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In "Frozen" Musical, Kingdom of Arendelle Re- Created for Broadway by Peter Marks, Washington Post, Adapted by Newsela Staff on 03.01.18 Word Count 652 Level 870L
In "Frozen" musical, kingdom of Arendelle re- created for Broadway By Peter Marks, Washington Post, adapted by Newsela staff on 03.01.18 Word Count 652 Level 870L Patti Murin as Anna and John Riddle as Hans in "Frozen." Photo by: Deen van Meer Michael Grandage has won major awards for his theater productions, but none of his experience prepared him for his latest project. Now, he has to deal with a character with a carrot nose who's likely to melt. That's because his latest project is Disney's "Frozen." Performances of the play began on February 22. Grandage's stage version is based on the 2013 animated Disney film that made $1.3 billion around the world. Grandage and his team have been hard at work for more than a year. They hope their musical can live up to the movie. Disney Told Grandage To Be True To The Movie Grandage is new to Disney and had never directed an original musical until now. He has the difficult job of meeting the high expectations set by the "Frozen" movie. He must create new magic using whimsical characters like Olaf the Snowman and Sven the Reindeer from Elsa and Anna's kingdom of Arendelle. This article is available at 5 reading levels at https://newsela.com. No pressure! Disney challenged Grandage to be true to the original movie while still coming up with novel surprises. Which brings us back to Olaf. In the movie, he's drawn by Disney's animators as three balls of heartwarming snow. "That's your first question when you do a stage version," Grandage says. -
Beetlejuice the Musical
Beetlejuice the Musical Death is a part of life, and (mostly) for everyone except the Jumper, people experience it permanently at some point- Ooh, what’s this? Ha! Begging your pardon! Sorry to barge in! Yeah, I don’t care for all that bullshit, so, Jumper, do you wanna finally die? I mean if you want to be boring, I guess you could be a breather, but death is a whole lot more fun than that. If you’re going to be coming around here for ten years, you should probably take this to make it more interesting! +1000 CP Age and Gender Who cares! I mean honestly, I don’t care what you are! Pick any age or gender, hell pick even any sexual orientation or race, and maybe even go crazy choosing a religion. It’s your choice pal! Location and Time You start at the funeral of one Emily Deetz, with a grieving daughter who feels invisible and a daddy in denial. You may or may not be invited, but hey, who cares! Yes, this means that you can prevent the Maitlands’ deaths (who cares about their character development). Origins Are you a breather or a cool dude? Any Origin may be a Drop-In. Weird Adult (Breather) You’re a functioning adult, at least somewhat. You probably don’t believe in all that hocus pocus about ghosts, but you might have a guru named Otho. Namaste, you freakin’ poser. Gothy Teen (Breather) You may or may not have recently lost a parent, but you certainly obsess over death a lot. -
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth..................................................................................................... -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
Sundays & Wednesdays
SUNDAYS & WEDNESDAYS CHECK THEATRE FOR SHOWTIMES SEPTEMBER 23 & 26 SEPTEMBER 30 & OCTOBER 3 OCTOBER 7 & 10 LABYRINTH (1986) YOUNG FRANKENSTEIN (1974) HALLOWEEN (1978) Muppets creator Jim Henson directed this musical Gene Wilder is Dr. Frederick Frankenstein (“That’s Director John Carpenter’s ORIGINAL 1970’s classic! fantasy about a teenage girl (Jennifer Connelly) who FRONKensteen!”), struggling with the legacy of his The night HE (villain Michael Myers) came home, 15 must enter the mythical world of the Labyrinth to infamous mad-scientist grandfather in this classic years after committing a grisly murder…and just in time rescue her kidnapped baby brother. Henson’s puppets comedy from Mel Brooks. The stellar supporting cast for Halloween. This is the movie that inspired a whole are amazing, but it was the casting of David Bowie as includes Marty Feldman as Igor (“It’s pronounced series of horror pictures featuring teenagers in peril, the Goblin King that made this an iconic 80’s movie. Eye-gor”), Madeline Kahn, Peter Boyle, Terri Garr and it remains one of the most successful independent Bowie’s five original songs include “Magic Dance,” (“Roll, roll, roll in ze hay,”) and Cloris Leachman as movies ever made. Jamie Lee Curtis, in her film debut, which he performs with a gaggle of goblin puppets. the late baron’s mysterious housekeeper Frau Blucher. plays a babysitter who is stalked by Myers. (“You can’t (“You remind me of a babe…”) Rated PG (“Yes, yes, say it…he vas my boyfriend!”) Rated PG kill the boogeyman.”) Rated R OCTOBER 14 & 17 OCTOBER 21 & 24 OCTOBER 28 & 31 (HALLOWEEN) REAR WINDOW (1954) BEETLEJUICE (1988) THE SHINING (1980) One of the best from director Alfred Hitchcock, the “It’s showtime!” Michael Keaton stars as Beetlejuice Celebrate Halloween with Stanley Kubrick’s classic “master of suspense.” James Stewart, confined to his (“the ghost with the most, babe”) in this supernatural thriller, based on Stephen King’s novel. -
A Frozen Christmas (Disney Frozen) Free
FREE A FROZEN CHRISTMAS (DISNEY FROZEN) PDF Andrea Posner-Sanchez | 12 pages | 08 Sep 2015 | Random House Disney | 9780736434799 | English | United States Disney's Frozen Olaf Christmas cake | Disney cakes, Frozen christmas, Christmas cake Subscriber Account active since. Disney's new short film, "Olaf's Frozen Adventure," is playing in theaters ahead of the latest Pixar movie "Coco. If you haven't seen it yet and are wondering what all the fuss is about or are one of people who have showed up late to "Coco" in order to avoid seeing ithere's what "Olaf's Frozen Adventure" is about:. Elsa and Anna, with the help of Olaf, are preparing the castle for a big holiday surprise party. When the people of Arrendelle arrive to the castle's courtyard, Kristoff and Sven the reindeer bring the large ceremonial bell. Following tradition, Elsa and Anna ring the bell to signal the A Frozen Christmas (Disney Frozen) of the holiday season. But when they open the castle doors to surprise everyone with a lavish holiday party, Elsa and Anna are surprised and saddened to see everyone turn away and head home. Each family already has their own tradition to carry out, leaving Elsa and Anna alone at the castle. Elsa's new winter dress is stunning. A Frozen Christmas (Disney Frozen) realize they don't have any traditions of their own, since their parents died when they were young and then the two sisters didn't interact much again. This is the first holiday they've celebrated since the gates of the castle have been reopened, but it's already a let down. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Spongebob Tour 10.30.19.Pdf
NETworks Presentations PRESENTS Based on the Series by Stephen Hillenburg BOOK BY KYLE JARROW ORIGINAL SONGS BY Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C AND SONGS BY: David Bowie & Brian Eno Tom Kenny & Andy Paley ADDITIONAL LYRICS BY: Jonathan Coulton AND MUSIC BY: Tom Kitt STARRING Lorenzo Pugliese Beau Bradshaw Cody Cooley Zach Kononov Tristan McIntyre Daria Pilar Redus Joshua Bess Morgan Blanchard John Cardenas Natalie L. Chapman Richie Dupkin Teddy Gales Stephen C. Kallas Méami Maszewski Stefan Miller Mary Nickson Dorian O’Brien Caitlin Ort Elle-May Patterson Helen Regula Sydney Simone Ayana Strutz Miles Davis Tillman Rico Velazquez Rachel Wong SCENIC & COSTUME DESIGN LIGHTING DESIGN PROJECTION DESIGN SOUND DESGIN DAVID ZINN KEVIN ADAMS PETER NIGRINI WALTER TRARBACH HAIR & WIG DESIGN MAKE-UP DESIGN FOLEY DESIGN ASSOCIATE DIRECTOR ASSOCIATE CHROEOGRAPHER CHARLES G. LAPOINTE JOE DULUDE II MIKE DOBSON KENNETH FERRONE LOU CASTRO MUSIC DIRECTOR ORCHESTRATIONS AND ARRANGEMENTS BY MUSIC COORDINATOR PATRICK HOAGLAND TOM KITT JOHN MEZZIO CASTING PRODUCTION STAGE MANAGER TOUR PRESS AND MARKETING TOUR BOOKING STEWART/WHITLEY JOHN CARPENTIER BROADWAY BOOKING OFFICE NYC THE ROAD COMPANY GENERAL MANAGEMENT EXECUTIVE PRODUCER EXECUTIVE PRODUCER PRODUCTION MANAGEMENT GENTRY & ASSOCIATES SUSAN VARGO TRINITY WHEELER NETWORKS PRESENTATIONS ELISABETH BAYER HECTOR GUIVAS MUSIC SUPERVISION JULIE McBRIDE & TIMOTHY HANSON CHOREOGRAPHY BY CHRISTOPHER GATTELLI MUSICAL PRODUCTION CONCEIVED AND DIRECTED BY TINA LANDAU Originally produced on Broadway by Nickelodeon, the Araca Group, Sony Music Masterworks, and Kelp on the Road ©2019 Viacom International Inc. -
Anna & Elsa #4: the Great Ice Engine (Disney Frozen)
ANNA & ELSA #4: THE GREAT ICE ENGINE (DISNEY FROZEN) PDF, EPUB, EBOOK Erica David,Francesco Legramandi,Gabriella Matta,William Robinson,Manuela Razzi | 128 pages | 12 May 2015 | Random House Disney | 9780736434317 | English | United States Anna & Elsa #4: The Great Ice Engine (Disney Frozen) PDF Book Relive the Disney movie Frozen. May 27, Joe Carroll R. Archived from the original on April 17, Olaf thinks it sounds great, but Elsa and Anna think she might be in trouble. Additionally the isopar flames were introduced into this show during the " In Summer " sequence. Disney media franchises and series. Now that the castle gates are open, Anna and Elsa are thrilled to be finally getting to know their kingdom. On the Content tab, click to select the Enable JavaScript check box. Overview Princess Anna, Queen Elsa, Olaf the snowman, and all the stars from Disney Frozen are back in an all-new magical chapter book series perfect for girls and boys ages 6 to 9. The location includes products inspired by Anna, Elsa, and Olaf. Retrieved November 19, He says her land is trapped in an eternal summer. Box Office Mojo. The New York Times Company. Horn said that "we haven't really talked about a sequel" because the studio's current priority is the planned Broadway musical, which will require "four or five" additional songs to be written by Lopez and Anderson-Lopez. Archived from the original on March 8, Retrieved January 13, Categories : Frozen franchise Walt Disney Studios franchises Mass media franchises introduced in American animated films Animated film series Children's film series. -
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman Vs the Circus, the Rise and Fall from Grace (For Component 3: Appraising)
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman vs the Circus, The Rise and Fall from Grace (For component 3: Appraising) Background information and performance circumstances The composer Danny Elfman (b. 1953) is a self-taught composer and is unusual because of his parallel career as a rock musician with the band Oingo Boingo. He grew up in Los Angeles and is the youngest son of two teachers. While at school, Elfman wanted to be a filmmaker. ‘I always thought that some way or other I’d end up in film, but somehow I ended up in music.’ Tim Burton and Elfman had a close working relationship and collaborated on a number of films including Beetlejuice (1988), The Nightmare Before Christmas (1993) and Planet of the Apes (2001). Of all the films they have made together, Batman remained Elfman’s biggest grossing film until Spider-man (2002). More importantly, Batman brought Elfman to public attention and established him as a creditable film composer. Elfman often scores much of his music around leitmotifs then develops them through the use of variations. The use of thematic development illustrates Elfman’s influences from composers such as Bernard Herrman (Psycho, 1960) from the Golden Age of films. Having established the main materials of the score, Elfman works through the film chronologically, using the materials he has developed in a manner which is extremely unmethodical. Batman Returns (1992) is the sequel to Batman (1989), directed by Tim Burton with Michael Keaton reprising the role of Bruce Wayne/Batman. -
Let It Go (Key of C) by Kristen Anderson-Lopez and Robert Lopez (From Disney’S “Frozen” (2012)
Let It Go (Key of C) by Kristen Anderson-Lopez and Robert Lopez (from Disney’s “Frozen” (2012) * C2nd pos Em C D Am Em C D A Intro: A -------------------------------------------------------------------------------------------------------------------------------------------- E --2-3-----2-3------3-2-----3-2--------0-2-----0-2---------------------2-3----2-3----3-2----3-2-----0-2----0-2------------- C -------------------------------------------------------------2--0---------------------------------------------------------------2--1--- G ---------4--------4---------4----------2--------2------2-----------------------4--------4-----4---------2------2-------2---------- Em C D Am The snow glows white on the mountain to-night , not a foot print to be seen. Em C D Am A king-dom of i-so-la-tion, and it looks like I’m the queen Em C D Am Em D A The wind is howl-ing like this swirl-ing storm in-side. Couldn’t keep it in, heaven knows I’ve tried. D C D Don’t let them in, don’t let them see, Be the good girl you always have to be D C C2 Conceal, don’t feel, don’t let them know …. Well, now they know……. G D Em C G D Em C Let it go, let it go, can’t hold it back any more. Let it go, let it go, turn a-way and slam the door. G\ D\ Em\ C\ Bm\ Bb\ C\ I don’t care what they’re go-ing to say. Let the storm rage on. The cold never bothered me anyway. D\ \ G \ \ \ D \ \ \ Em \ \ \ C \ \ \ D \ \ \ Am \ \ It’s funny how some dis-tance, makes eve-ry thing seem small Em \ \ \ D \ \ \ A \ \ and the fears that once con- trolled me, can’t get to me at all! D\ \ C\ \ D\ It’s time to see what I can do, to test the limits and break through. -
Broadway Artists Alliance 2021 Summer Intensive Session 5 Schedule
Name: _____________________________ Age Group: ___________________ Advisor: ___________________________ Major: ______________ Group: _____ Broadway Artists Alliance 2021 Summer Intensive Session 5 Schedule th Tuesday, August 10 VOICE A 9:00 AM ARRIVAL OUTSIDE RIPLEY-GRIER STUDIOS (520 Eighth Ave, New York, NY Between W.36th and 37th Streets) VOICE B 9:10 AM Your advisor will meet you at a clearly communicated location just outside Ripley and perform a no contact temperature check. ACTING A 9:20 AM You will also need to present your Clear to Go Green Badge on the app. * Parents – please only have 1 guardian accompany the student to limit street traffic PLEASE NOTE, your punctuality is essential. Your advisor will be checking you in quickly and bringing you up the elevators. Do not be late! Students meet with their advisor in their studio room for introductions and theater games before Orientation! VOICE A 9:40 AM - Orientation for Voice Groups A & B (Studio 17E) VOICE B 10:20 AM * Acting A will continue meeting with their Advisors during this time. ACTING A 10:20 AM - Orientation for Acting A (Studio 17N) 11:00 AM * Voice Groups A & B will go over their Dance Placement combinations (learned before the Intensive!) with BAA Dance Faculty during this time. (Studio 17E) 11:00 AM - 12:30 PM PLACEMENT AUDITIONS Voice Groups A (Studio 17E) Voice Groups B (Studio 17H) Acting Group A (Studio 17N) Please prepare TWO contrasting 16 bar pieces (e.g. Please prepare TWO contrasting 16 bar pieces Please prepare TWO brief contrasting monologues. up-tempo/ballad, legit/belt) Be sure to bring your (e.g.