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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
Celebrating Alf's Act 50 Years of Disabled
Celebrating Alf’s Act 50 Years of Disabled People’s Rights Celebrate – Learn – Challenge Due to Covid-19 Manchester Histories Festival will be presenting its first ever DigiFest, taking place on Friday 4 & Saturday 5th September 2020. DigiFest 2020 will create a collective on-line space for disabled and non- disabled people to present their stories, ideas and content through our very own pop-up TV Studio, broadcasting live across the globe from Manchester. To enable us to make this an inspiring experience, Manchester Histories is calling out for ideas and digital content based around the themes of the festival which are Celebrate – Learn – Challenge. There are three ways you can get involved: 1.) Send us your ideas of what you would like to see happen as part of the live broadcast, these can be based around a discussion, debate, on-line panel, campaign, or an on-line competition or poll to find out people’s responses to 50 years of disabled people’s rights. Please complete the form below, sections 1 2 and 3. 1 2.) Send or link us to any pre-recorded digital content, such as videos, film, music, documentary, performance, or work that profiles or promotes your organisation/group that fit with the themes of the festival. Please complete form below, sections 1 2 and 4. 3.) Manchester Histories and partners are interested in getting responses from disabled people on Covid-19. It's important that we document these times in our history. Some of the responses will help shape and contribute to the live debate we are hosting on Saturday 5th September 2020, and some contributions may be used in the short films we are making about Alf Morris. -
British Television's Lost New Wave Moment: Single Drama and Race
British Television’s Lost New Wave Moment: Single Drama and Race Eleni Liarou Abstract: The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV’s dynamic role in offering a range of views and representations of Britain’s black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture. Keywords: TV drama; working-class realism; new wave; representations of race and immigration; TV historiography; ITV history Television scholars have typically seen British television’s late- 1950s/early-1960s single drama, and particularly ITV’s Armchair Theatre strand, as a manifestation of the postwar new wave preoccupation with the English regional working class (Laing 1986; Cooke 2003; Rolinson 2011). This article argues that the working- class realism of this drama strand is neither as English nor as white as is often implied. The surviving audiovisual material and written sources – including programme listings, reviews, scripts, publicity material, biographies of television writers and directors – reveal ITV’s dynamic role in offering a range of representations of Britain’s black population and its relationship to white working-class cultures. More Journal of British Cinema and Television 9.4 (2012): 612–627 DOI: 10.3366/jbctv.2012.0108 © Edinburgh University Press www.eupjournals.com/jbctv 612 British Television’s Lost New Wave Moment particularly, the study of ITV’s single drama about black immigration in this period raises important questions which lie at the heart of postwar debates on commercial television’s lack of commitment to its public service remit. -
Chronically-Sick-Disabled-Persons-Act-Service.Pdf
Westminster Abbey A SERVICE TO MARK THE 40TH ANNIVERSARY OF THE COMING INTO EFFECT OF THE CHRONICALLY SICK AND DISABLED PERSONS ACT (1970) Wednesday 30 March 2011 11.00 am THE CHRONICALLY SICK AND DISABLED PERSONS ACT 1970 In 1969, Alf Morris, then Labour MP for Manchester Wythenshawe, won first place in the ballot for Private Members’ Bills in the House of Commons. He chose to introduce a far-ranging Bill for chronically sick and disabled people. Drafted in less than three weeks, the Bill secured a Second Reading on 5 December 1969 and became law, in dramatic fashion, just ahead of the dissolution of Parliament for the General Election of 1970. The key provisions actually came into force early the following year. Since its implementation, official statistics show that it has helped over sixty million people – more than the present population of this country. Its principal provisions were: rights of access for disabled people to the built environment, including schools and universities the world’s first statutory provision for purpose-built housing for disabled people and help in adapting their homes practical help as of right for disabled people in their homes, including the installation of telephones for those house-bound, and access to transport and other services outside the home the world’s first recognition in law of autism and dyslexia the world’s first legislation for the needs of children who are both blind and pre-lingually deaf the world’s first Institute of Hearing Research The Bill’s philosophy was memorably expressed by the Lord Morris of Manchester, as Alf Morris MP , in the final words of his speech commending his Bill to the House of Commons on 5 December 1969 which we shall hear read in this service. -
Stylised Worlds: Colour Separation Overlay in BBC Television Plays of the 1970S
Stylised Worlds: Colour Separation Overlay in BBC Television Plays of the 1970s Leah Panos Abstract This essay aims to understand and interrogate the use of Colour Separation Overlay (CSO) as a mode of experimental production and aesthetic innovation in television drama in the 1970s. It sets out to do this by describing, accounting for and evaluating CSO as a production technique, considering the role of key production personnel, and analysing four specific BBC productions. Deploying methodologies of archival research, practitioner interview, and close textual analysis, the essay also delivers a significant reassessment of the role of the producer and designer in the conceptualisation and realisation of small-screen dramatic fiction. Key words: studio, drama, single play, aesthetics, experimental, CSO, blue screen, designer The technique the BBC named Colour Separation Overlay (CSO), referred to as ‘Chromakey’ by ITV production companies and more commonly known as ‘blue screen’,1 was described by the author of a 1976 television writers’ training manual as ‘the biggest technological development in television in recent years’,2 and remains a principle underpinning contemporary special effects practice. This article will discuss the technique and identify some key figures within the TV industry who championed its use, whilst analysing a cycle of BBC dramas made during the 1970s and early 1980s that used CSO extensively. Although many programmes made during this period used this effect in some capacity, I will examine four aesthetically innovative, CSO-based BBC single plays which demonstrate two designers’ work with CSO: Eileen Diss designed the early CSO productions Candide (Play of the Month, TX: 16/02/73) and Alice Through the Looking Glass (TX: 25/12/73) and Stuart Walker subsequently developed a Critical Studies in Television, Volume 8, No. -
Landscape Hardening... Plus Norman Lamb in Focus Plus Tribute to Lord Alf Morris
Volume 5 • Issue 3 • October 2012 www.adass.org.uk FUTURES Landscape hardening... Plus Norman Lamb in focus Plus Tribute to Lord Alf Morris PAGE 2 PAGE 6 PAGE 14 PAGE 18 Sandie Andrea Richard John Keene Pope-Smith Webb Ransford Our take on Learning the Bringing How to pay the social lessons from North and for Dilnot care Olympic Winterbourne South and the Games View together funding gap Comment An Olympian Service WEREN’T WE ALL completely enthralled It is down to us, as leaders in social They will not do this without playing a by the Olympic and Paralympic games care, to harness and direct the potential full part in releasing and empowering this summer? What amazing feats that so many people harbour, to make the potential of the whole system. of bravery, courage, resilience, skill, a difference. There is no more important challenge dedication and hard work. Our gold medals are people’s lives than our current funding dilemma. We think principally of athletes, of released from dependency, diverted While we are well on the way to medals and individual and team from engagement with the care system, implementing the Health and Social Care endeavour. But supporting them were supported to direct their own care and Act, we are also dealing with the worst armies of physios, medics, trainers safeguarded from harm. fiscal challenge in decades. We watch and managers. Behind them were the cautiously for signs of the white smoke families and friends, whose support has The other day, I met the leader of a new, of a long-term funding solution but have been lifelong and unconditional. -
8 Obituaries @Guardianobits
Section:GDN 1J PaGe:8 Edition Date:191101 Edition:01 Zone: Sent at 31/10/2019 17:49 cYanmaGentaYellowbl • The Guardian Friday 1 November 2019 [email protected] 8 Obituaries @guardianobits Birthdays want any “costume crap”. In the same anthology format – the fi rst featuring sci-fi stories – she created Rick Allen, rock Out of This World (1962). drummer, 56; Newman took Shubik with him Mark Austin, to the BBC in 1963 and she was story broadcaster, 61 ; editor on Story Parade (1964-65), Susanna Clarke, dramatisations of modern novels author, 60; Toni for the newly launched BBC2. In Collette, actor, 47; 1965, with Out of the Unknown, she Tim Cook, chief became a producer, and she stayed executive, Apple, in that role for Thirteen Against Fate 59; Sharron (1966), Hugh Leonard ’s adaptations Davies, Olympic of Georges Simenon stories. swimmer and Before switching to ITV, Shubik broadcaster, 57; worked on the BBC2 anthology Lou Donaldson, series Playhouse (1973 -76). Her alto saxophonist, commissions included half a 93; Lord (Bruce) dozen original dramas about the Grocott, Labour paranormal from writers such as politician, 79 ; Brian Hayles and Trevor. Mark Hughes, She left Granada before The Jewel football manager, in the Crown went into production 56; Jeremy Hunt, because she was asked by Columbia Conservative MP Pictures to work on the screenplay of and former health The Girl in a Swing (1988), based on seemed to “sabotage” the potential secretary, 53 ; Richard Adams ’s novel. However, it of Edna, the Inebriate Woman to Roger Kellaway, did not go beyond a fi rst draft. -
INAUGURAL LECTURE 2016 Thursday 3Rd November 6:30Pm – 9:00Pm Martin Harris Centre for Music & Drama the University of Manchester
The Lord Morris of Manchester Memorial INAUGURAL LECTURE 2016 Thursday 3rd November 6:30pm – 9:00pm Martin Harris Centre for Music & Drama The University of Manchester SPECIAL GUEST SPEAKER: Baroness Tanni Grey-Thompson This event has been organised by The University of Manchester’s Disabled Staff Network in conjunction with Lord Morris’ family (Lady Morris and Gill Morris), Mike Kane MP, the Manchester Trades Union Council (MTUC), North West TUC Disability Forum, University of Manchester Students’ Union and the University’s Equality and Diversity Office. Professor Clive Agnew (Vice President, Teaching Learning and Students). PLEASE NOTE: Entry to this event is by ticket only – SPECIAL GUEST MC: please go to nadsn-uk.org/LMMML2016 Victoria McDonald, On behalf of the University of Manchester it is my great pleasure to welcome you to Health and Social Care the Lord Morris of Manchester Memorial Inaugural Lecture. This lecture recognises Date: Thursday 3rd November 2016 Correspondent at Lord Morris’ lifetime commitment to promoting rights and equality for disabled people. Time: 18:30 – 21:00 Channel 4 News We are fortunate to be joined in this event by distinguished guests, friends and Venue: Cosmo Rodewald Concert Hall, colleagues who knew Lord Morris and who have been inspired by his achievements “This event, of which I am so proud Martin Harris Centre for Music and Drama (MHC), through legislation and his extensive campaigning. The University is honoured to have to be a part, is both to honour The University of Manchester Baroness Tanni Grey-Thompson as the inaugural speaker, I note that she is listed in and cherish all that Lord Morris 2016 as the most influential disabled person in Britain! achieved and it is also to remind us that there is much more to do Although most of my working day is devoted to students, as a member of the University’s to make society a better and fairer Senior Leadership Team I also act as the ‘Champion’ for the Disabled Staff Network. -
Members 1979-2010
Members 1979-2010 RESEARCH PAPER 10/33 28 April 2010 This Research Paper provides a complete list of all Members who have served in the House of Commons since the general election of 1979 to the dissolution of Parliament on 12 April 2010. The Paper also provides basic biographical and parliamentary data. The Library and House of Commons Information Office are frequently asked for such information and this Paper is based on the data we collate from published sources to assist us in responding. This Paper replaces an earlier version, Research Paper 09/31. Oonagh Gay Richard Cracknell Jeremy Hardacre Jean Fessey Recent Research Papers 10/22 Crime and Security Bill: Committee Stage Report 03.03.10 10/23 Third Parties (Rights Against Insurers) Bill [HL] [Bill 79 of 2009-10] 08.03.10 10/24 Local Authorities (Overview and Scrutiny) Bill: Committee Stage Report 08.03.10 10/25 Northern Ireland Assembly Members Bill [HL] [Bill 75 of 2009-10] 09.03.10 10/26 Debt Relief (Developing Countries) Bill: Committee Stage Report 11.03.10 10/27 Unemployment by Constituency, February 2010 17.03.10 10/28 Transport Policy in 2010: a rough guide 19.03.10 10/29 Direct taxes: rates and allowances 2010/11 26.03.10 10/30 Digital Economy Bill [HL] [Bill 89 of 2009-10] 29.03.10 10/31 Economic Indicators, April 2010 06.04.10 10/32 Claimant Count Unemployment in the new (2010) Parliamentary 12.04.10 Constituencies Research Paper 10/33 Contributing Authors: Oonagh Gay, Parliament and Constitution Centre Richard Cracknell, Social and General Statistics Section Jeremy Hardacre, Statistics Resources Unit Jean Fessey, House of Commons Information Office This information is provided to Members of Parliament in support of their parliamentary duties and is not intended to address the specific circumstances of any particular individual. -
Manchester Histories Festival 2020 “Celebrating Alf's Act, 50 Years of Disabled People's Rights” and Manchester Histories Celebration Day
PRESS RELEASE February 2020 Manchester Histories Festival 2020 “Celebrating Alf's Act, 50 Years of Disabled People's Rights” and Manchester Histories Celebration Day Thursday 4 June to Monday 8 June 2020 #mhfestival2020 From Thursday 4 June to Monday 8 June the Manchester Histories Festival 2020 will take place across Greater Manchester. The focus for the sixth edition of the festival will be the 50th anniversary of the Chronically Sick and Disabled Persons Act (1970), a landmark piece of legislation that was pioneered by Lord Alf Morris (1928 – 2012). Alongside this, a Celebration Day will take place on Sunday 7 June bringing together heritage organisations from across Greater Manchester. Reflecting on the legacy of social reformer Alf Morris, the festival, which will be based at Manchester Central Library, will be inspired by the themes of Celebrate – Learn – Challenge. Individuals and groups are invited to take part whether by putting on a talk, performance, debate, film screening, discussion, exhibition or creative intervention. Alf was born and lived in Manchester where he served as MP for Wythenshawe for 33 years. He followed the 1970 ground-breaking legislation by becoming the world’s first Minister for Disabled People (1974) and would go on to help establish the Motability Scheme (1978). Gill Morris, Daughter of Lord Alf Morris, says “The Chronically Sick and Disabled Persons Act changed millions of lives not just in this country, but worldwide. My father’s vision to ‘add life to years’ was ground-breaking. Born in Ancoats as one of a family of 10 he saw first-hand how disability was hidden away and ignored. -
AUTUMN 2012 8/10/12 13:17 Page 1
sip AUTUMN 2012 8/10/12 13:17 Page 1 SCIENCE IN PARLIAMENT A proton collides with a proton The Higgs boson appears at last sip AUTUMN 2012 The Journal of the Parliamentary and Scientific Committee www.scienceinparliament.org.uk sip AUTUMN 2012 8/10/12 13:17 Page 2 Physics for All Science and engineering students are important for the future of the UK IOP wants to see more people studying physics www.iop.org / 35 $' 3$5/, $ LQGG sip AUTUMN 2012 8/10/12 13:17 Page 3 Last years's winter of discontent was indeed made SCIENCE IN PARLIAMENT glorious summer by several sons and daughters of York. So many medals in the Olympics were won by scions of Yorkshire that the county claimed tenth place in the medals table, something hard to accept on my side of the Pennines! As well as being fantastic athletic performances the Olympics and Paralympics were stunning demonstrations of the efficiency of UK engineering, and sip the imagination of British science. The Journal of the Parliamentary and Scientific Surely we have good reason to be all eagerly awaiting Andrew Miller MP Committee. Chairman, Parliamentary The Committee is an Associate Parliamentary the announcements from Stockholm of this year's Nobel and Scientific Group of members of both Houses of Prizes? Surely the Higgs boson will be recognised? John Committee Parliament and British members of the European Parliament, representatives of Ellis recently eloquently described the "legacy" of the scientific and technical institutions, industrial hadron collider and we would be missing an important organisations and universities. -
The Spaces of the Wednesday Play (BBC TV 1964–1970): Production, Technology and Style
The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style Article Accepted Version Bignell, J. (2014) The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style. Historical Journal of Film, Radio and Television, 34 (3). pp. 369-389. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937182 (Special issue "Production, site and style") Available at http://centaur.reading.ac.uk/37674/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.tandfonline.com/doi/abs/10.1080/.VBsWcFYsoYU To link to this article DOI: http://dx.doi.org/10.1080/01439685.2014.937182 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Bignell, J., ‘The Spaces of The Wednesday Play (BBC TV 1964–1970): Production, Technology and Style’, Historical Journal of Radio, Film and Television Studies, 34:3 (2014), 369-389. The Spaces of The Wednesday Play (BBC TV 1964-70): Production, Technology and Style Jonathan Bignell Keywords Television; drama; film; location; studio; 1960s; BBC; Wednesday Play. Writing in the trade magazine Film and Television Technician in 1967, the story editor of The Wednesday Play, Roger Smith, looked forward to a moment of decisive change.1 British television production companies would need to re-equip themselves, ready for the coming of colour broadcasting.