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Home , Albert Collins, Alligator Records, Clarence Garlow, Dick Shurman, Edgar Winter, Hard Again

JOHNNY WINTER BIOGRAPHY has been a hero without equal. Signing to in 1969 called largest solo artist deal of its time, Johnny immediately laid out the blueprint for his fresh take on classic a prime combination for the legions of fans just discovering via the likes of Jimmy Page and . Constantly shifting between simple in the vein of , to all-out electric blues-rock, – Johnny has always been one of the most respected singers and guitar players in rock and the clear link between -rock and American (a la the Allman Brothers and .) Throughout the ’70s and ’80s, Johnny was the unofficial torch-bearer for the blues, championing and aiding the careers of his idols like and . Growing up in a rough-and-tumble town populated by oilfield wildcatters and shipyard workers, he spent long hours listening to a local deejay named J.P. Richardson – The Big Bopper of “Chantilly Lace” fame – and became hooked on 50’s rock & roll. He formed his first band, Johnny and the Jammers, in 1959 at the age of 15, with his 12-year-old brother Edgar on keyboards. Racial tensions in Beaumont were still high in those days. The town had been side to one of the worst race riots in Texas history just nine months before Johnny’s birth. Mobs wandered the streets, businesses burned, martial law went into effect, and more than 2,000 uniformed National Guardsmen and Texas Rangers sealed off the town from the rest of the world until tempers cooled. Despite the brutal legacy, Johnny remembers never hesitating as a kid to venture into black neighborhoods to hear and play music. Looking back, he believes people in the black community knew that he was sincere, that he was genuinely possessed by the blues. “Nothing ever happened to me. I went to black clubs all the time, and nobody ever bothered me. I always felt welcome.” He also became friends with , a deejay at the black radio station KJET in Beaumont. Who opened Winter’s eyes and ears to rural blues and Cajun music. Clarence, who recorded for the swamp boogie specialty label Goldband, KRCO, Frolic, Diamond, Moon-Lite, Hall-Way and other regional labels. There’s a famous story about a time in 1962 when Johnny and his brother went to see B.B. King at a Beaumont club called the Raven. The only whites in the crowd, they no doubt stood out. But Johnny already had his chops down and wanted to play with the revered B.B.”I was about 17,” Johnny remembers, “and B.B. didn’t want to let me on stage at first. He asked me for a union card, and I had one. Also, I kept sending people over to ask him to let me play. Finally, he decided that there enough people who wanted to hear me that, no matter if I was good or not, it would be worth it to let me on stage. He gave me his guitar and let me play. I got a standing ovation, and he took his guitar back!” Winter’s big breakthrough came a few years later in 1968 when writers Larry Sepulvado and John Burks featured him in a piece on the Texas Music scene, which prompted a bidding war among labels that Columbia eventually won. Johnny’s self-titled 1969 disc announced loudly that there was a new guitar-slinger on the new national scene. The disc included audacious covers such blues classics as B.B. King’s “Be Careful with a Fool,” Sonny Boy Williamson II’s “Good Morning Little School Girl,” Robert Johnson’s “When You Got a Good Friend” and fellow Texan Lightin’ Hopkins’ “Back Door Friend.” It also featured two prime original Winter songs, “Dallas”and the controversial “I’m Yours and I’m Hers,” that went into heavy rotation on FM underground radio. The peaked at No.24 on the billboard chart and was promptly followed by later that same year. Looking back, writer described the period as one when “Straight out of Texas with a hot trio, Winter made blues- for the angels.” That trio, by the way, included bassist Tommy Shannon who would go on to be part of SRV’s Double Trouble and drummer Uncle John Turner. Winter stayed with Columbia and it’s boutique Blue Sky label for more than a decade, turning out such well-received platters as “” (1970), “” (1973) and “John Dawson Winter III” (1974). He also helped to introduce blues giant Muddy Waters to another generation of listeners by producing and playing guitar on the Grammy-winning “” (1977), as well as the Grammy-nominated “I’m Ready” (1978), Muddy “Mississippi