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Standing up to Peer Pressure, One Song at a Time
TEACHER’S GUIDE OCTOBER 2016 VOL.36 NO.1 WRITING BACHATA LYRICS The Dominican A Practical Music’s Rise to Guide Global Fame LISTENING GUIDE Prince’s NOT FOR “When Doves ALESSIA Cry” DISTRIBUTIONCARA Standing Up to Peer Pressure, NOW One Song at PLAYING a Time The Minimoog Model D INCLUDES LESSON PLANS FOR The Art of the Lyric • How Bachata Got Its Groove • Listening Guide: Prince’s “When Doves Cry” • Song of the Month: “Wild Things” by Alessia Cara This issue supports National Core Arts Standards 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, and 11 FROM THE EDITOR Welcome to the 36th season of Music Alive! Beginning with this season, I’ll be following in the foot- October 2016 steps of my esteemed colleague Mac Randall as the new ed- Vol. 36 • No. 1 itor-in-chief of Music Alive! Magazine. As a writer, musician, and part-time music teacher, I’m excited to be in a position CONTENTS of selecting and editing content to be shared with young music students through Music Alive! Music’s value as an educational subject 3 The Art of the Lyric is frequently reported on by the media, but for those of us who are passionate about music education, its importance is common knowledge. Whether or not 4 How Bachata students intend to become professional musicians, we know that their studies Got Its Groove in music will be invaluable to them. As we move forward with Volume 36, we hope to provide you and your 5 Listening Guide: students with content that will not only inspire them but will also challenge Prince’s “When them—whether it’s in understanding a technical aspect of music, wrapping Doves Cry” their minds around the inner workings of the music industry, or opening their ears toNOT the sounds of different FOR cultures and subcultures. -
Session Handout Salsa & Merengue Mash Up
SESSION HANDOUT SALSA & MERENGUE MASH UP Walter Diaz (WALLY) ZIN™ Member, USA SESSION HANDOUT Presenter Walter Diaz (Wally) Schedule 50 min: Theoretical explanation about all these fantastic rhythms and their influences. 70 min: Master Class, including the Warm Up and Cool Down. (Total: 2 hours) Session Objective The session will give ZIN Members valuable information and knowledge about Salsa and Merengue, thus providing participants with the tools to easily identify these rhythms and put them into practice. History & Background HISTORY OF MERENGUE Merengue is a style of music and dance originated in the Caribbean, specifically in the Dominican Republic in the early nineteenth century. Originally, the Merengue was interpreted with stringed instruments (guitars). Years later, the guitars were replaced by the Accordion along with the Guira and the Tambora (drum of two patches), the structure of the whole instrumental típico. This set, with three instruments, represents the synthesis of three cultures that shaped the flavor of the Dominican culture. European influence is represented by the Accordion, the African by the Tambora (drum of two patches), and the aboriginal by the Taino or Güira. Although in some areas of the Dominican Republic, especially in the Cibao, there are still typical sets, this has evolved throughout the twentieth century with the introduction of new instruments like the saxophone and later with the appearance of bands with complex wind sections. The origin of the word merengue goes back to colonial times and comes from the word Muserengue, the name given to dances among some African cultures. The Dominican Merengue genre has played a major role within the environment of Afro Caribbean. -
Dur 07/06/2016
