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Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Threepenny Opera by Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins
UAF Music PLAYBILL Department Proudly Presents Threepenny Opera By Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins Scenic Designer Costume & Makeup Designer Bud Jet Kutz Tara Maginnis Lighting Designer Technical Director Dale F. Kohlmetz Kade Mendelowitz Sound Designer Stage Manager Dustin C. Grimes Karen Gaborik April 11-20, 1997 Lee H. Salisbury Theatre playbill.pm6 1 5/17/99, 1:31 AM Special Thanks Patricia Watts, Fairbanks Daily News-Miner Laura Lee Potrikus Ginger Stack, Magic FM 101.1 Pianos Unlimited Board of Regents, University of Alaska 101.1 MAGIC FM Aramark KWLF / KFAR Gambardella's Pasta Bella KTVF 11 Home Port Submarine Sandwich Shop KSUA Pizza Bella KUAC Souvlaki The UAF Student Drama Association Wood Center Pub Whole Earth Deli Angel Contributors AND 101.1 Magic FM Ted and Mary Ann Fathauer Gorden O. Hedahl and Jean Louden Gerald and Patricia Shields Thomas Riccio Donors Friends Jim and Susie Hackett Vivian L. Ames Dick and Jo Scott Julie Scott and John Ryer Theatre UAF's production program is income based. Our budget for sets, costumes, props, advertising, etc. is based on revenues from ticket sales, advertisements, and donations. We appreciate your support, and we hope you enjoy our work. We thank our program advertisers for their generous support, and hope that you will patronize these community-minded companies and mention that you saw their advertisement in our program. FOR THE AUDIENCE PAGERS: Please leave them with the house manager. CELLULAR PHONES: Please leave them with the house manager. SMOKING: Permitted outside the building only. -
In "Frozen" Musical, Kingdom of Arendelle Re- Created for Broadway by Peter Marks, Washington Post, Adapted by Newsela Staff on 03.01.18 Word Count 652 Level 870L
In "Frozen" musical, kingdom of Arendelle re- created for Broadway By Peter Marks, Washington Post, adapted by Newsela staff on 03.01.18 Word Count 652 Level 870L Patti Murin as Anna and John Riddle as Hans in "Frozen." Photo by: Deen van Meer Michael Grandage has won major awards for his theater productions, but none of his experience prepared him for his latest project. Now, he has to deal with a character with a carrot nose who's likely to melt. That's because his latest project is Disney's "Frozen." Performances of the play began on February 22. Grandage's stage version is based on the 2013 animated Disney film that made $1.3 billion around the world. Grandage and his team have been hard at work for more than a year. They hope their musical can live up to the movie. Disney Told Grandage To Be True To The Movie Grandage is new to Disney and had never directed an original musical until now. He has the difficult job of meeting the high expectations set by the "Frozen" movie. He must create new magic using whimsical characters like Olaf the Snowman and Sven the Reindeer from Elsa and Anna's kingdom of Arendelle. This article is available at 5 reading levels at https://newsela.com. No pressure! Disney challenged Grandage to be true to the original movie while still coming up with novel surprises. Which brings us back to Olaf. In the movie, he's drawn by Disney's animators as three balls of heartwarming snow. "That's your first question when you do a stage version," Grandage says. -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Music & Lyrics
Music & Lyrics Music & Lyrics By following the steps on the site so far, students will have created their characters and begun to plot out their scene. The next step is to think how they might add music and songs. For students who are just writing a scene, this is still an exciting step to fully understand the process of creating a musical for the theatre. The activities in this section are aimed at students of all musical abilities. For some students, the activities may be part of an early introduction to music. Other students may be much more familiar and so able to tackle the extended tasks where listed. Using the Music Webpage: The films on the Music web page will give students a real insight into Tim Minchin’s process for creating lyrics and music. After watching his interview, students can play with the sound buttons on the site to start to build up their ideas for the music for their song. Songs don’t have to be set to music but using the buttons and taking part in activities will give them a good start for thinking about the tone of their song and what kind of music might suit their lyrics. The activities outlined in this resource pack are also accompanied by a film showing how they might be used in the classroom. The exercises aim to help the students write rhythmically and lyrically. The resources can also act as standalone activities that can be adapted to other forms of music in your school curriculum. Useful Starting Points: Getting the students used to describing different styles of music and understanding the function of songs in storytelling. -
Sample Teaching Artists
Sample Teaching Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SOME OF OUR PASSPORT TO BROADWAY CREATIVE TEAM STEPHEN BROTEBECK (Choreographer) Mr. Brotebeck is an Associate Professor of Musical Theatre at San Diego State University in the prestigious MFA Musical Theatre program where he has directed and choreographed productions of Leonard Bernstein’s Mass, Company, Enchanted April, The Full Monty, Jesus Christ Superstar, The Drowsy Chaperone (Craig Noel Award Nomination), and On The Eve. Mr. Brotebeck is also the Artistic Director of the Okoboji Summer Theatre in Okoboji, Iowa, where he has directed I Ought To Be In Pictures, A Grand Night For Singing, And The World Goes ‘Round and The Spitfire Grill. On Broadway, Stephen served as the Movement Associate on the Tony® Award winning production of Peter and the Starcatcher and also the Off-Broadway transfer to New World Stages, choreographed by Steven Hoggett. In addition he served as an Assistant Director on the Broadway premiere of Ghost The Musical, directed by Matthew Warchus. As a Director and Choreographer, Stephen’s credits include Enchanted April (Co-Director and Choreographer) at Arena Stage in Washington D.C., My Fair Lady, Camelot and Children of Eden (Associate Director/Choreographer) at The Kennedy Center, and The 2012 and 2013 Great American Songbook Hall of Fame Ceremonies presented by Michael Feinstein, honoring Liza Minnelli, Rita Moreno, Jimmy Webb, Cole Porter, Marilyn and Alan Bergman, Barry Manilow and Frank Sinatra (Director and Choreographer). -
Matilda Wormwood” - Female, 8-13 an Imaginative Girl Who Is Clever and Wise Far Beyond Her Years
Matilda the Musical Character Descriptions All characters use some form of British accent. “Matilda Wormwood” - Female, 8-13 An imaginative girl who is clever and wise far beyond her years. She has a thirst for learning that cannot be quenched. Likable and charismatic, not annoying or pretentious. Honest and unassuming, but with a prankster streak and a strong sense of justice. Must be a very strong singer and actress, equally. Strong dancing skills preferred but not required. Vocal range top: D5 Vocal range bottom: A3 “Miss Agatha Trunchbull” - Male or Female, 13-18 The tyrannical headmistress at Matilda's school who despises children. Male in female clothing/makeup/hair, or female. A cruel and sadistic person, but not a brute or brash - rather, sly and conniving, cunning and slinky. Above all, must be a strong actor with a good sense of physicality and characterization. Strong singer and dancer preferred. Vocal range top: G4 Vocal range bottom: A2 “Miss Jennifer Honey” - Female, 13-18 Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Sweet, honest, caring, and intelligent, Miss Honey is timid but willing to become brave and stand up to bullies in order to protect her students. Must be a lovely, strong singer and a strong enough actor to make the role truly compelling. Vocal range top: D5 Vocal range bottom: F3 “Mr. Wormwood” - Male, 13-18 Matilda's uncaring father. A slimy, greedy used-car salesman, unintentionally hilarious. Must be a VERY strong actor and comedian; improv and dance skills preferred. Must also be a relatively strong singer. -
Download the La Cage Aux Folles Playbill
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Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
Cabaret Playbill
Cabaret Playbill This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida. Pictured left to right: Nick Anastasia, Nygel Robinson, Emily Dennis, and Mike Backes. Photo by Matthew Holler. THAT’S AMORE!' By Richard Hopkins and Rebecca Hopkins, Arrangements by Jim Prosser. CAST NICK ANASTASIA MIKE BACKES EMILY DENNIS NYGEL D. ROBINSON with ANDREW DEEB on drums JIM PROSSER on piano Music Director Costume Designer Lighting Designer DARREN SERVER SUSAN ANGERMANN MICHAEL CUMMINGS Sound Designer Sound and Light Board Operator THOMAS KORP AMANDA BALTER Directed by CATHERINE RANDAZZO Season Underwriters Gaele Barthold, Wendy & Bob Grady, Dennis & Graci McGillicuddy, Patrick & Mary Mulva, Anne H.S. Nethercott Series Underwriters Joan & Larry Castellani, The Exchange of Sarasota, Dr. Ty Gardner & Liza McKeever-Gardner, Gulf Coast Community Foundation, Robert & Bonny Israeloff Co-Producers Jan & Larry Coleman, SCENE Magazine That’s Amoré! will be performed The taking of photographs and in two acts with one 15-minute the use of recording devices during the intermission. show is strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES NICK ANASTASIA is multi-instrumentalist thrilled to be returning based in NYC. His recent to FST for That’s Amoré! theatre credits include Five FST: Unchained Melodies, Guys Named Moe (Nomax) Burt & Me, and Laughing at Opera House Theatre Matters (vol. 5). Other Company, Godspell (Jesus/ professional credits: Hair Musician) at St. Michael’s (Claude, International Playhouse, Beau (Larry/ Tour), Voca People (Tenoro, Off-Broadway*/ Musician) at MTF and Lincoln Center, and The All National/International Tours, *Lucille Lortel Night Strut (Actor/Musician) at Milwaukee Rep.