Taylor Guitar Wood & Steel Magazine

Total Page:16

File Type:pdf, Size:1020Kb

Taylor Guitar Wood & Steel Magazine Mahogany Strong New 500 Series Models Mahogany Top 300s Grand Orchestra 718e / 818e Allen Stone’s Soulful Sound Music’s Healing Power Dehumidification Tips 2 www.taylorguitars.com 3 you take with each guitar definitely back to life. It now plays and looks like Under His Skin Letters shows. Soon I will be ready for the next the day I brought it home in 1999. It’s I wasn’t planning to buy a Taylor. Volume 76 step up in guitars, and I want it to be amazing how much better Brazilian Instead, I was simply trying to replace a Taylor. rosewood sounds after 14 years. Thank my old [other brand] that I’d played for Summer 2013 my fifth year in a row. As soon as I got Glynn Walker you for making such wonderful instru- nearly 20 years. But when I was in the Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars there I set up my campsite and went Palatine, IL ments. music store, I asked the salesperson, straight for the Expo tent where Taylor Bob Worley “Let’s assume I want to step up with usually has an exhibit. That is where Bayfield, CO my guitar rather than just stepping side- I met [district sales manager] Barney Embracing Change ways. What would you recommend?” [Hill] and [repair technician] Sam Eak- I am a relatively new guitar player He stepped behind the counter and ins. I explained all the trouble I was and absolutely dreaded changing the Music Womb placed what is now my Taylor 114ce having, and they told me they would be strings on my guitar. It was a frustrating I’ve been a traveling musician for in my hands. I took one strum and was ON THE CoVER / 12 ALL-New, happy to look at it the next day at 10 experience, and the results were ter- a few years now and have been look- hooked. I couldn’t believe the difference a.m. I got there 30 minutes early, so I rible. I am not exaggerating when I say ing for a guitar upgrade. My parents in tone. Everything I played sounded ALL-MAHOGANY helped them unload the van and set it used to take two hours. It occurred knew I loved the Taylor sound and richer and fuller. My wife, who knows 12 up. While setting up, an elderly fellow to me that there had to be a better way bought me a brand new Taylor 214ce nothing of guitars, could also tell the 500S We build upon the rich heritage of all-mahogany asked if we (I had my Taylor shirt on) than doing it by hand, so I started look- for Christmas. I was stoked! Such a difference — it was that obvious. guitars with new models that fuse vintage had any 12-strings. We had just taken ing for some kind of attachment I could rich- and full-sounding guitar with a My Taylor is now my baby. It’s my character with signature Taylor playability. one out of the case and handed it to use with my cordless screwdriver. I beautiful tone. A short while later we favorite guitar. Ever. To date, I still Also: Mahogany-top 300s. Double Shot him to play. After we finished setting was so excited when I found that such got wonderful news: We were expect- haven’t played anything with the same “Hit Your Mark” by Shawn Persinger up, Sam grabbed my axe and looked a device existed that I immediately ing our first child! We found out that we feel and the same tone. In fact, I [Vol. 75 / Spring 2013] certainly hit my over it with a fine-toothed comb. He ordered it. Because I really didn’t know were having a boy. I had heard stories designed a tattoo for my forearm with mark with the picture of the girl “shoot- took it totally apart, taking the time to what I was doing, I visited taylorguitars. that babies can hear sounds from the my Taylor 114ce as the centerpiece. ing” the archery target with her guitar. explain each part/issue with me. When com, where I found the video featuring womb, so, naturally, I played my new Keep making great guitars, Taylor. FEATURES I have two great loves: making music he handed that guitar back to me and Rob Magargal demonstrating the Taylor Taylor guitar every night to my fiancée’s Jim Streisel with my guitar (I started taking lessons I strummed it, holy cow. It was better way of changing strings. I cannot tell stomach in the hope that our son would a year and half ago) and shooting a than the day I bought it. In fact, I have you how much this video helped me. I love music just like his father! PLAY 6 PLAY LIKE YOU bow and arrow. I am a Level 1 coach had to re-learn to play it. I’m not afraid used my new peg winder this evening, Nine months later we got a surprise. Christmas Exchange Cover photo: You’ve been cribbing from your guitar heroes long for the National Archery in the Schools to say that I teared up. As a company the entire process took about 30 min- It turns out that “he” was a “she” all I’m 16 and had been saving up Mahogany-top enough. Shawn Persinger helps you develop an Program (NASP), and a strong pro- owner of 15 years, it’s employees like utes, and for the first time ever I actu- along! Our beautiful daughter, Maila, for a Taylor guitar for about two years. 524ce expressive voice all your own. ponent for getting kids into music and that whom you owe your success. Sam ally enjoyed the experience. Just like my was born on October 4. Playing guitar Finally, just before Christmas, I had outdoors. and Barney define why Taylor is Taylor. guitar-playing ability, this is something to her in the womb may have worked… enough money to buy one! I had beenLIKE I’m really looking forward to your Thomas Beachley Korpal that will only improve with practice. she just loves when I play and sing ill and was waiting for a date for an Road Show coming to Mojo Music here Someday, I will be able to afford to to her! operation on my face, so as a surprise in Bellingham, Washington, as my next P.S. The old guy bought the 12-string. upgrade my equipment, and my first Since upgrading my guitar to a Tay- my sister decided to phone up the 8 BACKSTAGE PASS: ALLEN STONE guitar will be a Taylor. purchase will be a Taylor guitar. I actu- lor my music career has taken off. I’ve owner of World Guitars in Stonehouse, The young, dynamic soul singer talks about Allan Scott ally had a Taylor 110 that I had to sell been an opening act for some national Gloucestershire, and pick me up my discovering Stevie Wonder, his love of soul Clear Musical Direction after I lost my job. I loved that guitar, artists/bands such as Train and Chris dream guitar on Christmas Eve, whichYOU music, and his feeling-based creative approach. I’m the bassist and music director but making sure my family has a roof Isaak and recorded a few singles that was a Taylor 416ce limited edition. Taylor Treasure for an upcoming artist, Daniel Stokes. over their head was considerably more were successful on various local radio It came to Christmas day and we Copping the styles of our guitar heroes is fun, but shaping I recently purchased a granadillo/ We were cutting one of the soon-to-be important. Someday I will buy a DN3, stations using my Taylor…truly a dream were sitting around opening our pres- spruce 416-LTD. I have played and singles, and his guitar wasn’t doing which in my opinion is a functional come true! Thank you for making such ents when I came to the final one. It your own guitar8 identity will help you express the true you 16 WET GuiTAR WoeS owned many Taylors, but this is without it for me. It sounds decent on stage, piece of art. amazing guitars. While dry conditions can hurt a guitar, was a blindfold and a note which read By Shawn Persinger a doubt the best one I’ve heard. The but in the studio, no! The producer, Brian Taylor Mark Saito something like, “Close your eyes and long periods of high humidity can also sound is unbelievable. The big body who also felt my pain, suggested that wait for your surprise.” I waited while lead to problems. Here are some gives it power and bottom end; the Stokes use his guitar, which was a something came down my stairs. I symptoms and solutions. granadillo makes the notes sing and Taylor. Man, talk about miles ahead! Essential Adventure Gear Co-writing Credit unwrapped it. I screamed. Then I began sustain. It’s a beautiful combination like It even made Stokes play better! We My wife and I recently celebrated Sometimes the guitar writes a song to open the case. It was lovely and all no other. You guys have hit a record- have about five songs left to record, our 10-year anniversary with a trip to for you. I had been stuck with a pro- I could have ever dreamed of. Until breaking home run with this guitar. I and that Taylor will be the acoustic he Costa Rica.
Recommended publications
  • JMC Soundboard the Loudspeaker Made out Tonewood
    JMC Soundboard The loudspeaker made out tonewood www.jmclutherie.com Page | 0 Page | 1 www.jmclutherie.com The mission of JMC Lutherie is to ensure that lutherie puts down solid roots in 21st century reality and, wherever there is noise and sound, to harmoniously transform it into music. www.jmclutherie.com Page | 2 JMC Soundboard Sound at its most natural The “Soundboard” is named after the truly attending a concert. Since the music is literally crucial vibrating part of certain musical “played” on an authentic musical instrument, the instruments. The JMC Soundboard is a perception of the instruments and voices gives loudspeaker with a resonance spruce membrane hearers the impression that the musicians are built using lutherie techniques. The result is actually in the same room, or a sense of being aesthetically pleasing with an airily-mounted, whisked off to the place where the concert is slightly curving square-shaped membrane. The being performed. This is true with any type of sound is amazingly accurate, warm and brilliant, music, of which a single stereophonic pervading the entire open space due to the fact Soundboard is able to convey the three- that its wave is not of the focal type, but is dimensional nature of music. instead omnidirectional. Thus, whether a home if an open-plan, two-floor building or U-shaped, At JMC Lutherie, listening pleasure lies at the the music can be heard and felt throughout. very heart of our profession and our daily The verb “feel” is entirely justified for this concerns. musical sensation akin to that experienced in Page | 3 www.jmclutherie.com Technical information The illustration compares the auditory impression when listening to music with the Soundboard or with loudspeakers.
    [Show full text]
  • CITES Musical Instrument Certificates Background Musicians Perform With
    CITES Musical Instrument Certificates Background Musicians perform with valuable and culturally significant musical instruments legally crafted decades and even centuries ago. A number of these instruments contain small amounts of ivory, shell, reptile skin, and rosewood or other materials regulated under the Convention on International Trade in Endangered Species of Wild Flora and Fauna (CITES). The international use of musical instruments by musicians and professional and student ensembles is essential to advance diplomacy, spark artistic innovation, and support vital international cultural activity. In partnership with CITES parties and the conservation community, music stakeholders have undertaken efforts to increase compliance with current permit requirements while simultaneously pursuing policy improvements that will alleviate unnecessary burdens. Musical Instrument Certificate Created at CoP16 – A Consolidated Permit At the 16th Conference of the Parties (CoP16), Resolution Conf. 16.8 was adopted on Frequent Cross-Border Non-Commercial Movements of Musical Instruments, creating a multi-use Musical Instrument Certificate. The Musical Instrument Certificate is not an exemption from the permit process. It is a consolidated permit. The MIC streamlines the requirement for obtaining multiple CITES export permits when an instrument contains CITES material and is not exempted from permit requirements by an annotation or a personal effects exemption. Musicians using the MIC apply to their CITES Management Authority for issuance of single permit, which must then be credentialed by CITES enforcement officials at each port through which an instrument travels. Clarifications and Exemptions Approved at CoP17 At the 17th conference of the parties (CoP17), unanimous approval was given to Resolution Conf. 16.8 (Rev. CoP17), which: 1.
    [Show full text]
  • Luthier Rob Engel Started Taking out These Guitars, and They Were Just Phe - by Marc A
    attic – he had a sort of workshop up there – and he Luthier Rob Engel started taking out these guitars, and they were just phe - by Marc A. Ybaben, Ph.D. nomenal pieces of work! I mean they were beautiful; each one was an original piece. Some of them he had worked on with a guy named Tom Doyle – he’s a gui - tar maker and pickup maker from New Jersey – they had been buddies and they had worked together on dif - ferent stuff, and the bug bit me right there! I started looking at the guitars and I guess he saw the expression on my face, and he said, “Well, you can do this, you know.” And I was thinking, “Yeah, right!” but I really had to give it a shot, so I did. I went out and bought all kinds of books, and I already had a garage in the back of my house that served as a wood shop — which is what I did for a living anyhow — and I got started by Photo courtesy Paul Johnson bringing wood home from jobs that were scraps and left-overs, basically practicing until I started to under - hanks to the wonders of YouTube, a friend sent stand how things worked. Then Lenny introduced me me a video of an East Coast guitarist named Bob to Tom Doyle, and he got me a job with Tommy; I TDeVos. I immediately noticed two things: that worked with him for about three years. I really wasn’t Bob was a monster player – incredible lines and sound! making any money there, so I went back to cabinet – and that he played a very cool-looking guitar.
    [Show full text]
  • Magpick: an Augmented Guitar Pick for Nuanced Control
    Magpick: an Augmented Guitar Pick for Nuanced Control Fabio Morreale Andrea Guidi Andrew McPherson Creative Arts and Industries Centre For Digital Music Centre For Digital Music University of Auckland, Queen Mary University of Queen Mary University of New Zealand London, UK London, UK [email protected] [email protected] [email protected] ABSTRACT This paper introduces the Magpick, an augmented pick for electric guitar that uses electromagnetic induction to sense the motion of the pick with respect to the permanent mag- nets in the guitar pickup. The Magpick provides the gui- tarist with nuanced control of the sound that coexists with traditional plucking-hand technique. The paper presents three ways that the signal from the pick can modulate the guitar sound, followed by a case study of its use in which 11 guitarists tested the Magpick for five days and composed a piece with it. Reflecting on their comments and experi- Figure 1: The Magpick is composed of two parts: a ences, we outline the innovative features of this technology hollow body (black) and a cap (brass). from the point of view of performance practice. In partic- ular, compared to other augmentations, the high tempo- ral resolution, low latency, and large dynamic range of the The challenge is to find ways to sense the movement of Magpick support a highly nuanced control over the sound. the pick with respect to the guitar with high resolution, Our discussion highlights the utility of having the locus of high dynamic range, and low latency, then use the resulting augmentation coincide with the locus of interaction.
    [Show full text]
  • Pete Graves – Acoustic Luthier
    Pete Graves – Acoustic Luthier In 2013 one of my grandsons wanted an acoustic The wood for the back and sides (ribs) is usually guitar to add to the collection of electric guitars that the same, and I have used Indian rosewood, he plays. Rather than buy one I decided to have a quilted maple and English walnut to make three go at making one and bought a book entitled guitars. Utile (a mahogany type) and maple are Guitar Making by Cumpiano & Natelson, which used for the neck. There are a number of on-line turned out to be an excellent guide. However, it suppliers of wood but I use a 'Fred in a shed' luthier contained too much descriptive text so I distilled in Durham who is very helpful and belt-sands the much of it into a series of process steps that an wood to the required thicknesses. engineer could follow! So far I have made two classical guitars and one A key aspect for the starting point for building an steel-string (aka Western) guitar. acoustic guitar is the choice of wood. The top, back and sides are made from high quality book- matched pairs of wood, <2.5mm thick, and straight, fine-grained spruce is the favoured wood for the soundboard. Steel string guitar with quilted maple back and ribs with ebony bindings Pete Graves – Acoustic Luthier The Build Process The neck and headpiece is made by cutting and gluing two pieces of dimensioned wood together at an angle of 15°. Blocks of matching wood are glued at the heel end where the neck joins the guitar body.
    [Show full text]
  • Die Welt Der Taylor Gitarren
    Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war.
    [Show full text]
  • Ibanez Market Strategy
    Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................
    [Show full text]
  • Bumbershoot Aesop Rock Niki&The Dove 11.09.12
    11.09.12 page page page 6 bumbershoot 8 Aesop rock 10 niki&the dove cover art by lindsay stribling 2 in cue 11.09.12 college radio is the specialization and niche programming that it meet our about delivers to a broad audience. This blew my mind because it was so staff Top 5 Albums ever in cue profoundly accurate. YES! This is Welcome to In Cue, why radio matters. your campus radio College radio o#ers the cur- 1) Neutral Milk Hotel “Aeroplane over the Sea” station’s written con- rency that we all crave as well as nection to the masses. the education that accompanies 2) Wilco “Yankee Hotel Foxtrot” - a person telling you, “Hey, I chose 3) Elliot Smith “A basement on a Hill” views, articles, and these songs for you, I vouch for 4) T Rex “Electric Warrior” updates on what KUOI them. They are good.” If you be- FM has been up to this lieve, as I always have, that KUOI 5) Radiohead “The Bends” hosts some of the coolest kids on Nae Hakala year. We are here to STATION MANGER answer the question: campus, then you can have faith in what they are sharing with “Why does radio you. Sure, I initially tuned in for indie-rock and punk, but I stayed 1) Death Cab for Cutie “Transatlanticism” even matter, for garage and psych. Who knew 2) Death From Above 1979 “You’re a Women I’m a Machine” anymore?” these genres were still thriving? A 3) Animal Collective “Strawberry Jam” KUOI DJ knew, and he shared it with me.
    [Show full text]
  • Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
    JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new.
    [Show full text]
  • 3–7 April 2019
    ARDS International GUITAR FESTIVAL 3–7 APRIL 2019 ardsguitarfestival.co.uk 22nd Ards International ardsguitarfestival.co.uk GIG GUIDE Guitar Festival 2019 +44 (0)28 9181 0803 WEDNESDAY 3 APRIL SATURDAY 6 APRIL TIME EVENT VENUE PRICE TIME EVENT VENUE PRICE 7.30pm Film Screening The Ivy Bar £5 11.00am Sing to Me with Kyle Riley Ards Arts Centre £5 METALLICA: Some Kind of Monster (2004) 11.30am–1.00pm Guitar Clinic with Mike Dawes Ards Arts Centre £10 8.00pm Gary Ryan The Queen’s Hall £12 1.00pm–2.00pm Rory Nellis Ards Arts Centre FREE Support from The Classical Guitar Society of Northern 2.00pm–3.30pm Guitar Clinic with Simon McBride Ards Arts Centre £10 Ireland 2.30pm George Lowden in Conversation Ards Arts Centre £8 with Ralph McClean and special guest Ariel Posen THURSDAY 4 APRIL 8.00pm Ariel Posen and Simon McBride The Queen’s Hall £15 TIME EVENT VENUE PRICE 11.00am–12.30pm Guitar Clinic with Gary Ryan Ards Arts Centre £10 10.00pm The Ronnie Greer Band with The Ivy Bar £5 special guest Bill Shanley 8.00pm Dea Matrona Molly Browns £5 Support from Hugo Boitel-Gill (upstairs) 8.00pm Traditional and Contemporary Ards Arts Centre £10 SUNDAY 7 APRIL with Donal Clancy and TIME EVENT VENUE PRICE Shane Hennessey 11.30am–1.00pm Rory Gallagher Brunch Ards Arts Centre £8 with Ralph McLean 12.00pm–1.30pm Guitar Clinic with Alexandr Misko Ards Arts Centre £10 FRIDAY 5 APRIL TIME EVENT VENUE PRICE 2.00pm John Tracey and Síomha Ards Arts Centre £10 1.00pm–2.00pm Amanda Agnew Ards Arts Centre FREE 4.00pm Weekend Wind Down with The Ivy Bar £5 Megan O’Neill and The Dunwells 8.00pm Mike Dawes The Queen’s Hall £15 Support from Amanda Agnew Support from Alexandr Misko and Ali Tod 10.00pm The HardChargers The Ivy Bar £5 Why not buy a Weekend Pass See pages 22-23 Special thanks to Anthony Toner as guest programmer and to Marty Coney at the Ivy Bar, ITAR CLINI weekend for access to all gigs for the GU C for details of all Ernie McMillen The Guitar Doctor, Lowden Guitars and to Paul McMordie, Paul O’Neill and pass bargain price of £60 Guitar Clinics Darren Porter.
    [Show full text]
  • Dave Navarro - Beyond Addiction "Guitar World" (N°? - Février 1994) - Alan Di Perna
    Dave Navarro - Beyond Addiction "Guitar World" (n°? - Février 1994) - Alan di Perna Clean and Sober Dave Navarro lives for today with the Red Hot Chili Peppers. L.A. is burning. A series of wickedly devastating brushfires have encircled the City of Angels, turning the surrounding hills into a raging inferno. But Dave Navarro looks implacably cool as he pilots his black Harley down Ventura Boulevard. The guitarist's newly sprouted goatee gives him a conquistador's air of stony self-possession as he glides along the wide thoroughfare. A bandanna and shades protect his hair and eyes from the pall of smoke and cinders that have made the city's air seem like the mouth of a badly vented fireplace. Angelenos have learned not to let castastrophe interrupt their daily lives, and Navarro is no exception. His bike safely stashed in a "Loading Only" zone, the guitarist enters a trendy coffeehouse--one of those self-consciously bohemian places that could only exist in L.A.'s San Fernando Valley. Settling onto a worn antique sofa, he orders a cup of black decaf and a bowl of cereal moistened with fruit juice. "I don't eat dairy," he explains. "No caffeine either. Right now, this is my only vice..." He smiles as he lights the first of many cigarettes. Studying the self-confident, purposeful guy seated at my side, I can't help but contrast him with the Dave Navarro I interviewed two years ago [GW, September '91]. At that time, he was a slavering, incoherent wreck, badly strung out on heroin and unable to even locate his shoes.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]