MARTES 7 DE JUNIO DE 2016 3 TÍMPANO Juan Luis Guerra llega a los 59 El cantante latinoamericano festeja su cumpleaños inmerso en trabajo. NOTIMEX Ciudad de México Género Uno de los grandes exponentes de ba- Se le considera el chata y merengue, el cantautor y pro- creador de un ductor dominicano Juan Luis Gue- movimiento musical rra, ganador de tres Grammy y 15 en el merengue Grammy Latinos, llega hoy a los 59 dominicano que hace años de vida con la preparación de que este ritmo ‘Juntos en concierto’, que presentará renazca vestido de el 11 de junio al lado de Chayanne y una lírica impecable, Olga Tañón. imponente e El “show” se llevará a cabo en Pe- impactante, según rú y los reconocidos intérpretes ha- los críticos en la rán un recorrido musical por sus éxi- materia. AGENCIAS tos. En el caso de Guerra, prevé can- tar temas como ‘Bachata rosa’, ‘Oja- ALICIA KEYS LE DICE lá que llueva café’ y ‘Mi bendición’, Inicios entre muchos más. ADIÓS AL MAQUILLAJE La cantante Alicia Keys se sumó al movimiento feminista #NoMa- En 1984 formó su DE LETRAS Y MÚSICA keUp, el cual toma cada vez más fuerte. Keys, de 35 años, difundió grupo 4.40 y grabó su Juan Luis Guerra Seijas, nombre una carta abierta a sus fanáticos en “Lenny Letter”, una web que de- primer álbum completo del cantante, nació el 7 de fiende el #nomakeup, donde confirma su decisión de no volver a usar “Soplando”. Este junio de 1957 en Santo Domingo. El maquillaje y unirse a la tendencia de “al natural”. -
Atlanta Metro's Top
Atlanta Metro’s Top 100 “Must-Sees” with a twist For even more things to see and do check out www.VisitMetroAtlanta.com Hot Picks Acworth 675 Alpharetta 41 Roswell Kennesaw 120 Marietta 75 Sandy 9 120 Springs Cobb 41 Powder 400 Springs Smyrna 75 278 Austell 78 NORTHWEST ATLANTA Douglasville 92 20 285 154 East Douglas Point Fulton 85 136 Clayton Jo COLOR CODE: Fayette 54 Green = Northwest Metro Area Pink = Intown Atlanta Peachtree City Orange = Northeast Metro Area Purple = Southeast Metro Area Blue = Southwest Metro Area What to see and do! Buford 985 Alpharetta Johns Creek 19 Suwanee 23 400 141 85 120 Dunwoody 316 Gwinnett Duluth Lawrenceville Norcross 124 29 400 141 285 NORTHEAST 85 78 Stone Mountain Decatur DeKalb 20 675 155 Morrow 138 54 yton Stockbridge 20 Jonesboro 75 Henry SOUTHEAST McDonough 19 20 23 Events are subject to change or cancellation without notice. Please check www.visitmetroatlanta.com or the event website before you travel. The Atlanta Metro Travel Association is excited to bring you our Hot Picks. This is a starting point for your Atlanta Metro visit, but by NO means is it a comprehensive listing to all the fun and exciting things to do in Atlanta Metro - just a sampling! Please note that the map is color-coded. The color of each listing reflects its geographic location. Alpharetta Convention & Visitors Bureau www.awesomealpharetta.com Atlanta Convention & Visitors Bureau www.atlanta.net Clayton County Convention & Visitors Bureau www.visitscarlett.com Cobb Travel & Tourism www.travelcobb.org Convention & Visitors -
Si Saliera Petróleo”
UNIVERSIDAD CATÓLICA ANDRÉS BELLO FACULTAD DE HUMANIDADES Y EDUCACIÓN ESCUELA DE COMUNICACIÓN SOCIAL MENCIÓN: ARTES AUDIOVISUALES TRABAJO DE GRADO ESCRITURA DEL GUIÓN PARA LARGOMETRAJE MUSICAL “SI SALIERA PETRÓLEO” SIBADA CORIO, Edgar Alberto Tutor: Lic. AMUNDARAÍN, Javier Caracas, mayo de 2014 Formato G: Planilla de evaluación Fecha: _______________ Escuela de Comunicación Social Universidad Católica Andrés Bello En nuestro carácter de Jurado Examinador del Trabajo de Grado titulado: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Dejamos constancia de que una vez revisado y sometido éste a presentación y evaluación, se le otorga la siguiente calificación: Calificación Final: En números____________ En letras: _______________________ Observaciones__________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Nombre: __________________ __________________ ___________________ Presidente del Jurado Tutor Jurado Firma: __________________ __________________ ___________________ Presidente del Jurado Tutor Jurado Anna María Sanó, gracias por tanto. Esto es para ti. AGRADECIMIENTOS A Dios; gracias por guiarme, -
Our Menu Selection
