Marshall University Marshall Digital Scholar

The Cutting Edge The Society of American Fight Directors

10-2003

The Cutting Edge, September/October 2003, Vol. 13 Issue 5

The Society of American Fight Directors

Follow this and additional works at: https://mds.marshall.edu/cutting

Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Maestro Boushev, Fight Master Emeritus

Maestro David Boushey, founder of the SAFD has requested and been granted the rank of Fight Master Emeritus. As an Emeritus Fight Master he will no longer be teaching SPTs, but may adjudicate them and may teach Master Classes at any level, including regional workshops and the NSCW. He made the request of the Governing Body and the College of Fight Masters earlier this year and it was made official on July 9th at a ceremony during the NSCW. Fight Masters Charles Coyl, Drew Fracher, and Richard Raether presented him a beautiful broadsword; custom made for David by Lewis Shaw-truly a mere token of the thanks of the Society for his many years of invalu­ able service and leadership. The Maestro graced the hall with a moving speech recalling his first days of stage combat, his motivation to start this Society, and his intention to form the Frances A. Boushey Teachers Training Memorial Scholarship. He was met with a thundering standing ovation that lasted and lasted and there was nary a dry eye in the house. Many of us owe him a great debt not just for our training, but also for the countless ways in which the Society has enriched each of our lives. Through this organization endless friendships have been formed, professional relationships have been fostered, and more than a few husbands have met their wives and SAFD families are growing. But, this does not mean that you have seen the last of the Maestro. One person in attendance at his announcement told him that they were going to miss having him around, and he responded "When you least expect it, that is when I am likely to turn up!" that's something we're all looking forward to. Congratulations, David! Member Representative Elections let Your Voice Be Heard- Vote! It is once again time for the Member Representative Elections, your chance to help select the individual to represent you and the members in your category. Below are the candidate state­ ments from each person running, in the interest of fairness, these statements are printed in alphabetical order by last name for each category. Each candidate was first nominated by a member of the SAFD, and then chose accept that nomination- so you can be assured that they are all eager to get to work and fully prepared to serve. This year the election ballot will be mailed to you at the end of October and will list only those candidates that you are eligible to vote for based on your member classification. All ballots must be received no later than November 30, 2003 to be considered valid. For your convenience, on-line voting will also be available for the entire month of November. The ballots will be tabulated by December 10- at which point those representatives who have been selected will confirm their acceptance of the position. They will then take office beginning on January 1, 2004 and will serve a three-year term. So, please take a moment to review the candidate statements and then cast your ballot by November 30. Read the candidates statements on pages 2-4 PAGE2 Tm: CUTTING EDGE

continued from page 1 Advanced Actor combatant/Actor Combatant/Friend Representative Rohen Radkolf Ek I have been involved with the SAFD since 1992. It will be an honor and a privilege to serve as the Friend/AC/AAC Representative for the SAFD. My goal is to be your voice for the SAFD. I wish to express your views as Friends, Actor Combatants and Advanced Actor Combatants with the Governing Body. Your input is vital to the growth and future of the SAFD. There are always going to be shifts within the Society. As your representative I will stay abreast of future discus­ sions and proposed changes and keep you informed. I openly encourage you to contact me if you have questions, comments or concerns. Fight the good fight!

Al Foote For the past two years I've worked to provide better "customer service" to the SAFD's largest segment of membership - us! Here's a partial list of what I've been working on with the Governing Body: - Changes to the P&P to make it easier .for students to renew their skills pro­ ficiency for individual weapons. - Working to expand the NSCW to additional locations in order to serve more students in different areas. - Personally helping members whose memberships or SPT results have gone missing or are not receiving publications. I'd like to continue repre­ senting our needs within the organization. Thank you. , Certified Teacher Representative Mike Mahalfev I would like to represent all certified teachers and speak on our behalf at the Governing Body meetings. We are a wonderfully diverse group with many years of experience, and I would be honored to represent our views. I would also like to enhance our communication with each other with CT-only discussions at regional workshops. We can discuss topics from the banal (for example, getting through the new SPT procedures) to advanced pedagogy questions. We have a tremendous breadth of knowledge and we owe it to the SAFD, our students and ourselves to embody professionalism and expertise in stage combat.

Neil Massev I feel one of the most important traits of a good Member Rep is communication. My goal as CT Rep would be to improve communication between Members and the Governing Body so issues could be discussed thoroughly, and between Members as a group so that we can share the immense knowledge base we have. Continuing Education for CT's has been kicked around for a long time, and I would like to find ways to make that happen. Serving as CT Rep Proxy this summer was a positive experience for me and I hope to continue to serve in that capacity.

Paul Steuer I arn very pleased to accept the nomination for CT Representative. I have been an active mem­ ber of the SAFD for 15 years. The CT is an integral part of the organization's mission to foster excellence in performing staged violence. The SAFD has seen dramatic changes at the NSCW where Certified Teachers are teaching Master Classes, Renewal Tests, and now Skills

continued on page 3 Tm: CmTING EDGE PAGE3

conti11ued from page 2

Proficiency Tests. These developments have come from our voice being represented in collab­ orations with FD's and FM's, and the Governing Board. I would continue that collaboration with the rest of the membership by diligently representing the concerns and needs of the CT com­ munity. Fight Director Representative J. David Brimmer I was going to begin "My fellow Fight Directors", but thought that might be sending the wrong message! Most of you know me, I've been a member for over 15 years, a regional representa­ tive for nearly 10, and the co-coordinator of the Summer Sling for the past 7 years. My platform is simple, I have no agenda. I believe the job of Fight Director Representative is to do exactly that, represent you, the Fight Directors. If elected, I will bring your questions and concerns to the governing body, and make sure your voices are heard. Thank you for your consideration. k. Jennv Jonas Ladies and Gentlemen, it would be an honor to serve the SAFD and your interests as FD Representative. As the Professional and Academic Industries increasingly recognize our work as vital ingredients of the artistic stew, it is important that we plant and water our seeds well. We need to remain dedicated to the SAFD's mission of the highest standards while cultivating a healthy future for ourselves as working professionals. We, and the SAFD have come a very long way, and shall continue to do so. As your Representative I would continue the efforts of the most wonderful and tireless Scot Mann; encourage the Professional Industry and its members to increase it's inclusion of our legitimacy, promote our principal role within the SAFD, and fos­ ter your needs and opinions. Scot Mann It has been an honor to serve as FD Rep for this term and I'm excited about the possibility of serving as your representative again. As FD Rep it is my duty to bring the concerns of the Fight Directors to the Governing Body where your voices have helped clarify and improve the Policies and Procedures of the organization over the last two years. We are making great strides with the professional performing and stage directing unions, as well, and it is my desire to continue this effort through a new SAFD Union Registry and increased involvement for Fight Directors within the various unions.

Ricki Ravins Why accept the nomination for FD Representative? To serve. The Society as a whole, and Fight Directors especially, have given me much - new perspectives, great camaraderie, impassioned arguments, marathon meetings, and many empty ibuprofen bottles. I'd like to give back where I can. To represent. FD's are a varied bunch. Without a personal agenda, I must solicit your opinions, inspirations and needs to be your authentic voice. To promote concord. - Raising stan­ dards, not barricades - Honoring past achievements, while embracing innovation - Enhancing our standing in professional, academic and community settings - Encouraging realistic solutions and idealistic goals

co11ti11ued 011 page 4 PAGE4 THE CUTTING EDGE continued from page 3 Fight Master Renresen1a1ive Drew Frachar It is my pleasure to seek the office of Fight Master Representative for a second term. I appre­ ciate the support and confidence my fellow Fight Masters show me with this nomination. I will endeavor to continue to do the right thing and be a voice for all of us on the Governing Body. I think that the organization is poised to move ahead in a variety of positive ways and I pledge to represent you all as we do so. Our voice is important and I will make sure it is heard in a fair and equitable manner. Again, thank you all for your continued trust and support. Dale Girard If elected, it would be my honor to serve as the unified voice of the College of Fight Masters. Working in theatre, film and academia, I believe that I have insight into many of our needs. Further, my time in, and away from, the SAFD political arena has reemphasized the value of being a team player. As FM Rep., my goal would be to represent our collected membership, strive to expand the reputation and standing of the SAFD, and work to further develop the honor, reputation and professional standing of the College of Fight Masters, inside and outside the Society. Remember...

- This year the election ballot will be mailed to you at the end of October and will list only those candidates that you are eligible to vote for based on your member classification.

- All ballots must be received no later than November 30, 2003 to be considered valid.

- For your convenience, on-line voting will also be available for the entire month of November.

Do vou want to help 001 the organization? Of course vou do. (subtle, ain't we?!?) Serve the organization bv writing an anicle for TIie cunin1 Edae. send inquiries and submissions to: [email protected] Tm: CmTING EDGE PAGES Richard Rvan is welcomed as the newest Fight Master The College of Fight Masters is pleased to announce that Richard Ryan has been granted the rank and title of Fight Master. Richard has made his mark in the academic and professional com­ munity and we're delighted to be able to honor his efforts in this way. Richard has been a mem­ ber of the SAFD for many years, becoming a Certified Teacher in 1992. He serves as the Vice Chair for the British Equity Fight Directors Register, as the President of the British Academy of Stage & Screen Combat (as well as being a founding member), and is the 'Master-at-Arms' to the Royal Academy of Dramatic Art. He has staged fights for theatre, opera, film and television with an extensive international body of work- not the least of which was a live show in Thailand fea­ turing a battle with eighty actors and four elephants! Richard is currently serving as 'Swordmaster' on the Warner Brothers movie, 'Troy'. Please join us in congratulating our newest Fight Master! The SAFD Reaches tor a New look! Bv Julia Rupkalvis, Ph.0 of all the images that people are places where graphically have in their heads about a par­ the initials alone would be more Keep an eye out for a new look ticular company and a particular appropriate. And, in this way, for the Society. After input from mark. we remind the general public Capsule, a branding consulting Our logo isn't changing, who and what the SAFD firm who donated their time to although the colors used to dis­ is ... and it's not the San Antonio the SAFD, and our own input, play it might. At this point, we've Fire Department! we're heading toward a more decided on typefaces and a If anyone is interested in consistent and appropriate general color scheme. Our next becoming involved in this proj­ visual look for our publications, step is to solidify our colors and ect, please contact Julia graphics, and web site. Brands to create an additional logo with Rupkalvis, the society's are not simply products or serv- just the initials, SAFD. We have Executive Director, at ices ... brands are the sum total a rather long name and there [email protected].

Check Out Your Shinv New P& P!

The SAFD Policies & Procedures has been updated to reflect the changes that resulted from the Annual Governing Body meeting this July. Please feel free to check them all out by visiting the Members Only section of the SAFD website at www.safd.org/members/login.asp. Once you have logged into the Members Only section, click on Forms and then on the P & P. PAGE6 Tm: CUTI'ING EDGE Regional Reps kept busv bv reporting on vou!

Pacific West from beginning to end. Todd is find­ Center Theatre. It closed in May. Region ing it challenging and rewarding Also in January Bob began working working with these youngsters. on R & J for Moorpark College. He "They are truly some of the most rented Lewis Shaw's well-made dedicated combatants I've ever swords from Scot Mann. As is worked with." When not doing the always the case, they were safe, fight thing, you'll find Todd perform­ beautiful and aesthetically correct. ing as "Mick Jagger" or in the studio Bob was pleased he was able to with Christopher Villa recording a appoint a fight captain that had just Bv CD with our band The Personas. attended the 2002 NSCW, Dustin Richard lane "Life is good in Hollywood ! I contin­ Szany. The play was directed by ue to teach and learn !" Eric Auguzstiny. A review stated, Scott Leva "The star of this play is the fight cho­ reography." The Fantasticks was The Pacific Western Region is (www.precisionstunts.com.) is a billed as, "This is not your mamma's comprised of California, Hawaii, Stunt Coordinator/ 2nd Unit Director Fantasticks." The fights were more Nevada and Arizona. The member­ for film and TV. He recently finished realistic, at the director's request, ship out here stays very active with a film with Christian Slater Alone in rather then timed to the music. The workshops, choreography and per­ The Dark. Scot was the "Action Wire director, Valerie Mayhew (writer/pro­ formances, some areas busier than Coordinator" and has been busy ducer of televisions The Fugitive) others. Nevada sees the SAFD mainly in the stunt arena. Mr. wanted a more intense duel to National Workshop every year, Leva's biggest claim to fame in films as far as fights to-date was the Fight enhance the story, much to the cha­ which is reported on separately. grin of the musical director. Once Hawaii is the site of the Swords-N­ Coordinator on the original X-Men film. "Things are good. Work is again, Bob was able to suggest one Su rf hosted by Dueling Arts of his students, Chris Sullivan, for International. California is the home great." the role of Henry. The play toured to of Hollywood and "the industry," different theatre/church venues and where "stage combat butts" up For Bob Goodwin SPRING OF ran for three weeks in April. Film against "stunts." And Arizona, which 2003 was busier then he wanted it to be, "Be careful what you wish Fighting Workshops, July 2003, held has 15 SAFD members, didn't get at Loyola Marymount University for ... " Bob wrapped a SAG feature any reports into the Regional Rep attained an international status with for this report - we look forward to film, Untitled Thriller, which had the attendance of two students from hearing from you each soon! fights, gunshots and a wire gag (a stunt double hanging from a third London. One, Ms. Georgie Smith is a student of Richard Ryan. The Alaric Toy is currently in a produc­ floor, fire escape by a pair of hand­ 2004 workshop in July will be a tion of Taming of the Shrew as cuffs). He was able to cast two of seven-day event with more industry Grumio and its Fight Captain at his students, Chris Torres and Scott workshops and new, evening Diab/a Valley College. And oh yes, Donovan, for the stunt double and events. This year's instructors Alaric went to the National Stage wire work. It will probably go straight included Mr. Goodwin (Katana and Combat Workshop this year. to DVD/video, but who knows?Another SAG feature, Fast Kali), Roberta Brown (Small Sword), Anthony Delongis (his system of Todd Loweth is keeping busy at Sofa, Bob stunt coordinated (a car sword work), Chris Torres (Hong The Laguna Playhouse, choreo­ crash and fights) has been graphing the fights for their produc­ released. It stars Crispin Glover, Kong Fighting) and Eric Betts (Hollywood Kung Fu and gymnas­ tion of Romeo and Juliet Together Jennifer Tilly, Jake Busy and others. tics). Bob also taught Martial (And Alive) At Last by Sandra Then Mr. Goodwin was asked to Art/Kali and Beginning Sword For Fenichel Asher. Todd's last produc­ help cast, train and fight direct a the Camera courses for the second tion with The Laguna Playhouse new AEA production written by Will year at Loyola Marymount was about high school wrestlers and Kern (Hell Cab) titled Shakespeare the problems they face - on and off Kung Fu. The fights consisted of University in the spring of 2003. For the mat. The show is called The shao-lin and t'aiji swords; chi saa, the past nine years Bob has taught, Wrestling Season by Laurie Brooks. butterfly knives and chi gerk (stick­ four weeks a year, for Camp Bravo. Camp Bravo is a performing arts The entire play is acted out on the ing legs) of Wing Chun; the knife camp for High School Thespians. wrestling mat, with all the actors and empty hand fighting of Kali. It "Being a professional educator, this joining in physically. It's a fight show was performed at the Gascon continued on page 7 T!-m CUTTING EDGE PAGE7

continued from page 6 is my way of giving back to the the­ professional touring theatre. He fig­ specialists working under Stunt atre community." ures 5,000+ performances in 12 Coordinator Walter Scott and Sword states were enough tor anyone. Master Anthony Delongis. During Ernesto Bustos is choreographing He's moved from Maine to L.A and the summer, Payson traveled to for Woodcreek High School. The is choreographing staff, sword and Boulder, Colorado to work as fight/sword scene he was hired to martial arts tight scenes regularly. Production Fight Director tor the direct tor CSUS Alumni's summer As an actor/stunt-fight performer Colorado Shakespeare Festival. show (The Illusion) was whittled Mark has had the opportunity to The season consisted of The down to pistols at ten paces. It was work on fight scenes with big-time Taming of the Shrew, Much Ado too late in the game to try and pull fight coordinators like Art Camacho, About Nothing and Hamlet. Also, he something off safely. Ernesto Eric Betts, T.J. Storm and Jim guest starred in the TV series: reports his ego was crushed and he Vickers and with Stuntman Hall of Scene of the Crime as rapist/mur­ cried up until they handed him a Fame-r Lee Diebold who, at 70 derer Oba Chandler which aired in check tor services rendered. Funny years old, can take falls better than mid June. Lastly, Mr. Burt has just how making a deposit into your anyone Mark's ever worked with. joined the faculty of the new checking account can make the You may have seen Mr. Bedell leap­ Hollywood branch of the American world seem a better, happier place. ing over Bruce Willis in Tears Of The Musical and Dramatic Academy Sun (he was the helicopter gunner) (AMOA) which opens it's doors at Charles Currier and has worked or saving Bruce's butt at the end the end of September. Payson will with Payson and Julia tor years. He (the F-18 pilot). Mark is still working be teaching along with Robert 'certified' in 1984, got 'recommend­ in Theatre but only as a playwright Hamilton who is moving from NYC, ed' by David Leong in 1986, and and consultant. His plays are cur­ where he was teaching at AMDA's performed a re-cert in 1992. Since rently being produced in North NY campus. then he has been fairly busy in the Carolina and in Washington state industry in Los Angeles, and has (where an entire season of my plays Julia Rupkalvis, along with Charles managed to maintain a somewhat is being discussed). He'll be train­ Currier, is in Morocco working on up to date knowledge of SAFD ing the actors in Washington as well Oliver Stone's new movie: developments. "This year I got my as teaching a 5-day stage combat Alexander starring Colin Farrell and act together and paid my dues, so I intensive to teens at the Academy of Sean Connery. Julia is the Sword could rejoin as a friend - and I am Children's Theatre next June. Master tor the production - and per­ very glad to be back!!!" Charles just sonal instructor tor Colin Farrell (eat teamed up with Payson to choreo­ Mike Mahaffey writes: "I'm in LA your heart out ladies!) Both Julia graph a Taming of the Shrew staged now! Holy cow! New town, same and Charles are involved with train­ by elements of the well- regarded region. I recently choreographed ing 15,000 Moroccan army extras! Zoo District Theatre Co. in LA, using Henry V tor the Knightsbridge multiple locations in the Orpheum, a Theater, as well as stunt coordinat­ This past June Tiffany Burris massive 1920's theatre in down­ ing two short films tor the University assisted Gregory Hottman and town Los Angeles. He also just of Southern California. I've also Aaron Anderson at the Dueling Arts arrived in Morocco to train 1200 been appearing as a headliner in International workshop in Hawaii. actors, stuntmen, and specialty the Southern and Northern Pleasure Currently Tiffany is working on some extras (literally active duty Faires, where I perform the fights tor the Age of Chivalry Moroccan infantry), tor a great deal "Swordsmen-enfranchised" Bold Renaissance Faire in Las Vegas. of mayhem in Oliver Stone's upcom­ and Stupid Men show, with best She is choreographing a fight tor the ing Alexander starring Colin Farrell. wishes from David Woolley and apprehension of a criminal who will He will be working with Julia Douglas Mumaw." be tried and then hanged. They will Rupkalvis and military advisor Dale also be performing a number of Dye, and the film will be shooting Payson Burt reports that the Los fights on the Hanging Jester stage until Christmas at least. Phalanxes, Angeles Fight Academy continues including some Shakespeare, some chariots, spears, swords, shields, to offer weekly classes in the San original, and one fight on horse slings, bows, and fighting elephants; Fernando Valley. Last May LAFA back. Last week Tiffany choreo­ what's not to like? hosted a Military Boot Camp tor graphed a fight tor a belly-dancing Actors - with Captain Dale Dye as troupe that took place as part of the In May of 2002 Mark Bedell instructor. Payson was part of the dance. It looked amazing in that (www.MarkBedell.com and stunt team tor Secondhand Lions medium and was very well received. www.KrackerjackEntertainment.co which was filmed in November of m) retired from a 17year long run in last year and will open in Richard Lane recently choreo­ September. He was one of 4 sword graphed the ballet version of Zorro! continued on page 8 PAGES THE C l!Tf!NG EDGE continued fi-orn page 7 with sword-fighting and whip-crack­ from Jan-Apr. He also re-upped in ing, for Smuin Ballet, to music by three weapons and added two more CT/FD Scot Mann has taken a posi­ Charles Fox. He also choreo­ (up to eight now). Also did stage tion as Associate Professor of graphed Bay Boy (yes, the one from combat training and fight choreogra­ Movement and Acting at The the Weekly World News) and phy for the following: As You Like It, University of Southern Mississippi Ragtime for TheatreWorks where Shakespeare in The Parque, after a year as combat instructor for he is the resident Fight Director. Washington, D.C. You're a Good MFA/PAT program at the Alabama Other smaller productions include Man, Charlie Brown and Macbeth, Shakespeare Festival. While at Hamlet for Center Rep, Macbeth for at Tapestry Theatre Company, ASF Scot choreographed violence Ukiah Players, Romeo & Juliet for Alexandria, VA, Death Trap at and coached movement for The San Francisco Shakespeare and Heritage Theater Company, Venus Di Milo is Armed!, Twelfth Don Juan, Merry Wives of Windsor, Bethesda, MD . He performed in Night, Iago, and Othello. Other and A Midsummer Night's Dream for Macbeth (see above) as recent choreography includes Marin Shakespeare Festival. MacDonwald and a murderer. Shakespeare's R&J and King Richard's book, Swashbuckling: the Hedely II for The Alliance Theatre, Art of Stage Combat & Theatrical In January, AC's Steve Lada, Al Cymbeline for The Georgia Swordplay has now entered its sec­ Myska and Chuck Martin jointly Shakespeare Festival, and Romeo ond printing. won the 2002 Washington Area and Juliet for the Clarence Brown Theater Community Ho'nors Theatre. South East (WATCH) award for Outstanding Region Stage Combat Choreography for Romeo and Juliet, Elden Street Abbama. Flonda. G!orgia. K,,,..ud

continued from page 8 sends her regards and good wishes clients that have included employ­ to the extensive family who study ees of Carton Television, BBC and In an August press release - the art of ... 'of being in the present major U.S. studios - for the purpose Pennsylvania Shakespeare Festival moment, in action, without ten­ of teaching ancient Chinese fighting Artistic Director CT/FD Jack Young sion ... in this world'. systems, and to develop new ways was named the new Head of the of producing on-screen combat. He Professional Actor Training Program In the UK, we had a visit from FD K. is in collaboration with the Bandura (PATP) at the School of Theatre at Jenny Jones who was over to Project, a feature, and the Ohio University in Athens. Mr. teach a Masterclass and SAFD Continuity Project (being shot in Young has agreed to continue as President Chuck Coyl who was over Australia, Thailand and UK) where PSF's Artistic Director and work with to adjudicate SPTs. he will get the opportunity to show The Festival's Board and staff his directorial skills. through the transition to new leader­ AJC Ian Prater has just had 4 solid ship. weeks of workshops teaching at the Bret Yount (CT) has fight directed City Lit summer school and the 10th The White Devil for Colchester's CT Joe Travers announced the BNSCW, both in London. He has Mercury Theatre, Blown for Theatre results of the April 6th SPTs at also just received his call-up papers Royal, Plymouth and Neville 's SWORDPLAY in NYC: to join the Macedonian Army of ISLAND for Theatre Royal, York. BROADSWORD: Adam Alexander, Alexander the Great and will be Bret is currently working as Carrie Brewer, John Crefeld (EAE), heading out to Morocco at the end Assistant Swordmaster to new FM Nathan Decoux (EAE), Jared of August for three weeks of boot Richard Ryan on the Warner's Bros Hoffert, Michael McGuire, Allison camp under Captain Dale Dye, Film, Troy. Langs, Daniela Rapp, Cat Schaefer, Commander of the Foot Mark Silence and Kriota Willberg. Companions and Julia Rupkalvis For Richard Ryan it's been a busy KNIFE: Catherine Dellingham (SAFD Exec Dir) . Kit list includes if not exceptional year, the high­ (EAE), Jared Hoffert, Daniela Rapp running shoes, floppy hat and mole­ points of which were being appoint­ (EAE) and Mark Silence. skin to prevent blisters but no dis­ ed Swordmaster for the Warner tractions or frivolous instruments of Brothers Movie Troy, scheduled for Michael McGuire writes, "The suc­ communication or entertainment release in May 2004, and having the cessful passing of the broadsword allowed. Have fun Ian! honour of being inducted into the SPT on April 6th marks my sixth cur­ college of Fight Masters. rent certification with the SAFD, Pippa Winslow-Rolandelli A/C is qualifying me to apply for 'advanced having lots of fun with all kinds of actor/combatant' status. I've been a theatre. She says "The groups I've East Central member since '99. (I think Jared been working with here have Region Hoffert also reached this status as

enjoyed sharing my limited experi­ Dclawa,u, of last week). I performed the role ence in stage combat". She had the Marylatd of 'Young Siward' and choreo­ N

av Richard Rvan, Fight Master the crime. the college's semi-professional the­ There was much talk of how their atre in residence, from 1989-1995. This past summer, a group of us particular TTW was the toughest He was extremely active as an actor, marked 1O years of being recog­ and of the occasional wrongs but director, teacher of stage combat nized as Certified Teachers with the predominantly the talk was of the fel­ and fight director in the Houston SAFD. Having not seen most of my lowship that they felt with each other area at such venues as the Houston fellow 1992 TTW graduates that I and the SAFD and any other who Shakespeare Festival, the Houston worked, sweated and at times bled had experienced the TTW. Shaw Festival, the Houston Negro with, I ventured forth to Las Vegas, Naturally conversation turned to Ensemble Theatre, and the Houston as is my normal summer habit when what we had done over the years Grand Opera (where he staged the the SAFD is in town. Unfortunately, and the seed for this Where are they violence for the world premier of I didn't see most of my classmates now? article was born. So where are "Harvey Milk" and world-wide touring even then, as my time at the re­ they now? production of Porgy and Bess.) He union was short. So, with little real also taught combat at Houston time to exchange life, death, war Michael G. Chin pursues an acting Community College and staged and/or professional stories, we were career as well as teaches stage fights at Austin's Capitol City all asked to write something about combat full-time at The American Playhouse. our work and ourselves since we Musical and Dramatic Academy in In 1995 he and his family pulled received this official stamp of New York City. up stakes and moved to approval as Certified Teachers of He serves as NSCW Coordinator Pennsylvania, where Michael took a Stage Combat. and in 1998 started a professional position at Kutztown University A reunion is basically a marking actor/combatant training school, teaching acting, directing, voice, of time and most frequently, if not Fights4 with fellow Class of 1992 movement and stage combat. Upon always recorded and acknowledged alumni Tink Tuftee. He has taught at arriving, Michael immediately began in numbers, so without getting too regional workshops in London, to work at the local equity house in personal, nor indulgent, and also Louisiana and Chicago and has Allentown, PA-the PA Stage keeping in mind that these past ten served as NSCW coordinator for the Company. He frequently worked as years have primarily been about SAFD for the past 5 years. a guest artist at such venues as work in our strange and heightened A long time student of martial arts Muhlenberg Summer Musicals and little world of theatrical fighting arts, (Shaolin Long Fist) he has been Berks Festival Theatre. He also this is my tell of time and some num­ seen as a major influence in the use pulled double duty directing and bers that may, or may not accurate­ of Quarterstaff to reflect transcultur­ staging the fights for a production of ly reflect these last 10 years past. al influences and to that end he has Othello at Lafayette College. In the summer of 1992, fourteen taught staff classes throughout the Kutztown University also afforded hopeful neophyte teachers gathered US and also in the UK. the opportunity to direct several in Las Vegas to begin intensive shows with fights in them from The training and evaluation that would Robert 'Tink' Tuftee started a pro­ fessional actor/combatant training Rivals to The Servant of Two change their stage combat careers, Masters. While at Kutztown he and lives forever. After three grueling school, Fights4 with fellow Class of 1992, alumni Mike Chin. He has served as Liaison for the weeks of fighting and studying under Department's International Study the tutelage of Fight Masters J. Allen taught at regional workshops in London, Louisiana and Chicago. He Abroad Program with the Suddeth and Drew Fracher they Birmingham School of Speech and emerged, give or take the odd pro­ recently appeared onstage as Rochefort in The Three Musketeers Drama. Trips to Birmingham and bation, brand spanking new SAFD London resulted in guest and team Certified Teachers. for the New American Theatre, alongside fellow Class of 1992 teaching opportunities at both BSSD In the cauldron that is the Teacher and with former TTW classmate and Training Workshop friendships that alumni John McFarland, directed by FM Richard Raether. roommate, Richard Ryan at the were to last the years were forged Royal Academy of Dramatic Art. and although not all have seen each Michael Kirkland served as Head Most recently, Michael has taken the other as frequently as they might like of the Theatre Program at Galveston position at Regent University in the bond between them is still College and as Producing Artistic Virginia Beach, VA, where in addi­ strong. So July of 2002, they decid­ Director for the Upper Deck Theatre, tion to chairing the Department of ed to have a reunion at the scene of

continlled 011 page 12 PAGE12 THE CUTTING EDGE

continued from page 11

Theatre Arts, Michael will continue to leagues at the TTW he was fortu­ teach courses in Meisner Acting nate enough to befriend Mr. Richard Nicole Harsh and her husband, Technique, Lessac Voice and Ryan whose kindness has allowed Mike Sakuta, continue to travel and Movement, Directing, and Stage him to teach workshops in London perform swordfights as The Crossed Combat. He eagerly anticipates and see war elephants in action in Swords. For the last 20 years they directing Hamlet in the spring of Thailand. This summer Brent will have performed regularly in the U.S. 2003-naturally, he's staging the return tor the second year to and Canada, including Renaissance fights (and rumour has it he may Amsterdam where he teaches a Festivals in Michigan, Ohio, even play the role of Laertes this stage combat workshop tor the Georgia, Maryland, Florida, time around!). International Theatre Festival. Alabama and New Orleans. They "I am truly at a loss tor words to Among his most prized achieve­ also teach stage combat and have describe what the SAFD has done ments is the tact that as a CT he has been fight directors tor 6 years of tor me personally and professionally. taught over 250 students and had Georgia Renaissance Festivals and My training has opened countless only two who did not pass their SPT. have choreographed fight scenes tor professional doors over the years The TTW has paid more dividends several Atlanta-area theatrical plays. and I am proud to say that 10 years than he could ever have imagined Recently, the duo has been hired to later several of the friendships I and, looking back, it was worth perform swordfights in such interest­ made-friendships forged in the fire every drop of money, sweat and ing venues such as Honolulu, of the TTW-are not only active, effort. Hawaii; Blackpool, England; Paris, they have grown even deeper. The France; Berlin, Germany; and SAFD has not only shaped my Jean-Francois Gagnon has had Moscow, Russia. career, it has shaped my friendships, the opportunity to work in cinema, Together they have also my personal and professional rela­ television, musicals, and opera, but appeared, with swords and armour, tionships-my life." his main working area is the theatre. on artist Larry Elmore's cover paint­ He's says, "It's been a busy ten ings tor two Dragonlance books, Brent Gibbs, after attending the years." He has been teaching and The Reign of /star and The TTW, which he says he barely doing fight choreography at the Cataclysm, on the Cure Light passed or at least survived, Brent National Theatre School of Canada Wounds card in the Spellfire TM has managed to keep body and soul since 1992 and also been teaching game, and in a TBS documentary on together by working as Fight Commedia Dell'Arte, that includes Pirates. The duo also runs an online Director, Director and Professor. stage combat, at The Theatre sword-selling business, www.sword­ He worked tor 10 years as Fight department of Concordia University, mark.com, which otters many types Director and 9 years as Director at since 1995. He also teaches at one of swords to collectors across the the outdoor drama Tecumseh, locat­ of the main French theatre schools, globe. When not sword fighting, ed in Ohio. Back in his home state Le departement de theatre du Nicole has drawn over seventy-five of Arizona he has worked as Fight CEGEP Lionel-Groulx. pieces of 3-D Computer art, which Director at the local Equity house, He also has been working on a have all been published in collectible Arizona Theatre Company, and tor lot of major productions in Quebec card games such as Galactic the Arizona Opera Company. In where he resides, like the Just for Empires, Star of the Guardians, and 1995 he was the first Fight Director Laughs summer production. He has Wing Commander. She has also to receive an Arizona State Theatre done the choreography tor a produc­ written two stories about fictional Award for his fight choreography in tion of Les Miserables, and unavoid­ knights and seven pieces of instru­ Henry V. As a director he has ably, most Shakespeare ... twice! mental music published in the worked on over a dozen productions This spring he directed and cho­ books, The History of the in the past ten years. He also wrote reographed Cyrano de Bergerac Dragonlance and More Leaves from and directed a touring production and followed with fight direction for a the Inn of the Last Home. called Swordplay, which introduced big French Musical called 'Romeo & high school students to the action in Juliet' (yes, based on the bards Tina Robinson-Hansen is no Shakespeare through fights and story). He is currently a consultant longer an active within the SAFD scenes. He currently serves as the on a project in preparation tor 2004 and now lives in Copenhagen, Artistic Director tor the Arizona with le Cirque du Soleil. Denmark where she is a teacher Repertory Theatre. Jean-Francois is no longer active with the Nordic Stage Fight Society Brent is an Associate Professor within the SAFD but is recognised and represented them at the 1st with the University of Arizona, as a Fight Master by Fight Directors International Stage Combat School of Theatre Arts. He served Canada and represented them at Workshop in London. tor several years as the Head of the the 2nd International Stage Combat Gregory Hoffman works as a Acting Program. Among his col- Workshop in Tucson Arizona. continued on page 13 Tm: Cun,Nc EncF. PAGE 13

continued from page 12

Theatrical Fight and Movement something beyond what it seems on could reach even higher heights in Director and Teacher, Tai Chi the surface? '94 by becoming a father, to his boy, Instructor, Stunt Coordinator, This question was answered for Hayes. As a dad, Jamie continued Independent Producer and me recently by an e-mail from a stu­ working professionally in NY and Filmmaker and Theatrical Director dent who attended a workshop stat­ regionally as a fight director and based in San Francisco. ing how the experience, the training actor. Jamie continued to teach full He has been teaching movement, received, and the warm, supportive time at AMOA, until he decided to theatrical combat, and directing and positive attitude of the workshop get an MFA. He then found out why fights in Universities, dramatic acad­ staff formed and acted as a major it's called a "terminal degree." emies, and theatres in Europe, and turning point in her life. A life chang­ Beginning in South Carolina, he the United States since 1984. The ing experience that will help her withdrew, worked for a short time in resident Fight Director and member move on from some very hard times, DC at the National Conservatory of of the teaching faculty for the M.F.A. something beyond a new skill with Dramatic Arts (thanks to Michael program at The American theatrical swords. So yes, our work Johnson), and finished at VCU (with Conservatory Theatre, he is also the as teachers can indeed be more David Leong). Jamie now holds a Founder and Director of Dueling Arts than simply demonstrating how to degree in Pedagogy, with an empha­ International Inc., a company which wield swords, and throw illusionary sis in Movement and Stage Combat offers training in movement and the­ punches. It is this single simple (and insists on being called "mas­ atrical combat and production number of 1 that I feel most confirms ter.") opportunities worldwide. He has that work that I and my fellow teach­ He has just started a full time directed fights for over 200 produc­ ers and assistants have involved teaching position at the University of tions, taught over 20 skills test and ourselves with is indeed more than it Wisconsin - Parkside, which is locat­ instructed over 1000 students. He is appears and in fact greatly worth­ ed about halfway between currently in post-production of a while. One letter, one person, one Milwaukee and Chicago. comprehensive educational video life illuminating the fact that we as providing 32 hours of instruction on teachers have the continuing oppor­ John Cashman hit the road late in theatrical sword fighting, titled, And tunity, and more so perhaps the con­ '92 with a touring ice show as an They Fight' Currently he is also in tinuing obligation to work beyond the electrician, and with swords in tow producing and directing his first fea­ simple expectations that come with and dropped in on every CT the tour ture independent film, Rite Spot, being a Certified Teacher. bounced near. He also did some Wrong Time. Throughout all this Personally, I am very happy and consulting work for a slapstick seg­ work he has averaged 200 days fulfilled with the vagabond life that ment of the show which had some away from home, 25,000 miles driv­ this particular business has provided tumbling and flips in it and gained ing and another 20,000 flying per me. I feel that the people I have new experience by learning to do year. He has resided (or rather paid taught and learned from, met and flips and rolls wearing a Roger rent or mortgage) in 8 different worked with, and exchanged tales Rabbit head on ice. In spring of '93, towns, lived in 7 different houses and shared time with, have in fact, by luck, coincidence and a good and 2 different Silver Air-Stream for the most part indeed been very word from his then girlfriend Willis motor homes. He has worked in 8 warm and big-hearted individuals Middleton, he was hired sight different countries, 11 different and as such have provided me with unseen as a last minute replace­ states and too many cities and a very large, if not remote family. I ment for the debut season of the towns to remember. He has done so am grateful to have had the teachers Pocono Renaissance Faire. He willingly and gratefully, and thanks that I have had, particularly those spent the next six months in all who have helped in some way whose generosity stood out above Pennsylvania playing the drunken along this vagabond freeway. and beyond, more grateful to have Friar (which he claims was "a real ''The above is basically numbers, taught the students that I have stretch") fight captaining, and assist­ numbers, numbers ... As these num­ taught, most grateful to work with ing the SPT test. bers accumulate, I have frequently the people that I most often get to He moved to Los Angeles with asked the question; Are we, delud­ work with, and in fact continually Willis to see what there was to learn ing ourselves in thinking that we are grateful that I wake up everyday with in the film industry, just in time for something other than what we are the opportunity to do the work that I the Northridge Earthquake. 1994 on the surface, people who are good get to do. One thought, one action, included trips to PA to choreograph a at slinging steel and throwing bodies one experience can, in the end act Macbeth, and then to KY to teach a around in space, and who have upon 10,000." SPT at the Legend of Daniel Boone. acquired some educational title of Back in L.A. he became Regional respect, or are we, actually doing Jamie Cheatham After certifying as Rep, taught a few workshops and a teacher in '92, Jamie proved he choreographed whenever the oppor- continued 011 page 14 PAGE14 TH£ CtnTING EDGE

continued from page I 3

tunity arose. By '95 he finally got since then have been invaluable in Academy of Stage & Screen some film work when Willis and he my professional life. In 1996 I helped Combat, which has become the were hired by Walt Disney as con­ co-found The Winter Wonderland UK's leading professional stage sultants/live action reference for The Workshop in Chicago, the last five of combat teaching organisation. Hunchback of Notre Dame. Willis those years I have been the He also, in 1995, co-ordinated the and he were married in '96. In '97 Administrative Co-coordinator. first ever International Stage Combat he used his theatrical design back­ In 1998 classmate & colleague Workshop, bringing together teach­ ground along with some contacts Richard Ryan , then President of The ers from the USA, Canada and the from "Hunchback" to get hired full British Academy of Stage and UK and students from around the time by Walt Disney Feature Screen Combat, invited me to teach globe, including Tony Wolf the Animation in Florida as a Special at the BASSC National Stage founder of the New Zealand Stage Effects artist where he works today. Combat Workshop. While there I Combat Society. By happenstance he animated most completed the requirements as a Considered by some, perhaps of the swords in the film Mu/an. Certified Teacher with the BASSC. rightly, as an upstart in 1992 with Since then he has been teaching As a Certified Teacher of both only a couple of dozen professional regular workshops, and ongoing organizations I have been able to fight directing credits he has become classes when a space becomes offer skills testing to my students a leading UK Fight Director with available. He's gradually expanding that would give them recognition in nearly 300. He has become a main­ the workshops into more frequent both countries. stay of the British Equity Fight classes in hopes of offering a SPT In addition to teaching at the Directors Committee serving since · test. He choreographs as his sched­ NSCW and many SAFD regional 1993, and as vice-chair since 1997. ule permits and the opportunity pres­ workshops I have performed, taught In 1996, over strong competition, ents itself. and directed fights at university and he was appointed 'Master-at-Arms' As he looks back over the last ten professionally in cities from Portland to the Royal Academy of Dramatic years he says, "I don't have any Maine to Portland Oregon. Art where he continues to teach. He regrets. Certainly the path I've fol­ In 2001 I returned to London to also teaches at Marymount­ lowed has given me my wife and teach at the BNSCW and to perform Fordham London Drama Academy, kids (Jackson born 1999 and Emma my first duties as an examiner for a which is listed amongst the SAFD's born 2001) whom I wouldn't trade for Fight Performance Test with the top supporting organisations and anything". He intends to continue BASSC. That year I was also invited where he is proud to host, what he teaching and choreographing, say­ to Barcelona Spain to teach at The believes to be, the only regular ing "I look forward to a future where First 'Castle' Workshop. Being a SAFD SPT outside of the United swordplay will hopefully always be a Certified Teacher and Fight Director States. part of my life, as long as my knees with the SAFD has opened the world As an internationally respected hold out. This art has given me so to me. Nearly everyday I am affect­ fight director and teacher of stage much in so many ways; I plan on ed or supported by this family that I combat he is regularly invited to give taking advantage of it for as long as have become a part of." Master classes in the United States, I can . After all, how many people Canada, Spain, Germany, France who can say they met their wife in a Richard Ryan unhesitatingly and Australia. He also has taught crotch kicking class"? acknowledges that the 1992 TTW in extensively throughout the United Las Vegas was a major catalyst in States- most memorably perhaps Todd Loweth was unavailable to his development both as an artist when he joined with TTW mentor J. contribute to this issue. and an individual. He arrived from Allen Suddeth to co-teach at the the UK having no real idea of what to SAFD National Fight Directors train­ Larry Henderson was unavailable expect or whom he was going to to contribute to this issue. ing Program in Maine last summer. meet at the TTW he found that it was He is currently working as John McFarland "I had only been a both led and attended by very able Swordmaster on the Warner Bros member of the SAFD for two years people many of whom have become film Troy, based on the Iliad, due for when I applied for the TTW and close friends. release in the spring of 2004. And knew very little about the organiza­ He returned to the UK from the has just been named as the newest TTW enthused by what he had tion and it's members. More than member of the SAFD College of learned and determined to introduce the training one receives in the Fight Masters. three-week intensive schedule, I a similar level professionalism in came away with a new community of teaching standards that was lacking, friends and colleagues. The ideas at that time , to the teaching of Stage Combat in the UK. The following and skills shared over the years year he founded The British THE CUlTING EDGE PAGE 15 Upcoming Workshops! The lion in Winter November 2003 London England

Two-Day Intensive Workshop

Workshop Fee: 100 GBP (approx. $158.00) 10% Discount for BASSC/SAFD Members 15% Early Bird Discount if Booked by October 15

For Details: Email: [email protected] Phone from outside the UK: International Access Code (+44) 20-8352 0605 Phone from within the UK: 020-8352-0605 The Tenth Annual Winier Wonderland Workshop Januarv 23-25, 2004

Presented at Columbia College 72 East 11 th Street, Chicago, IL Three full days of Instruction from beginning to advanced levels

Workshop Fee: Early Registration (By Dec 15th) $235 Full Time Student $235 SAFD Member $250 2002 Regional Workshop Participant $250 Full Price $275 SAFD Renewal Select Weapons (additional Fee)

Traditionally these fees have included your instruction, a t-shirt, and all lunches!

Space is Limited Mail Registration Information (Address, Name, Phone, Skill Level) And make checks payable to: Winter Wonderland Workshop 3738 Blanchan Avenue Brookfield, IL 60513

Questions?? Call John @ 708-955-8767 Email [email protected] INSIDE THIS ISSUE:

• The Maestro's Latest Move • Meet the Newest Fight Master • Member Rep Election Details • Catch up with the Crew of '92 • Upcoming Workshop Information • More Regional Reports • Branding The SAFD-lt's HOT! • And much, much, more!!

■ ■

is a publication of the SAFD and is printed on paper created Submissions tor the from freshly cut trees.

Please send all submissions to: November/December issue Symmonie Preston and are due November 1st! John Tovar

[email protected]

03.LS3nO3tl 381/\l::13S Nl:lnBti

Non Profit Org IIJo·ojvs·MMM J i U.S. Postage &ll&B AN ·se1111a se1 PAID •! J BARTLETT, IL !li# 'peoa OIIU!WBH 1se3 O!l£l '%; ,..,,~ PERMIT NO. 51 SJOl311J!O IQll!j UB3!J9WV JO ll19!30S IIQl ·~11~,.m,,,~"-