BRT Past Schedule 2008
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Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
David-Mallett-Press-Bio.Pdf
DAVID MALLETT BIOS 150 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, and even the Muppets, and his "Garden Song" has become an American folk classic. He has performed in town halls and folk clubs across America and Europe in addition to major venues such as Barns of Wolf Trap, Newport Folk Festival, and "Prairie Home Companion". The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century. The readers of FOLKWAX (www.folkwax.com) voted him 2003 Artist of the Year and "Artist in Me" 2003 Album of the Year. He has recorded 17 albums, including “The Fable True” (2007), based on Thoreau’s last expedition in 1857, a spoken word CD with accompanying music. 100 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, even the Muppets, and his "Garden Song" has become an American folk classic. He has performed throughout America and Europe. The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century and the readers of FOLKWAX (folkwax.com) honored him with both 2003 Artist of the Year and Album of the Year for "Artist in Me". -
Tradition and Innovation in Irish Instrumental Folk Music
TRADITION AND INNOVATION IN IRISH INSTRUMENTAL FOLK MUSIC by ANDREW NEIL fflLLHOUSE B.Mus., The University of British Columbia, 1990 B.Ed., The University of British Columbia, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA August 2005 © Andrew Neil Hillhouse, 2005 11 ABSTRACT In the late twentieth century, many new melodies were composed in the genre of traditional Irish instrumental music. In the oral tradition of this music, these new tunes go through a selection process, ultimately decided on by a large, transnational, and loosely connected community of musicians, before entering the common-practice repertoire. This thesis examines a representative group of tunes that are being accepted into the common- practice repertoire, and through analysis of motivic structure, harmony, mode and other elements, identifies the shifting boundaries of traditional music. Through an identification of these boundaries, observations can be made on the changing tastes of the people playing Irish music today. Chapter One both establishes the historical and contemporary context for the study of Irish traditional music, and reviews literature on the melodic analysis of Irish traditional music, particularly regarding the concept of "tune-families". Chapter Two offers an analysis of traditional tunes in the common-practice repertoire, in order to establish an analytical means for identifying traditional tune structure. Chapter Three is an analysis of five tunes that have entered the common-practice repertoire since 1980. This analysis utilizes the techniques introduced in Chapter Two, and discusses the idea of the melodic "hook", the memorable element that is necessary for a tune to become popular. -
MF 111 Folksongs in February Collection
MF 111 Folksongs in February Collection Northeast Archives of Folklore and Oral History Number of accessions: 1 Dates when interviews were conducted: 1977 Finding aides: 8 page index Access restrictions: none Description: NA2596 David Mallett, David Ingraham, Charlie Nevells, Larry Kaplan, Edward D. “Sandy” Ives, Kendall Morse, Margaret MacArthur, Norman Kennedy, Louis and Sally Killen, Yodeling Slim Clark, Charlotte Cormier, Sparky Rucker, Sandy and Caroline Paton, Hazel Dickens, Tim Woodbridge, Joe Hickerson, Debby McClatchy, Gordon Bok, Sean Corcoran, Bill Shute and Lisa Null, by Maine Folklife Center, February, 1977, Orono, Maine. Tape: 8 reels (ca. 15 hrs.) Accession consists of 8 tape reels containing recordings of a folk music concert program called “Folksongs in February” held at the University of Maine in February, 1977. Accession includes 8 black & white contact sheets of 35 mm photos of the performances. Individual frames are unnumbered at the time of accessioning. Text: 36 pp. Recordings: T 2015-2022 / CD 0406-0419 (CD 0406 is MIA). Photographs: P00880, P00881, P01114 – P01399 Also see: NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, fall 1989, Hauck Auditorium, UMaine, Orono, Maine. 11 pp. Cat. only. On February 11 and 12, 1977, a concert and a series of workshops called "Songs for February" held at the Hauck Auditorium UMaine. From the recordings made of the concert and series of workshops, the Maine Public Broadcasting Network produced an 8-part radio series as part of their “Roots and Branches” series.” Accession consists of a catalog of the radio program. -
Memorial Concert to Help Raise Funds for Blue Heron House
Volume XXI Issue II Spring 2018 A Quarterly Publication for the Ossipee Watershed Published by the Green Mountain Conservation Group Memorial Concert to help raise funds for Blue Heron House A fundraising concert featuring church basement for folks to mingle, David Mallett will be held on purchase David Mallett’s music, and Saturday May 12th at 7pm at The learn about GMCG. Little White Church in Eaton, New In addition to being a fundraiser for Hampshire to raise funds for the The Blue Heron House this special restoration of Green Mountain concert is also a memorial to the late Conservation Group’s new office, Esther Folts who was an avid Blue Heron House. This new supporter and volunteer with the conservation center is located directly organization. on the Ossipee River in Effingham “If the moon still moves the deep blue sea and will be GMCG’s new home. and rules the hearts of men Proceeds from the May 12th concert If the world keeps turning quietly, here will specifically fund shingles and we go again outside trim for the building. Upon If the winter grass turns April-green completion this new community when the rain begins to fall If there's water flowing from the stream space—the Charles and Patricia Watts there's hope for one and all” Conservation Center—will include a public meeting hall, educational Lyrics from “Hope for One and All” by classroom, the Stan and Gladys David Mallett www.davidmallett.com Brown Natural Resource Library, When: May 12th, 2018 office space for GMCG staff and the Larry and Jackie Leavitt Water Photo courtesy of David Mallett Quality Center. -
How Perception, Power, and Practice Altered Memory of Irish Ceili Dances
Vol. 11(1), pp. 1-9, January-June 2021 DOI: 10.5897/JMD2020.0082 Article Number: C8FA78A66197 ISSN 2360-8579 Copyright © 2021 Author(s) retain the copyright of this article Journal of Music and Dance http://www.academicjournals.org/JMD Full Length Research Paper Examining “The book”: How perception, power, and practice altered memory of Irish Ceili dances Helen Buck-Pavlick Independent Researcher, Phoenix, Arizona, USA. Received 29 May, 2020; Accepted 9 February, 2021 This paper is an ethnographic examination and exploration of the power politics of the Ar Rinci Foirne and the subsequent changes in perceived nationalism, stylizations, and memory of Irish dance as it refers to both the practiced repertoire and textual archive of ceili dancing within Ireland and the Diaspora. The researcher examined each iteration of the Ar Rinci Fiorne antecedent and relevant texts the socio-political climate following the Irish Civil War, and the aims of the Gaelic League to determine how the textual archiving through the 2014 edition of “Ar Rinci Foirne'' affected embodied memory of Irish Ceili dancing. Theories of transculturation, ethnography, post-structuralist criticism, archiving with thematic and chronological examination of texts were utilized with a qualitative methodology. Through the intentional inclusion and exclusion of dances, the Ar Rinci Foirne functions as codification and propaganda of Irishness through dance, while systematically altering and erasing embodied memory of ceili dances within Ireland and the Diaspora. Key words: Irish dance, ceili, ethnography, embodied memory, folk dance. INTRODUCTION An Coimisiun played a significant role in the preservation the periphery by this act, and what dances or styles of Irish dance repertoire while simultaneously erasing flourished as a result? 2. -
Philadelphia Ceili Group Seanachie ~January 2010
Philadelphia Ceili Group Seanachie ~March 2016 Upcoming Concert Events and dramatic chapters in the history of Ireland. Sponsored By the Philadelphia Ceili The journey begins with pre-Christian myth, and Group continues through the Golden Age of Irish Civilization to the coming of the Vikings, the Normans, and the English. Relive the Flight of ************ the Earls, the events of 1798, the time of the 4th Friday Ceili Fenians, The Famine, the trauma of exile, and the Friday, February 26th at 8:00 pm Easter Rising of 1916 as described by W.B. Yeats and epitomized by Cúchulainn, the hero of the The Philadelphia Ceili Group 4th Friday Ceili tribe. Mor. Recorded Music provided by John Shields - Hosted by John Shields and Cass Tinney Check out this short film about the Bring a dessert or dish to share, 50/50 raffle, project: https://vimeo.com/147461433 prizes. Admission: $10 The Commodore Barry Club, “The Irish Center”, ****************** 6815 Emlen St., Philadelphia, PA 19119 Runa in Concert Sunday, March 6th, 2016, 7.00pm ****************** The Crooked Road – A Ramble Through Irish History in Words & Music with DIARMUID JOHNSON, poet, musician and Gaelic scholar February 27, 2016 at the Irish Center, 8:00pm Tickets: $20.00 (Family price $50.00; 12-18 Tickets $20.00 Children Free years old are $5.00; Kids 12 and under FREE) THE CROOKED ROAD is a musical and poetic Quickly gaining recognition as one of Irish journey through Irish history leading up to the music’s new “super-groups”, RUNA has been Easter Rebellion of 1916. Lyrics from the earliest enchanting audiences by pushing the boundaries times are woven into the show, along with music of Irish folk music, since their formation in 2008. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
GRIFFIN LYNCH SCHOOL of IRISH DANCING GRADE EXAMS Saturday 22Nd June 2019
