Jeremyt All About the Fab Four and Their London Shenanigans 1. A
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CONTENTS 04 Introduction 08 The History 20 The Building 38 The Materials 40 The Neighbourhood 55 Floor Plans 61 The Team 66 Contact 1 The scale of a full city block With its full city block setting, Marylebone Square is a rare chance to develop a bold and beautiful building on a piece of prime, storied real estate in a district rich in culture and history. Bound by Aybrook, Moxon, Cramer and St. Vincent Streets, Marylebone Square is reintroducing a long-lost local street pattern to the area. MARYLEBONE SQUARE INTRODUCTION A Rare London Find What is it about Marylebone? Perhaps it’s the elegance of its architecture and the charm of its boutiques and eateries – or the surprising tranquillity of its tree-lined streets, a world away from the bustle of nearby Oxford Street. In the end, it might be the sense of community and leisurely pace of life that sets this neighbourhood apart. As the city buzzes with its busy schedules, Marylebone takes its time – savouring sit-down coffees in local cafés and loungy lunches in the park. It’s easy to forget you’re just a short stroll away from transport hubs, tourist attractions and all the trappings of big city life. As you find yourself “Marylebone Square idling around the shops on chic Chiltern Street, exchanging hellos with the butcher at the Ginger Pig or sunbathing in a quiet corner of Paddington Square is a collection Gardens, you quickly realise that this is a place where people actually live – of 54 high-end not just commute to, pass through, or visit for a few hours a day. -
Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Foreign Rights C a Talogue 2020
FOREIGN RIGHTS CATALOGUE 2020 • Iconic portraits and contact sheets from Goldfinger, Diamonds are Forever, Live and Let Die, Golden Eye and the 1967 Bond spoof, Casino Royale • Contributions from actors including George Lazenby and Jane Seymour • Includes a foreword by Robert Wade and Neal Purvis, screenwriters for the latest Bond film, No Time to Die Bond Photographed by Terry O’Neill The Definitive Collection James Clarke Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the filmGoldfinger . From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognisable spy. Terry O’Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O’Neill’s photographs. -
Upper Richmond Road, Barnes, SW15 £335 Per Week
Fulham 843 Fulham Road London SW6 5HJ Tel: 020 7731 7788 [email protected] Upper Richmond Road, Barnes, SW15 £335 per week (£1,456 pcm) 2 bedrooms, 1 Bathroom Preliminary Details A lovely two double bedroom flat situated on the first floor of a stunning Victorian conversion in Putney. The property has a spacious reception room, a separate modern kitchen, plenty of storage and also benefits from having off street parking which is on a first come first served basis. Its location is conveniently situated moments away from Putney High Street providing easy access to both East Putney Station and Putney Overground making it ideal of professional sharers a couple looking for extra space. Key Features • Two double bedrooms • First floor • Stunning Victorian conversion • Spacious reception room • Modern kitchen • Fantastic location Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 1 Area Overview Barnes is home to Olympic Studios on Church Road which proudly boasts a history of recording artists such as The Beatles, The Rolling Stones, David Bowie and Eric Clapton to name but a few. It is also home to the Wetland Centre managed by the Wildfowl and Wetlands Trust and is a natural habitat for many different breeds of the ornithological variety. © Collins Bartholomew Ltd., 2013 Nearest Stations Putney (0.5M) Barnes (0.7M) East Putney (0.8M) Fulham | 843 Fulham Road, London, SW6 5HJ | Tel: 020 7731 7788 | [email protected] 2 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Wandsworth £ 497 £ 580 £ 663 £ 746 £ 912 £ 1,077 £ 1,243 £ 1,492 Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
Fab Four Center for Performing Arts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Governors State University Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 1-26-2008 Fab Four Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Fab Four" (2008). Center for Performing Arts Memorabilia. Book 228. http://opus.govst.edu/cpa_memorabilia/228 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. COMING SOON TO FOR JWORMINO MS Governors State University fOR PERfORMING MS Governors State University presents **H An EveningWith Colin Mochrie & Brad Saturday, February 2,2008 Don H miss our SEASON FINALE AN EVENING WITH January 26, 2008 JERRY This performance is sponsored by STILLER Saturday, LlNCOLNMALL May 17, 2008 The Centerfor Performing Arts' 2007-2008 Season is sponsored Illinois in part by a generous grant from Council Contact The Center (708) 235"2222 The IllinoisArts Council, Box Office Today! www.centertickets.net an agency ofthe state ofIllinois. l!(W! h /U&\^#- ftejZrS GAVIN LESCIE as George Harrison has out 4 gipdfly'playejMnthJmms atthe age of16, but after an injury that left him hospitaljzedrhe- decided tc^ak^up-g^itaj^avirrtiadThe honor of ith Paul McCartney during Irthday tribute in2002. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
30 Barnes High Street London, Sw13 9Lw 5
5 EXCLUSIVE 2 BEDROOM APARTMENTS WITH TERRACES IN THE HEART OF BARNES VILLAGE 30 BARNES HIGH STREET LONDON, SW13 9LW LOCATION Barnes village is located about 40 minutes from Central London by road and rail. It has the calm and peaceful atmosphere of a country village, and is renowned for its strong sense of community, large areas of green common land, the riverside setting and the beautiful duck pond. Excellent transport links and world The Green is adjacent to the 120 class schools render the locality acres of open terrain at Barnes popular for buyers and renters alike Common, and additional open who wish to bring up families in space is provided by the Wetland a safe, attractive setting but still and Wildfowl Centre. The village benefit from fast and efficient location within a great loop of access to Central London. the Thames means that there is no shortage of riverside walks Barnes Village retains a distinctly and activities. Every year Barnes rural ambience, especially around becomes the focus of attention the Green – complete with willow- during the world-famous Boat Race; fringed pond and actually is a much situated halfway along the Race’s more substantial park than the route, it offers the best vantage name suggests. point for spectators. 30 BARNES HIGH STREET LONDON, SW13 9LW Camden Primrose Hill Islington Kings Cross Shoreditch Maida Vale Clerkenwell Barbican Holborn Marylebone City of Bayswater Soho London Ealing Common White City Mayfair Ealing Acton Shepherd’s Bush Hyde Park Waterloo Southwark Bedford Holland Westminster Park Park Kensington Belgravia Gunnersbury Park Hammersmith Earls Court Chiswick Pimlico Bremtford Chelsea West 30 Kensington Ri BARNES HIGH STREET ver Thames LONDON, SW13 9LW Nine Elms Battersea Park Kew Grove Park Syon Gardens Barnes Fulham Parsons Park Green Dukes Meadows Barn Elms Golf Club Putney Battersea Common Chelsea Mortlake Harbour North Sheen Richmond East Sheen Putney Brixton Wandsworth Town Clapham Roehampton Common Richmond Park 1k RICHMOND UPON THAMES Barnes is in the London Borough of Richmond upon Thames. -
The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Persons Index
Architectural History Vol. 1-46 INDEX OF PERSONS Note: A list of architects and others known to have used Coade stone is included in 28 91-2n.2. Membership of this list is indicated below by [c] following the name and profession. A list of architects working in Leeds between 1800 & 1850 is included in 38 188; these architects are marked by [L]. A table of architects attending meetings in 1834 to establish the Institute of British Architects appears on 39 79: these architects are marked by [I]. A list of honorary & corresponding members of the IBA is given on 39 100-01; these members are marked by [H]. A list of published country-house inventories between 1488 & 1644 is given in 41 24-8; owners, testators &c are marked below with [inv] and are listed separately in the Index of Topics. A Aalto, Alvar (architect), 39 189, 192; Turku, Turun Sanomat, 39 126 Abadie, Paul (architect & vandal), 46 195, 224n.64; Angoulême, cath. (rest.), 46 223nn.61-2, Hôtel de Ville, 46 223n.61-2, St Pierre (rest.), 46 224n.63; Cahors cath (rest.), 46 224n.63; Périgueux, St Front (rest.), 46 192, 198, 224n.64 Abbey, Edwin (painter), 34 208 Abbott, John I (stuccoist), 41 49 Abbott, John II (stuccoist): ‘The Sources of John Abbott’s Pattern Book’ (Bath), 41 49-66* Abdallah, Emir of Transjordan, 43 289 Abell, Thornton (architect), 33 173 Abercorn, 8th Earl of (of Duddingston), 29 181; Lady (of Cavendish Sq, London), 37 72 Abercrombie, Sir Patrick (town planner & teacher), 24 104-5, 30 156, 34 209, 46 284, 286-8; professor of town planning, Univ.