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Daniel Taylor Plus Qu’Une Belle Voix More Than a Pretty Voice Spécial Voix / Voice Suggestions De Cadeaux / Holiday Gift Ideas CLASSIQUECLASSIQUE

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Daniel Taylor Plus Qu’Une Belle Voix More Than a Pretty Voice Spécial Voix / Voice Suggestions De Cadeaux / Holiday Gift Ideas CLASSIQUECLASSIQUE Vol. 6.4 Décembre 2000 – Janvier 2001 December 2000 – January 2001 Daniel Taylor Plus qu’une belle voix More Than a Pretty Voice Spécial voix / Voice Suggestions de cadeaux / Holiday Gift Ideas CLASSIQUECLASSIQUE NOUVEAU NOUVEAU NOUVEAU NOUVEAU 17 99 17 99 2199 2199 Sonatori de la Gioiosa Il Giardino Armonico The golden harvest M. Figueras Marca Viaggio Musicale Chants et spirituals des Shakers. Battaglie & Lamenti 1600-1660. Concerti Veneziani The Boston Camerata. J. Savall, dir. J. Cohen, dir. NOUVEAU NOUVEAU NOUVEAU 19 99 2199 2199 19 99 Telemann Marie l’éternel féminin Jardin de Al-Andalus Oboe & Orgel Cantate «Gott, man lobet dich Voix de Femmes du Chœur Musique arabo-andalouse Baroque fantasies. in der stille». Grégorien de Paris. médiévale. O. Zoboli, hautbois. U. Stötzel, dir. E. Paniagua, dir. D. Fasolis, orgue. NOUVEAU DOUBLE NOUVEAU NOUVEAU 1799 2799 1799 1799 L. Beauséjour Bach F. Kay Mozart Œuvres célèbres pour L’Art de la Fugue. Œuvres célèbres pour piano Concerto pour piano nos 18 clavecin. E. Koroliov, piano. de Satie et de Ravel & 19. A. Staier. Concerto Köln. NOUVEAU 799 799 799 599 Schubert Fux Bach Satie Œuvres pour violon et piano. Requiem. A portrait of Bach The best of Erik Satie Pamela & Claude Frank. R. Clemencic, dir. Promotion en vigueur jusqu’au 31 janvier 2001 COMMANDEZ PAR TÉLÉPHONE, PAR LA POSTE, PAR FAX OU PAR INTERNET Archambault 500, rue Ste-Catherine Est, Montréal (Québec) H2L 2C6 Tél. (514) 849-6202, Fax (514) 849-1481, CLASSIQUE Internet : www.archambault.ca COFFRET3 DC COFFRET22 DC NOUVEAU NOUVEAU COFFRET 9 DC COFFRET 7 7 DC 2999 13 9 99 6999 3499 Moussorgsky Bach Haydn Beethoven Boris Godounov. Intégrale des œuvres d’orgue. Intégrale des sonates pour piano. Intégrale des quatuors à cordes. J. Rouleau, basse. B. Lagacé. C. Piazzini. Le Quatuor Talich. Orch. Métropolitain. DOUBLE DOUBLE NOUVEAU NOUVEAU DOUBLE 3599 2599 1499 1699 Haydn Bach Haendel Les Petits Chanteurs du Armida. Oratorio de Noël. Le Messie. Mont-Royal C. Bartoli. C. Prégardien. H. Rilling, dir. The Scholars Baroque Ensemble. Noël autour du monde N. Harnoncourt, dir. NOUVEAU 99 99 99 99 NOUVEAU 17 17 17 21 N. Dessay Quatuor Aramis Quatuor Morency Angels & Shepherds Mozart heroines Scènes de Noël. Noël traditionnel Un Noël du 17e siècle. The Netherlands Bach Society. NOUVEAU NOUVEAU NOUVEAU NOUVEAU 1699 1799 1799 1799 A. Dubeau & La Pietà C. Church The three Tenors R. Alagna Violons d’enfer Dream a dream Christmas The Christmas album Titres de Noël en promotion jusqu’au 31 décembre 2000 Promotion en vigueur jusqu’au 31 janvier 2001 AT M A Classique Pour partager... A Time to Share... ...dans l’esprit de Noël ...the Christmas Spirit e u q i s s a l C AT M A Rédacteurs fondateurs / Founding Editors Philip Anson — Wah Keung Chan Décembre / December 2000 — Janvier 2001 / January 2001 • Vol. 6.4 Éditeur/Publisher La Scène Musicale, Directeurs : Wah Keung Chan (président), Annie Prothin, Sandro Scola Rédacteur/Editor Wah Keung Chan Rédactrice adjointe/Assistant Editor Lucie Renaud Rédactrice CD Lucie Renaud Collaborateurs/Contributors Philip Anson (New York correspondent), Tamara Bernstein, Frédéric Cardin, Marc Chénard, Jacques Desjardins, Pierre Grondines, Marielle Leroux, Sommaire Dominique Olivier, Christina Petrowska, Joseph So, Richard Turp, Stéphane Villemin Traducteurs/Translators Jane Brierley, Alain Cavenne CONTENTS Réviseurs/Proofreaders Jane Brierley, Alain Cavenne, Daniel Desrochers, Tom Holzinger, Annie Prothin EN COUVERTURE Calendriers/Calendars Eric Legault COVER STORY Graphisme/Graphics Martin L’Allier, Rachel Hotte, Kathy Lim Publicité/Advertising (514) 948-2520 Alison Boston, Bernadette Bjornson, Christina 6 Daniel Taylor Groom, Elisabeth Starenkyj, Mike Webber Ventes nationales/National Sales (Non-Musical) Plus qu'une belle voix / More Than Just a Pretty Voice DPS Média (416) 413-9291 Adjointe administrative Marielle Leroux Comptabilité/Accounting Joanne Dufour Distribution La Scène Musicale (Montréal), ARTICLES/FEATURES CRITIQUES/REVIEWS Distribution Affiche-Tout (Québec), Diffusart (Ottawa), Print Distribution Services (Toronto) 9 Notes Programmeur du site Web Normand Vandray 48 Les disques – CD Reviews Administration Éric Ginestier, Yves Laporte, Antoine Letendre 46 Jeunesse / Youth: Messiah Bénévoles/Volunteers Jane Brierley, Louise Cadieux, Alain Cavenne, Wah Wing Chan, Michèle Gaudreau, SPÉCIAL Tom Holzinger, Alan Li, Phyllis Potts 54 Le Marteau sans maître Imprimeur/Printer Payette & Simms VOIX/VOICE Adresses/Addresses 56 Si le jazz m'était conté 5409, rue Waverly, Montréal Québec, CANADA H2T 2X8 Tél. : (514) 274-1128 / Fax : (514) 274-9456 58 Suggestions de cadeaux 10 La ménopause et les chanteuses Publicité/Advertising: (514) 948-2520 Gift Suggestions email : [email protected] • Web : www.scena.org Is the Opera House Hot or Is Production – Artwork : [email protected] It Just Me? La Scena Musicale, publié dix fois par année, est con- sacré à la promotion de la musique classique. Chaque numéro contient un calendrier de concerts, de con- LE CALENDRIER 16 Chanteurs canadiens férences, de films et d’émissions ainsi que des critiques CALENDAR et des articles. LSM est publié par La Scène Musicale, Canadian Renaissance un organisme sans but lucratif. La Scena Musicale est la traduction italienne de 26 Montréal, Québec, Ottawa, La scène musicale. Radio, TV 20 Quilico's Rules of Singing La Scena Musicale is dedicated to the promotion of classi- cal music. It is published ten times per year. Inside, read- ers will find listings of live concerts, lectures, films, broad- 32 Calendrier détachable 22 Bach: une affaire de chœur casts, as well as articles and reviews. LSM is published by La Scène Musicale, a registered non-profit organization. Pull-Out Calendar Bach: At the Heart of the Song La Scena Musicale is Italian for The Music Scene. Abonnements/Subscriptions : L’abonnement postal (Canada) coûte 25 $/an (taxes incluses). Veuillez envoyez votre nom, adresse, numéros téléphone, télécopieur et courrier électronique. Tous les dons seront appréciés. PROCHAIN NUMERO Surface mail subscriptions (Canada) cost $25/yr (taxes included) to cover postage and handling costs. Please mail, fax or email your name, address, telephone no., NEXT ISSUE fax no., and email address. Donations and volunteers are always welcome. Février 2001 • February 2001 Ver : 2000-11-27 © La Scène Musicale. 90 000 exemplaires / copies Le contenu de La Scena Musicale ne peut être reproduit, en * tout ou en partie, sans autorisation de l'éditeur. La direction n'est responsable d'aucun document soumis à la revue. All rights reserved. No part of this publication may be repro- DATE DE TOMBÉE / DEADLINE PUBLICITÉ – ADVERTISING duced without the written permission of La Scena Musicale. 15 janvier / January 15, 2001 ISSN 1486-0317 Version imprimée/Printed (514) 484-3890 ISSN 1206-9973 Version Internet Envois de publication canadienne, Contrat de vente / Canada Post www.lascenamusicale.org Publication Mail Sales Agreement No. 1225561 LaScenaMusicale / Décembre 2000 December – Janvier 2001 January / 5 DANIEL TAYLOR PLUS QU’UNE BELLE VOIX MORE THAN JUST A PRETTY VOICE par Wah Keung Chan by Wah Keung Chan « e chant est un prolongement de la voix. La clef, c’est le texte », affirme “ inging is an extension of speech. The key is the text,” said Daniel Daniel Taylor, ainsi qu’il l’a démontré à des étudiants lors d’une classe Taylor, as he demonstrated to voice students during a masterclass at Lde maître à l’Université d’Ottawa. « Le chant devient plus facile, dit-il, Sthe University of Ottawa. “Good singing becomes easier when peo- lorsqu’on se permet de parler la musique, d’en être le médium. » À l’âge de ple allow themselves to speak the music—to be a conduit for the music.” 30 ans, et fort déjà de 18 ans d’expérience sur la scène, le réputé contre-ténor At age 30, with more than 18 years performing for the public, Canada’s canadien connaît actuellement une ascension excitante. Vedette du disque, leading countertenor is in the midst of an exciting ascent in his career. spécialiste de la mélodie et de l’opéra baroques et maintenant professeur, Recording star, baroque specialist in song and opera, and now teacher, Taylor passe la moitié de sa vie loin de Montréal, où il habite, en raison de Taylor’s activities take him away from his home base in Montreal for over ses nombreuses activités, dont une prestation à Beijing en décembre. half the year—including a December performance in Beijing. Il est toujours quelque peu étonnant d’entendre un homme chanter There is something rather odd about hearing a female timbre ema- d’une voix de femme — et, comme les contre-ténors sont de plus en plus nating from a man. As more and more countertenors appear before the nombreux, la qualité varie du sublime au pénible. Or, le timbre suave et le public, the quality varies from to wonderful to painful. A singer like phrasé raffiné d’un Daniel Taylor font oublier l’étrangeté du phénomène. Daniel Taylor, with his beautiful tone and sensitively shaped line, makes En fait, Taylor a aidé à populariser la voix de contre-ténor au Canada grâce us forget the novelty. Indeed, Taylor helped popularize the countertenor à ses enregistrements à succès pour la maison ATMA. « Je ne me lasse jamais voice in Canada with his best-selling ATMA recordings.“I never get tired d’écouter Daniel, même après 30 heures de montage en studio », avoue of listening to Daniel, even after spending 30 hours in the studio editing Joanne Goyette, présidente des disques ATMA. La collaboration entre cette his recordings,” said Joanne Goyette, president of ATMA Records. Her maison de disque et Taylor a été mutuellement profitable depuis cinq ans, five-year relationship with Taylor has been beneficial to both parties, puisqu’elle a été couronnée de nombreux prix Opus et d’un Félix de winning numerous Opus awards and a Felix from ADISQ. l’ADISQ. Le secret du succès de Taylor s’enracine dans ses convictions : « D’abord The secret of his success et avant tout, la musique.
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