April New Release Guide New Release Guide April 2020
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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Bonito, Bonito
Bonito, bonito juntar à fartura de discos que todas as semanas são editados, a facilidade no acesso Aà música nova, via streaming gratuito, como que vulgarizou o efeito novidade — e faz até com que, de forma algo bizarra, um álbum com dois ou três meses nos possa soar ‘antigo’. Inversamente, BRUNCH ELECTRONICK uma banda de indie folk que lança discos e constitui família desde o final dos anos 80 pode parecer Tapada da Ajuda, Lisboa, de 29 de julho a 16 de setembro lisboa.brunchelectronik.com ‘nova’, caso até agora nunca nos tenha passado pelos ouvidos. É o caso dos norte-americanos The Innocence Mission, que no passado mês de junho Começa amanhã, em Lisboa, a terceira edição do lançaram aquele que é já o seu décimo álbum e Brunch Electronick, que se prolongará ao longo de cuja estreia, produzida pelo então marido de Joni oito fins de semana. Seguindo o conceito de “mati- Mitchell, Larry Klein, remonta a 1989. A razão para née gourmet”, o festival levará numerosos produto- esta nesga de visibilidade poderá dever-se ao facto res e DJ à Tapada da Ajuda, sempre ao domingo, das de “Sun on the Square”, conjunto de dez canções 14h às 22h. O berlinense Paul Kalkbrenner (na foto) banhadas em ouro e mel, ter saído não apenas abre a festa amanhã, ao lado da portuguesa Sininho. por uma microeditora dos Estados Unidos mas A 5 de agosto, ‘merendam’ os belgas Amelie Lens e também pela Bella Union, que se juntou à Badman Farrago e Tiago Fragateiro e Sonja. A 12 de agosto, Recording Co. -
Kutmasta Kurt.” That Was Like the Beginning of the Strain
ROCK KUTTIN’ IT WITH KURT 44.www.importtuner.com REDNECK GAMES KUTMASTER KURT TEXT BY JOEL MARASIGAN Hip hop music had a universal fiber when it was—in the spirit of MTV—brand-spanking new. Hip hop was sung and chanted. Hip hop was more than just music. It was a style: a life style, a spirit, a feeling. Today’s hip hop has lost a lit- tle of its elegance and originality mainly because artists exaggerate the “money, hoes and power” stereotype. There are a select few who remember hip hop’s roots and its inten- tions. There are a select few who are still accepted when they remove their headphones and backpacks and don the pink fur, ice the grill and jump in the Range. 05.03.2nr.45 son they were like, “We don’t want your name on it. We’ll pay you, but you can’t put KutMasta Kurt.” That was like the beginning of the strain. At the time I wanted to wrap-up a project with Keith (the Masters Of Illusion project)—and because I had already been working with Motion Man (who was on the back burner for 10 years)—I had to finish Black Elvis. We still went on to do the Dr. Dooom and Masters Of Illusion albums and I still helped with the Matthew album. But after that I was really just Keith’d out. He wanted to keep going, but I didn’t like the direction and I needed to take a break. He was- n’t too happy about that. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
JZ 026 — Label: Junkadelic Music — Available: MAR 10Th
SIDE A 1. Intro feat. DJ Junkaz Lou 2 Supa Supreme 3. Above Sea Level 4. Flow Smooth 5. Glamour Life SIDE B 6. La Chacha 7. Magnetic Junkadelic feat. Ced Gee & D.Eazy 8. The Real Beginer 9. Tashan... 10. Booty Clap SIDE C 11. We Turn (skit) 12. Black Lagoon 13. New Shhhiiit feat. Champ 14. Indian 15. Track Runner feat. Marc Live & DGIZ 16. Industry SIDE D 17. Zapp 18. Magnetic Junkadelic feat. Ced Gee & D.Eazy (Junkadelic Rmx) 19. Supa Supa Supreme (Larry Hutch Rmx) 20. Booty Clap feat. Big Sche Eastwood (Rmx) 21. Glamour Life feat. Motion Man & Lyrical C (Rmx) 22. Flow Smooth (Kutmasta Kurt Rmx) Kool Keith is a legend, his distinctive flow first heard on the classic late 1980’s Ultramagnetic MC’s tracks, and since then on record as Dr. Octagon, Rhythm X, Black Elvis, Dr. Dooom, Big Willie Smith, Sinister 6000, and in the groups Cenobites, Masters of Illusion, Diesel Truckers, Project Polaroid and more. Tashan Dorrsett is his newest (and freshest) alias in a long list of pseudonyms. The album (a true ‘album’ - not a collection of tracks cobbled together by someone outside Keith’s circle) is a departure from his more science fiction/fantasy-oriented characters (Dr. Octagon & Dr. Dooom), he instead offers up a gritty Bronx reality show, starring Tashan as the antihero – the concept described by Keith in his own words: “Tashan Dorrsett is the reality person from New York City with an image of being real and regular, dealing with daily life situations. The essence of urban living to its all time fullest, block after block, the brick buildings, the hot sun.. -
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT to EUROPE
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT TO EUROPE KEY SELLING POINTS • First time to ever be reissued on vinyl since original 1996 release on Fader Records • Features original artwork from the official release • Limited edition of 1000 hand-numbered copies DESCRIPTION ARTIST: Blahzay Blahzay In August 1996, a Brooklyn duo consisting of MC Outloud and DJ TITLE: Blah Blah Blah P.F. Cuttin, better known to the world as Blahzay Blahzay, released CATALOG: l-TKR003 “Blah Blah Blah”, their one and only album, on Fader Records. The LABEL: Tuff Kong Records album’s 13 tracks proudly waved the flag of the East, featuring hit GENRE: Hip-Hop single “Danger”, as well as other bangers such as “Pain I Feel”, “Good BARCODE: 659123084215 Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, FORMAT: 2XLP Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The RELEASE: 6/30/2017 combination of PF Cuttin’s polished beats and Outloud’s aggressive LIST PRICE: $31.98 / FB lyrical style made this album a classic for all underground hip-hop heads. TRACKLISTING 1. Intro Twenty-one years after its original release, Blahzay Blahzay have 2. Blah, Blah, Blah teamed up with Italian independent record label Tuff Kong Records 3. Medina’s In Da House to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff 4. Danger - Part 2 (feat. La The Darkman, Smoothe Da Hustler, Kong Records will be releasing the album on 2LP, re-mastered for Trigger Tha Gambler) vinyl and featuring the original artwork, as a limited edition run of 5. -
Group Identity: Bands, Rock and Popular Music
GROUP IDENTITY: BANDS, ROCK AND POPULAR MUSIC ADAM BEHR A thesis submitted for the degree of Doctor of Philosophy Department of Film, Media and Journalism University of Stirling June 2010 i ABSTRACT Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this account has been a thorough analysis of the phenomenon of the ‘band’. The role of individual acts and the wider contexts in which they worked has been discussed at the expense of an examination of an important form of music-making. This thesis seeks to address that gap. Using a mixture of literary research and ethnography, I present an overall picture of the band as a modus operandum , charting its evolution during the emergence of rock and presenting evidence that it has become a key means by which people enter and engage with the field of popular music. I suggest that debates about ‘authenticity’ in rock, in seeking to see through industry rhetoric have overlooked the way in which creativity in bands is closely connected to social interaction. My historical analysis brings to light the way in which the group- identified band has become embedded into popular music practice through the power of narratives. Two case studies, contextualised with archival material and interviews, form the basis for a model for collective creativity. By demonstrating how social action and narrative myth feed into one another, I argue that the group identity of a band is the core of the industrially mediated texts to which audiences respond. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Newsletter #284 County Sales P.O
NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material. -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal.