Throwing Muses” , See Page 11
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Throwing Muses Counting Backwards Mp3, Flac, Wma
Throwing Muses Counting Backwards mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Counting Backwards Country: UK Released: 1991 Style: Alternative Rock, Indie Rock MP3 version RAR size: 1924 mb FLAC version RAR size: 1657 mb WMA version RAR size: 1123 mb Rating: 4.1 Votes: 436 Other Formats: VOC MOD ADX FLAC MP1 VOX WMA Tracklist Hide Credits Counting Backwards 1 3:18 Engineer – John Beverly JonesProducer – Dennis Herring Amazing Grace 2 5:44 Acoustic Guitar [Lap Steel] – Joe HarvardArranged By – K. Hersh*Written-By – Traditional 3 Same Sun 3:11 4 Cottonmouth 3:01 Companies, etc. Phonographic Copyright (p) – 4AD Copyright (c) – 4AD Published By – Throwing Music Recorded At – Eldorado Recording Studios Recorded At – Dustbowl Studios Recorded At – Can-Am Recorders Recorded At – Fort Apache Glass Mastered At – Nimbus Credits Art Direction – Vaughan Oliver Design – Dave Coppenhall Engineer – Paul Kolderie* (tracks: 2 to 4) Illustration – Archer / Quinnell Management – Billy O'Connell, Geoff Trump Mastered By – Nimbus Producer – Throwing Muses (tracks: 2 to 4) Written-By – K. Hersh* (tracks: 1, 3, 4) Notes Track 1 recorded and mixed at Eldorado, Dustbowl, Can Am. Other tracks recorded and mixed at Fort Apache. Issued in a standard J-card case with an insert. Barcode and Other Identifiers Barcode: 5014436100123 Matrix / Runout: BAD 1001 CD MASTERED BY NIMBUS Other versions Category Artist Title (Format) Label Category Country Year Counting Backwards (CD, 30419 Throwing Muses 4AD 30419 France 1991 Maxi) Counting Backwards (CD, Sire, -
WORD Kristin 3
For immediate release !15 July, 2014 Music is the WORD - Rock Musician Kristin Hersh Headlines !Christchurch Literary Festival Seminal indie-rock musician Kristin Hersh is coming to New Zealand to share her music and prose !at the WORD Christchurch Writers & Readers Festival, presented in association with The Press. Hersh will join literary heavyweights such as Eleanor Catton, Ruth Reichl and Meg Wolitzer at the multi-day festival, which runs from 27—31 August. She will perform her solo show WORDS + MUSIC on 30 August at the magnificent Transitional Cathedral and will make several other !appearances throughout the festival. WORD Christchurch’s Literary Director Rachael King, herself an ex-bass player with several Flying !Nun bands, has been a fan since she was 17. “I am thrilled to bring Kristin to Christchurch to help us redefine the parameters of what a literary festival can be. I had recently read her brilliant memoir, and saw that she was actively touring overseas, promoting both her music and her book. So I sent an invitation to New Zealand and !was overjoyed when she accepted.” In 1986, Throwing Muses was the first American band signed to the legendary label 4AD, which went on to acquire the Muses’ contemporaries, the Pixies and the Breeders. Since then, Hersh has forged a solo career, beginning with 1994’s Hips and Makers, formed 50 Foot Wave, and continued to play with the Throwing Muses; their latest album, Purgatory/Paradise, is !accompanied by a book of photos, essays, stories and lyrics. Hersh’s memoir Paradoxical Undressing tells the remarkable story of a year in her life when she was 17, playing in Throwing Muses, and was diagnosed with bi-polar disorder. -
Music Is Live and Outside …
Enter the Flange Factory: Math the Band releases a multi-concept project Troubled times call for audacious measures. Math the Band is back, this time with a whirlwind of multimedia the likes of which has never been attempted. Their latest project, Flange Factory Five, is an immersive experience that includes a novel, record, game boy cartridge, energy drink and boutique guitar pedal. MTB, sometimes billed as “Math The Band The Band,” is the project of frontman Kevin Steinhauser and a rotating cast of characters, which currently features guitarist Max Holbrook, bassist Adam Waz and drummer Matt Zappa. The band has been operational for 20 years, and based in Providence for 12. A characteristically joyous effort, the Flange Factory Five features the band’s signature combination of glitchy, 8-bit keyboards over distorted guitars. A project like this requires the boundless energy they put forward in their ecstatic live shows, and it totally comes through on the recording. The uptempo “Dual of the Deer” features guitars and synth lines in roaring triumphiant harmony. “DKWIC” has a great Brian May-style guitar solo, and “Coach Says” is a hard-edged tune at the circle pit end of the spectrum. Stenhouser, who started the project in high school, puts every ounce of himself into the vocals. Along with great playing throughout, this album brings us the best of grit and nerddom, like a skater punk version of the music from Crash Bandicoot. But the video game sounds can belie the smart composition and clever lyrics. “Wet Cement” is ultra-catchy montage fodder about starting a new chapter: “The fear is exciting and I can’t wait to be born.” An additional treat is a suite of “Flange Factory Five” instrumental interludes that could be the jingle for the cartoon television show of the same name. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Magnetic Fields with Tanya Donelly At
FOR IMMEDIATE RELEASE Contact: Joyce Linehan, 617-282-2510 or [email protected] Update to Oct. 4 release: Tanya Donelly added to Magnetic Fields show at Symphony Hall; Jenny Dee & The Deelinquents added to Lee Fields show at Jordan Hall FIRST NIGHT BOSTON ANNOUNCES SOME FESTIVAL HIGHLIGHTS RESERVED SEATING AVAILABLE FOR SELECT SHOWS ON SALE NOW MAGNETIC FIELDS WITH TANYA DONELLY AT SYMPHONY HALL; LEE FIELDS & THE EXPRESSIONS WITH JENNY DEE & THE DEELINQUENTS AT NEC’S JORDAN HALL; JOHN SCOFIELD AT BERKLEE; AND A MIDNIGHT FIREWORKS CRUISE High resolution images available on request (BOSTON—Nov. 1, 2012) First Night Boston announces some highlights of the 37th edition of the country’s oldest and largest New Year’s Eve arts festival. A reserved seating section has been set aside for some events, so people may purchase a guaranteed seat if they wish. These premium package tickets for select performances are $35, and each ticket purchase includes a First Night Boston 2013 button, which is the ticket for admission to all First Night indoor events. All First Night events take place on Monday, Dec. 31, 2012 and tickets are on sale now at www.firstnight .org. Approximately 30% of the venues for those shows listed below will be set aside for advance reserved seating sale, while the rest of each venue will be open to all First Night button holders on a first come, first served basis as usual. All other First Night indoor venues are open to all button holders. Complete festival programming, which will include over 1000 artists in 200 exhibitions and performances in 35 different locations, will be announced in mid-November. -
Shock Factor Gone... but Haunting Tale Is Worth Revisiting Doors Open: 19:30: Over 16S Only
Thursday September 18, 2014, The Gazette 7 Sukekiyo 2014 LIVE in Europe featured on Season 6 of Russell : “ameagari no yuushi”. O2 Simmons Presents Def Poetry on Academy Islington, London N1 HBO. Artists performing: Watsky. 0PS. Thursday, September 18. Shock factor gone... but haunting tale is worth revisiting Doors open: 19:30: Over 16s only. Mother + Special Guests Penn Wednesday, September 24. Badgley - Jimmy Giannopoulos GHOST FROM production nicely interrogates Claire Plus Special Guests. London - Simon Oscroft - Darren Will A PERFECT PLACE the motivations behind Oslo, London E8 1LL. Wednesday, M O T H E R, fronted by Gossip Arcola Theatre recollection, lending the September 24. ####$ scenes a crackling energy. Girl’s Penn Badgley, have Mars Red Sky plus Trippy Wicked. announced four shows next The shock factor of Philip Feast and Reid form a The Black Heart, London NW1 month. Sebright Arms, London E2 Ridley’s modern Gothic sterling tragicomic double act 0AP. Thursday, September 25. 9AG. Thursday September 18. horror has somewhat as they summon ghosts to LV & Josh Idehen Plus Sega Bite The Buffalo plus Nights + diminished. re-enact Torchie’s agonising Bodega DJ Set + Special losses: she desperately Fossa. Hoxton Bar & Kitchen, Sharp-suited gangster Travis Guest Darq E Freaker. London seeking a way to avert London N1 6NU. Thursday, Flood (Michael Feast) returns Oslo, London E8 1LL. Thursday, disaster, he experiencing September 18. home after a long exile; while September 25. crippling visceral empathy. Nathan Fake (Live) Plus Wesley his contemporaries did time, Chloe Howl Plus Lisbon. Scala Matsell + Special Guest: Patten Travis swapped Bethnal Rio and her gang (spiky London, N1 9NL. -
Mike Green P= Producer, W= Writ Er, M= Mixer, E=Eng, A= Arranger
MIKE GREEN P= PRODUCER, W= WRIT ER, M= MIXER, E=ENG, A= ARRANGER ARTIST PROJECT RECORD CO JOB Set It Off Upcoming Album Equal Vision CW/P/M With Confidence Upcoming Album Hopeless CW/P/M Real Friends Upcoming Release Fearless CW/P Hands like Houses Upcoming Release Hopeless P/CW/M The Aces When My Heart Felt Volcanic Red Bull CW/P State Champs Living Proof Fearless CW/CP Tim Schou “Nirvana” BMG CW/P/M The Aces “Holiday” Red Bull P “Ground Control,” “Vampire Shift,” All Time Low Atlantic CW “Chemistry” Neck Deep The Peace and the Panic Hopeless CW/P/M “Come Undone,” “If I Ever See You Greyscale Fearless CW/P Again” ARTIST PROJECT RECORD CO JOB Sum 41 “War,” “Breaking the Chain” Hopeless CW State Champs “Stitches” Fearless M Axel Muniz “Siempre Tu” Warner Latin CP Seaway Vacation Pure Noise Ent CW/CP Icon for Hire You Can’t Kill Us Indie P/M As It Is okay. Fearless CW/P/M Gwen Stefani “Getting Warmer” Interscope CP/CW Leslie Grace “3 Little Words” Sony Latin CW/P Set it Off “Tug of War” Equal Vision CW/P Martina Stoessel “Finders Keepers” Disney CP Seaforth “Undo” Universal CW/P Hands Like Houses “Colourblind,” “Division Symbols” Rise CW/CP The Mowgli’s Kids in Love Photofinish P/M 5 Seconds of Summer Sounds Good Feels Good Capitol CW/P ARTIST PROJECT RECORD CO JOB Hopeless All Time Low Future Hearts P/CW Records Fearless The Color Morale Hold On Pain Ends P Records MC Yogi Only Love is Real Indie P Columbia Lea Michele “Cannonball” P/M Records Redzone Semi Precious Weapons Aviation P/M/CW Records Wind-Up Genevieve Show Your Colors P/CW Records Fueled By Ghost Town The After Party P/M/CW Ramen Republic Cassadee Pope “Frame By Frame” CW Nashville “You Wear a Crown But You’re No Fearless Blessthefall CW King” Records Icon For Hire Icon For Hire Tooth and Nail CP Forever The Sickest Fearless J.A.C.K. -
Central Florida Future, Vol. 39 No. 17, September 29, 2006
University of Central Florida STARS Central Florida Future University Archives 9-29-2006 Central Florida Future, Vol. 39 No. 17, September 29, 2006 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 39 No. 17, September 29, 2006" (2006). Central Florida Future. 1917. https://stars.library.ucf.edu/centralfloridafuture/1917 (. GREEKS GET DOWN Kappa Delta sorority BROKEN DOWN raises thousands for Knights fall as turnovers lead to charity at 'Shakedown' -SEESPORTS,A7 19 Southern Miss. points - SEE NEWS, A2 (. FREE ·Published Mondays, Wednesdays and Fridays www.CentralFloridaFuture.com ·Frida* September 29, 2006 ( SGA ELECTION RESULTS SGA election fills 46 seats, Arts and Humanities approves two amendments, Seat 7: Austin Smith ' Seat 2: Patrick Defaria schedules three run-offs Seat 3:Eric Eingold Seat 4: Julie Sackett NATALIE MORERA and JESSICA SUNDAY Contributing Writers Health &Public Affairs Seat 1: Whitney Mackay The Student Government Association Seat 2: Sean Whitaker announced the results of its senatorial elections Seat 3: Tabatha Calabrese Thursday, reporting that 46 out of 52 seats were Seat 4:Jennifer Upinski filled and both amendments passed. Riin-off elec Seat 5: Logan Berkowitz tions for three seats will take place early in Octo Seat 6: Victoria Manglardi ber and the remaining three open seats will be Seat 7: Sloane Rosenberg appointed. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Cover Subtext Critical 12