Waters Live” (1979) and “King Bee” (1981). The collaborations were so successful that Waters took to referring to Johnny as his “adopted son”! Johnny joined in 1984. His desire to record nothing but authentic blues made for a perfect fit. When Johnny released Guitar Slinger later that year, it was widely hailed as his best (and bluesiest) album ever; it charted in both Billboard and Cashbox as well as earning a Grammy nomination. The next year, Johnny followed up Guitar Slinger with Serious Business. The powerhouse album won Johnny his second Grammy nomination with Alligator Records. , his final Alligator release, came out in 1986. The album featured several special guests and an array of blues styles. Original blues cohorts, Tommy Shannon and Uncle John “Red” Turner, as well as Mac “Dr. John” Rebennack, all made guest appearances. Johnny also played two solo acoustic cuts on the National Steel guitar (the first time he’d played the National in the studio since 1977). Johnny was living his artistic dream, recording nothing but pure blues. His Alligator earned their way onto rock radio and a video for the song Don’t Take Advantage of Me played on the fledgling MTV network for over six months. But no matter how much commercial success Johnny’s Alligator albums received, they never compromised his commitment to his roots. Today Johnny Winter is enjoying an unparalleled resurgence performing to sold-out shows worldwide even after a long life full of honors and accomplishments such as a triumphant appearance at Eric Clapton’s Crossroads Festival with , and Clapton that has been immortalized on the Emmy award winning DVD. In a ceremony with presenting in Nashville, released the signature Johnny Winter Firebird guitar that has been his beloved trademark for years. A Live through the 70s DVD is a hit along with his Live Bootleg Series CDs that have all entered the Top 10 Billboard Blues charts. Two unique instructional DVDs have been produced by Cherry Lane/Hal Leonard to the gratitude of players around the world. Always one for special appearances he recently performed with the Allman Brothers at the Beacon Theater in Manhattan on the 40th anniversary of their debut. In addition Winter has been headlining such prestigious events as the New Orleans & Heritage Festival, Blues Festival, Swedish Rock Fest, X-mas jam and Europe’s viewed by millions just to name a few. Warner Bros. has now released a 40th anniversary DVD of : 3 Days of Love and Peace the Director’s cut featuring, for the first time, Johnny playing his smoking classic “Meantown Blues.” His recent Grammy nominated “I’m A Bluesman” disc on Virgin/EMI, has only added to his Texas-sized reputation. Joining him on this CD are , bassist Scott Spray, 2 members of his current scorching road-tested touring band also consisting of drummer Vito Liuzzi. Performing now with a renewed vigor and fire to say that he is “back” would be an understatement. In fact, he never left. He is just better than ever.

A LOOK BACK 1944 John Dawson Winter III is born in Beaumont, Texas on February 23rd. His brother Edgar is born three years later. 1953 – 1959 Johnny begins playing clarinet at age five; switches to ukulele and then guitar a few years later. Performing with his younger brother Edgar as a duo in an Everly Brothers vein, the Winters win a talent contest and appear on local television shows. 1959 The Winter brothers travel to New York to audition for Ted Mack’s Original Amateur Hour. Soon thereafter, they receive their first taste of rock ‘n’ roll. The Winter brothers gain regional notoriety with the singles “School Day Blues” and “You Know I Love You” released on -based Dart Records. During this time Johnny begins frequenting all black blues clubs and over the years he sits in with such heroes as Muddy Waters, BB King, and . 1962 At age 14, Johnny forms his first band, Johnny and the Jammers, with Edgar on . 1962 – 1965 Johnny cuts singles as a leader and sideman for regional labels such as Kroc, Frolic, Diamond, Goldband, Jin, and Todd. In 1963, he moves to Chicago to check out the blues scene but winds up playing twist clubs. He returns to Beaumont and records “Eternally,” a pop flavored number with horn arrangements by Edgar. The single is licensed by Atlantic Records and becomes a hit in the Texas/Louisiana region. 1965 – 1967 Johnny gigs relentlessly throughout the Deep South, both with his own band (alternately known as The Cyrstaliers and It and Them) and in a band with Edgar (Black Plague). 