OMG! Did You Know BTS' RM Lied to Have One of His
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Ressources Pédagogiques 2019/2020
RESSOURCES PÉDAGOGIQUES 2019/2020 «WITH A SMILE» LE MONDE DE CHARLES CHAPLIN EN CONCERT ORCHESTRE DE PARIS FRANK STROBEL, DIRECTION CINÉ-CONCERT JEUDI 10 OCTOBRE - 10H30 GRANDE SALLE PIERRE BOULEZ - PHILHARMONIE DE PARIS 1 Jeudi 10 octobre10h30 Pour les élèves de primaires : 10 - 12 ans (du CM2 à la 5e) CINÉ-CONCERT «WITH A SMILE» Musique de Johannes Brahms, Charles Chaplin et Richard Wagner A l'occasion du 130e anniversaire de Charles Chaplin, «With a Smile» présente une sélection d’extraits d’oeuvres inoubliables projetées sur grand écran (La Ruée vers l’or, Les Lumières de la ville, Les Temps modernes, Le Dictateur), accompagnée par de la musique souvent composée par Chaplin lui-même. Grâce à des images rarement projetées, l’héritage d’un des plus grands artistes du xxe siècle revit en ciné-concert. En écho à l’exposition que la Philharmonie lui consacre, une sélection d’extraits d’œuvres inoubliables projetées sur grand écran est accompagnée par de la musique composée par Chaplin lui-même, mais aussi par Brahms et Wagner. Doué d’un grand sens mélodique, Charlie Chaplin a parsemé de thèmes d’une redoutable efficacité – confiant à des collaborateurs le soin de les habiller instrumentalement – certains de ses films les plus po- pulaires. D'ailleurs parmi les trois Oscars qu'il a reçus au cours de sa carrière, celui des Feux de la rampe a été décerné pour la musique du film. Grâce aux images projetées, dont certaines inédites, l’héritage d’un des plus grands artistes du xxe siècle revit en ciné-concert. En collaboration avec European Filmphilharmonic Institute et Roy Export S.A.S. -
THE ANIMATED TRAMP Charlie Chaplin's Influence on American
THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p. -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
Charlie Chaplin: the Genius Behind Comedy Zuzanna Mierzejewska College of Dupage
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. ESSAI Volume 9 Article 28 4-1-2011 Charlie Chaplin: The Genius Behind Comedy Zuzanna Mierzejewska College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Mierzejewska, Zuzanna (2011) "Charlie Chaplin: The Genius Behind Comedy," ESSAI: Vol. 9, Article 28. Available at: http://dc.cod.edu/essai/vol9/iss1/28 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. Mierzejewska: Charlie Chaplin: The Genius Behind Comedy Charlie Chaplin: The Genius Behind Comedy by Zuzanna Mierzejewska (English 1102) he quote, “A picture with a smile-and perhaps, a tear” (“The Kid”) is not just an introduction to Charlie Chaplin’s silent film, The Kid, but also a description of his life in a nutshell. Many Tmay not know that despite Chaplin’s success in film and comedy, he had a very rough childhood that truly affected his adult life. Unfortunately, the audience only saw the man on the screen known world-wide as the Tramp, characterized by: his clown shoes, cane, top hat and a mustache. His humor was universal; it focused on the simplicity of our daily routines and the funniness within them. His comedy was well-appreciated during the silent film era and cheered soldiers up as they longed for peace and safety during World War I and other events in history. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Prólogo La Figura Del Gran Buster Keaton Está Actualmente Un Poco
Prólogo La figura del gran Buster Keaton está actualmente un poco olvidada ya que las últimas genera- ciones de espectadores no es demasiado cinéfila y está más acostumbrada al cine (?) de la última hornada. El cinéfilo refinado, sibarita, está en crisis y los amantes del cine mudo pade- cen de sequía en los “video-clubs”, donde muy rara vez y con cuentagotas se encuentran aque- llos títulos míticos que tanto nos interesan. Años atrás, sobretodo a partir de los años 30, Kea- ton sufrió un eclipse debido al culto excesivo que se hacía entonces al gran Charles Chaplin. Por si fuera poco, en España, se le conocía por un horrible apodo, “Pamplinas”, del cual prefie- ro no hablar por que lo considero sumamente vulgar. Después están los falsos mitos que siempre han rodeado la filmografía de Buster Keaton. Por ejemplo, que estuvo encerrado varios años en un manicomio lo cual es completamente falso. Si es cierto que tenía una excesiva afición al juego y a la bebida que terminaron por destruir su reputación y su carrera. Puesto en la “lista negra” por Louis B.Mayer, ningún estudio quería darle trabajo condenándolo a un ostracismo injusto. Aquí se ha escrito mucha (mala) literatura al respecto. Mayer y Keaton tuvieron problemas personales y diferencias respecto a lo que debía ser un buen film cómico sonoro. El tiempo le ha dado la razón a éste, porque los cómicos que el zar Mayer aupó hoy no son más que un recuerdo. ¿Quién se acuerda hoy de Eddie Cantor o de Jimmy Durante por citar a alguien? Al llegar el sonoro a Keaton le reprocharon tener una voz ronca, muy grave, y Mayer le quiso marginar para proteger a Jimmy Durante, quién tenía una voz aún más ronca, y pretendieron encerrarle en las comedias de boulevard importadas desde Broadway en vez de desarrollar películas más estrictamente cinematográficas que los talkies de aquella década. -
Charlie Chaplin & Buster Keaton
SCIO. Revista de Filosofía, n.º 13, Noviembre de 2017, 77-96, ISSN: 1887-9853 CHARLIE CHAPLIN & BUSTER KEATON COMIC ANTIHERO EXTREMES DURING THE 1920S CHARLIE CHAPLIN Y BUSTER KEATON LOS DOS EXTREMOS DEL ANTIHÉROE CÓMICO DURANTE LOS AÑOS VEINTE Wes Gehringa Fechas de recepción y aceptación: 3 de abril de 2017, 13 de septiembre de 2017 In pantomime, strolling players use incomprehensible lan- guage... not for what it means but for the sake of life. [writer, actor, director Leon] Chancerel is quite right to insist upon the importance of mime. The body in the theatre... (Camus, 1962, p. 199). Abstract: The essay is a revisionist look at James Agee’s famous article “Comedy’s Greatest Era” –keying on Buster Keaton and Charlie Chaplin– ‘the comedy auteurs’ of the 1920s. However, while Chaplin was the giant of the era, period literature showcases that Keaton was a popular but more cult-like figure. (See my forthcoming book: Buster Keaton in his own time, McFarland Press). However, Keaton is now considered on a par with Chaplin. While the inspired comedy of Chaplin will be forever timeless, Keaton now seems to speak to today. At least a Wes D. Gehring is Ball State University’s “Distinguished Professor of Film”, Muncie, Indiana, USA. He is also the Associate Media Editor of USA TODAY Magazine for which he also writes the col- umn “Reel World”. He is the author of 36 books, including award-winning biographies of James Dean, Steve McQueen, Robert Wise, Red Skelton, and Charlie Chaplin. Correspondence: 3754 North Lakeside Drive, Muncie. Indiana 47304, United Sate of America. -
Bfi-Press-Release-Pedro-Almodovar
Friday 17 June 2016, London. BFI Southbank today announces a season dedicated to one of contemporary cinema’s most unique and talented filmmakers Pedro Almodóvar. Running from 1 August – 5 October, the season will include an extensive events programme with onstage appearances from Almodóvar, actor Rossy de Palma and fashion designer Jean Paul Gaultier, with more special guests to be announced in due course. Running alongside the Almodóvar film programme will be a series of 13 Spanish films which Almodóvar has personally selected to screen at BFI Southbank, all of which he holds great admiration for, and have been inspirational to him. In Almodóvar’s Words... will include Blancanieves (2012), which will be introduced by its director Pablo Berger on Monday 1 August, and Victor Erice’s El sur (1983), which will be released for the first time in the UK by the BFI in selected cinemas UK-wide on Friday 