Note: 3.99% will be charged when paying with a credit card. Our Me nu S e l e c t i o n Appetizer Maincourse Dessert Beverages Address: 2072 White Plains Rd. Bronx, NY 10462 718-824-1933 | 718-824-2764 Contact Us 718-824-1946 | 347-737-4572 www.cafecolonialnyc.com PARA EMPEZAR Alitas Caribeñas $10.00 Mofonguitos de Cangrejo $16.00 Chicken wings dipped in our homemade Fresh Crab Meat served over Mini spicy BBQ Sauce, Garlic, and Basil. Mofongo with Creole Sauce. Calamari $12.00 Almejas Casino $16.00 Fried Calamari served with Classic Half a Dozen Baked Little Neck Clams Marinara Sauce. steamed with Fresh Herbs, Onions, Peppers and Bacon. Rollitos de Berenjena $10.00 Sample Plate $16.00 Eggplant stuffed with Fresh Mozzarella & Baked Casino Clams, Shrimp, Calamari Ricotta Cheese in Classic Marinara Sauce. and Eggplant. Camarones Fritos con Coco $11.00 Trio de Tacos $16.00 Deep-fried Shrimp with Coconut Enjoy Chicken, Shrimp and Beef Tacos on breading, served with home style made Corn Tortillas with Jalapeño, Onions, Sauces for dipping Crema Fresca and Tomatillo Salsa Seafood Empanadas $12.00 Pulpo a la Parrilla $22.00 Scrumptious Seafood Empanadas Piquillo Pepper Sauce, Roasted served with Chipotle Mayo. Potatoes, Shallots & Vinaigrette. SALADS Potato Salad $9.00 Grilled Chicken Salad $15.00 Potato Salad with Carrots & Eggs, Grilled Chicken over Lettuce, Mixed with Mayonnaise and Olive Oil. Tomatoes and Cucumbers. Caesar Salad $ 8.00 Shrimp Salad $18.00 Romaine lettuce, Caesar dressing, Mixed Lettuce, Crisp Bacon, Red Peppers, Parmesan Cheese and Croutons. Red Onions and Succulent Grilled Shrimp. -
Entrega Gobernadora Obras Metros Del Canal De Riego Donde O De Su Vida
Nogales, Sonora, México Buenos días AÑO 16 • NÚMERO 6006 Sonora y Arizona 32 PÁGINAS • 4 SECCIONES HOY ES VIERNES 31 $10 pesos • Un dólar en Arizona DE MAYO DE 2019 CON EL PROGRAMA DE VIVIENDA Beneficiarán a mil 400 familias Visita Nogales coordinador de zona de la Comisión Nacional de Vivienda Agustín Valle ciudad visitando casa por casa para Nuevo Día/Nogales, Sonora constatar la necesidad de la gente y que sean beneficiadas con este pro- on más de mil 400 vi- grama. viendas, producto del Destacó el trabajo realizado trabajo conjunto entre la por personal de Desarrollo Social del federación con autorida- Gobierno Municipal, así como la des de estatales y muni- gente desplegada por las colonias cipales, las familias no- de la Comisión de Vivienda del Go- Cgalenses se beneficiarán con una vi- bierno del Estado, todos juntos, por vienda digna que genere identidad un solo fin que es el beneficio de la con una construcción asistida que gente. garantice su duración y queden Con el trabajo que se está ha- atrás materiales reciclados, elimi- ciendo es que se necesita garantizar nando el cartón y las láminas. la posición del terreno, que no sea En entrevista para Grupo Mul- una invasión, despojo, esté en pleito timedios NUEVO DIA, con Raymun- legal o cualquier situación de riesgo. Israel Victoria, acompañado por Alejandro Castro, de Desarrollo Social, en entrevista para Grupo Multimedios NUEVO DIA. do Estrada Charles, Israel Victoria, Victoria dijo que con estos pri- Coordinador de zona de la Comisión meros criterios donde presenten pa- domicilio, CURP, documentos del vez hecha la solicitud se hace la revi- un par de semanas estarán en esta Nacional de Vivienda, de visita en gos de predial, recibos pagos de vi- predio y acta de nacimiento, se pue- sión para determinar si son benefi- frontera los asistentes técnicos para esta frontera, avaló el trabajo de vienda o terrenos, además docu- de elaborar la solicitud. -
Bachata Rosa Album Download Bachata Rosa
bachata rosa album download Bachata Rosa. The follow-up album to Juan Luis Guerra's international breakthrough with Ojalá Que Llueva Café, Bachata Rosa is a milestone effort that spawned seven hit singles, garnered critical acclaim from all corners, and popularized bachata on an international scale. Generally considered Guerra's masterwork, Bachata Rosa is a departure from his previous four albums and sets the template for subsequent efforts with its mix of rousing merengues and romantic bachatas. In the case of Bachata Rosa, each side of the ten-song album opens and closes with an uptempo song, and three of the four are extraordinary ("Rosalia," "A Pedir Su Mano," "La Bilirrubina"). The middle of each five-song album side (and remember that Bachata Rosa was released at a time when there were separate A- and B-sides) is reserved for slow, romantic songs in a bachata style. Five of these six songs were released as singles ("Como Abeja al Panal," "Carta de Amor," "Estrellitas y Duendes," "Burbujas de Amor," "Bachata Rosa"). As some critics have noted, these songs aren't bachatas in a strict sense; rather, they fuse bachata with the bolero and ballad styles in the same way that Guerra's merengues are often fusions of other uptempo tropical styles like soca and salsa. In any event, Guerra is credited with popularizing bachata in the early '90s and rightfully so. Both "Burbujas de Amor" and "Estrellitas y Duendes" reached the Top Five of the Billboard Hot Latin Tracks chart, and Guerra won a Grammy Award for Best Tropical Latin Performance. -
Juan Luis Guerra and the Merengue: Toward a New Dominican National Identity
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Dominican Studies Institute 2013 Juan Luis Guerra and the Merengue: Toward a New Dominican National Identity Raymond Torres-Santos CUNY Dominican Studies Institute How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/dsi_pubs/2 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Research Monograph Juan Luis Guerra and the Merengue: Toward a New Dominican National Identity Raymond Torres-Santos Dominican Studies Research Monograph Series About the Dominican Studies Research Monograph Series The Dominican Research Monograph Series, a publication of the CUNY Dominican Studies Institute, documents scholarly research on the Dominican experience in the United States, the Dominican Republic, and other parts of the world. For the most part, the texts published in the series are the result of research projects sponsored by the CUNY Dominican Studies Institute. About CUNY Dominican Studies Institute Founded in 1992 and housed at The City College of New York, the Dominican Studies Institute of the City University of New York (CUNY DSI) is the nation’s first, university-based research institute devoted to the study of people of Dominican descent in the United States and other parts of the world. CUNY DSI’s mission is to produce and disseminate research and scholarship about Dominicans, and about the Dominican Republic itself. The Institute houses the Dominican Archives and the Dominican Library, the first and only institutions in the United States collecting primary and secondary source material about Dominicans. -
Individual Buildings/Sites Currently Designated by the City of Atlanta (Landmark and Historic)
Individual Buildings/Sites Currently Designated by the City of Atlanta (Landmark and Historic) Building/Site Name Street Address Designation Designation Date Type Academy of Medicine 875 West Peachtree St., N.W. 10/23/1989 Landmark Andrews-Dunn House 2801 Andrews Dr., NW 12/28/1992 Landmark Atlanta City Hall 68 Mitchell St., SE 10/23/1989 Landmark Atlanta Stockade 750 Glenwood Ave., SE 10/23/1989 Historic Biltmore Hotel and Tower 817 West Peachtree St., NW 10/23/1989 Landmark C&S National Bank Building 35 Broad St., NW 7/4/1992 Landmark Candler Building 127 Peachtree St., NE 10/23/1989 Landmark Carnegie Building 141 Carnegie Way, NW 7/10/1990 Historic The Castle 87 15th St., NW 12/22/1989 Historic Central Presbyterian Church 201 Washington St., SW 10/23/1989 Landmark Church of the Sacred Heart of Jesus 325 Peachtree Center Ave., NE 4/10/1990 Landmark Dixie Coca-Cola Bottling Co. Plant 125 Edgewood Ave., NE 10/23/1989 Landmark Feebeck Hall 96 Armstrong St., NE 10/23/1989 Historic First Congregational Church 115 Courtland St., NE 10/23/1989 Landmark Flatiron Building 84 Peachtree St., NW 12/23/1991 Landmark 643 Martin Luther King, Jr. Dr., Fountain Hall SW 10/14/1989 Landmark Fox Theater 660 Peachtree St., NW 10/23/1989 Landmark Gentry-McClinton House 132 East Lake Dr., SE 10/14/1989 Landmark Georgia Hall 36 Butler St., NE 10/23/1989 Landmark Honorary Georgia State Capitol 206 Washington St., S.E. na Landmark Georgian Terrace Hotel 659 Peachtree St., NE 6/13/1990 Landmark Gilbert, Jeremiah S., House 2238 Perkerson Rd., SW 10/14/1989 Landmark Graves Hall 830 Westview Dr., SW 12/23/1991 Landmark Haas-Howell Building 75 Poplar St., NW 12/23/1991 Landmark Healey Building 57 Forsyth St., NW 12/23/1991 Landmark Herndon Home 587 University Pl., SW 10/14/1989 Landmark Hirsch Hall 55 Coca Cola Pl., NE 12/12/1989 Historic Hurt Building 45 Edgewood Ave., NE 10/23/1989 Landmark Imperial Hotel 355 Peachtree St., NE 10/23/1989 Historic Kriegshaber House 292 Moreland Ave., NE 6/13/1990 Landmark Olympia Building 23 Peachtree St., NE 6/13/1990 Landmark 81 Peachtree Pl. -
Volume 4 Number 3, 1992
Hemisphere Volume 4 Article 1 Issue 3 Summer 1992 Volume 4 Number 3, 1992 Follow this and additional works at: https://digitalcommons.fiu.edu/lacc_hemisphere Part of the Latin American Studies Commons Recommended Citation (1992) "Volume 4 Number 3, 1992," Hemisphere: Vol. 4 : Iss. 3 , Article 1. Available at: https://digitalcommons.fiu.edu/lacc_hemisphere/vol4/iss3/1 This work is brought to you for free and open access by the Kimberly Green Latin American and Carribbean Center (LACC) Publications Network at FIU Digital Commons. It has been accepted for inclusion in Hemisphere by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Volume 4 Number 3, 1992 This issue is available in Hemisphere: https://digitalcommons.fiu.edu/lacc_hemisphere/vol4/iss3/1 Hemisphere A MAGAZINE OF LATIN AMERICAN AND CARIBBEAN AFFAIRS Summer 1992 Volume Four • Number Three Seven Dollars Venezuela: Will Democracy Survive? Andres Serbin, Arturo Uslar Pietri, Rafael Caldera Justified Optimism? The Military and Peace in Central America Jose Z. Garcia, Steve Levitsky, Gabriel Aguilera Peralta Baseball’s Caribbean Connection Martin F. Murphy Purcell on the Cuban Democracy Act Baum on Stopping Airborne Drug Traffickers Clark on Costa Rica’s Export Strategy Green on GATT: The Right to Life Forms Pacini Hernandez on Bachata: Raw to Rosy Payne on Manley’s Legacy Hemisphere A MAGAZINE OF LATIN AMERICAN AND CARIBBEAN AFFAIRS Summer 1992 Volume Four • Number Three Seven Dollars EDITORIAL STAFF LETTERS TO THE EDITOR Editor: Anthony P. M aingot Deputy Editor: Richard T ardanico Associate Editors: Eduardo A. Gamarra, Mark B. Rosenberg Assistant Editor: Sofia A. -
The Road to Salvation Is Not Always Straight . . . Or Easy Three Ways to Save Historic Properties
GEORGIA TRUST FOR HISTORIC PRESERVATION RAMBLERSPRING 2015 | VOL. 42 NO. 1 THE ROAD TO SALVATION IS NOT ALWAYS STRAIGHT . OR EASY THREE WAYS TO SAVE HISTORIC PROPERTIES 2014 ANNUAL REPORT HAY HOUSE RESTORATION UPDATE SPRING 2015 RAMBLER | 1 A WORD FROM THE PRESIDENT HISTORIC ‘PERSEVATION’ oted Savannah preservationist W.W. Law was fond Nof saying “They should call our movement historic FISCAL YEAR 2016 BOARD OF TRUSTEES persevation because it takes so much perseverance to Offi cers Mr. William B. Peard, Chairman, Atlanta complete a project.” I am certain that many of you who Mr. Ira D. Levy, Immediate Past Chairman, Rome have done a rehabilitation project will agree with the late Mrs. Georgia Schley Ritchie, Vice Chairman, Atlanta Mr. Law. Mr. John Mitchener, Treasurer, Atlanta Mr. W. Benjamin Barkley, Secretary, Atlanta Historic preservation presents challenges. Building codes are written for new buildings, not those built a cen- Executive Committee at Large Mr. Arthur J. Clement, Atlanta tury ago. Lenders can misunderstand the rehabilitation Mr. Carl Gable, Atlanta Mr. W. Henry Parkman, Atlanta process and sometimes do not place value on the older Mrs. Jane E. Royal, Madison parts of town where historic buildings are located. It is Board of Trustees hard to fi nd craftsmen and contractors who have the skill Mr. Norris A. Broyles, III, AIA, Atlanta to match the artistry that our historic buildings possess, Mr. Kingsley Corbin, Atlanta Mrs. Greta Covington, Athens and it is also challenging to fi nd the materials and hardware which are needed for a successful reha- Dr. David Crass, Atlanta Mrs.