Inception Hereafter Harry Potter
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Shrek4 Manual.Pdf
Important Health Warning About Playing Video Games Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including fl ashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching video games. These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms— children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well-lit room; and do not play when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. ESRB Game Ratings The Entertainment Software Rating Board (ESRB) ratings are designed to provide consumers, especially parents, with concise, impartial guidance about the age- appropriateness and content of computer and video games. This information can help consumers make informed purchase decisions about which games they deem suitable for their children and families. -
Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards
March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro. -
Micdi Productions, Inc
MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project. -
The Revenant Nominations List Achievement in Cinematography 1
The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2. -
Bachelorarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver der Hochschule Mittweida BACHELORARBEIT Frau Annett Petzold Digital Effects in Spielfilmen 2016 Fakultät Medien BACHELORARBEIT Digital Effects in Spielfilmen Autor: Frau Annett Petzold Studiengang: Medientechnik (Ba. Eng.) Seminargruppe: MT12F-B Erstprüfer: Professor Doktor-Ingenieur Robert J. Wierzbicki Zweitprüfer: Master of Science Rika Fleck Einreichung: Mittweida, 08.01.2016 Faculty of Media BACHELOR THESIS Digital Effects in Feature Films author: Ms. Annett Petzold course of studies: Media Engineering seminar group: MT12F-B first examiner: Professor Doctor-Engineer Robert J. Wierzbicki second examiner: Master of Science Rika Fleck submission: Mittweida, 08.01.2016 IV Bibliografische Angaben: Nachname, Vorname: Digital Effects in Spielfilmen: Werden Spezialeffekte in Zukunft nur noch digital umgesetzt? Digital Effects in Feature Films: Are there going to be only computer- generated effects in the future? 2016 - 69 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2016 Abstract Ziel dieser Arbeit ist es, den aktuellen Einsatz von Filmeffekten im Spielfilmbereich zu untersuchen und mit Hilfe der Ergebnisse auf zukünftige Entwicklungen zu schließen. Im Fokus des Forschungsinteresses steht dabei die Frage, ob Digital Effects das Potential besitzen, den Gebrauch traditioneller Special Effects auf lange Sicht in Spielfilmproduktionen zu ersetzen. Diese Untersuchungen -
Harry Potter and the Deathly Hallows [Parts I &
Document generated on 09/25/2021 1:21 a.m. Séquences La revue de cinéma Harry Potter and the Deathly Hallows [Parts I & II] Demi-tour de magie Harry Potter et les reliques de la mort (parties I et II) — Grande-Bretagne / États-Unis 2010 et 2011, 145 et 130 minutes Pamela Pianezza Number 274, September–October 2011 URI: https://id.erudit.org/iderudit/64903ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Pianezza, P. (2011). Review of [Harry Potter and the Deathly Hallows [Parts I & II] : demi-tour de magie / Harry Potter et les reliques de la mort (parties I et II) — Grande-Bretagne / États-Unis 2010 et 2011, 145 et 130 minutes]. Séquences, (274), 44–45. Tous droits réservés © La revue Séquences Inc., 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 44 Les films | Gros plan Harry Potter and the Deathly Hallows [Part I] Harry Potter and the Deathly Hallows [Parts I & II] Demi-tour de magie Lancée en 2001, la saga Harry Potter s’est imposée comme la franchise la plus ambitieuse (et rentable) de l’histoire du cinéma. -
Graham Walker Film Music Producer / Music Production Supervisor
GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Lista De Nominados Para La 83 Edición De Los Oscar