GRIFFIN LYNCH SCHOOL OF IRISH DANCING GRADE EXAMS Saturday 22nd June 2019 Examiner: Theresa Kinsella Grades: Grades 1-12 Location: Epsom Methodist Church, Youth Centre Hall. 11-13 Ashley Road, Epsom, Surrey KT18 5AQ Roots Cafe: On site for light lunches, snacks and drinks Travel: Nearest Train Station: Epsom Mainline. Parking: Ashley Centre & other surrounding car parks Price: Grades 1, 2 & 3: £15 each. Grades 4, 5 & 6: £23 each. Grades 7, 8, 9 & 10: £30 each. Grades 11 & 12: £65 each. One Day only... Limited Spaces Available!! Email [email protected] to book your space before Friday 24th May 2019 GRADE EXAMS HOSTED BY GRIFFIN LYNCH We are pleased to invite you to our Grade Exams held in Epsom on Saturday 22nd June. All 12 Grade Examinations must be completed to be eligible to apply for the TCRG Examination effective from Januay 1st 2018. Dancers must produce reports from previous examinations in order to participate. Please note this is a one day exam so spaces are limited and will be allocated on a first come, first served basis on receipt of entry form complete with payment. Please see full details of exam below. DATE: Saturday 22nd June 2019 VENUE: Epsom Methodist Church, Youth Centre Hall. 11-13 Ashley Road Epsom, Surrey, KT18 5AQ TIME: Allocated time slots for each school will be given and you will be informed once all the entries for the exam have been received TRAVEL: Nearest train station is Epsom Mainline. Easy to reach from the M25 junction 9 (Leatherhead) PARKING: Ashley Centre and other surrounding car parks There is no parking at the venue, you can drop off but cannot park without a permit. -
An Investigation Into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’S Disease
An Investigation into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’s Disease Joanne Shanahan BSc. MISCP A thesis submitted to the University of Limerick in fulfilment of the requirements for the award Doctor of Philosophy in Clinical Therapies University of Limerick Supervised by: Dr. Amanda M. Clifford Dr. Orfhlaith Ni Bhriain, Prof. Meg E. Morris Submitted to the University of Limerick, November 2016 i i Abstract Title: An investigation into the feasibility and benefit of Irish set dancing for people with Parkinson’s disease Author: Joanne Shanahan Irish set dancing may be beneficial for people with Parkinson’s disease and encourage habitual exercise participation through the integration of dynamic balance activities, socialisation and musical enrichment. Currently, only one published study, which was carried out in a sample of Venetians with Parkinson’s disease, has investigated the feasibility of set dancing. Set dancing has a rich cultural heritage in Ireland and is a popular social and cultural activity in Ireland. Thus, research exploring the role of set dancing as an exercise activity in an Irish population is warranted. The aim of the project presented in this thesis was to investigate the feasibility and benefit of Irish set dancing for people with Parkinson’s disease in Ireland. The findings of a systematic review and single-group feasibility study informed the methods of a multi-centered pilot randomised controlled trial (RCT). Ninety participants were randomised (n=45 per group) into a set dancing group and usual care control group. No adverse effects were reported. Attrition during the study was >40% in both groups and adherence to the intervention was 93.5%. -
In Mckinney August 14
Céilí Vol. 29, No. 4 A Publication of the Southwest Celtic Music Association July-August 2010 Mick Moloney and The Green Fields of America: in McKinney August 14 he SCMA is proud to present to you what promises to be having inspired, trained and toured the best musicians in the United one of the most dynamic and exciting concerts we’ve yet States. For more than thirty years this renowned musician and Tproduced. On Saturday, August 14, 2010, Mick Moloney folklorist has led a stalwart group of Irish-American instrumen- and The Green Fields of America will take the stage at the talists, singers and dancers in concerts from coast-to-coast. McKinney Performing Arts Center and make it their own. If you have even a slight interest in Irish and folk music, you’ve heard Mick Moloney’s work. He is the dean of Irish-American music, Continued on page 2 Céilí July - August 2010 1 " Cover Story been privileged to use. If you’ve not been to a show here I urge Continued from page 1 you to make this one your first. You will not be disappointed by either the venue or the presentation. All seats in the house are very good, but be advised they are the original wooden seats from Though born in Ireland Moloney concentrates his efforts its days as an actual courtroom, so feel free to bring a seat cush- and interest on the Irish in America, and is an expert on the pe- ion! MPAC also provides cushions for a $1 donation that goes to riod during which the Irish were first attempting to integrate into the maintenance and preservation of the space. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected].