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The 2012 Janet & Walter Sondheim Prize

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The 2012 Janet & Walter Sondheim Prize Call for Entries Artscape Presents The 2012 Janet & Walter Sondheim Prize Made possible through the support of The Abell Foundation, Alex. Brown Charitable Foundation, The Henry and Ruth Blaustein Rosenberg Foundation, Charlesmead Foundation, Ellen Dankert, France- Merrick Foundation, Willard Hackerman, the Hecht-Levi Foundation, Legg Mason and Anonymous. Application deadline – Monday, January 9, 2012 The Baltimore Office of Promotion & The Arts, Inc. (BOPA) is proud to announce the seventh edition of the Janet & Walter Sondheim Prize. The prize will award a $25,000 fellowship to a visual artist or visual artist collaborators living and working in the Baltimore region. The prize is in conjunction with the annual Artscape juried exhibition and is produced with our partners, The Baltimore Museum of Art (BMA) and the Maryland Institute College of Art (MICA). Approximately six finalists will be selected for the final review for the prize. Their work will be exhibited in the Thalheimer Gallery of The Baltimore Museum of Art. Additionally, an exhibition of the semi-finalists’ work will be shown in the Decker and Meyerhoff galleries of the Maryland Institute College of Art during the Artscape weekend (July 20-22, 2012). The fellowship winner will be selected from The Baltimore Museum of Art exhibition after review of the installed art and an interview with each finalist by the jurors. The remaining finalists not selected for the fellowship will each receive a $1,000 honorarium. Artist collaborators if chosen as the winner or finalist will receive a single $25,000 prize or $1,000 honorarium respectively that will be equally divided among the members of the group. The Artscape prize is named in honor of Janet and Walter Sondheim who were instrumental in creating the Baltimore City that exists today. Walter Sondheim, Jr. had been one of Baltimore’s most important civic leaders for over 50 years. His accomplishments included oversight of the desegregation of the Baltimore City Public Schools in 1954 when he was president of the Board of School Commissioners of Baltimore City. Later, he was deeply involved in the development of Charles Center and the Inner Harbor. He continued to be active in civic and educational activities in the city and state and served as the senior advisor to the Greater Baltimore Committee until his death in February 2007. Janet Sondheim danced with the pioneering Denishawn Dancers, a legendary dance troupe founded by Ruth St. Denis and Ted Shawn. Later, she turned to teaching where she spent 15 years at the Children’s Guild working with severely emotionally disturbed children. After retirement, she was a volunteer tutor at Highlandtown Elementary School. She married Walter in 1934, and they were together until her death in 1992. Jurors Carlos Basualdo is the Keith L. and Katherine Sachs Curator of Contemporary Art at the Philadelphia Museum of Art and Curator at Large at the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome, Italy. At the Philadelphia Museum of Art, he oversees the Museum's contemporary art collection and develops temporary exhibitions. In 2006, he initiated two exhibition series at the Museum called Notations and Live Cinema, both of which are devoted to the permanent collection and video. In 2010, he organized a survey exhibition of the work of the Italian artist Michelangelo Pistoletto, a collaboration between the Philadelphia Museum of Art and MAXXI, where it traveled in the spring of 2011. He is currently working on Dancing Around the Bride: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg and Marcel Duchamp, which is scheduled to open in Philadelphia in the Fall of 2012. His other curatorial projects include Bruce Nauman: Topological Gardens that represented the United States at the 2007 Venice Biennale, where it was awarded the Golden Lion for Best National Participation. He has additionally been part of the curatorial teams for Documenta11, the 50th Venice Biennale and conceived and curated Tropicalia: A Revolution in Brazilian Culture, which traveled from the MCA Chicago to the Barbican Gallery in London (2004/2005) as well as the Bronx Museum in New York and the Museu de Arte Moderna in Rio de Janeiro (2006/2007). Jane Hait is co-owner and director of Wallspace gallery in New York City’s Chelsea neighborhood. Under her direction, Wallspace, has been featuring groundbreaking exhibitions of emerging artists since its opening more than seven years ago – often providing artists with their first solo exhibitions in New York. The vast majority of artists that the gallery represents are based outside New York. Wallspace is also a member of the New Art Dealers Alliance (NADA), an influential group of international art dealers. Wallspace regularly participates in Art Basel Miami Beach, and will be featured in the inaugural Frieze New York art fair occurring in May 2012. In addition to acting as co-director of Wallspace, she often plays a curatorial role in the gallery – curating or co-curating many of their exhibitions. She was also a founding committee member of the New York Gallery Week in 2010. Shinique Smith, a Baltimore native and MICA graduate, is a prolific multi-media artist based in Brooklyn, NY. Among her vast exhibition history are solo exhibitions at the Madison Museum of Contemporary Art in Madison, WI in 2011; the Museum of Contemporary Art in North Miami, FL in 2010; the Studio Museum in Harlem, NY in 2009; and Moti Hasson Gallery in New York in 2007. Her work has also been featured in dozens of group exhibitions including Extended Family: Contemporary Connections at the Brooklyn Museum; Waste Not, Want Not at the Socrates Sculpture Park; RECOGNIZE! Hip Hop and Contemporary Portraiture at the National Portrait Gallery of the Smithsonian Institution; and the enormously popular traveling exhibition 30 Americans that is currently on view at the Corcoran Gallery of Art through February 12, 2012. She and her artwork have been featured in ArtNews, The New York Times, Artforum, The Washington Post, W Magazine, Art Magazine, among many others. Additionally, her artwork is included in the permanent collections of several institutions. Her diverse experience also includes murals, incorporating her artwork into wearable fashion, and some curatorial projects. keb.65‐11.30.11 2 Review Process The selection process will occur in three phases. 1st Review –Jurors will review applicants’ submissions independent of each other. They will complete score sheets that will be tabulated to select approximately 40 semi-finalists. Submissions will consist of five (5) digital images of work or up to ten (10) minutes of time based work and a resume. All of the submitted work for the first round of review will also be provided to all area galleries and their curators who will be participating in the Artscape network of gallery exhibitions. If these galleries choose an artist for their exhibitions occurring concurrently with Artscape 2012, artists will be contacted directly by those galleries. 2nd Review – Semi-finalists will be asked to submit an expanded submission including up to 30 images or time based works and a description of how they will use the fellowship if they are selected. The jurors will convene to choose approximately six to eight finalists for the exhibition and final review. Each finalist will meet with a BMA curator and BOPA staff person to determine installation requirements. Finalists will work collaboratively with the BMA curator to determine which artwork is to be included in the finalist exhibition; however, please keep in mind that the final decision on what is exhibited and the decision regarding the feasibility of installation requirements is the responsibility of the BMA curator. Works by the remaining semi-finalists will be selected for a separate exhibition at the Maryland Institute College of Art. Final Review – The finalists will have their work exhibited in the Thalheimer Galleries of The Baltimore Museum of Art. The exhibit design and artwork placement within these galleries is at the sole discretion of the BMA curator and exhibition staff. On Saturday, July 14, 2012, the jurors will meet with each artist for up to 30 minutes in their exhibition space for a final interview. After all of the interviews, the jurors will meet and decide the fellowship award winner. The award will be announced later that evening at the award reception. Application Process The Sondheim Prize will be accepting applications through www.callforentry.org. All submitting artists (whether submitting images, video or a combination) should create an Artists’ profile on this website, upload images (please see below for instructions on submitting time based works) and proceed by applying for the 2012 Sondheim Prize (here you will be able to upload an artist resume) and paying the application fee. The following is specific instructions on submitting images and time based works, as the process is a bit different for each. Image Submission Any image submission should occur through www.callforentry.org. When you set up your artist profile you will have the opportunity to upload your artwork images and input artwork details (title, date, medium and dimensions). As in previous years, artists may submit 5 images of artwork. After you created your profile and uploaded your images, you will then have to apply for the 2012 Sondheim Prize. Please note that creating your artist profile will not automatically enter you for the Sondheim Prize. keb.65‐11.30.11 3 Video Submission Artists submitting time based works may submit up to ten (10) minutes of work. The 10 minutes may include excerpts from up to 5 works as long as the combined time totals no more than 10 minutes. If you wish to submit still and time based works, for every still image subtract 2 minutes from the allowed 10 minute time based total.
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