1967 After two and a half years of barnstorming, Johnny settles in Houston. 1968 Surveying the Texas music scene, Rolling Stone magazine dubs Johnny Winter the hottest item outside . The article creates a flood of interest in The Progressive Blues Experiment, an album of straight blues recorded by Winter’s trio with bassist Tommy Shannon and drummer uncle John Turner, released nationally by Imperial. 1968 – 1974 Signed to a much bally-hooed contract with Columbia Records, Johnny’s scorching 1968 debut album Johnny Winter leads a steady stream of hard-hitting blues-rock albums, including Second Winter (1969), Johnny Winter (1970), Still Alive and Well (1973) and Saints and Sinners (1974). 1974 – 1977 Winter joins CBS Records affiliate Blue Sky and releases John Dawson Winter III (1974). Other Blue Sky gems include Captured Live (1976) and his acclaimed 1977 album Nothin But The Blues, which features Winter accompanied by Muddy Waters’ band. 1977 – 1980 Fulfilling a dream, Winter begins working with blues guitarist Muddy Waters. During the ensuing years they collaborate on a series of classic Blue Sky albums. Winter produces and plays on Waters’ Grammy- winning comeback album Hard Again, Grammy-winning I’m Ready (1978), Grammy-winning Muddy Mississippi Waters Live (1979) and King Bee (1980). 1984 – 1986 Guitar Slinger, Winter’s Grammy-nominated 1984 Alligator Records debut, ends a four-year recording hiatus and ushers in a new creative groove. His Alligator label output continues with the Grammy- nominated Serious Business (1985), Third Degree (1986) and producing/performing on ’s Think I Got The Blues. 1988 The Winter of ‘88 on the MCA-distributed Voyager label shows Winter experimenting with a more contemporary flavored sound. Johnny is inducted into the Blues Foundation Hall of Fame. 1991 Winter returns to his blues roots with a vengeance. His Grammy-nominated Let Me In marks a powerful debut on the Pointblank label. This CD boasted guest appearances by Dr. John and . Produced by , the disc featured the memorable “Illustrated Man,” a song by the Nashville team of Fred James and Mary-Ann Brandon chronicling Johnny?s well-tattooed torso. Other tracks include Winter?s own title tune and his equally stand-out “If You Got a Good Woman,” as well as Dr. John?s “You Lie Too Much” with the good doctor on ivories. 1992 Brandishing a tongue-in-cheek title and wicked no-frills blues, Hey Where’s Your Brother?, Winter’s sophomore Pointblank release earns him another Grammy nomination. 1993 Winter performs on , a highlight of ’s 30th anniversary tribute released by Columbia Records on CD and video. 1998 Live in New York City ‘97, Winter’s third Pointblank record, offers a scorching collection of concert favorites. The first album of new Winter material in five years. Live in NYC ‘97 was recorded at New York’s Bottom Line in April 1997. The songs were selected by members of Winter’s fan club. The entire album is intended as a gesture of gratitude by Winter to his many fans worldwide. 2004 This Grammy nominated disc titled “I’m A Bluesman” released Virgin Records, adds to Johnny’s Texas- sized reputation. For this release, Johnny again paired with his longtime producer Dick Shurman (, Albert Collins, ), as well as (, ). Backing him on this disc is his scorching road-tested touring band of ace harmonica man James Montgomery, guitarist Paul Nelson who co -penned the title track, bassist Scott Spray and drummer Wayne June, Guest appearances feature such friends as keyboardist (from ’s celebrated backing group Double Trouble) among others. 2005 – Today Johnny and inducted into the Southeast Texas “Walk of Fame” at Ford Park in their home town of Beaumont, Texas for their contributions to music and career accomplishments. W.C. Handy Blues Awards. Johnny Nominated for W.C. Handy award for “Second Winter Legacy Edition”.

The future The Texas guitar tradition runs deep. A gutsy school of blues playing, marked by thick tones, aggressive attack and tons of technique, all delivered in a flamboyant, swaggering style that is endemic to the Lone Star State. From T- Bone Walker and Clarence Gatemouth Brown on through Albert Collins and , and the late Stevie Ray Vaughan, the tradition of the Texas guitar slinger has lived on. The one name that ranks at the top of that exclusive list is Johnny Winter, an international ambassador for rocking and still going strong!