Group Representation in Wage and Hour Cases
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The Magazine of San Diego State University Summer 2016
The Magazine of San Diego State University Summer 2016 SS ELE IM T FROM THE The Magazine of San Diego State University (ISSN 1543-7116) is published by SDSU Marketing & Communications and distributed to members PRESIDENT of the SDSU Alumni Association, faculty, staff and friends. Editor: Coleen L. Geraghty Editorial Contributors: Michael Price, Tobin Vaughn Art Director: Lori Padelford ’83 Graphic Design: John Signer ’82 SAN DIEGO STATE UNIVERSITY Elliot Hirshman President DIVISION OF UNIVERSITY RELATIONS & DEVELOPMENT Mary Ruth Carleton Vice President University Relations and Development Leslie Levinson ’90 Chief Financial Officer The Campanile Foundation Greg Block ’95 Chief Communications Officer Leslie Schibsted Associate Vice President Development Amy Harmon Associate Vice President Development Jim Herrick Photo: Lauren Radack Assistant Vice President Special Projects Chris Lindmark Universities have a timeless and enduring next generation of researchers and may also Assistant Vice President Campaign, Presidential and Special Events character. At the same time, they are engines give us insights into human health today. In of change that move our society forward. addition, we take a look at efforts in Forest We welcome mail from our readers. 360 Magazine The summer issue of 360 demonstrates Rohwer’s lab to understand viruses — one Marketing & Communications how these qualities work together to make of Earth’s oldest organisms. This research is 5500 Campanile Drive San Diego CA 92182-8080 today’s university a wellspring for the ideas providing tantalizing clues that may help E-mail: [email protected] and innovations that improve everyday life us solve some of today’s health and Read 360 Magazine online at and solve our most pressing challenges. -
Framing Farming: Communication Strategies for Animal Rights Critical Animal Studies 2
Framing Farming: Communication Strategies for Animal Rights Critical Animal Studies 2 General Editors: Helena Pedersen, Stockholm University (Sweden) Vasile Stănescu, Mercer University (U.S.) Editorial Board: Stephen R.L. Clark, University of Liverpool (U.K.) Amy J. Fitzgerald, University of Windsor (Canada) Anthony J. Nocella, II, Hamline University (U.S.) John Sorenson, Brock University (Canada) Richard Twine, University of London and Edge Hill University (U.K.) Richard J. White, Sheffield Hallam University (U.K.) Framing Farming: Communication Strategies for Animal Rights Carrie P. Freeman Amsterdam - New York, NY 2014 Critical Animal Studies 2. Carrie P. Freeman, Framing Farming: Communication Strategies for Animal Rights. 1. Kim Socha, Women, Destruction, and the Avant-Garde. A Paradigm for Animal Liberation. This book is printed on recycled paper. Cover photo: Jo-Anne McArthur / We Animals The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 978-90-420-3892-9 E-Book ISBN: 978-94-012-1174-1 © Editions Rodopi B.V., Amsterdam – New York, NY 2014 Printed in The Netherlands Table of Contents List of Images 9 Foreword 11 Author’s perspective and background 11 Acknowledgements 14 Dedication 15 Chapter 1: Introduction 17 Themes and Theses in This Book 19 The Unique Contributions of This Book 20 Social Significance of Vegetarianism & Animal Rights 22 The Structure and Content of This Book 26 Word Choice 29 PART I OVERVIEW OF ANIMAL RIGHTS, VEGETARIANISM, AND COMMUNICATION Chapter 2: Ethical Views on Animals as Fellows & as Food 33 Development of Animal Activism in the United States 34 Western Thought on Other Animals 36 Western Vegetarian Ethics 43 Human Eating Habits 62 Chapter 3: Activist Communication Strategy & Debates 67 Communication and the Social Construction of Reality 68 Strategies for Social Movement Organizations 75 Ideological Framing Debates in U.S. -
A Cultural Study of Gendered Onscreen
VEG-GENDERED: A CULTURAL STUDY OF GENDERED ONSCREEN REPRESENTATIONS OF FOOD AND THEIR IMPLICATIONS FOR VEGANISM by Paulina Aguilera A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2014 Copyright by Paulina Aguilera, 2014 11 VEG-GENDERED: A STUDY OF GENDERED ONSCREEN REPRESENTATIONS OF FOOD AND THEIR IMPLICATIONS FOR VEGANISM by Paulina Aguilera This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Christine Scodari, School of Communication and Multimedia Studies, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Master of Arts. SUPERVISORY COMMITTEE: ~t~;,~ obe, Ph.D. David C. Williams, Ph.D. Interim Director, School of Communication and Multimedia Studies Heather Coltman, DMA Dean, ;~~of;candLetters 0'7/0 /:fdf4 8 ~T.Fioyd, Ed.D~ -D-at_e _ _,__ ______ Interim Dean, Graduate College 111 ACKNOWLEDGEMENTS The author wishes to acknowledge Dr. Christi ne Scodari for her incredible guidance and immeasurable patience during the research and writing of this thesis. Acknowledgements are also in order to the participating committee members, Dr. Chris Robe and Dr. Fred Fejes, who provided further feedback and direction. Lastly, a special acknowledgement to Chandra Holst-Maldonado is necessary for her being an amazing source of moral support throughout the thesis process. -
Animals Liberation Philosophy and Policy Journal Volume 5, Issue 1
AAnniimmaallss LLiibbeerraattiioonn PPhhiilloossoopphhyy aanndd PPoolliiccyy JJoouurrnnaall VVoolluummee 55,, IIssssuuee 11 -- 22000077 Animal Liberation Philosophy and Policy Journal Volume 5, Issue 1 2007 Edited By: Steven Best, Chief Editor ____________________________________________________________ TABLE OF CONTENTS Introduction Steven Best, Chief Editor Pg. 2-3 Introducing Critical Animal Studies Steven Best, Anthony J. Nocella II, Richard Kahn, Carol Gigliotti, and Lisa Kemmerer Pg. 4-5 Extrinsic and Intrinsic Arguments: Strategies for Promoting Animal Rights Katherine Perlo Pg. 6-19 Animal Rights Law: Fundamentalism versus Pragmatism David Sztybel Pg. 20-54 Unmasking the Animal Liberation Front Using Critical Pedagogy: Seeing the ALF for Who They Really Are Anthony J. Nocella II Pg. 55-64 The Animal Enterprise Terrorism Act: New, Improved, and ACLU-Approved Steven Best Pg. 65-81 BOOK REVIEWS _________________ In Defense of Animals: The Second Wave, by Peter Singer ed. (2005) Reviewed by Matthew Calarco Pg. 82-87 Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy, by Matthew Scully (2003) Reviewed by Lisa Kemmerer Pg. 88-91 Terrorists or Freedom Fighters?: Reflections on the Liberation of Animals, by Steven Best and Anthony J. Nocella, II, eds. (2004) Reviewed by Lauren E. Eastwood Pg. 92 Introduction Welcome to the sixth issue of our journal. You’ll first notice that our journal and site has undergone a name change. The Center on Animal Liberation Affairs is now the Institute for Critical Animal Studies, and the Animal Liberation Philosophy and Policy Journal is now the Journal for Critical Animal Studies. The name changes, decided through discussion among our board members, were prompted by both philosophical and pragmatic motivations. -
Drawing the Intersections of Exhibition, Media, Performance and Architecture Lawrence Paul Wallen University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 A grammar of space - drawing the intersections of exhibition, media, performance and architecture Lawrence Paul Wallen University of Wollongong Recommended Citation Wallen, Lawrence Paul, A grammar of space - drawing the intersections of exhibition, media, performance and architecture, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3689 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Faculty of Creative Arts A GRAMMAR OF SPACE Drawing the Intersections of Exhibition, Media, Performance and Architecture Lawrence Paul Wallen Bachelor of Architecture (1st Class Honours) RMIT Master of Architecture (Research) RMIT This thesis is presented as part of the requirements for the Award of the Degree of Doctor of Creative Arts of the University of Wollongong March 2012 i ABSTRACT ‘A Grammar of Space’ refers to the search for the first memory of space, and to the construction of a framework that explains artistic approaches to space, through the process of reflecting on a spatial practice. The research asks what is the interstitial space between image and text? It is this junction, potent in contemporary practice, that I argue underpins my artistic research. This is both an artistic and scholarly investigation, and it engages with my search for the origin of (cultural) memory as manifested in works from a range of media: architecture, installation, scenography, drawing, and time-based media. The study is distinctive in its exploration of a contemporary global trajectory as it traces geographic, psychological and cultural landscapes as it revisits central works created in Europe, Australia, Asia and New Zealand since 1992. -
Annual Report for 2006–2007 (PDF)
ANNUAL REPORT 2006-2007 Board of Directors Mission The Buffalo Fine Arts Academy The Albright-Knox Art Gallery, one of the nation’s oldest Mrs. John T. Elfvin, Honorary Member of the Executive Committee public arts organizations, has a clear and compelling mission to Charles E. Balbach acquire, exhibit, and preserve both modern and contemporary Charles W. Banta, President Steven G. Biltekoff art. It focuses especially on contemporary art, with an active Robert J. Bojdak commitment to taking a global and multidisciplinary approach Donald K. Boswell to the presentation, interpretation, and collection of the artistic Robert T. Brady Catherine B. Foley, Secretary expressions of our times. In an enriching, dynamic, and vibrant Sally Gioia environment that embraces diverse cultures and traditions, the Robert M. Greene Gallery seeks to serve a broad and far-reaching audience. L.N. Hopkins, M.D. Peter F. Hunt Thomas R. Hyde, Vice-President Vision Roberta Joseph, Vice-President It is the commitment of the Albright-Knox Art Gallery to be one Alison R. Keane Northrup R. Knox, Jr. of the world’s best and most dynamic modern and contemporary Seymour H. Knox IV art institutions. Jordan A. Levy Brian J. Lipke It will be recognized locally as a vital and energetic cultural Gerald S. Lippes gathering place and as an indispensable educational resource for Judith C. Lipsey Annmarie L. Maxwell the community. Katherine McDonagh Mark R. Mendell Through its outstanding programs, creative collaborations, and an Margery Nobel extraordinary new addition that will address pressing space issues Frederic P. Norton and important programming initiatives, the Gallery will attract Alphonso O’Neil-White Frederick G. -
A Theory of Animal Oppression Sharon Stephania Murillo University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 A Theory of Animal Oppression Sharon Stephania Murillo University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Ethics and Political Philosophy Commons Recommended Citation Murillo, Sharon Stephania, "A Theory of Animal Oppression" (2016). Open Access Theses & Dissertations. 705. https://digitalcommons.utep.edu/open_etd/705 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. A THEORY OF ANIMAL OPPRESSION SHARON STEPHANIA MURILLO MELCHOR Master’s Program in Philosophy APPROVED: Steven Best, Ph.D., Chair Deepanwita Dasgupta, Ph.D. Pratyusha Basu, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Sharon Murillo 2016 Dedication I want to dedicate this MA thesis to my family and colleagues who have been truly supportive throughout the process of this project. A THEORY OF ANIMAL OPPRESSION by SHARON STEPHANIA MURILLO MELCHOR, B.A. with Magna Cum Laude in Communication, Philosophy, and Psychology. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Philosophy THE UNIVERSITY OF TEXAS AT EL PASO August 2016 ACKNOWLEDGEMENTS I would like to express my gratitude to my thesis committee, Drs. Steve Best, Deepanwita Dasgupta and Patryusha Basu. -
Reef Fish Fishing Under the Gulf of Mexico (GOM) Reef Fish Fishery Management Plan (RFFMP) and Proposed Amendment 23
_______________________________________________________ Endangered Species Act - Section 7 Consultation Biological Opinion Action Agency: National Oceanic and Atmospheric Administration (NOAA), National Marine Fisheries Service (NMFS), Southeast Regional Office (SERO), Sustainable Fisheries Division (F/SER2). Activity: The Continued Authorization of Reef Fish Fishing under the Gulf of Mexico (GOM) Reef Fish Fishery Management Plan (RFFMP) and Proposed Amendment 23. Consulting Agency: NO NMFS, SERO, Protected Resources Division (F/SER3). Approved by: ‘ RofE. Crabtree, Ph.D., Regional Administrator. Date Issued: I / Contents: 1.0 Consultation History 2 2.0 Description of the Proposed Action 4 3.0 Status of the Species 21 4.0 Environmental Baseline 45 5.0 Effects of the Proposed Action 54 6.0 Cumulative Effects 86 7.0 Jeopardy Analysis 87 8.0 Conclusion 93 9.0 Incidental Take Statement 93 10.0 Conservation Recommendations 96 11.0 Reinitiation Statement 97 12.0 Literature Cited 98 Introduction Section 7(a)(2) of the Endangered Species Act (ESA) of 1973, as amended (16 U.S.C. § 1531 et seq.), requires each federal agency to ensure any action they authorize, fund, or carry out is not likely to jeopardize the continued existence of any endangered or threatened species or to result in the destruction or adverse modification of any designated critical habitat of such species. When the action of a federal agency may affect a species protected under the ESA, that agency is required to consult with either the NMFS or the U.S. Fish and Wildlife Service, depending on the protected species that may be affected. Formal consultations on most listed marine species are conducted between the action agency and NMFS. -
Zoos and the End of Nature
Zoos and the End of Nature by Dr. Steven Best Reprinted with permission of Dr. Steven Best Associate Professor of Philosophy and Humanities, University of Texas, El Paso Zoos and The End of Nature The zoo is a perfect microcosm of the postmodern world. As we swim in a sea of simulated, pseudo-realities of the National Entertainment State, where everything from human bodies to national politics is faked and contrived, why not simulate nature, wilderness, animal behaviors, and entire species too? At this late stage in the capitalist colonization of the planet, few pockets of the natural world remain, and the zoo embodies the commodification, fragmentation, and technification of living processes -- biodiversity reduced to artificially sustained “exhibits.” As the contradiction between society and nature unfolds, nature is increasingly dependent upon culture for the sustenance of advanced life, but culture, wedded to mechanistic models and primitive philosophies of hierarchy and domination, is not sufficiently advanced to preserve evolution. The zoo is the perfect symbol then for the entombment of the planet, for the sarcophagus of animal species, and for a human power pathology spiraling out of control. Zoos are first and foremost about power relations; they are both a cause and a symptom of the human will to mastery over the natural world. Imperialism By Other Means "In many ways, the zoo has come to typify the themes of the Age of Control: exploration, domination, machismo, exhibitionism, assertion of superiority, manipulation.” David Ehrenfeld, Ethics on the Ark By definition, a zoo is a public park that exhibits animals for purposes such as entertainment or “education,” and they should be distinguished from a “menagerie” collection of 1 animals maintained for various exploitative purposes, traveling zoos, or small “roadside zoos,” such as the Tiger Truck Plazas in Louisiana and Texas that confine tigers under ghastly conditions. -
E-Book O Prawach Zwierząt
Książ K A O PRAWAch zwierząt O PRAWAch A FUCFUNNDDACJAA JA CCZARNAZARNA OOWCA PPAANANA KOTATA KSIĄŻKA O PRAWACH ZWIERZĄT FUNDacJA CZARNA Owca PANA Kota KRAKÓW 2014 KsiążKA O PRAWACH zwierząT, KRAKÓW 2014 ISBN: 978–83–936890–2–6 WYDAWCZYNI: FUNDACJA CZARNA OWCA PANA KOTA UL. NA SZANIEC 23 LOK. 36 31–559 KRAKÓW WWW.CZARNAOWCA.ORG [email protected] PEWNE PRAWA ZAStrzeżONE © 2014 FUNDACJA CZARNA OWCA PANA KOTA PUBLIKACJA DOStępnA NA LICENCJI CREATIVE COMMONS ATTRIBUTION-SHAREALIKE 3.0 LICENSE, HTTP://CREATIVECOMMONS.ORG/LICENSES/BY-SA/3.0/. REDAKCJA MERYTORYCZNA: JOANNA WYDRYCH WSpółpraCA: SYLWIA SOLARZ, JOANNA SZOSTAK, JAKUB TASIEMSKI, AGNIESZKA TOKARCZYK KOREKTA: JOANNA TEKIELI PROJEKT I SKład: TOMASZ ArgasińsKI ZdjęCIA AUTOREK: JUSTYNA SZRAMOWSKA DRUK I OPRAWA: DRUKARNIA BELTRANI, UL. ŚliwKOWA 1, 31-982 KRAKÓW PoglądY ZAWARTE W PUBLIKACJI Są poglądAMI OSÓB WYPOWIADająCYCH się W NIEJ I NIEKONIECZNIE ODzwierciedlają STANOWISKO FUNDACJI CZY GRANTODAWCY – SWISS CONTRIBUTION. PUBLIKACJA NIEodpłaTNA, NIE MOże BYć SPRZEDAWANA. SPIS TREśCI 7 ROZDział 1 KatarzYNA BIERNacka Człowiek i (inne) zwierzęta 20 ROZDział 2 KatarzYNA BIERNacka Historia praw zwierząt 38 ROZDział 3 JoaNNA WYDRYCH Status zwierząt 79 ROZDział 4 JoaNNA WYDRYCH Co możemy zrobić dla zwierząt? 93 ROZDział 5 JoaNNA WYDRYCH Gdzie szukać dodatkowych informacji? INSPIRACJE 103 Weganie żyją dłużej ROZMOWA Z MONIKĄ AreczUK, DIETETYCZKą 110 My – zwierzęta ROZMOWA Z XAVIEREM BAILE, ARTYSTą I AKTYWISTą PROzwierzęCYM 115 Unia Europejska daje szansę na poprawę losu zwierząt ROZMOWA Z PROF. -
Front Matter Template
Copyright by José Adrián Barragán-Álvarez 2013 The Dissertation Committee for José Adrián Barragán-Álvarez Certifies that this is the approved version of the following dissertation: The Feet of Commerce: Mule-trains and Transportation in Eighteenth Century New Spain Committee: Susan Deans-Smith, Supervisor Matthew Butler Virginia Garrard-Burnett William B. Taylor Ann Twinam The Feet of Commerce: Mule-trains and Transportation in Eighteenth Century New Spain by José Adrián Barragán-Álvarez, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2013 Para mamá y papá, por haber dedicado su vida entera para darme esta oportunidad. Que Dios los bendiga, siempre. Acknowledgements In the course of completing this dissertation, I was blessed with the generosity of various institutions and the friendship of many individuals who believed in me and helped me reach this goal. For this, I am forever indebted to them. I would like to thank first the members of my dissertation committee: Dr. Susan Deans-Smith, Dr. William Taylor, Dr. Ann Twinam, Dr. Virginia Garrard-Burnett and Dr. Matthew Butler. Dr. Deans-Smith and Dr. Taylor have helped me more than I can thank them for –they pressed my thinking and believed in my project even when I had all but abandoned it. Without their mentorship, their careful readings of the dissertation, and their invaluable advice throughout the years, I would be lost. Dr. Garrard-Burnett’s unwavering confidence in me helped me believe in myself. -
Exposheilahicks SHEILA HICKS LIFELINES 7 FEBRUARY - 30 APRIL 2018
COMMUNICATION AND PARTNERSHIPS DEPARTMENT PRESS KIT SHEILA HICKS LIFELINES 7 FEBRUARY - 30 APRIL 2018 SHEILA HICKS #ExpoSheilaHicks SHEILA HICKS LIFELINES 7 FEBRUARY - 30 APRIL 2018 5 janvier 2018 CURATOR OF THE EXHIBITION MICHEL GAUTHIER, curator at musée national d’art moderne, communication contemporary collections department and partnerships department 75191 Paris cedex 04 ASSISTED BY MATHILDE MARCHAND director assistant curator at musée national d’art moderne, Benoît Parayre contemporary collections department telephone 00 33 (0)1 44 78 12 87 PRESS VISIT email [email protected] MARDI 6 FEBRUARY 2018 11AM - 1PM press officer 11.15AM: Presentation of the exhibition by Michel Gauthier Dorothée Mireux telephone 00 33 (0)1 44 78 46 60 email [email protected] CONTENTS assisted by Solène Dupuis telephone 00 33 (0)1 44 78 12 49 email 1. PRESS RELEASE PAGE 3 [email protected] 2. AROUND THE EXHIBITION PAGE 4 www.centrepompidou.fr 3. PUBLICATION PAGE 5 4. CHRONOLOGY PAGE 11 5. EXHIBITION MAP AND LIST OF EXHIBITED WORKS PAGE 16 6. PRESS VISUALS PAGE 24 7. PRACTICAL INFORMATION PAGE 30 #ExpoSheilaHicks 14 november 2017 PRESS RELEASE communication and partnerships department SHEILA HICKS 75191 Paris cedex 04 director LIGNES DE VIE [LIFE LINES] Benoît Parayre telephone 00 33 (0)1 44 78 12 87 7 FEBRUARY- 30 APRIL 2018 email GALERIE 3, LEVEL 1 [email protected] press officer The Centre Pompidou is to devote a solo exhibition to Sheila Hicks, an American artist based Dorothée Mireux in Paris since the mid-1960s. Looking back at Hicks’ career from 1957 to the present day, telephone 145 works will be displayed in Galerie 3, overlooking the city of Paris.