artists in cratc ed letters . n h n Prese tation copy from the publis er to M . Mo h tr i r h s . os e , wit autograp i n cription
’ ne Of Flam en s b s s O g e t plate .
THE SYNDICS .
t . Etched af er Rembrandt Very fine proof , with the h scratc ed names of the arti sts only . Presentation i r Flam n . M ntr os e copy from Leopold e g to M o , h n wit aut ograph i scription . * The autograph i nscriptio n Of the etcher is a guarantee Of its b n one th b s ss ns ei g of e e t impre io .
LA SULAMITE . t n l Etched af er Cab ae . Proof .
AS N E N. THE TRO OM R , and LE LUTRI 2 Etched after Van der Meer and Flam eng . Proofs . ( )
n THE MIRROR , ad HAYMAKERS .
E tched after Alfred Stevens and Jules Breton . 2 Proofs . ( )
S E C O N D S E S S I O N .
FO NC E C AM L ( I L E ) . E SS N A NA . 151 . MOI O C R Y ’ h L A b ini u er e. R Etc ed after De emarque proof , pri nted on parch ment and s igned by both etcher
and pai nter . A b u ss n b n very eautif l im p re io of a very eautiful pai ting .
FRAN S AL P C O I ( H O NS E) .
Noted French E ngraver Of the i 9th Century ; took the place Of % s in the I ns t For ter ti ut . N 152 . G O N TITIA AT THE A E F INETY .
n . f Engraved after Titia Very fine India proo , with ’ th e s s publi her s blind tamp . 17 FRE E R T D I C K HE G REAT . THE KING OF PRUSSIA REVIEWING HIS
S . 1 4. TROOP Mezzoti nt . Lond . 79 E E F R D RIC . ET SA FAMILLE . Line engraving H id l fi 2 by e e o . ( )
FRE NC H E T C H I NG S . N A E . S OO ST ICHOL CHURCH , LIV RP L , by Tous
saint . R E D U E A A . U PER D M , b y Ballin AN N U S I F b G . HL LIGHT , y uignard E E LL D ORT , by Delorme . COLORED FACSIMILE PORTRAIT OF IZABELLA CZA T w R ORYSKA C s a . 5 , after o y pieces .
RE FRE NC H V O L U T I O N. N S CENE IN THE CO VENTION .
Large folio lithograph .
G AI L L ARD (FE RD I NAND ) .
LA VIERGE AU D ONATEUR .
. n Engraved after Jean Belli n O India paper . E LA VIERGE AUX LIVR S . n Engraved after Jean Belli .
LA COND OTTIERE .
Engraved after Antonello de Mess ine .
SE A E . E O E S . S N TETE D IR , and B TI
Two pieces (titles erased from both) .
E A S A A ELA A. CH RIST AT MM U , and G TT M T
Two piece s (title erased from the first) . EN E TROIS COUPS POU R D IX C TIM S .
Etch ing . Japan proof .
GARRI C K (D AVI D) .
EN . PORTRAIT . H ALF L GTH
Li ne engraving by W . Skelton , after R . E . Pine .
Fol io . O n India paper .
G AU C HE RE L (L E ON)
’ L HERITIER (Noted Actor) .
Etched after Cain . Fine proof printed on parchment . 18 G AU G AIN (T . )
THE SHOW MAN .
2 . . 180 Stipple eng r aving after Barney . Large folio
LABOUR AND H EALTH . ’ 18th Vide Smart s Ode to Spring . Charming Century
print after Barker . Folio , with margin .
D A L AD G O I V ( Y) . EARLY ENGRAVING OF LADY GODIVA
HO RSEBACK .
Small folio . Curious and rare .
G O L E (JAC O B) .
N AN . W A . O E ILLI M III , F GL D
Mezzotint . Fine impress ion . Small folio .
’ G RAV E S AND E (C H ARL ES S T O RM V AN S ) .
1 . 68 ZAAND AM . Tw n o fishing boats enteri g the harbor , windmills to G ’ P F the left. SI NED ARTIST S ROO o n Van Guelder
paper . RE E N AL E T NE G (V N I ) . A H NNIBAL .
REGULUS .
Mezzotints after the pai ntings by Benjamin West .
. 2 Large folio , margins tri mmed ( )
T G RE E NHE AD (H . )
LADY ACLAND AND CHILD REN . ’ h s m Pr in s ll r Mezzotint , with t e ta p of the t e e s Asso
iati n . A P F B F c o Folio , INDI ROO E ORE LETTERS , I S GNED BY THE ARTIST .
G W YNN (NE L L ) .
171. EN A E b . GR V D PORTRAIT , after Lely , y Scriven
Fine India proof . S mall folio . h En h Rev T Dib din the . d t e . . . B b grave for F , i liop ile
Y AD E N S IR F . E R H ( S MO U ) .
’
E S E . 4 . O 172 WHISTL R S HOU AT LD CHELSEA D . 7 . ’ s Etching . Very fine impres ion , with Haden s stamped Signature and stamp ' HA D E N S I R F S EY M O U R —Confz n ue ( . ) d. A E A . S E 173 W . . 1 L Y B B Y D 31.
on . S Etching zinc With pencilled ignature . NEW AS E E . N 1 4 . . 55 7 C TL IN MLY D .
’
. s Etching Fine impre sion , with Haden s s tamped
s ignature and s tamp .
E . 3 . KEW SID D . 7 ’ Etching . Very fine i mpression , with Haden s stamped
sign ature and s tamp . EN AS O E 51 . 176. THOM HAD F D RBY . D . ’ n Etchi g . Drake s Trial Proof A . Very fine impres
s ion . A M M. . AMSTEL OD U 37. 177. D n Etch ing i red and black .
N . 4 AN S E . 8 . 178. H D TCHI G D
Second state .
179 . Another copy of the above .
WE AS E . 180 . KID LLY C TL Of h Etching . Part t e impression and signature cut
away . H AL EO U (J E AN L O U I S )
A C RED LITE SANS EF E N . A 181. L U R L XIO ( Fashion able Lady at a Fortune
h n . E n graved after S c e au . Folio
HAL L (H. B ) “ O . E N R WA . G . 182. PR PARI G F A LK , after J Brown
A P F . Folio , INDI ROO
HAL S (E RANZ )
’ ’ L HOMME A L E PEE . il i Etched by L agu ler m e. Open letter proof .
folio . ’ ill r m ie s s L agu e ma terpiece . HE R A LES ARC U S DE ST . DRIEN.
i r Etch ed by C op p e . Proof before all letters .
folio . A b ss n and n fi n h n s uper impre io a mag i ce t etc i g .
LA B OHEMIENNE .
h Mon in . Etc ed by g Proof on Japan paper .
LA FEMME DE B URGOMAS TER .
Etch ed by Courtry . Proof . 20 H AME RT O N (P H I L I P G I L B E RT ) .
O . 187. VI EW F A SCOTCH LOCH
1875 . Etchi ng printed in red . Proof .
N . T . H ARP E R (W . S J O H )
LU CILE .
4 . Etching . Signed proof on satin . to
REVERIE .
4 . Etching . Signed proof on satin . to
H E I NS (ARMAND ) .
CHEMIN A BAELEG EU .
Etching . Signed proof on Japan paper .
B ERE AU (J U L E S ) . w h n n h P n d fe s . Fre c ai ter , execute a etc i g
191. E S ENE W EE ETC . RIV R C , ITH SH P ,
Etching . Proof from th e Giacomelli collection , with
s tamp .
I HT C HC OC K ( G E ORG E )
192. E LOV .
Painted by Hitchcock and etched by Ch . Giroux .
Signed remarque proof printed on vellum . Large
s . folio . Very fine impre sion
HOD G E S (C . H )
1 3 . MRS . W A E O 9 ILLI MS HO P , F AMSTERDAM .
- n Mezzotint , three quarter le gth , seated , after Sir
Jo shua Reynolds . Late i mpression with full mar
gins . Folio .
L L H O (W . )
En sh E n Of he 9 h n gli graver , early part t 1 t Ce tury .
H N . 194. O SA HAY THE LOUI .
Engraved after D ub ufe. Very brilliant proof before
all letters on India paper .
H L O L AR (W . )
“ 19 - 5 . VER (SPRING) ; AND TITLE PAGE TO NA U N N N S E E O VI M C O TAI I G K TCH S F SHIPS . h s ca. 165 Etc ing , 0 . Both from th e Bronner Collec 2 tion . ( ) H O U S T O N (RI C H ARD) .
19 6. SS A E WE h s r MI H RRI T PO LL , alf length , eated , afte
. . . 1 69 . C Read Mezzotint London , R . Sayer , 7 i Folio , marg ns trimmed .
J AC KSO N (AND RE W ) . 9 A E 1 . O 7 THE L ST LIKENESS F ANDR W JACKSON.
Line engravi ng by M . J . Danforth from an ivory by 4 J . W . Dodge . Proof . to .
A E HAR E J C Q U (C L S ) .
INTERIEUR D E B ERGERIE . n Etchi g . Fine Signed Proof on D utch Paper . Large
folio .
’ Oneof Jac ue s s h n s n his m st q famou etc i g , early equal to a er La n % piece Bergerie Bear ai se .
JEUNE FEMME AU BAIN.
n h n . Etchi g . India proof before t e umber . Rare NE E E A JEU F MM AU B IN .
W ith the number . A E A TIR LA B C SSE . ss as India proof . First I ue with Lienard name
printer .
LE ROULEAU .
India proof .
’ L ENFANT PRODIGUE .
India proof before all letters .
THE SAME .
Publis hed state on India paper . E UN VERG R .
India proof .
LE S OIR .
India proof .
A E S . PAYS G , PUIT
LES TUEURS D E COCHONS .
s . Two pieces . India proof
A ES ORICY. M SUR ,
PAYSAGE . I FFRE PORTRAIT DE M G U Y. i Three pieces . Ind a proofs .
EFFET D E LUMIERE . I FF E D E . PORTRAIT M G U R Y. E L A BERGER (Heliogravure) .
Three pieces . India proofs . 22
K E E MB L E . ( . W ) N d his n s b s ote for egro u ject . N E E S E U CL R MU AND THE LITTL B OY .
Remarque proof on satin , signed by Kemble .
KI NG (J . E T C . L AN . . M IDY , etched by J S King , after Leon oran s A P F (goo e girl) , INDI ROO . O A n r H LY F MILY , e graved afte Raphael . “ S A A % MU IC H TH CH RMS , by Jas . Scott .
3 . Large folio . ( pieces )
K A KE R R T ( C HA L E S L O U I S ) . P n and E h Of W n ai ter tc er , pupil alt er . E CUIL LETTE DES FL URS . L au r . Etched after ge Signed proof on vellu m . Large
folio . E A EA LE PORT D R P U . 4 Etched after Meissonier . Proof . to .
KROS T E RIT Z (F )
SUMMER EVENING .
Etched after Corot . Signed proof on vellum . Large
folio . L L AB RU Z Z I (C AR O ) . AY APPIAN W . Engraved V iews of the ancient stations on the Appian 12 Way from Rome to Capua . folio engravings in l ‘ m th e original o d ar b led wrappers .
AFA E T T E MAR U D E L Y ( Q I S ) . CONCLUSION DE LA CAM PAGNE DE 1781 E N
VIRGINIE .
- f Full length portrait o Lafay ette . Line engraving by n Le Mire after Le Paon . Mounted o stretcher .
Scarce . AL A NE MA ME L N ( XI ) . E N ON PARIS . VUE PRIS DU PO T DE LA C N E N CORDE (LE PO T DE SOLF RI O , n Etching . Remarque Proof o vellum . Rare . Large
folio .
AN E O A E . PARIS . VUE P ORAMIQU DU TR C D RO
on h . Etch ing . Proof t in Japan paper Large folio
(companion plate to the preceding) . 24 L A L A N NE MA K I ME — ontim w d ( ) C .
A E . 230 . CL IR DE LUN
Etched after Daubigny . Proof before all letters .
Very fine i mpre ssion . Folio .
231 ES N . . LES ROCH OIRS
s . 4 . Original etchi ng . Proof before letter to A N 2 ANS L ES D E N . 23 . D CH M PS CE O 4 Etched from nature i n the Open air . to .