16 September. The season, which will include all the director’s best-loved films such Women on the Verge of a Nervous Breakdown (1988), All About My Mother (1999) and Volver (2006), coincides with the release of his twentieth feature Julieta (2016). Julieta will preview at BFI Southbank on Thursday 11 August, introduced by Almodóvar and Rossy de Palma, before screening on extended run from Friday 26 August when it is released in UK cinemas. One of the highlights of the season will be Pedro Almodóvar in Conversation on Friday 12 August, where we will welcome the Spanish master for an in depth conversation about his career, his love of cinema and the influences that have shaped his unique cinematic language. -
Spanish Videos - (Last Update September 16, 2019) Use the Find Function to Search This List
Spanish Videos - (last update September 16, 2019) Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Exe Pages DP/Mtanglais 25/04/03 15:59 Page 1
exe_pages DP/MTanglais 25/04/03 15:59 Page 1 SELECTION OFFICIELLE • FESTIVAL DE CANNES 2003 • CLÔTURE MARIN KARMITZ présente / presents Un film de / a film by CHARLES CHAPLIN USA / 1936 / 87 mn / 1.33/ mono / Visa : 16.028 DISTRIBUTION MK2 55, rue traversière 75012 Paris Tél : 33 (0)1 44 67 30 80 / Fax : 33 (0)1 43 44 20 18 PRESSE MONICA DONATI Tél : 33 (0)1 43 07 55 22 / Fax: 33 (0)1 43 07 17 97 / Mob: 33 (0)6 85 52 72 97 e-mail: [email protected] VENTES INTERNATIONALES MK2 55, rue traversière 75012 Paris Tél : 33 (0)1 43 07 55 22 / Fax: 33 (0)1 43 07 17 97 AU FESTIVAL DE CANNES RÉSIDENCE DU GRAND HOTEL 47, BD DE LA CROISETTE 06400 CANNES Tél : 33 (0)4 93 38 48 95 SORTIE FRANCE LE 04 JUIN 2003 EN DVD LE 12 JUIN 2003 exe_pages DP/MTanglais 25/04/03 15:59 Page 2 Synopsis The Tramp works on the production line in a gigantic factory. Day after day, he tightens screws. He is very soon alienated by the working conditions and finds himself first in the hospital, then in prison. Once outside, he becomes friends with a runaway orphan girl who the police are searching for. The tramp and the girl join forces to face life's hardships together... exe_pages DP/MTanglais 25/04/03 15:59 Page 4 1931 - Chaplin leaves Hollywood for an 18-month tour of the world. He The Historical Context meets Gandhi and Einstein, and travels widely in Europe. -
Mardi 24 Et Mercredi 25 Octobre Chaplin
Jean-Philippe Billarant, Président du Conseil d’administration Laurent Bayle, Directeur général Mardi 24 et mercredi 25 octobre e r Chaplin - Cinéma en concert b o t c o 5 2 i Dans le cadre du cycle Les temps modernes d e Du mardi 24 octobre au mardi 7 novembre 2006 r c r e m t e 4 2 i d r a M t r e c n o c n e a m é n i Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, C à l’adresse suivante : www.cite-musique.fr - n i l p a h fip C Cycle Les temps modernes DU MARDI 24 OCTOBRE AU MARDI 7 NOVEMBRE Comment oublier le désopilant portrait que brossait Chaplin de la société MERCREDI 18 OCTOBRE industrielle dans Les Temps modernes ? Le petit homme au chapeau et à la canne semble y danser au milieu des machines les plus folles, comme Spectacle jeune public la machine à nourrir le travailleur, qui s’emballe de façon irrésistible… Bâ-Ti-Boum Concert sur instrumentarium original Tournant le dos à la vogue nouvelle des talkies , Les Temps modernes et Les Lumières de la ville , ni parlants ni muets, font entendre tout aussi Conception et musique bien des voix impersonnelles et autoritaires d'hommes-machines que le charabia de Jean-Louis Mechali de la chanson de Charlot ( Les Temps modernes ) ou les borborygmes des discours Textes et mise en scène officiels ( Les Lumières de la ville ). Les deux films s’appuient aussi beaucoup de Régis Hébette sur des musiques composées par Chaplin lui-même, que Carl Davis revisite et fait revivre dans toute leur verdeur pour accompagner les gesticulations Compagnie Lutherie urbaine du vagabond aux prises avec la ville industrielle.