LISTA DE NOMINADOS PARA LA 83 EDICIÓN DE LOS OSCAR MEJOR PELICULA DEL AÑO MEJOR ACTRIZ PRINCIPAL "Cisne negro" Annette Bening ("Los chicos están bien") "The Fighter" Nicole Kidman ("Rabbit Hole") "Origen" Jennifer Lawrence ("Winter's Bone") "Los chicos están bien" Natalie Portman ("Cisne negro") "El discurso del rey" Michelle Williams ("Blue Valentine") "127 horas" "La red social" MEJOR ACTOR SECUNDARIO "Toy Story 3" Christian Bale ("The Fighter") "Valor de ley" John Hawkes ("Winter's Bone") "Winter's Bone" Jeremy Renner ("The Town - Ciudad de ladrones") Mark Ruffalo ("Los chicos están bien") MEJOR DIRECTOR Geoffrey Rush ("El discurso del rey") Darren Aronofsky - "Cisne negro" David O. Russell - "The Fighter" MEJOR ACTRIZ SECUNDARIA Tom Hooper - "El discurso del rey" Amy Adams ("The Fighter") David Fincher - "La red social" Helena Bonham Carter ("El discurso del rey") Joel Coen y Ethan Coen - "Valor de ley" Melissa Leo ("The Fighter") Hailee Steinfeld ("Valor de ley") MEJOR ACTOR PRINCIPAL Jacki Weaver ("Animal Kingdom") Javier Bardem ("Biutiful") Jeff Bridges ("Valor de ley") Jesse Eisenberg ("La red social") Colin Firth ("El discurso del rey") James Franco ("127 horas") MEJOR GUIÓN ADAPTADO DIRECCIÓN ARTISTICA "127 horas" -Danny Boyle y Simon Beaufoy "Alicia en el país de las maravillas"- Robert Stromberg y Karen O'Hara "La red social"- Aaron Sorkin "Harry Potter y las reliquias de la muerte 1"- "Toy Story 3"- Michael Arndt, John Lasseter, Stuart Craig y Stephenie McMillan Andrew Stanton y Lee Unkrich "Origenes"- Guy Hendrix Dyas, Larry -
PRESSBOOK ITALIANO Di IL CAVALIERE OSCURO
WARNER BROS. PICTURES Presenta In associazione con LEGENDARY PICTURES Una produzione SYNCOPY Un film di CHRISTOPHER NOLAN CHRISTIAN BALE (THE DARK KNIGHT RISES) MICHAEL CAINE GARY OLDMAN ANNE HATHAWAY TOM HARDY MARION COTILLARD JOSEPH GORDON-LEVITT E MORGAN FREEMAN 1 Musiche HANS ZIMMER Costumi LINDY HEMMING Coproduttore JORDAN GOLDBERG Montaggio LEE SMITH, A.C.E Scenografie NATHAN CROWLEY KEVIN KAVANAIGH Direttore della fotografia WALLY PFISTER, A.S.C. Produttori Esecutivi BENJAMIN MELNIKER MICHAEL E. USLAN KEVIN DE LA NOY THOMAS TULL Basato sui personaggi di Batman creati da BOB KANE E pubblicati da DC COMICS Soggetto CHRISTOPHER NOLAN e DAVID S. GOYER 2 Sceneggiatura JOHNATHAN NOLAN e CHRISTOPHER NOLAN Prodotto da EMMA THOMAS CHRISTOPHER NOLAN CHARLES ROVEN Diretto da CHRISTOPHER NOLAN Distribuzione WARNER BROS. PICTURES ITALIA Durata: 2h 44’ Uscita italiana: 29 Agosto 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Ufficio stampa WB Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Ufficio stampa film Chicca Ungaro [email protected] Sito: www.ilcavaliereoscuroilritorno.it Facebook: www.facebook.com/ilcavaliereoscuroilritorno Twitter: https://twitter.com/DarkKnight_IT Canale WB: www.youtube.com/user/warnerbrostrailers 3 Warner Bros. Pictures e Legendary Pictures presentano, “Il Cavaliere Oscuro - Il Ritorno” , l’epica conclusione della trilogia di Batman, del regista Christopher Nolan. Alla guida di un cast stellare internazionale, il premio Oscar ® Christian Bale (“The Fighter”), di nuovo nel duplice ruolo di Bruce Wayne/Batman. Il film vede anche la partecipazione di Anne Hathaway, nel ruolo di Selina Kyle; Tom Hardy nel ruolo di Bane; il premio Oscar ® Marion Cotillard (“La Vie en Rose”) nel ruolo di Miranda Tate e Joseph Gordon-Levitt, nel ruolo di John Blake. -
Art & Design 2011
SHOWART & DESIGN 2011 10 - 18 JUNE I 2011 SHOW 2011 I FOREWORD FOREWORD I am delighted to introduce You are entering a world in encountered, the responses you to our world of Arts, Media which staff and students work they made and the positive and Design with its talented closely together in order to energy that was set free during students who are inspired, respond to the challenging this creative process. This body with staff who are inspirational, demands of our courses, and of work has not been created with its colourful spaces in the expectations of an industry in a vacuum, but within the which messy workshops and whose importance continually standards and expectations studios are transformed into evolves and grows, as long as industry is setting and this is the cool and serene galleries. there are people out there who seed for future opportunities desire all that is beautiful and within the creative industries, appreciate good design. the guarantor for successful graduate employment. I am The journey our Art, Media confident that our graduates and Design students undertake will make it out there. They is an exciting one. From their leave us not only armed with an first day with us here they enormous amount of knowledge are exposed to challenges and skills but with a burning which question everything desire and curiosity to learn they know about themselves and experience more about the and the world, which force subject they love. them to position themselves as individuals, as students, as I am proud to lead a Faculty artists and designers.