2 A 33 . E R D DE BORDEAUX . “ llin . Etching . Impression on Ha e paper
234. N CE ON.
Etched landscape . India proof .
E L AL AU Z E (AD O L P H ) . 2 35 . A MISCHIEVOUS TRICK . After Casanova .
AN EVENING PARTY . After Beraud .
Etchings . Remarque Proofs . Two pi eces .
E R L AND RY ( PI R E ) .
n h En 17th n Fre c graver , ce tury . L A 2 H . . A S C IN S u 36. R P . M P U LU U U (General of the i gust ne Friars . )
l . Portrait . Line engraving . Ear y and Fine Proof
E E R I D L AND S (S R E W I N) . 2 TH E ’ A E 37. E SHEPH RD S GR V .
Li ne engraving by B . P . Gibbon . Folio . Very fine
1838. impression ,
L N E AN A G L O I S (J ) . h n E n 18th n . Fre c graver, ce tury A E . E ENA 238. R . P . PL CID A ST H L . (Geographer and
member Of the Augu s ti nes . ) n Portrai t . Line engravi g . Proof before inscription n 4 o tablet . to .
X L NE L E C OU T E U ( I O L ) .
’ N N . REMBRA DT S SO , TITUS n ’ n Etched after Rembra dt s painti g . Proof on parch ’
th e s own . ment fro m etcher collection Large folio .
UN LAVOIR B RETON .
r ll n Etched after D ey o es . Early Proof printed o vel
lum . Large folio . L E D U FRA O X ( NC O I S ) . A E AN M RI TOINETTE IN PRISON. s Mezzotint and tipple after Muller . Large folio ,
open letter proof .
L E FE VRE (AC H I L L E ) .
C b d 19th n n h En ele rate ce tury Fre c graver . A N THE M D O NA OF SAN SEBASTIAN .
Engraved after Murillo . Very fine India Proof b e
s . fore letter Folio . ON EN E C T TM NT . Etched after Cabanal (by Lefevre Remarque Proof
4t . on Japan paper . o
L E RA D A S T E G N ( U G U I N ) . ’ A N E A E A L MA T PR SS NT and LA D CLAR TION.
Two eighteenth century stipple engravings after Huet .
L E HE U T RE (G U S T AV E) LE N A S A E PO T U B OI TROY S .
- Dry point . Fine signed Proof . Folio . On 50 ss d h b n N s s O. 33 ly proof i ue , t i ei g .
r L E M D A ME D E U ( I ) .
h L h h hi h hs n d d s . Fre c it ograp er , ecorate for lit ograp E AD ELSFREIT HEL NE . (From a story Of George
Sand . )
h . s . L it ograph Title in Open letter Folio .
1 L E RPINIE RE D AN E L ( I ) .
N N S ENE n HU TI G C , showi g Sir Robt . Walpole and
others , engraved after Wooton . L ine Folio .
L E S U E U R (X AVI E R) .
HARVESTERS .
N 65 . Etch ing . Signed Proof O. 8V O.
v 1 R L I G NO N (E T I E NNE FRE D E I C ) .
h s s n s Of the 19th n One of t e mo t Famou E graver ce tury .
SS N. N . POU I ’ Portrait after th e painter s own portrait . Engraved 4 O by Lignon i n 182 . pen Letter Proof on India
paper . n f h s s n n the 19th n O e O t e ma terpiece of e gravi g of ce tury . n A superb impressio . L INNE L L ( J. )
F . . s . 250 . ISHER BOYS Mezzotint after W Collin
- s h Small folio , India proof , ink blot j u t touc es upper
corner .
V E R E tc L I T H O G RAP H S BY RAFFE T , NE T , .
“ A A T i B our m ont . A . O 251. AN GR M ( , etc Caricature e m s h by Raff t . Fro the Mas on collection , wit
stamp .
H ENRY IV LED BY CUPID . By Vernet .
N . A LANDS CAPE STUDY . By oel 3 Fine i mpression s and Scarce . ( )
RAP P RT RA T L I T H O G H O I S .
’ d . O SE E A E ANS . 252. L UI LIZ B TH D O RLE By Belliar
LOUIS XIV . By Maurin .
G r d n . L A FONTAINE . By eve o
ll n . G OUNOD . By V o oto
s 4 . Fine impres ions . to
L O MB ART (PI E RRE ) .
n h n in h fi s h the 17th n Noted Fre c E graver t e r t alf of ce tury .
HA EBRAS AN A SON . 253 . GABRIEL C SS DE LA G R D M I
O . Line engraving . ld i mpression
L O NG H I ( G I U S E PP E) . 4 EN NA E NE A A 25 . EUG IO POL O DI F R NCI VICE RE ’ D ITALIA.
n 1 1 . Line engraving by Lo ghi after G er ar d . 8 3 Large
folio . Somewhat foxed . * A a E n h n had h s en very r re portrait . uge e Beau ar ai s t i graved privately and pre sented the m o nly to his frie nds and not w n h b b s d I n n n h allo i g t em to e pu licly ol . co seque ce t ey w h are extremely rarely met it .
ES E . 255 . R T IN GYPT 4 Engraved after Procaccini . to .
L OS RI O S (RI C ARD O D E ) .
n sh E h w d in P s Spa i tc er ; orke ari . A POT TO GATHERERS . ll Etched after L er o es . Remarque Proof printed ou s vellum and i gned by both the painter and etcher .
Fol io . N MILKI G TIME .
Original E tching . Sign ed proof on Indi a paper with 4 remarques . to . L U C AS (L O U I S ) .
O AN N E N A s D N TO IO , THE NGLISHMA . fter Vela I quez . PORTRA T . After Rubens . Tw o s . etching Both Remarque Proofs .
L U RAT (AB E L ) R E P OF SSOR CHA RCOT AT THE SAL PETRIERE . in Etched after Brouillet . Proof India paper . Folio .
A M H O ME T ANS .
260 . RE LIGIOUS CEREMONY . Né 1 8 f R Line engraving by e, 7 0 , O a eligious Cere 4 mony . to .
MA E A A N E NC U ( L E XA D R ) .
Etcher and Engraver ; engraved the plates for Maximilian Of ’ W d s s ei travel . etc .
2 61 . ORIGINAL CHARCOAL D RAWING .
- h f A full lengt figure O a French laborer , smoking a
pipe and s eated on a faggot of wood . Finely exe
a. . l 8e x 12 ente Signed 3 i n .
MA D E L E O AR N ( D U D ) .
V s 19th C n E n ery famou e tury graver .
262 E W E . . CHILD R N PLAYING ITH FLOW RS
Line engraving after Magnu s . Very fine India
proof before letters . Foli o .
MANE T E D O ARD ( U ) .
Th n I ss n s P n e oted mpre io i t ai ter .
2 6 . A 3 FEMM E L A MANTILLE .
Aquatint in the manner of Goya . India proof . Very
fine impres sion .
M R AL R N A E C H (J . F A C O I S ) .
2 EUSE . s . 64. LA M (Three bridge )
- n . 4 . Dry point ad aquati nt . Signed proof to
R L MA T IA (A. P. )
S US S . 265 . O BOI
Etching . Proof on th i n Japan paper . Folio .
A A E E S . 266. THE F GGOT G TH R R
Etch ing . Signed proof on Japan paper . S mall
folio . 28 R A. MA T I N (C . )
E N . 267. EXP CTATIO
n Hauette. Etchi g after q Remarque proof , printed n a h On vellum and Sig ed by both p inter and etc er .
Folio .
MAS S ARD ( L E O PO L D ) .
LE C HRIST .
Etch ing after Bonnat . Very fine Open Letter Proof
1878 . on Ind ia paper . Fol io .
A ARD RAP AE L RB A M S S ( H U I N) .
On f he n d 18th C n n h E n e O t ote late e tury Fre c gravers . HIPPOCRATES REF USE LES PRESENS D ’ AR
TAXERCES .
ir d n n G o et. O Line e gravi g after riginal i mpress ion .
16 . 18 . Large folio
MAS S O N (AL P H O NS E ) .
CABARET NORMAN D . After Ribot . PORTRAIT
D E INGRES . h on Etchi ngs . T e first a Remarque Proof thin
a e th . Japan p p r , e second an India Proof
MA AN S S O N ( T O I NE ) .
The s s Of the 17th C n n h En s mo t famou e tury Fre c graver .
2 1 . A N . 7 C ROLI PATI D O OT . MED PARIS . i h Line engravi ng . F ine i mpress on , with t e vers e “ fii i 4 and In e g em . to .
MAT HE Y (ARMAND) A E CH RL S I . t s Etched por rait , with hor e and attendants , after
AN Y K . V . D C Folio , open letter proof
ME C HE L D (C . e) . ’ A MENA ANT L MOUR C .
O O . 1764. Engraved after Van L Folio , full margins .
ME S N E R . E I S O I (J L . . ) SE EN LE RG T RAPPO RTEUR .
O n . G riginal etchi g by the painter ood impress ion .
LES LANSQUENETS . t h S Etch ing , wi h ot er ketches on the same plate . s (Date era ed fro m the publi cation line . ) Proof
on . . 13 O 80 Japan paper No f only printed . 29 M E I S S O N I E R L E — ti d (J . . l l Con n ue . O E E TW MEN S AT D .
Etching . (Date eras ed . ) Japan proof .
PAGE DE CROQUIS .
. N . 13 E tching (Date erased . ) Japan proof . O of 0 8 copies . E P OHEURS A LA LIGNE .
. . . N 13 f E tching (Date erased ) Japan proof O. O
80 copies .
’ L HERCULE .
n . N . 1 Etchi g . (Date erased . ) Japan proof O 3 of
80 copies .
LA RIXE . L l uz Etched by aa e. Proof printed on vellum . 8vo. E LE P INTR E ET SA FEMM E.
Etched by Courtry . Proof printed on vellum . 8vo. ’ TATI N L EXPEC O . r Etched by Bo ulard . P oof printed o n vellu m .
UNE CHANSON .
ss . Etched by Tou aint Proof printed on vellum . E ETAI E LA CONFID NCE . UN MOSQ U R .
s . 2 Etched by Champollion . Proof ( )
1807 .
L . Etched by OS Rios Proof .
A A E O S . C V LI R , L UI XIII
Etched by Courtry . E UN CAVALI R . 2 Reproduction . ( )
ME L L AN (C L AU D E ) .
LA S AINTE FACE.
(Fro m th e handkerchief of S . Veronica . ) ld . O . Line engraving . Folio Good impression * ’ w m n n Th Mellan s best k no n and ost popular e gravi g . e w hole plate— face and backgrou nd— co nsis ts of a si ngle con h n s the Of the n s tinuous li ne t at com me ce at tip o e .
ME NPE S (MO RT I ME R) . P Wh s upil of i tler .
O E AN S A A AN . N THE GR AT C AL , O AK , J P
n . 4 . Etch ing . Fine sig ed Proof to
’
A E N . Y . ME RC H ANT S E XC H NG ,
P . E . LITHOGRA H VI W. I Rogers , Archt Drawn by C l O ff . . o C . I . Warner . n stone , by B u ord Folio
s . l ored . Very carce , especially when colored Slight y
damp s potted .
M S C E L L ANE O E N A I U S G R VI NG S . EW O F . VI F RI BURG Woodcut , 1549 . S E E O NS in THE I G F MO , by Cor v us .
UEEN E A E E r l m a o . Q LIZ B TH , by
. E E ST G ORG , facsimile Of the engraving by Franz
von Bocholt . A a PORTR IT , after L wrence , proof . EN E A NE 6 H RI TT VY R , by Cooke . ( )
C KA TEN G U S , by Kauffmann . E N Fl m n TCHI G , by Leopold a e g . E A E E S S tc. PR B Z ILL , by Langon ; e (7)
H I RD E I N T S S S O .
A . MI T C H E L L ( F . ) A A A E A POLITIC L M RRI G . 4 Etching . Signed Remarque Proof on satin . to .
M IT T E P O ( .
n h 1 th n En Of Beauvar le Fre c 8 ce tury graver , pupil t. E A E N A D HENRY PHILIPP CH UV LI , BBE E MON
TIERAME .
Line engraving , after Rosli n . Fine impres sion .
Folio .
MO NKS (J . S . )
S A E W W S EE . 303 . LAND C P AT T ILI GHT , ITH H P
4 . Etch ing . to Signed proof on India paper .
M. MO RAN ( NI MMO ) .
AN S A E . 304. L D C P
Etch i ng printed i n brown . Signed proof on India 4 paper . to .
MO RD ANT ( D ANI E L ) .
N A C ATTANE . R . 305 . MOULI After othschild Ed lf l E e e t. SOUS LA DIRECTOIR . After
. MO. Two etchi ngs . Remarque proofs 32 MORG HE N (RAP H AE L ) .
LADY IIAMI LTON AS THE COMI C M USE .
Li ne engraving after Angelica Kau ffman . Fine early
s w n . . . i mpres ion , ith margi Folio Scarce Som nium MAD ONNA AND CHILD . (Parce Rum
pere . )
n . . E graved after Ti tian . Proof before letters Fol io
THE REST IN EGYPT .
Engraved after Pouss in . Early proof before title ,
with the dedication only . Folio .
MOYRE AU (J ) 9 3 0 . LES BUCH ERONS . im n Wouver m an . Line e graving , after Fi ne early n pressio . Folio .
MU L L E R ( H E I NRI C H C . ) N LA FO TAINE .
n n . Portrai t . Li e engravi g Brill iant proof before
8 . title . V O
NANT E U I L ( RO B E RT ) .
F AN S SERV IEN EV ES UE A EU . R COI , Q DE B Y X n ss Engraved after C hampaig e . Good impre ion Of
th e n ut ut . seco d state , b o close
AE AS E ES . MI CH L LE M L , PRIOR DES RO CH
rat. n . Port i Line engravi g The rare First State , but
4 165 . a washed copy . to . 8
NAP O L E O N I .
A E N POL ON B UO NAPARTE . n G ub aud Mezzoti t by W . Say , from a picture by o %
t th e . O aken during Hundred Days . Folio pen
h . le tter proof . Slig tly repaired i n th e margin N E APOL ON 1. AS EMPEROR .
s s . B u t , life ize , engraved in stipple by Rados Large
. F B F T . folio PROO E ORE LET ERS RARE . A E E A LA GLOIR IMMORT LLE D E BONAP RTE .
Line and stipple engraving by J . B . Louvi on , con tai ni ng abustportrai t Of Napoleon and Emblemati c
s . . s 9 Figure Folio Pari , An
PASSA GE DU PONT DE LODI .
n if . Li ne engravi g by Cho ar d after Vernet Fol io . 33 NE M W AN (H. R. )
- 3 17. WA E A T R COLOR D R WING . Ruins Of an Arab Mo s que on the banks of th e Nil e
Sim l w v. 190 3 . at Abu b e. Dra n and s i gned No
M X 207 . Very neatly and carefully executed . A } i n
Panel .
NE W Y O RK C I T Y .
’ E E A 1 9 A O E FED F . W F D R L HALL , 7 7 VIE TH ERAL HALL AS IT APPEARED ‘IN THE EA 1 EN Y R 797, WITH THE AD JAC T BUILD N I GS . h a Colored lithograp by C . Currier . Dr wn for Val ’ e ntine s Manual from the original drawing by
- . a 22 x 2 . G Holl nd . Framed , 31 77} in A S F C IMILES . South - Prospect of New York (Bakewell V iew 16 9 Dutch Drawing of New York , 7 ; The Water ’ 16 n h m s gate , 79 ; ad ot ers , all fro Valentine Man ual 9 s . ( ) OS T AD E (A)
E f . TCHING , man leaning out O an Open doorway O s ld i mpre sion .
- LE B OURG MESTRE.
Line engraving by B eauvar let after Ostade. Good
4 . early impression . to
PAL ME R( S AMU E L ) .
22. EE s V . 3 SH P AND CATTLE . (Illu tration to ergil ) n . 8 . Etch i g Signed Proof . vo
PANNI E R (JAC Q U E S ET I E NNE) .
23 . E A 3 V L SQUEZ . ’ en Portrait after th e painter s own portrait . Line t graving . Very beau i ful Proof before all letters , % marked (probably by the engraver) 11me . essai .
4to .
E E N P ARRI S H ( S T P H ) .
ES E ASS . THE INNER H ARBOR , GLOUC T R , M
Beau tiful proof on India paper . Small folio .
HASTINGS (ENGLAND) .
M . . O E tching . Proof 34 P E RS I AN I L L U MINAT I O N . PAINTING IN COLORS AND G OLD ON CARD
BOARD . A repre s entation Oi a Pri nce in h is Harem wai ted on by attendants wi tnes s i ng a performance Of acro wo h n on s a ins tr u bats , t of t e latter playi g mu i c l a 18th ments . In black oak frame . Prob bly cen
tury . r P T T E D ME E I (G I L L E S ) . ll r eau h 18 h n En C e . Frenc t ce tury graver , pupil of
2 E E E E ENAN NE . 3 7. H NRY BACH LI R , LI UT T CRIMI L
Line engraving after De Troy . Folio . F i ne Old
Impres sion .
P L AD E L P A H I H I . 2 O ’ E E % 3 8. VIEW F GIRARD S COLL G
. Ca. 1830 . O Line engraving un s igned . Cut close n
s tretcher .
E P I C ART (S T E P H N) .
n h En 17th C n . Fre c graver , e tury A 329 . CL UDIUS DE BRIOU .
n . . 1671 . Portrait after Paillet . Line e graving Folio
P I RANE S I ( C AVAL I E R) . 3 E A D ’ E E 30 . VEDUTA D LL FO NTE G RIA.
Etching . Large foli o . 331 E E A T M PIO D LL SIBILL IN TIVOLI . n Etchi g . Large folio . 3 32 E A N E NA E V DUT I T R DEL T MPIO D ELL TOSSE.
Etching . Large folio . ED 333 V UTA D ELLA PIAZZA D I MONTE CAVALLO .
Etching . Large folio . 34 E A A 3 V DUT D EL C MPIDO GLIO D I FIANCO .
Etching . Large foli o . 335 E U A AS E O E ’ A A A V D T DEL C T LL D LL CQU GIULI .
Etching . Large folio . 3 E O 3 6 T MPI D ELLA SALUTE .
Etching . Large folio . 33 E A 7. V DUT INTERNA DEL PRONAO DEL PAN E N T O .
E tching . Large folio . 338 VEDU TA INTERNA D ELLA VILLA DI MAEG E N E AT IN TIVOLI .
Etch i ng . Large folio A P I T U (NI C O L AU S ) . A E C MILL LILLY . Historian and Librarian to Car
dinal Mazarin . i i . Line engrav ng after Daret . Fine mpression Folio .
1663 . Tri mmed clo s e . E E BI N TH OD OR G ONIUS . Magister . 1 Engraved after P . de Champagne . 669 . Wea k s impre sion . Folio .
PI U S V I .
S ENES f . C in the Life O Pope Pius VI , engraved by
1 180 0 . various Italian artists from 775 to . Folio 13 ( p ieces . )
P O L L E T (V I C T O R F L O RE NC E) .
I n n h f i h m m 9t n O c o e. talia e graver , 1 ce tury , pupil R D aldio. IL JOCATORE I VIOLINO . (Teob )
R . Line engraving , after aphael Very fine i mpres
s Of th e s s . ion Fir t State , before all letter (Marked
s loth . with the ten cro ses , signifying proof )
P O RT RAI T S .
. B oill . CALLOT , by A y
DE VIC (first French Clockmaker) .
l n 3 . JAMES II (after B ooteli g ) . ( pieces )
ERNI N S WESTERHOUT. B U , by N olif an . A B W FRED . GOTT H UPT (LI RARIA ) , by g g ;
etc . E 4 ngr avings . ( )
PORT E RL E T (HE NRn. N THE FIRST B OR .
n Toudouz e. E tchi g , after Remarque Proof printed n on vellum ad s igned by the etcher . Folio .
RAIMO ND I (C ARL O ) .
N d I n E n T s h ote talia graver , pupil of o c i . LUNETTE OF THE ARB OR OF THE CONVENT
F . A A. O S PAOLO , P RM
th e s Line engraving fro m Fre co . Very fine Re
marque Proof , initialled by the engraver . Folio . 36 F E RAI NAL D I ( RANC S C O ) .
I n En u ii Of R h Mor hen. talia graver, p p ap ael g
34 A . 7. URORA
. O . Li ne engraving , after Guido riginal impression
Large fol io .
RAJON ( PAU L ) .
4 E . 3 8. THE TOP R
Etched after Seymour Lucas . Very fine Remarqu e
Proof . Foli o .
E E E N . 349 . MRS . GROV R CL V LA D
w h . Proof i th t e etched border , printed i n carmine
4to .
E E . 350 . GEORG LIOT
Proof before letters on China paper .
E . M . THI RS
LADY CREWE .
w h s . T o etc ings . Proof
’ 2 EN W E . 35 . RUB S IF AND CHILD
PORTRAIT AFTER F RANZ HALS . ’ GAINS BOROUGH S BLUE BOY .
Three etchings (ti tle eras ed fro m the las t) .
RAMU S (E D MO ND ) . AN WA 353 . EGYPTI AT HIS D OOR Y , after Al ma Ta
dema . ENE AN EA W E S H V TI P RL ORK R , after Van aanen .
Two etchi ngs . Remarque Proofs .
RAU B I CHE K C .
4 E EN N A O S W . 35 . V I G H D S
c F a . NDIA P Et hed fter Minor Large folio, I ROO .
EM AN R BR D T .
EA N n n L CHRIS T PR CH I G . ( K ow as La Petite a
O i n a t in a G im r gi l e ch g by Rembr ndt . ood early pres 67 s . B ion . . B R SWI K FA M Y THE U C IL . E tching by F ouquet- Dorval after the pain ting by Rem n n bradt . Fi e an d early Remarque Proof on Japan e a pap r . L rge folio . EE O E THE THR CR S S S . F n l u i F i e he iograv re Of the orig nal etching . olio . 37 RE M B R AN D T— C ti d on nue . 358 . C S S OWN TO THE POPUL ACE HRI T H . in of i F F e heliogravure the orig nal . olio . 3 9 O E 5 . THE B LI SK . O A E W A A A E TH E C TT G ITH P LI S D . C E THE TH I K T .
E s t r n s L r 3 tching af er the o igi al b y ouis Ma vy . ( )
3 60 . THE E GILD R . im . . . n ss u By J H de Frey Fi e pre ion , b t close .
RE HEL AL F E T ( R D ) . 3 61 . R O AL F E DE T D S R UND . R O E W E DE T D AL S R URG R. W s t s . F 2 ood engravings , ligh ly tained ramed . ( ) 3 2 EIN D 6 . T TENTANZ O .
C set of six on one t. omplete the , printed large folio shee
Wood engravings .
R O THEOD UL E I B T ( ) .
Th n P n e oted ai ter . UN N E AN E 3 63 . O C TR B DI R . A RECE E L TT . 2 Original etchings by Ribot . ( )
ROU L L ET (JEAN
n h E n 17th n P Fre c graver, ce tury, pupil of oilly . 364 A E E EN OCUREU EN PARL E . H IL IR CL M T, PR R EN M T . 16 9 F m 4 E 8 . s . to. ngraved after Lefebure, ine i pres ion
EN RU B S . 3 6 T N O EN 5 WO SO S U S . . THE F R B 4 o t . Line engraving by J . Daulle .
EN L E w . S AD R ( D D Y) .
‘ h h n h A c oice collectio n of proof etc i gs after t is popular painter . Several h r s of t ese ae very carce . All are neatly fram ed .
3 6 C S MAS E . 6 . HRI T TIM
s Etched by James Dobie . Proof igned by painter and c et her . 36 O E NU S W NE % 7. V R THE T AND I
e Etch d by James Dobie . Proof Signed by painter and
etcher .
A D L E W D E S R ( . N D Y) S U E ’S SON THE Q IR G .
Etched by L . Muller . Proof signed by painter and
etcher . SUMME ’ DAY R S . l Etched by L . Mu ler . Remarque Proof on Japan
paper . Large folio .
S MO N L A L ( . ) EN E 384. V IC .
E t the B ss R t s R tching af er arone de o h child . emarque P on S t roof Japan paper , igned by the e cher . Folio .
S C HIAV ONETTI N ( . ) 385 A E S N . C O A A H RL TT TABB I G M R T . t n in t O . P S ipple e grav g af er Pellegrini pen Letter roof . 4to 1799 . .
HNE ER S C ID ( O TT O J . )
Among discriminating connoi sseurs his dry - points are now accepted as Of equal arti stic quality with the best that European craftsmen have to Offer ; it is in deed a cause for national pride that we have on native % m an s h ns m k — TH A KINGTON i s . BOO T R 1905 so l a of uc co u mate ill , . N A E C . 386. AN M RI A GIRL to r Dr Full length , turned ight, large plumed hat . y S on an point . igned Proof Jap Paper Printed in 4 Colors . to . E AN 3 . 87. AN AM RI C GIRL s as i t r w The ame the preced ng, but prin ed in wa m bro n ‘
n a a 4to. ink o Jap n p per . Signed Proof . E O 38 W . 8. THE HIT B W a ow Dr b O . Head , the h ir tied with a large f ribbon y F point printed in red and black . Signed Proof . olio . A E NOON A 389. AN FT R C LL . n C C s k ks i You g Woman in olonial o tume, noc w th the n - iro rapper at the door Of a building . Dry point
a . p r inted in Colors . Signed Proof On Jap n Paper 4 o t . 390 A N AN E SS . . A P I G GL C Full - length figure Of a young woman with fur- b oaand
- i F . t . . pic ure hat Dry point, printed in black ol o o o Signed Pro f . Foli . 91 M A O E SS U W . 3 . I J L IA M RL
- s to . D r Bu t portrait, looking right y point, printed in n F black o Japan paper . Signed Proof . olio . 40 S C HN E I D E R ( O TT O J. )
DAY DREAMS .
- of n an tu n Half length por trait a you g wom , head r ed
- D r n . to to . slightly right, with hand her chin y poi t F Signed Proof on thick plate paper . olio .
AN N D CI G .
Full - length figure Of a young woman in the act of com
- Dr . m encing to dance . y point Signed Proof printed
n l i . in warm brown ink o Japan paper . Smal fol o
E IL PENS ROSO .
- s fi of t to Full length eated gure a young woman , urned
- s as . . P n left, hand cl ped Dry point Signed roof pri ted
on n . Imperial Japa paper . Small folio
O AN O A EN O N LD D V P RT.
- t of n an s on O Full leng h figure a you g wom , eated an ld
D r - to . D n . avenport , turned left y poi t Signed 4 o n t . Proof printed in rich brown ink o Japan paper .
S RE PE MI T SS GGY .
Full - length figure of a young woman in Eighteenth
- nt. Century costum e seated on an Old couch . Dry poi Signed Proof printed in rich brown ink on Japan
4to. paper .
H L E ER NE T E ITTL MI MUF F .
F l- fi f - n o m fi t. ul length gure a child with u . Dry poi on hi 4 Signed proof t n white Japan paper . to .
A SON W O WO G ITH UT RDS .
t - C s . n on hild ea ed at a piano Dry poi t. Signed Proof thi a 4 o t . n Jap n paper .
A S HADY SPOT
D r - R s . iver cene y point . Signed Proof on thin white 4 o t . Japan paper .
EN N RDFELD B . . O SS O T J L .
P . on n ortrait Signed Proof thi white Japan paper . 4 to.
S C O UL AN TT (J I ) .
F A O CE THE L G F TRU . RECA THE LL . Reproductions of p alntings ON INDIA PAPER SI G NED HE RTI T f T A S . 2 Large olio . ( ) 41 S C OT SIR WAL ER T ( T ) . POR A FUL L EN TH TR IT, L G . t n C Ra F M . r . i L ezzo i t by Turner after ebu n ol o . ond . 1810 O . pen Letter Proof . P R A O TR IT .
- L ~ r t t s t . in H Three qua er leng h, ea ed ine engrav g by J . . n F R s . 1 33 obi on after Lawrence Proof . olio . 8
ENERAL N EL SC O TT ( G W I FI D ) .
MAJOR- GENERAL WINFIELD SCOTT OF THE UN E A E ARM IT D ST T S Y .
- un r Three quarter length in ifo m . Stipple engraving G s and on by T . imbrede . Slightly tained mounted
stretcher . Proof . Scarce .
M H HN S I T (J O ) . COUNTESS OF WAL D EG RAV E AND HERDAUG H TER . R n f i t ts . A s s . M fter Sir Jo hua eynold ezzo i . Small ol o i Off Marg ns cut and laid down .
M HEN S O M ( RI) . APON ME J IS . hi E . 1881. NO tc ng Signed Proof . 77, with the etch ’ er s stamp . E HEN SPI C R ( RY) . 40 AR ARA E F EN R 7 B COUN SS O CO . . B , T V T Y s R L B Mezzotint after Sir Jo hua eynolds . ond . : . Say r s F e . olio .
O O R S T P ( D I K) .
Et hin of Two 1651. H s c g orse at pasture.
PEASAN O N A HORSE wit C on the T H LD I G , h avalier
E n . 1651. right . tchi g
R N E S IR RO E S T A G ( B RT) . MA A EN I O O TH E GD L N A GR TT .
e F r s —b e Engrav d after Guido . Proof Of the i t State F fore all letters . olio . A A ABR HAM D ISMIS SING HAG R.
the F s — After Barbieri . Proof Of ir t State before all
letters . Folio . E E R A E L R TOU DU M RCH . m an 4 o r t . After Wouve . Good Old impression . 42 D TENI ERS ( . )
’ ’ TWO L ODORAT (by V ion ) and L OUIE (by L urat) .
etchings .
E TEYS SONNI ERES ( PI ERR ) .
MARY Q UEEN OF SCOTS . SIG NED R MAR U P F N JAPAN Etched portrait . E Q E ROO O
R . PAPE . Folio
E ’ W AR T H IRTY Y ARS . CAVALRY COMBAT BETWEEN GERMANS AND AN AUSTRI S .
Photogravure . Large folio .
EN O MA R . T H S ( . K T) A ’ E ET C O O ANS A C . H IR F ST . LB BB Y, E tching . A E TIS S O T (J CQ U S J . )
O EN D E E DE PA L e r S UV IR U S I G RIS . ( Premie ’ Soldat Tué que j ai vu . ) ’ - r ss s . D y point . Proof with Ti ot stamp NEEN MAVOUR .
- Dry point. Proof . L E CROCKE T, and MAN WOMAN SEA E C A P N HAND A AND T D L S I G S .
- 2 r s . D y points . Proof ( )
T M L I ( O U I S ) . PORTAIL DE LA CATHEDRAL E DE LUXEM
BOURG .
D r - . P on 4 o y point Signed roof Japan paper . t .
O S CH O O T I ( PA L ) . OR O SAN GI GI . E a ngraved fter Parmigiano . Remarque Proof on India F paper . olio . SA N E A A E I T G TH . a Engraved fter Parmigiano . Remarque Proof on India
Paper . Folio .
TROUV AI N N O NE ( A T I ) .
n h E n 17th C n Fre c graver, e tury. AL E D BA XI S U C . o P . 9 ortrait after Sim n Line engraving . 168 . 43 V AN YC D K . O A P RTR IT . Pencil Drawing— finely executed after a portrait by V 4 k . to andyc .
V AN MUYD EN ( E )
The n d E h An s ote tc er of imal . ONESS A C LI ND UB S .
V r fine t - V an Mu den i n e y wa er color drawing by y . S g ed t s 1888 4to and da ed Pari , . . SW SS NFAN O MARCH I I TRY N THE . E in 8 o . P . tch g Signed roof v . NN N FACE THE GRI I G S . n E i . 8 vo. tch ng Sig ed Proof .
V AN S CHU FEN ( P ) CA O US D ’ANG LURE B O LEM NT R L DE UR O . n n Pi eb a. 4 o Cut . Line engravi g after g t t . close
E A NI V ND R MI J . ) E AM AN A MISS D C P AS UR I . S i tipple engrav ng . Small folio .
E L E W AL TN R ( CHAR S) . K N E WA AS NCE OF WAL ES I M L I G D RD PRI , N I I A T RY UNIFORM. N o. 10 s W n Etching . Proof igned by altner and pri ted n o vellum .
A E N E PORTR IT OF M IS SO I R. E on tching . Proof printed vellum . M F E E RS . ITZH RB RT ; MR N S . B I GHAM ; n THE O E AN ad . , B H MI w 3 n t o . E s . s R tchi g Proof , with emarques ( )
N N E E W AS H I G T O ( G ORG ) . ENE A WA N ON LE G R L S H I GT .
- a L e f r Full length portr it . Engraved by N . Mire a te L e . n on s . . Paon Folio . Mou ted tretcher Scarce A Y WA HIN TON ECE ON L D S G fS R PTI .
Stipple engraving by A . H . Ritchie after Huntington .
Open Letter Proof . Large folio . 44 E WAT ERL O O (ANT O I N ) .
ENUS A A ON S . 435 . V ND D I N TH E DEATH OF ADO I S . A AL PH EUS AND ARETH US . 3 4to. i ss s . L andscape etch ngs . Fine early impre ion ( )
AN AND S NX. 436. P YRI
MERCURY AND ARGUS . NE APOLLO AND DAPH . 4 3 m. F ss . Landscape etchings . ine early impre ions ( )
N OM S (WA T S O ( T H A ) . Z EO NA L A Y POYN . 437. G RGI , D T
M i - s PR F B F R TITL t r ezzot nt , half length, eated , OO E O E E af e
R o s . . Sir Joshua ey n ld Folio , with small margin
N W EL D O ( C . D . ) KE O NS . 438. T 4to Etching printed on satin . Remarque Proof . .
E F W EL L I NGTON ( D U K O ) .
P - F t r 439 O A ll t s t . B . B . RTR IT, fu leng h, ea ed y acon af e
Barker . Folio .
W EL Y . E CENE RIV R S . i O . rigin al Lithograph printed in colors . Proof . Fol o
EN AM N W ES T ( B J I ) .
P AI EE - A E L EN O R R TH. RT T, THR QU RT G
Fittl r F L n . e B ine engravi g by J after arlow . ine early
i ss . F mpre ion olio .
L ER M NEIL L W H . c I S T (J ) .
OR NAL PEN- AND - INK D A IN IGI R W G .
f n 9 x 5 n t o W ad C . in o A S udy aves louds % . and the reverse an other smaller pen - and- ink sketch of a lan d l t s a . C G C C c pe From the o lec ion of eorge . larke hi s s am . with t p Un signed . * Whi stler in 1862 was at Biarritz Where he painted his “ % s W This en- and-ink w n is os famou Blue ave . p dra i g p l h i Th w sib y a study made about t e same t me. e aves roll from “ % h in h W Th win left to rig t as t e Blue ave . ough dra gs of Whis cc n ls in th it is n l tler o ur at rare i terva e market, exceptio a wi h n c him h as h he se to meet t a mari e pie e by , muc e loved t a, h s h wn i e eem s to ave dra t but rarely . 45 M E L L — W H I S T L E R (J. cN l ) Contim ¢ed. O E DRAPED F URE GIRL WITH B WL . L ITTL IG 2 W . 8 .
O s R t . riginal Li hograph by Whi tler . are THE MO E ES N W 87 D L R TI G . . .
- in R a . Dry po t by Whistler . re
FINE E 54 TT . W . .
- W i ss f he c Dry point by histler . An mpre ion rom t an
celled plate . ORG 63 THE F . W . E .
- n m D D r y point by Whistler . Fi e i pression on utch
paper .
W L L E G I (J . . )
NS UC ON PA E NEL E I TR TI T R L . L v t T F G old im ine engra ing af er erburg . olio . ood press ion but somewhat cut down an d mounted on s tretcher . POR A OF THE NO E EN RAV ER TR IT T D G . L n In ouf Wi l Fi i e engraving by g after P . A . l e . ne old
impression .
L L N E W I MA ( . ) 449 F E ET E D . O . dis aa LL MITT ( ogs covering phe s nts . )
i n s s F O L r L ne engravi g after De porte . olio . pen ette
Proof .
AAL Z J. )
D h En 17 h n utc graver, t Ce tury. OAR HUN THE B T .
n . . t Line e graving Folio Second sta e, ss of V dre alek .
O N AN E Z R ( D RS L . ) MUS CAL FAM LY A I I .
. 4 o Etching Signed Proof . t .