Towards Computational Models to Theme Analysis in Literature
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Women in Thomas Hardy's Novels : an Interpretative Study
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. WOMEN IN THOMAS HARDY'S NOVEIS: AN INTERPRETATIVE STUDY . A thesis presented in partial fulfilment of the r equir ements for t he degree of Master of Arts in English at Massey University. D O R O T H Y M O R R I S O N • 1970. TABLE OF CONTENTS. Introduction. Chapter 1 • Plot and Character, p.8. Chapter 2. Women ?JlC. Nature, p.1 2 . Chanter '3 . Women and Class, p . 31 • Chapter 4. Women and Morality, P• 43. Chapter 5. Love and Marriage, p.52. Chapter 6. Marriage and Divorce, p.68. Conclusion, p.90. B_:_ bl i ography, n. 9/i. WOMEN IN THO:M..AS HARDY'S NOVELS: AN INTERPRETATIVE STUDY. INTRODUCTION. When one begins a study of the women in Hardy's novels one discovers critical views of great diversity. There are features of Hardy's work which received favourable comment then as now; his descriptions of nature for instance, and his rustic characters have appealed to most critics over the years. But his philosophical and social cormnent have drawn criticism ranging from the virulent to the scornful. In particular his attitude to and treatment of love and marriage relationships have been widely argued, and it is the women concerned who have been assessed in the most surprising and contradictory manner. -
Thomas Hardy
Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule. -
Prelims- 1..26
THE CAMBRIDGE COMPANION TO THOMAS HARDY EDITED BY DALE KRAMER published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb21rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia # Cambridge University Press 1999 This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1999 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/13 pt. [ce] A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data The Cambridge companion to Thomas Hardy / edited by Dale Kramer. p. cm. Includes bibliographical references and index. isbn 0 521 56202 3 ± isbn 0 521 56692 4 (paperback) 1. Hardy, Thomas, 1840±1928 ± Criticism and interpretation. I. Kramer, Dale, 1936± . pr4754.c23 1999 823'.8±dc21 98±38088 cip isbn 0 521 56202 3 hardback isbn 0 521 56692 4 paperback CONTENTS Notes on contributors page xi Preface xv A chronology of Hardy's life and Publications xviii List of abbreviations and texts xxiii 1 Thomas Hardy: the biographical sources 1 MICHAEL MILLGATE 2 Wessex 19 SIMON GATRELL 3 Art and aesthetics 38 NORMAN PAGE 4 The in¯uence of religion, science, and philosophy on Hardy's writings 54 ROBERT SCHWEIK 5 Hardy and critical theory 73 PETER WIDDOWSON 6 Thomas Hardy and matters of gender 93 KRISTIN BRADY 7 Variants on genre: The Return of the Native, The Mayor of Casterbridge, The Hand of Ethelberta 112 JAKOB LOTHE 8 The patriarchy of class: Under the Greenwood Tree, Far from the Madding Crowd, The Woodlanders 130 PENNY BOUMELHA ix contents 9 The radical aesthetic of Tess of the d'Urbervilles 145 LINDA M. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
Emma Hardy's Late Writings Restored Jon Singleton Harding University, [email protected]
Harding University Scholar Works at Harding English Faculty Research and Publications English Fall 2015 Spaces, Alleys, and Other Lacunae: Emma Hardy's Late Writings Restored Jon Singleton Harding University, [email protected] Follow this and additional works at: https://scholarworks.harding.edu/english-facpub Part of the English Language and Literature Commons Recommended Citation Singleton, J. (2015). Spaces, Alleys, and Other Lacunae: Emma Hardy's Late Writings Restored. Thomas Hardy Journal, 31, 48-62. Retrieved from https://scholarworks.harding.edu/english-facpub/34 This Article is brought to you for free and open access by the English at Scholar Works at Harding. It has been accepted for inclusion in English Faculty Research and Publications by an authorized administrator of Scholar Works at Harding. For more information, please contact [email protected]. SPACES, ALLEYS, AND OTHER LACUNAE: EMMA HARDY’S LATE WRITINGS RESTORED JON SINGLETON Emma Hardy’s writings have often been misrepresented by Hardy scholars as naïve, incoherent, or insane. Her case has not been helped by the fact that Thomas Hardy, along with his second wife Florence Dugdale, burned reams of Emma’s papers in the months and years following her death. But the most blatant misrepresentation has been the actual corruption of the text of Spaces (1912), her last published work. Two full pages – the recto and verso of the same leaf – were left out when J. O. Bailey and J. Stevens Cox republished it in 1966, along with Emma’s Alleys (1911), under the title Poems and Religious Effusions. All subsequent scholarship, from Michael Millgate’s magisterial Biography Revisited on down, has relied upon this corrupted version to assess Emma’s literary merits and even to diagnose her mental health. -
Thomas Hardy Reception and Reputaion in China Chen Zhen Phd, Teacher of School of Foreign Languages, Qinghai University for Nationalities
The International Journal of Social Sciences and Humanities Invention 5(01): 4327- 4330 2018 DOI: 10.18535/ijsshi/v5i1.13 ICV 2015: 45.28 ISSN: 2349-2031 © 2018, THEIJSSHI Research Article Thomas Hardy Reception and Reputaion in China Chen Zhen PhD, teacher of School of Foreign Languages, Qinghai University for Nationalities. Study field: British and American Literature, English Teaching. Address: School of Foreign Languages, Qinghai University for Nationalities (West Campus) ,No 3, Middle Bayi Road, Xining City,Qinghai Province, China,Postcode: 810007 Thomas Hardy has been one of the best-loved novelists to liked English novelist in India.”4 Hardy also enjoys a high Chinese readers for nearly a century, which is an uncanny reputation in Japan, whose Thomas Hardy Society founded in phenomenon in the circle of literature reception and 1957 published A Thomas Hardy Dictionary in 1984. This circulation in China. It seems that Hardy has some magic statement can be strengthened by the large store of Hardy power to have kept attracting Chinese literature lovers with his works and research books kept in college libraries. keen insight into nature, profound reflection on humanity and Ritsumeikan University in Kyoto is taken for example, where whole-hearted concern about human fate in the vast universe. I did some research in 2005. It has almost all Hardy‟s works Hardy‟s works saturated with nostalgic sentiments for the including his seven volumes of letters edited by Richard Little traditional way of rural life exert unusual resonance in Chinese Purdy and Michael Millgate as well as a considerable number readers in terms of receptional aesthetic. -
Counterfactual Plotting in the Victorian Novel
Narrative and Its Non- Events: Counterfactual Plotting in the Victorian Novel The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Glatt, Carra. 2016. Narrative and Its Non-Events: Counterfactual Plotting in the Victorian Novel. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493430 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Narrative and its Non-Events: Counterfactual Plotting in the Victorian Novel A dissertation presented by Carra Glatt to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge Massachusetts April 2016 © 2016 Carra Glatt All rights reserved Dissertation Advisor: Elaine Scarry Carra Glatt Narrative and its Non-Events: Counterfactual Plotting in the Victorian Novel Abstract This dissertation examines the role of several types of counterfactual plots in both defining and challenging the borders of nineteenth-century realist fiction. Using texts by Dickens, James, Gaskell and Hardy, I argue for the narrative significance of “active” plot possibilities that, while finally jettisoned by the ascendancy of a triumphant rival, exert an -
Life and Biography of Hardy
IASET: Journal of Linguistics and Literature (IASET: JLL) ISSN(P): Applied; ISSN(E): Applied Vol. 1, Issue 1, Jan - Jun 2016, 11-16 © IASET LIFE AND BIOAGRPHY OF THOMAS HARDY M. ASHA Assistant Professor, Department of English, Hosur Institute of Technology and Science, Tamil Nadu, India. ABSTRACT The topic has taken up for the study of the life and biography of Thomas Hardy and which made him to analyze the emerging self-conscious women. KEYWORDS: Feminism, Self-Conscious, Women INTRODUCTION It deals with the life and biographical sketch of Thomas Hardy. It gives an introductory note on feminism, interpreting the thematic concerns. It is really ironic to note that it was the male British writer who were experimented in exposing the patriarchal prejudice of our culture, following him feminist critics have subjected the novels of the old writers, where the heroines suffer the pressure of patriarchy. As a weaker sex of the class how their psychological prospect is portrayed in the social is clear scrutinized by the writer. Though the writer belong to the Patriarchal Society portrays the emergences of women. To study in detail is the aim of this topic. Life of Thomas Hardy Hardy was born on June 2, in 1840 to Thomas and Jemima Hardy at Higher Bockhampton, Dorset. His father was a mason master and builder. Hardy gained an appreciation of music from his father and from his mother, an appetite for learning the delights of the countryside about his rural home. In 1848, at the age of eight though he was delicate Hardy entered his first school at the Stinsford Parish, where he learned Mathematics and Geography. -
PDF Download Thomas Hardys Short Stories 1St Edition Ebook
