Leonard Cohen Hallelujah Piano Pdf
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Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ...................................................................................................................... -
New Jerusalem Glowing: Songs and Poems of Leonard Cohen in A
New Jerusalem Glowing Songs and Poems of Leonard Cohen in a Kabbalistic Key Elliot R. Wolfson In Book of Mercy, published in 1984, the Montréal Jewish poet, Leonard Cohen addressed his master: Sit down, Master, on the rude chair of praises, and rule my nervous heart with your great decrees of freedom. Out of time you have taken me to do my daily task. Out of mist and dust you have fashioned me to know the numberless worlds between the crown and the kingdom. In utter defeat I came to you and you received me with a sweetness I had not dared to remember. Tonight I come to you again, soiled by strategies and trapped in the loneliness of my tiny domain. Establish your law in this walled place. Let nine men come to lift me into their prayer so that I may whisper with them: Blessed be the name of the glory of the kingdom forever and forever.1 In this prayer, the poet offers us a way to the heart of the matter that I will discuss in this study, however feebly, the songs and poems of Leonard Cohen in the key of the symbolism of kabbalah, the occult oral tradition of Judaism purported to be ancient, but historically detectable (largely through textual evidence) from the late Middle Ages. To those even somewhat familiar with 2 the background of the Canadian bard, the topic should not come as a surprise. 1 Leonard Cohen, Book of Mercy, New York 1984, p. 16. 2 The original version of this study was delivered as a lecture at McGill University, October 18, 2001. -
Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
Stadtbote KW 12
Amtsblatt der Stadt NEUENBÜRG mit den Stadtteilen ARNBACH · DENNACH WALDRENNACH ROTENBACH Herausgeber Stadt Neuenbürg Verantwortlich für den amtlichen Teil: Bürgermeister Horst Martin Anzeigen, Druck und Verlag: BIESINGER DRUCK GmbH & Co.KG Bahnhofstraße 5, 75305 Neuenbürg Telefon 0 70 82 / 94 45-0 Telefax 0 70 82 / 94 45-99 Mail [email protected] Stadt- und Ausgabe Nr. 11 / KW 12 25. Jahrgang 2016 Kultur-Info Donnerstag, 24. März Einzelgebühr: 0,65 € Die in Kooperation mit der Brüder-Grimm-Gesellschaft e.V. Kassel entstandene Schau „Scheherazade erzählt. Märchen aus 1001 Nacht“ zeigt jetzt im Schloss Neuenbürg rund 130 Exponate, darunter historische Landkarten, Märchenillustrationen des 19. und 20. Jahrhunderts sowie aufwändig ausgestattete Buchausgaben, die Einblicke in die orientalische Märchentradition geben. Gleich zu Beginn der Ausstellung begrüßen exotische Düfte einer Gewürzstation die Besucher und entführen in die Welt eines orienta- lischen Bazars. Das Foto zeigt Museumsleiterin Saskia Dams (links); Marketingleiterin Jacqueline Maltzahn-Redling sowie Prakti- kantin Julia Dvoratzek an der Gewürzstation. (Foto: Anita Molnar) Bürgermeister Horst Martin, die Mitglieder des Gemeinderates und die Mitarbeiter der Stadtverwaltung wünschen besinnliche und frohe Ostertage! KIRCHENGEMEINDEN IM STADTGEBIET NEUENBÜRG: EINLADUNGEN ZU DEN PASSIONSANDACHTEN; KARFREITAGS- UND OSTERGOTTESDIENSTEN EVANGELISCHES BEZIRKSKANTORAT NEUENBÜRG: AM KARFREITAG UM 18.00 UHR PASSIONSMUSIK IN DER STADTKIRCHE Neue Technologie im GelenkzentrumSchwarzwald Tagesstätte für psychisch erkrankte Menschen Caritasverband Pforz- Sonntagsdienste* heim e.V. Kath. Gemeindezentr. Sprollhaus Wildbaderstr. 22, 75305 Neu- enbürg, Frau Schäfer Tel.: 0163 612 8011, Donnerstag 10 – 16 Uhr. Allgemeiner Ärztlicher Bereitschaftsdienst unter 116 117 zu erreichen. Sozialdienste Pforzheim/Enzkreis* DIAKONISCHES WERK PFORZHEIM-STADT – Fachstelle Beratung und Unter- Zahnärzte stützung bei Häuslicher Gewalt u. -
Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages by Kris Kirk
I stumbled out of bed. I got ready for the struggle. I smoked a cigarette, and I tightened up my gut. I said, This can't be me, must be my double. And I can't forget I can't forget I can't forget but I don't remember what. I Can't Forget I'm Your Man The following article is from Poetry Commotion, June 18, 1988. As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages By Kris Kirk "The American attitude to Leonard Cohen is that I don't know how to sing -- 'These are great songs, sure is sad somebody else ain't singing 'em' - and that I'm marginal, totally outside the mainstream. It may finally be changing with this album, who knows? But I'm lucky I've always had a modest audience in Europe, otherwise I'd really be out of luck." Leonard Cohen chuckles. He chuckles a lot. Like his latest I'm Your Man album - with its famed "Lenny eats a banana" cover and its declaration (in "Tower of Song") that "I was born with the gift of a golden voice" - the so-called master of gloom is dead droll, particularly when he's sending himself up. "I agree this album's probably my best so far," he growls, lighting up yet another fag. "I think maybe I'm beginning to get the hang of it now." After how long? "Oh, after 20-odd years..." With a sell-out European tour culminating in a packed-to-the-gills additional third gig at the Royal Albert Hall, the rehabilitation -- resurrection from the dead -- of Cohen proceeds apace. -
The Worlds of Leonard Cohen : a Study of His Poetry
THE WORLDS OF LEONARD COREN: A STUDY OF HIS POETRY by Roy Allan B, A,, University of British Columbia, 1967 A THESIS SUBEITTED IN PARTIAL FULk'ILLMZNT OF THE REQUIREI4ENTS FOR THE DEGREE OF FASTER OF ARTS in the Department of Engli sh @ ROY ALLAN, 1970 SIMON FRASER UNIVERSITY June, 1970 Approval Name: Roy Allan Degree: Master of Arts Title of Thesis: The Worlds of Leonard Cohen: A Study of His Poetry Examining Committee: ' Dr. Sandra Djwa Senior Supervisor Dr. Bruce Xesbitt Examining Committee Professor Lionel Kearns Examining Committee Dr. William Ijew Associate Professor of English University of British Columbia Vancouver 8, 13. C. I I Date Approved : ,:,./ /4'7[ Dedicated to Mauryne who gave me help, encouragement and love when I needed them most. iii Abstract The creation of interior escape worlds is a major pre- ' occupation in the poetry of Leonard Cohen. A study of this preoccupation provides an insight to the world view and basic philosophy of the poet and gives meaning to what on the sur- face appears to be an aimless wandering through life. This study also increases the relevance of Cohenls art-+$. explkca- -----1 ' ting -the m-my .themes that relate to the struggle of modern , man in a violent and dehumanizing society. r'\ \ /--'-- ./' ../" ->I \ The for s _wo_rld.aiew-b'eginsin Let Us /' ----- -'I \Compare Flytholoqies wy&f his inn-Raps naive --.-- ----.. - - -- gies upon which man bases7 his -> osophies. TGSconclusion i /' /' Cohen.. stioning is initially an acceptance of the "elaborate lieu that rationalizes the violence of life and death. There is, however, the growing desire on the poet's part to escape this violence. -
COVERLIST HERE.Xlsx
Jungr, Barb 1000 kisses deep Hard rain- The songs of Bob Dylan and Leonard Cohen UK 2014 Eng CD Contretemps, Les A bunch of lonesome heroes Les Contretemps Canada 1969 Eng xx Outrageous Cherry A bunch of lonesome heroes Stereo Action Rent Party USA 1994 Eng B3 Ponies in the surf A bunch of lonesome heroes See you happy USA 2008 Eng mc-28 Red A bunch of lonesome heros Songs from a room France 2001 Eng CD Art of Time Ensemble A Singer Must Die A Singer Must Die Canada 2010 Eng mc-32 Bano, Al & Power, Romina A singer must die Stranger music: A tribute to Leonard Cohen Italy 2009 Eng CD Bissex, Rachel A singer must die Don't look down USA 1995 Eng L3 Conspiracy of Beards A singer must die Live at Heritage Hall USA 2013 Eng CD Fatima Mansions A singer must die I'm your fan France 1991 Eng FA Monsieur Camembert A singer must die Famous blue cheese Australia 2007 Eng CD O'Callaghan, Patricia A singer must die Real emotional girl Canada 2000 Eng mc-5 Page and the Art Of Time Ensemble A singer must die A singer must die USA 2010 Eng mc-31 Pascal, Daniele A singer must die Dance me to the end of love S. Africa 1996 Eng PA Warnes, Jennifer A singer must die Famous Blue Raincoat USA 1986 Eng WA Jusic, Ibrica A singer must die/Nek pjevac umre Hazarder Croatia 1999 Cro CD Orlandi & Poltronieri A singer must die/Un cantante deve morire Comme traduire… L.Cohen Italy 2001 Ita CD Hugo, Tara A sip of wine (lyrics by LC) Tara Hugo Sings Philip Glass USA 2012 Eng xx Finches, The A Stranger Song (Inspired by LC) Six songs US 2005 Eng mc-35 Boel, Hanne A thousand -
Leonard Cohen: a Crack in Everything the Jewish Museum April 12 – September 8, 2019
Leonard Cohen: A Crack in Everything The Jewish Museum April 12 – September 8, 2019 Exhibition Wall Texts LEONARD COHEN: MOMENTS COMPILED BY CHANTAL RINGUET Topos_JM_LC_WallTexts_24p.indd 1 4/4/19 12:34 PM SEPTEMBER 21, 1934 BIRTH OF LEONARD NORMAN COHEN IN WESTMOUNT Born into a Westmount Jewish family that was part of Montreal’s Anglo elite, Leonard Norman Cohen was the second child of Masha Klinitsky- Klein and Nathan Bernard Cohen. Lyon Cohen, Leonard’s paternal grandfather, a well- known businessman and philanthropist, was an important figure in the Jewish community. He started the Freedman Company, one of the largest clothing manufacturers in Montreal, and cofounded the Canadian Jewish Times (1897), the first English- language Jewish newspaper in Canada. Lyon Cohen was also president of several organizations, including the Canadian Jewish Congress and Congregation Shaar Hashomayim. He helped Jewish immigrants from the Russian Empire settle in Canada—among them, from Lithuania, the learned Rabbi Solomon Klinitsky- Klein and his family. Lyon’s son, Nathan Cohen, a lieutenant in the Canadian army and World War I veteran, later ran the family business. From his father, the young Leonard inherited a love of suits; from his mother, Masha, who trained as a nurse, he received his charisma and his love of songs. Cohen’s well- to- do family was quite different from the Jewish masses who arrived in Montreal in the early twentieth century. Many of these immigrants spoke Yiddish as their native language and worked in garment factories. Despite his extensive travels and his residence in Los Angeles, Cohen always returned to Montreal to “renew his neurotic affiliations,” as he often repeated in interviews. -
July-August 295-WEB
jazz now in our 33rd year &blues report www.jazz-blues.com July-August 2007 Issue 295 Free MUDDY WATERS, JOHNNY WINTER & JAMES COTTON Bob Margolin Talks About the Rescued Live Recordings MUDDY WATERS, JOHNNY WINTER Published by Martin Wahl Communications & JAMES COTTON Editor & Founder Bill Wahl Duane Verh Talks With Bob Margolin About the Recordings From the 1977 Live Tour Layout & Design Bill Wahl That Were ‘Rescued From the Dumpster’ Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Kelly Ferjutz, Dewey Forward, Chris Hovan, Nancy Ann Lee, Peanuts, Wanda Simpson, Mark Smith, Dave Sunde, Duane Verh, Emily Wahl and Ron Weinstock. Check out our costantly updated website. Now you can search for CD Reviews by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up and we’ll be going all the way back to 1974. Address all Correspondence to.... Jazz & Blues Report 19885 Detroit Road # 320 Rocky River, Ohio 44116 Bob Margolin & Muddy Waters Photo: Watt Casey Jr. Main Office ...... 216.651.0626 Editor's Desk ... 440.331.1930 By Duane Verh Comments...billwahl@ jazz-blues.com In 1976, blues legend Muddy Waters parted ways with the legendary Chess Web .................. www.jazz-blues.com Records label which, by that time, had only its name in common with the Copyright © 2007 Martin-Wahl Communications Inc. company’s founders. He then hooked up with blues/rock guitar idol Johhny No portion of this publication may be Winter who produced Muddy’s first release for the CBS-distributed Blue Sky reproduced without written permission label. -
Leonard Cohen and Philosophy: Various Positions. Edited by Jason Holt
Leonard Cohen and Philosophy: Various Positions. Edited by Jason Holt. Chicago, Illinois: Open Court, 2014. xii, 281 pp. ISBN 978-0-8126-9856-5. Contents: Leonard Cohen as a Guide to Life / Brendan Shea — The Existential Cohen / Agust Magnusson — Why Cohen's Our Man / Wieland Schwanebeck — The End of the World and Other Times in The future / Gary Shapiro — Is Leonard Cohen a Good Singer? / Jason Holt — Covering Cohen / Adam Auch — Leonard and Lorca / Edward Winters — Irony as Seduction / Christopher Lauer — The Mystery of the Mirror / Lisa Warenski — Leonard Cohen on Romantic Love / Simon Riches — Hallelujah and Atonement / Babette Babich — Politics in Beautiful Losers / Steven Burns — Writing Poetry after Auschwitz / Pawel Dobrosielski and Marcin Napiórkowski — Doom and Gloom in a Cloistered Room / Liane Heller — Dear Heather in a Dark Space / Christopher Ketcham — Can You Touch Someone's Body with Your Mind? / Rachel Haliburton — Is a Tear an Intellectual Thing? / Liam P. Dempsey — The Prophetic Mr. Cohen / Timothy P. Jackson — Clouds of Unknowing / Bernard Wills — The Happy Memes of “Hallelujah” / Peter Stone. 1 In his opening remarks, editor Jason Holt suggests that the cultural positions of the poet and pop star are contradictory. Leonard Cohen, he furthers, is the exception to this rule: a duality between high and low art, a paradox. “The pop star-poet paradox isn’t that Cohen writes poetry and popular music,” he notes, “but rather that his songs count both as poetry and as popular music.” This collection of essays, written by philosophers who share an enthusiasm for Leonard Cohen, analyzes his poetry and songwriting from the perspective of philosophical inquiry.