ABSTRACT Purpose Marketing: a Genuine Way for Companies To
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A-Z Cruelty-Free Brand Guide 2020
THE A-Z LIST OF CrueltCrueltyy FreFreee BRANDS WWW.CRUELTYFREECOLLECTIVE.COM Contents MAKE-UP & PERSONAL CARE BRANDS……………………………………………………………………………………2 AROMATHERAPY………………………………………………………………………………………………………………………5 BABY PRODUCTS………………………………………………………………………………………………………………………5 BATH PRODUCTS………………………………………………………………………………………………………………………6 DEODORANTS……………………………………………………………………………………………………………………………7 FEMININE HYGIENE………………………………………………………………………………………………………………….7 HAIR CARE & STYLING………………………………………………………………………………………………………..……8 SOAP, HANDWASH & HAND SANITISER……………………………………………………………………………………8 HOUSEHOLD PRODUCTS AIR FRESHENER……………………………………………………………………………………………………………………11 BATHROOM CLEANER…………………………………………………………………………………………………………11 BLEACH…………………………………………………………………………………………………………………………………11 DISHWASHING………………………………………………………………………………………………………………………12 DISINFECTANTS……………………………………………………………………………………………………………………12 DRAIN UNBLOCKER………………………………………………………………………………………………………………12 FABRIC CONDITIONER……………………………………………………………………………………………………….…12 FLOOR CLEANER……………………………………………………………………………………………………………………13 FURNITURE POLISH………………………………………………………………………………………………………………13 KITCHEN CLEANER………………………………………………………………………………………………………………13 LAUNDRY……………………………………………………………………………………………………………………….………14 MULTI-SURFACE CLEANER……………………………………………………………………………………….…………14 WASHING UP LIQUID……………………………………………………………………………………………….……………14 1 MakMakee-up-up && PersonaPersonall CarCaree ABBA CATE MCNABB ACQUARELLA CLEANWELL ACURE ORGANICS DA BOMB AESOP DARE LASHES AFRICAN BOTANICS DEAD SEA SPA MAGIK AFTERGLOW COSMETICS -
P29 Layout 1
Established 1961 29 Lifestyle Gossip Monday, May 7, 2018 Kelly Rowland’s Taylor Schilling West ‘made Rihanna beauty tips skincare secrets doesn’t ‘mess’ with for feeling your best cappuccinos’ when ihanna learnt to contour when she “gained her body weight”. The 30-year-old R&B superstar launched her own makeup line Fenty Beauty, which caters aylor Schilling doesn’t want to change her body R he interned at Fendi for all skin tones, last year and the range became an shape to conform with Hollywood’s ideal of instant sell-out with her millions of fans snapping up the Tbeauty. The 33-year-old actress ‘Orange Is the products. The ‘Work’ singer confessed to learning how to New Black’ star admits actresses are under pressure to define and shape her face with her beauty products after look a certain way but she avoids following diet and fit- she put on a few pounds and her Match Stix Skinsticks in ness “trends” because she believes her body shouldn’t the shade Mocha is her product of choice to use on her be “messed with”. Rather than punish herself in the “fat days”. Appearing in a makeup tutorial for the Vogue gym, Taylor would rather spend her free time reading a YouTube channel, she shared: “It’s very important to good book. Speaking to Glamour.com, she said: “I try contour your face for your face, not the way you see on to not mess with my body, which often means, at times, every YouTube tutorial. Because everyone has a different not going on any kind of prescribed plan or following shape. -
Kylie Skin at Nordstrom Fact Sheet
WHAT Nordstrom is proud to introduce Kylie Skin. The assortment includes the original Kylie Skin products such as the Foaming Face Wash, Vitamin C Serum, Eye Cream and Face Moisturizer, as well as the exclusive to Nordstrom Summer Body Collection with Coconut Body Lotion, Coconut Body Scrub and Broad Spectrum SPF 30 Sunscreen Oil. Prices range from $10 to $39. The Kylie Skin collection at Nordstrom consists of: o 4 Piece Mini Set, $39 o Broad Spectrum SPF 30 Sunscreen Oil, $32 o Broad Spectrum SPF 40 Face Sunscreen, $28 o Coconut Body Lotion, $24* o Coconut Body Scrub, $26* o Eye Cream, $20 o Face Moisturizer, $24 o Foaming Face Wash, $24 o Hydrating Face Mask, $34 o Kylie Skin Headband, $10 o Kylie Skin Travel Bag, $22 o Vanilla Milk Toner, $22 o Vitamin C Serum, $28 o Walnut Face Scrub, $22 *Exclusive to Nordstrom and KylieSkin.com HERE is a link to hi-res product and editorial imagery. WHEN August 17 on Nordstrom.com September 16 in Nordstrom stores WHERE Nordstrom.com and in all 100 Nordstrom stores in the U.S. and Canada MEDIA CONTACTS: Nordstrom Anna Brown 425.260.2551 [email protected] About Kylie Jenner Kylie Jenner is one of the world's most-followed people on social media with a combined following of over 250 million users and counting. Featured as the youngest-ever self-made billionaire on the cover of Forbes Self-Made Billionaire issue, August 2018, Kylie is a successful entrepreneur, beauty mogul, fashion designer, author, TV personality and style icon. -
The Future of Beauty
The future of beauty. An inspiring selection of strategies to increase customer loyalty and lifetime value. Contents. Introduction 5 Use your customer data to personalize across channels 6 Hero products dominating product sales and cross-selling for retention 10 Upselling to a full product suite from a one product purchase 14 Summary 20 Talk to our experts and access more strategies. Contact: [email protected] • Bringing the in-store experience online • Using content effectively - targeting the right people at the right time • Growing loyalty and leveraging it online • Preventing abandonment with an understanding of intent • Understanding and selling to new visitors • Encouraging the second purchase • Identifying and personalizing for gifters Who we work with: Introduction. The National Retail Federation has named Whether you are an emerging challenger or an personalization as one of the top retail iconic brand that’s been around for many years, technology investments for several years now. the customer and the way they purchase has Personalization is not new in the beauty fundamentally changed. Whilst it’s true that fast- and cosmetics industry. Brands have been growth brands have exploded onto the scene responding to the different wants and needs with beauty-obsessed tribes and endless product of their customers — skin color, hair type, updates, established companies have the trust hair color, allergies, skin type, health concerns and reach that most retailers can only dream of — for a long time. with identifiable and reliable replenishers who consistently return to their much-loved products. Beauty is inherently personal and it’s no surprise As shifts in consumer expectations merge with that brands are truly leading the charge when it technological capabilities that can enable all comes to building experiences to drive customer beauty brands to have a 1:1 relationship with their loyalty, retention and lifetime value. -
Advertisitng Project
Beauty for All Agency 2 Table of Contents ➢ Team Profile…………………….p. 3 - 4 ➢ Marketing Review……………....p. 5 - 6 ➢ Situation Analysis………………p. 7 - 8 ➢ Surveys………………………….p. 9 - 13 ➢ Research Foundation……………p. 14 ➢ Proposed Target Consumer……. p. 15 - 16 ➢ Advertising Objectives………... p. 17 - 18 ➢ Creative Rationale……………...p. 19 ➢ Budget…………………………..p. 20 ➢ Media Plan & Schedule………...p. 21 - 25 ➢ Advertising……………………..p. 26 - 30 ➢ References……………………...p. 31 3 Team Account Executive- Ratha Alborati Ratha is majoring in marketing management and sales. She has been attending New York City College of Technology for about three years. She will be graduating with a bachelor degree from City Tech then applying to a different school for her masters. As an Account Executive my responsibility is to make sure of the overall management of the advertising campaign and completion of the project. Graphic artist- Kaila Cruz Kaila is majoring in fashion marketing at New York City College of Technology. She will be graduating with her bachelors degree then transferring to FIT. She has been attending New York City College for about 2 years. As a graphic artist Kaila is responsible for creating all of technology such as storyboards, layouts, sales promotional pieces and etc. Market Researcher- Minji Kim Kim is majoring in Business and Skills of Fashion at New York City College of Technology. After graduating from City Tech in 2019, she will keep studying for a master degree. As a market researcher, she was responsible for selecting the target market and analyzing the market. She also searched information for budget plan. 4 Media Planner-Liana Rodriguez. Rodriguez is a Student At NYC College of Technology studying Business and Technology of Fashion. -
The Best a Brand Can Be? P&G's Femvertising Meeting Hegemonic
Course: SKOM12 Term: Spring 2020 Supervisor: Scott Burnett Examiner: Cecilia Cassinger The best a brand can be? P&G’s femvertising meeting hegemonic masculinity PATRICIA AGUDELO Lund University Department of strategic communication Master’s thesis 1 Abstract The best a brand can be? P&G’s femvertising meeting hegemonic masculinity This thesis uses Feminist Critical Discourse Analysis and Multimodal Discourse Analysis to study how a house of brands, like Procter & Gamble (P&G), handles femvertising, that it is produced by its own brands. The paper analyses the phenomenon using examples from commercials that belong to P&G’s #WeSeeEqual campaign and the controversial commercial video from Gillette The best men can be. One research questions served as a guideline for this project: What characterizes the femvertising pieces targeting women and/or men, produced by the house of brands P&G for their brands Gillette, Fairy, Ariel and Always? In order to be able to study this phenomenon, the empirical materials that will be analysed are: 1) #ShareTheLoad by Ariel, 2) #MakeItFair by Fairy, 3) #LikeAGirl by Always, and 4) The best men can be by Gillette. As theoretical framework this paper uses Foucault’s theory of power and the theory of hegemonic masculinity by Connell & Messerschmidt. What was identified after analysing the data was that the different commercials always include hegemonic masculinity somehow in their content, in some it is attacked directly, in others in a subtle and implicit way and in others just excused or justified. Keyword: Femvertising, Feminist Critical Discourse Analysis, Hegemonic masculinity, Multimodal Discourse Analysis, P&G, Power, Foucault. -
Intellectual Property Rights Analysis of Christian Louboutin’S Bullet Shaped Lipsticks
Intellectual Property Rights Analysis of Christian Louboutin’s Bullet Shaped Lipsticks Chloe Barker Katie Kruisselbrink Madison Kuczynski Texas A&M School of Law 2020 1 Abstract Overtime, the cosmetics industry has revolutionized not only the demand for cosmetics, but the product design, how the products enter the marketplace, and created a sort of hierarchy with general store-bought cosmetics at the bottom and luxury cosmetics at the top, often determined by the brand and the price of the products. Infamously known for its “Rouge” shade first entering the marketplace on the soles of shoes, Christian Louboutin has expanded from the fashion industry to the cosmetic industry, presenting cosmetic products for the lips, nails, and eyes, available in not only the “Rouge” shade, but many others. With reference to the revolutionized industry, there is a heavy influx of brands creating a strongly competitive market. With the use of patent protection, many brands are now turning their cosmetic creations into intellectual property to receive the protections that come with that status. Louboutin’s creation of the bullet-shaped lipstick is a prime example of turning a cosmetic item into a “work of art” which exudes the probative presence of design protection. While not every brand can profit from the creation and costs of introducing such an “edgy” product, Louboutin’s entrance into the cosmetic industry serves as a key example of the competitive advantage that follows luxury brands, especially in the highly competitive cosmetic industry. This level of competition often results in the issue of counterfeits, which in the cosmetic industry, often provide vast negative impacts. -
Ensuring Brand Activism in Integrated Marketing Communications Campaigns Resonates with Millennial Consumers
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Ensuring Brand Activism in Integrated Marketing Communications Campaigns Resonates with Millennial Consumers Anna Hermann Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Advertising and Promotion Management Commons, Business and Corporate Communications Commons, and the Marketing Commons Recommended Citation Hermann, Anna, "Ensuring Brand Activism in Integrated Marketing Communications Campaigns Resonates with Millennial Consumers" (2020). Honors Theses. 1571. https://egrove.olemiss.edu/hon_thesis/1571 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ENSURING BRAND ACTIVISM IN INTEGRATED MARKETING COMMUNICATION CAMPAIGNS RESONATES WITH MILLENNIAL CONSUMERS by Anna Hermann A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Professor Christina Sparks ___________________________________ Reader: Professor Robin Street ___________________________________ Reader: Dr. Robert Magee © 2020 Anna Hermann ALL RIGHTS RESERVED ii ACKNOWLEDGEMENTS Firstly, I need to express my immense gratitude to my advisor, Professor Christina Sparks. She provided me with much guidance, expertise, and encouragement throughout this process. I greatly appreciate her time and patience with me throughout the past year; I could not have completed this project without her. I would also like to thank the two members of my committee, Professor Robin Street and Dr. -
Exploring Innovative Commerce As a Design Strategy for Brand Creation and Implementation
Consumerism in the Digital Age: Exploring Innovative Commerce as a Design Strategy for Brand Creation and Implementation A thesis submitted to the School of Visual Communication Design, College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Fine Arts By Vanessa O. Okojie December, 2018 Thesis written by Vanessa O. Okojie B.A., Cleveland State University, 2016 M.F.A., Kent State University, 2018 Approved by ______________________________________________________________________________ Jessica Barness, M.F.A., Advisor, Professor, School of Visual Communication Design ______________________________________________________________________________ David Robins, Ph.D., Acting Director, School of Visual Communication Design _____________________________________________________________________________ Amy Reynolds, Ph.D., Dean, College of Communication and Information TABLE OF CONTENTS LIST OF FIGURES……………………………………………………………………………….............v ACKNOWLEDGEMENTS……….……………………………………………………………………..vi CHAPTER I: INTRODUCTION………………………………………………………………...………1 CHAPTER II: RESEARCH METHODOLOGY………………………………………………………. 3 Assumptions…………………………………………………………………………………………… 3 Methodology…………………………………………………………………………………………… 3 CHAPTER III: DEFINITION OF BRAND…………………………………………………………….. 4 Introduction……………………………………………………………………………………………. 5 The Paradigm Shift……………………………………………………………………………...……... 6 Brand Differentiation and Brand Relevance……………………………………………….………….. 6 CHAPTER IV: CULTURAL INNOVATION…………………………………………………………...7 -
The Effect of Brand Function If an Advertisement Fails
The effect of brand function if an advertisement fails: One minute and 49 seconds that cost $8 billion Anne Liikanen Master’sFörnamn Efternamn Thesis Media Management 2021 DEGREE THESIS Arcada Degree Programme: Media Management Identification number: 8034 Author: Anne Liikanen Title: The Effect of Brand Function when an Advertisement fails: One minute and 49 seconds that cost $8 billion Supervisor (Arcada): Maria Bäck Comissioned by: This research investigates the effect of brand functions as defined by Jean-Noël Kapferer on advertising, focusing on a poorly received advertising campaign. The material was sourced from YouTube for the advertisement: “The Best a Man Can Be” by Gillette. The negative reactions of the public regarding the campaign are explored through three different research questions by using content analysis as a research method. Comments are categorized by using Kapferer’s functions as an classification frame. The intention is to understand the relationship of Kapferer’s brand functions to consumers‘ reactions in this particular case. The companies’ pursuit of commercial gain and at the same time the pursuit of authenticity and ethics is universal phenomenon and it extends beyond the business world. The study examines consumers' reactions to a particular type of advertisement, so the results say nothing about the general reactions of consumers. Given this limitation into account it can be said that this research brings new insights into how the consumer reacts to seemingly ill-fitting advertisement campaign. Through analyzing the comments, it can be observed that the brand functions, as stated by Jean-Noël Kapferer, seem to be working both for and against the companies ideals in equal measures. -
THE CHERRY on TOP REPORT January 2019, Color Cosmetics 10 Cherry Pick’S January 2019 Hot Take
THE CHERRY ON TOP REPORT JANTHE CHERRY ON TOP REPORT January 2019, Color2019 Cosmetics 1 A letter from our founders– January had the beauty world obsessed with minimizing their collections with Mari Kondo driving everyone to tidy up and @EsteeLaundry inspiring everyone to #ShopMyStash. Intent within categories maintained a more even distribution with the exception of Fenty’s domination in Face, and for the first time ever, Japanese-inspired Tatcha Beauty appeared in the charts. This seventh edition of the Cherry On Top Report presents the official intent rankings for color cosmetics brands, products, and product attributes (!!) from January 2019. Enjoy. With love, Cherry Pick THE CHERRY ON TOP REPORT January 2019, Color Cosmetics Justin Stewart [email protected] Melissa Munnerlyn [email protected] Gio ‘Tony’ Chiappetta [email protected] 10B+ # of consumer product interactions DAILY across social media Every single day, the masses of beauty consumers comment about tens of thousands of products across social media. Consumers are *literally* telling brands what products they want. At Cherry Pick, we believe that measuring this engagement, valuable expressions of purchase intent for products, is the key to unlocking the true value of social media. Why? Purchase intent is a leading indicator of sales - in fact, purchase intent on social media actually drives product sales. And we have the data to prove it. THE CHERRY ON TOP REPORT January 2019, Color Cosmetics 3 Using the latest developments in machine learning, Cherry Pick is turning comments about social content into purchase intent for product SKUs, we're calling this product intent. Introducing the next generation of business metrics. -
The Changing Face of Beauty
The changing face of beauty By Kristine Kirby Today there are many new definitions of beauty, categories of beauty and ways of promoting and buying beauty products, and manufacturers are dealing with the most knowledgeable customer ever. This has led to the giants of the cosmetic industry being shaken by a generation of clever start- ups. How do customers navigate the lucrative yet confusing world of promises and products in today's beauty market? We have spoken with key people in the sector: from social influencers to those creating or working for new brands to understand how they are responding to shifting consumer behaviour, as well as new segments and advances in technology. This paper examines the key trends in the industry: the ones we consider to be of most importance based on the beauty industry today. The changing market The global beauty market is divided into five main business segments: skincare, haircare, colour (make-up), fragrances and toiletries. These segments are complementary and through their diversity are able to satisfy all consumers’ needs and expectations. Beauty products can be also subdivided into premium and mass production segments, according to brand prestige, price and distribution channels used. For the purposes of this paper, unless otherwise noted, beauty is makeup and skincare. Distribution channels are changing. Cosmetic brands are available not only in retail outlets like department stores, but also via e-commerce, or social media such as Instagram and Facebook, television channels such as QVC, home shopping parties via representatives, airport vending machines or duty free and in spas. The cosmetics and personal care industry is predicted to record gains across the board, with particularly strong growth expected for sun protection and anti-aging products as consumers become increasingly aware of the dangers of sun exposure and more concerned with preserving a youthful appearance.