THOMAS HARDYS SHORT STORIES 1ST EDITION PDF, EPUB, EBOOK Juliette Berning Schaefer | 9781317010425 | | | | | Thomas Hardys Short Stories 1st edition PDF Book Dorchester : The Mayor of Casterbridge. London : First edition in book form. Initially discussed as early as July , the start of the Great War halted production and the actual publication did not begin until December A very good copy. Purdy pp Publisher's original dark green cloth with gilt monogram on upper cover. No Preference. I felt he was completely closed in his own creative dream" , and wrote affectionately of St Helier herself: "Others have done justice to her tireless and intelligent activities on the London County Council. Ours is a black tulip, one-of-a-kind, a copy personally presented to the daughter of a man whom Hardy called friend and neighbor. Limited to sets of which this is number Skip to main content. Housed in a green cloth solander box. Far from the Madding Crowd. First Edition. Hardy, Thomas. Dixon About this Item: London, More information about this seller Contact this seller 8. MacManus Co. Create a Want Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Seller: rare-book-cellar Seller's other items. We buy Thomas Hardy First Editions. Region see all. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. One of a limited edition of 1, numbered set of which this is number Ended: Sep 30, PDT. Sponsored Listings. Adams, Jr. St Helier wrote a spirited defence of Hardy in a letter to the Daily Chronicle in May , responding to a suggestion that his recently published collection, Life's Little Ironies, ought to be suppressed on the ground of sexual frankness. -
Proquest Dissertations
Seeing Hardy: The critical and cinematic construction of Thomas Hardy and his novels Item Type text; Dissertation-Reproduction (electronic) Authors Niemeyer, Paul Joseph Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 02:38:24 Link to Item http://hdl.handle.net/10150/284226 INFORMATION TO USERS This manuscript has been reproduced from the microfiim master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter lace, while others may be from any type of computer printer. The quality of this reproduction is dependent upon ttw quality of the copy submitted. Broken or indistinct print, cotored or poor quality illustrations and photographs, print t>leedthrough, substandard margins, arxJ improper alignment can adversely affect reproduction. In the unlikely event that the author dkJ not serKj UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a mte will indicate the deletkxi. Oversize materials (e.g., maps, drawir>gs, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuir)g from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9' black and white photographic prints are availat>le for any photographs or illustrations appearing in this copy for an additional charge. -
Thomas Hardyʼs Architecture: Fragments of a Lost Aesthetic
Thomas Hardy’s Architecture: Fragments of a Lost Aesthetic Cvetnić, Mihael Master's thesis / Diplomski rad 2021 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:259483 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-29 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Odsjek za anglistiku Filozofski fakultet Sveučilište u Zagrebu DIPLOMSKI RAD Thomas Hardy’s Architecture: Fragments of a Lost Aesthetic (Smjer: Engleska književnost i kultura) Kandidat: Mihael Cvetnić Mentor: dr. sc. Tatjana Jukić Gregurić, red. prof. Ak. godina: 2020/21. Table of Contents 1. Introduction ..................................................................................................................................1 2. The Gap in Time ..........................................................................................................................3 2.1. The Claim of the Past ....................................................................................................3 2.2. Parts and Wholes...........................................................................................................5 2.3. Preservation of Ancient Buildings ................................................................................7 2.4. Thwarting Restoration ................................................................................................10 -
Tess of the D'urbervilles
oxford world’ s classics TESS OF THE D’URBERVILLES Thomas Hardy was born in Higher Bockhampton, Dorset, on 2 June 1840; his father was a builder in a small way of business, and he was educated locally and in Dorchester before being articled to an architect. After sixteen years in that profession and the publica- tion of his earliest novel Desperate Remedies (1871), he determined to make his career in literature; not, however, before his work as an architect had led to his meeting, at St Juliot in Cornwall, Emma Gifford, who became his first wife in 1874. In the 1860s Hardy had written a substantial amount of unpublished verse, but during the next twenty years almost all his creative effort went into novels and short stories. Jude the Obscure, the last written of his novels, came out in 1895, closing a sequence of fiction that includes Far from the Madding Crowd (1874), The Return of the Native (1878), Two on a Tower (1882), The Mayor of Casterbridge (1886), and Tess of the d’Urbervilles (1891). Hardy maintained in later life that only in poetry could he truly express his ideas; and the more than nine hundred poems in his collected verse (almost all published after 1898) possess great individuality and power. In 1910 Hardy was awarded the Order of Merit; in 1912 Emma died and two years later he married Florence Dugdale. Thomas Hardy died in January 1928; the work he left behind––the novels, the poetry, and the epic drama The Dynasts––forms one of the supreme achievements in English imaginative literature.