This Mortal Coil - You and your Sister (1991) (Chamber Pop Group) This songs was originally written and performed by Big Star's Chris Bell, who shares a place in the "27-club" beside Janis Joplin, Jim Morrison and Jimi Hendrix. Ivo Watts-Russell, then-owner of the 4AD-Label and Co-Founder of This Mortal Coil, selected in total 4 songs from Bell and Big Star for his rich output of obscure cover versions. Not obscure, but a bit odd, is the way the song was recorded, which can be found in the story of 4AD: Facing the other way - Martin Aston. What appears as an acoustic guitar chord, is a revolving midi-fied sequence, the sweet voices of (then) Pixies' Kim Deal and Tanya Donelly (Throwing Muses), sounding so much in harmony, but were recorded separately, just the string section ought to have played together. The midi-guitar resonates delicious and generously into your room, paving the way for honey sweet female voices, layered with some strings: just a perfect example of chamber pop. Nothing you can hear exposes anything about the tragedy surrounding this song and it's author to the listener. Radical Dance Faction - Hope (1991) (Chamber Pop Group) RDF is masterminded by Chris Bowsher, a musician from Hungerford, whose articulation could have mentored the Sleaford Mods. Meanwhile, his taste in creating spacial soundscapes including accentuation for voices and instruments, just provides a completely different mindset. This song talks about the indecision after terrorists attacks. With a speedy reggae rhythm basement that create the space for the pronounced, in my ears "jazzy" guitar riffs, a female voice contrasted by a male background singer, some meandering saxophone and hand percussion, the music leads the "long long road" to freedom from fear. -
Best of the Year 2020
r d e R e c o s P r e s S i d e n t B - s : Best of the Year 2020 Jimmy 2020 Pandemic and Cancer - thank God for music Liv’s List XOXO by The Jayhawks Beach Bunny - Honeymoon Fetch the Bolt Cutters by Fiona Apple Phoebe Bridgers - Punisher Punisher by Phoebe Bridgers Crack Cloud - Pain Olympics Women in Music, Pt. III by HAIM Disq - Collector Song For Our Daughter by Laura Marling Fontaines D.C. - A Hero’s Death Homegrown by Neil Young Ghostpoet - I Grow Tired But Dare Not Fall Asleep Shore by Fleet Foxes Freddie Gibbs & The Alchemist - Alfredo Beyond the Pale by Jarv Is... Lianne La Havas - Lianne La Havas My Echo by Laura Veirs Jyoti - Mama, You Can Bet! Good Souls Better Angels by Lucinda Williams Mary Lattimore - Silver Ladders Even in Exile by James Dean Bradfield Liv.E - Couldn’t Wait To Tell You… Midnight Manor by The Nude Party Agnes Obel - Myopia Sun Racket by Throwing Muses Okay Kaya - Watch This Liquid Pour Itself England Is a Garden by Cornershop Angel Olsen - Whole New Mess On Sunset by Paul Weller The Orielles - Disco Volador Reunions by Jason Isbell and the 400 Unit Protomartyr - Ultimate Success Today Alphabetland by X Rolling Blackouts Coastal Fever - Sideways To New Italy Down in the Weeds, Where the World Once Was by Bright Eyes Run The Jewels - RTJ4 Let It All In by Arboretum Slow Pulp - Moveys Sideways to New Italy by Rolling Blackouts Coastal Fever Shannon sez Squirrel Flower - I Was Born Swimming Collector by Disq Moses Sumney - græ Never Not Together by Nada Surf Bladee - 333 Tobin Sprout - Empty Horses The Unraveling -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions.