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2011 Summer Senior Newsletter
Summer 2011 Enriching lives with learning opportunities ≈ Providing services that support well-being and independence ≈ Building Community INDEX (SS = supplement) Adult Day Service…..SS4 New Opportunities Art Classes………………9 Aquatics Classes...…..3-4 BTSS Senior Band (page 10) Billiards ………………. 10 Blood Pressure..........SS2 White Horse Society (page 10) Book Groups...................9 BTSS Eligibility.…….….2 Mah-jongg & Canasta (page 10) Cancellations…………2,7 “Just for Fun” Chorale (page 10) Cardio Exercise ……….4 Cards ……......................10 Exercise Starts Here (page 4) (FUN11-B1101) Celebrations! .…….11 &16 Christines’ Comments...2 Ping Pong (page 7) Across SE Michigan senior nutrition providers Clubs……………...........11 Racewalking Clinic (page 7) are collaborating to increase awareness of Computers ................9-10 MOW service and the growing funding Counseling ………….SS1 Line Dancing (page 7) challenges we are all facing. As federal and Day Trips…..….....…12-15 Donations……..…....….15 Counseling (Services page 1) state funding is reduced and the number of Enrichment ……….… 9-11 people in need of the service grows, we trust Fitness..........................3-7 Friendship Club……. SS4 support will increase at the community level. Games………..……….. 10 Many of our recipients are able to make Get to Know You.…...... 11 Grocery Shop.............SS2 contributions which support their meal Home Loans …………SS3 BTSS volunteers are the heart and soul delivery service though we are hearing from Knitting Club………....…9 of the Meals on Wheels program. more who are not. We’re currently Lapidary..........................9 • MOW volunteers delivered 13,000 meals reimbursed 56 cents in federal/state dollars Line Dancing ……..7 & 16 last year in sun, shade, snow, sleet, rain Loan Closet …………SS3 for each meal delivered and the client and wind! Meals on Wheels …...SS2 contributes $3.75. -
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s. -
Biography [PDF]
NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments, -
Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and Thevivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts
85TH ACSA ANNUAL MEETING ANDTECHNOLOGY CONFERENCE 457 Building Cultures by Designing Buildings: Corporatism, Eero Saarinen, and theVivian Beaumont Repertory Theater at the Lincoln Center for the Performing Arts WESLEY R. JANZ, AIA Ball State University In 1964, the inaugural production of the Lincoln Center the temporary facility. The second considers the architec- repertory company opened to critical acclaim. The debut of tural intentions of these non-architects as they gave physical Arthur Miller's play After The Fall was "an impressive start" form to the preeminent culture they envisioned. (chapman); one that would "arouse an audience and enrich a season" (Nadel). The cast, which included Faye Dunaway, THE CAMPUS OF THE LINCOLN CENTER FOR Hal Holbrook, and leading man Jason Robards, Jr. was THE PERFORMING ARTS lauded: "no performance was less than compelling," stated Lincoln Center was the focus of the eighteen-block Lincoln Howard Taubman, the theater critic of the New York Times. Square Urban Redevelopment Project on the Upper West The theater, a temporary facility that was designed and Side of New York City. Spearheading the Lincoln Center built under the guidance of co-producing directors Robert component were Coinmissioner Robert Moses, Dwight Whitehead and Elia Kazan, was also praised. The critic John Eisenhower, the President of the United States; Nelson A. McClain termed the playhouse "a quite fabulous structure," Rockefeller, the Governor of the State of New York; and the and Howard Clunnan agreed; "the moment you enter it your third John D. Rockefeller. The Center's unofficial title, the attention is riveted on the stage" (Hyams). -
New Oral History Projects Launched!
BOARD OF DIRECTORS Anthony C. Wood, Chair Elizabeth R. Jeffe, Vice-Chair Stephen Facey, Treasurer Lisa Ackerman, Secretary Daniel J. Allen Eric Allison Michele H. Bogart Joseph M. Ciccone Susan De Vries Amy Freitag Shirley Ferguson Jenks Otis Pratt Pearsall Duane A. Watson NEWSLETTER SPRING 2012 Welcome to the sixteenth edition of the newsletter of the New York Preservation Archive Project. The mission of the New York Preservation Archive Project is to protect and raise awareness of the narratives of historic preservation in New York. Through public programs, outreach, celebration, and the creation of public access to information, the Archive Project hopes to bring these stories to light. New Oral History Projects Launched! The Archive Project Embarks Upon Ambitious Array of Interviews with Preservation Leaders The New York Preservation Archive Project is from the Robert A. and Elizabeth R. Jeffe range of cultural, historical, and architectural thrilled to announce the launch of our newest Foundation. aspects of the city. Each individual house has oral history initiative, Leading the Movement: * * * a distinctive preservation history and a unique Interviews with Preservationist Leaders in New For the first time in our organization’s history, set of people who ensured its survival, whether York’s Civic Sector. The goal of this project is the Archive Project is teaming up with New they were concerned citizens, directors of civic to record oral histories with 15 key leaders in York University’s Museum Studies Program organizations, or descendents of the houses’ the preservation civic sector, capturing their to produce a series of oral histories focused original inhabitants. -
October 2016 to Saturday 12Th November 2016
FROM THE PRESIDENT Dear Friends, I am pleased to report that our new curtain mechanism has been installed. The curtain is now operated by the press of a button! In some ways it was sad to see the old pulley go as it had been a part of the Playhouse Theatre for so long. I was so relieved that the curtain itself didn't fall apart when it came down. The theatre is continually being improved. I would like to welcome Nick Lahey as a Rep director. This is his first play for Hobart Rep. Thank you to Nick cast and crew for their dedication to Up For Grabs. I look forward to seeing the fruits of their labours. President Liz “on duty” in the Box Office during the run of Something’s Afoot We thank our volunteers and supporters. We could not function without you. A SLICE OF THEATRE LIFE You never know who you’ll see at The Playhouse during a theatrical run. Top left, well known actor Jeff Michel selling programs. Top right, Hobart Rep Secretary, Tony Webb and below, Heather Chong, a most beloved Sponsor. (We LOVE our Sponsors!) UP FOR GRABS A Fast Paced Comedy and Maybe a Hint of Satire When Simone Allen, an exclusive art dealer, is given the opportunity to sell a Brett Whitely, her behaviour becomes highly questionable as the pressure mounts. Driven by greed and aesthetics, just how far will Williamson’s characters go when more than just a beautiful work of art is up for grabs in this sexy comedy of manners? A fast paced show about money, greed, unhappy couples and expensive art. -
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place
CURRICULA VITAE Name: Richard Scherr Address: 380 Rector Place, #18B New York, N.Y. 10280 Telephone: (212) 786-1632 E-Mail [email protected] EDUCATION Cornell University 9/67 - 5/72 B. Arch. Columbia University 9/72 - 5/73 M.S. Arch. (Spec. in Urban Design) TEACHING AND ADMINISTRATIVE EXPERIENCE June 1999- Director of Facilities Planning and Design, Jan 2014 Pratt Institute May 1999- Adjunct Professor of Architecture and Urban Design, Present Pratt Institute Sept. 1989 - Chairman and Professor, Graduate Programs May 1999* in Architecture and Urban Design, Pratt Institute Sept. 1986 - Professor of Architecture, School of May 1989** Architecture, The University of Texas at Arlington Sept. 1983 - Graduate Advisor, School of May 1986 Architecture, UTA Sept. 1980 - Associate Professor of Architecture May 1986 with Tenure, School of Architecture, UTA Sept 1975 - Assistant Professor, School of May 1980*** Architecture, UTA Sept 1973 - Instructor, Department of Architecture, May 1975 University of Texas at Arlington Sept. 1978 - ***Leave-of-Absence May 1979 Sept. 1987 - ** Leave-of-Absence May 1988 Feb. 1999- *Sabbatical June 1999 AWARDS May 1972 -Eidlitz Travelling Fellowship, Cornell University May 1975 -Organized Research Grant Award, UTA May 1976 -"Teacher of the Year", School of Architecture, UTA May 1976 -AMOCO Teaching Award, UTA (Honorable Mention) May 1977 -Organized Research Grant Award, UTA May 1980 -Organized Research Grant Award, UTA Apr. 1982 -Plaza Hotel Renovation, "Merit Award," Dallas A.I.A. (w/ Woodward & Assoc.) Sept. 1982 -
AFRICAN AMERICAN HISTORIC PLACES in SOUTH CAROLINA ////////////////////////////// September 2015
AFRICAN AMERICAN HISTORIC PLACES IN SOUTH CAROLINA ////////////////////////////// September 2015 State Historic Preservation Office South Carolina Department of Archives and History should be encouraged. The National Register program his publication provides information on properties in South Carolina is administered by the State Historic in South Carolina that are listed in the National Preservation Office at the South Carolina Department of Register of Historic Places or have been Archives and History. recognized with South Carolina Historical Markers This publication includes summary information about T as of May 2015 and have important associations National Register properties in South Carolina that are with African American history. More information on these significantly associated with African American history. More and other properties is available at the South Carolina extensive information about many of these properties is Archives and History Center. Many other places in South available in the National Register files at the South Carolina Carolina are important to our African American history and Archives and History Center. Many of the National Register heritage and are eligible for listing in the National Register nominations are also available online, accessible through or recognition with the South Carolina Historical Marker the agency’s website. program. The State Historic Preservation Office at the South Carolina Department of Archives and History welcomes South Carolina Historical Marker Program (HM) questions regarding the listing or marking of other eligible South Carolina Historical Markers recognize and interpret sites. places important to an understanding of South Carolina’s past. The cast-aluminum markers can tell the stories of African Americans have made a vast contribution to buildings and structures that are still standing, or they can the history of South Carolina throughout its over-300-year- commemorate the sites of important historic events or history. -
David Williamson's the Club
THE CLUB BY DAVID WILLIAMSON TEACHER’S NOTES BY PETER FITZPATRICK CurrenCy Press STUDY GUIDE The performing arts publisher www.currency.com.au DAVID WILLIAMSON’S THE CLUB by Peter Fitzpatrick . Introducing the play 1 2. The playwright comments 1 3. The critics’ views 1 4. Questions for discussion 1 5. Further reading 1. Introducing the play disparaged, figure in contemporary Australian theatre. He is, in a non-pejorative sense, an old- In 1976 some jeremiahs greeted the news fashioned playwright; his plays are not avant- that Australia’s most popular playwright was garde in their forms or expectations, and only working on a play about football—Australia’s in his unexpurgated dialogue does he take any most consuming form of popular theatre—with developed advantage of the freedoms won for his mutterings about the dangers of sacrilege, or generation of writers. All his plays are naturalistic of pandering to the public. But it didn’t take in form, suited to the proscenium stages and an expert to tip the success of The Club at the convincingly solid sets of the subsidised State box office. The degree of success has, however, companies who have found a new Williamson play exceeded anyone’s expectations, even in a godsend. Melbourne, the football culture in which the play Williamson’s earliest work was performed in is set. The Club, in its premiere season which 1970 at the tiny La Mama theatre in Melbourne, opened on 24 May 1977 at the Russell Street perhaps the main focus of the so-called ‘new Theatre, played to packed houses for an extended wave’ in Australian theatre in the late 1960s and four-month run, and brought unprecedented early 1970s; but since 1971, when The Removalists profits to the Melbourne Theatre Company; and Don’s Party were taken up by ‘establishment’ twenty months later it was back again, the laughs companies, all of his plays have first appeared in and full houses showing no signs of flagging. -
YALE CLUB of NEW YORK CITY BUILDING
Landmarks Preservation Commission February 9, 2010, Designation List 426 LP-2379 (Former) YALE CLUB of NEW YORK CITY BUILDING (now PENN CLUB of NEW YORK), 30-32 West 44th Street, Manhattan Built 1900-01, [Evarts] Tracy & [Egerton] Swartwout, architect; upper stories 1992-94, [David P.] Helpern Architects. Landmark Site: Borough of Manhattan Tax Map Block 1259, Lot 54 On November 17, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) Yale Club of New York City Building (now Penn Club of New York) and the proposed designation of the related Landmark Site (Item No.1). The hearing had been duly advertised in accordance with the provisions of law. Four people spoke in favor of designation, including representatives of the Penn Club, University of Pennsylvania, New York Assemblyman Richard Gottfried, and Historic Districts Council. Summary The former Yale Club of New York City Building is located along “clubhouse row,” West 44th Street between Fifth and Sixth Avenues, its neighbors including the Harvard Club, New York Yacht Club, Association of the Bar of the City of New York, and former City Club. This Beaux-Arts style building, constructed in 1900-01 by builder Marc Eidlitz & Son, was designed by [Evarts] Tracy & [Egerton] Swartwout, both Yale University graduates, Yale Club members, and former employees of McKim, Mead & White. It was one of the first high-rise clubhouse buildings in the city, with over half the floors devoted to bachelor apartments, during the era when bachelor apartment hotels were a necessity in the vicinity. -
TDD 1 111 Henry Street -2018.Indd
RETAIL | 111 HENRY STREET Retail 111 HENRY STREET This proposed $20 million mixed-use office, retail and parking development would be completed with 50,000 square feet of office space and 7,000 square feet of street-level retail space. It would continue to build on the success of Henry Street’s popular retail and restaurants. Previously designated as residential, this property is now envisioned as office space to meet surging demand for Class A office space in Detroit. 7,000 SQ. FT. OF RETAIL DELIVERY 4Q19 2 #DistrictDetroit | DistrictDetroit.com The EXPERIENCE The District Detroit is a dynamic urban destination in the heart of Detroit. One that includes something for everyone — a dense neighborhood experience with a variety of developments alongside Detroit’s premiere sports and entertainment venues. Connecting downtown Detroit to growing nearby neighborhoods such as Midtown, Corktown and Brush Park, The District Detroit is having a dramatic economic impact on Detroit and is a driving catalyst of the city’s remarkable resurgence. The District Detroit is delivering $1.4 billion+ in new investment in Detroit including the new Little Caesars Arena, the Mike Ilitch School of Business at Wayne State University and Little Caesars world headquarters campus expansion. Additionally, new office, residential and retail spaces will continue to add momentum to Detroit’s amazing comeback for years to come. $1.4 BILLION+ IN NEW INVESTMENT A FIRST OF ITS KIND #DistrictDetroit | DistrictDetroit.com Retail 111 HENRY STREET GM Renaissance Center & Marriott -
Columbia Street Retail - 33 W
COLUMBIA STREET RETAIL - 33 W. COLUMBIA STREET COLUMBIA STREET Retail The District Detroit’s Columbia Street is set to be the city’s latest retail destination bringing new restaurants and shops to serve Tigers fans and many others west of Woodward between the historic Fox Theatre and the new, nine-story Little Caesars headquarters expansion. The block-long, pedestrian-friendly strip will have ten new storefronts in one of The District Detroit’s busiest areas. Columbia Street is bringing nearly 40,000 square feet of new retail and will feature a variety of dining options among several restaurants as well as a European-style promenade boasting Cobblestone paving, festoon lights and al fresco dining space. 40,000 SQ. FT. OF RETAIL OPENING Q4-19 #DistrictDetroit | DistrictDetroit.com Retail COLUMBIA STREET #DistrictDetroit | DistrictDetroit.com The EXPERIENCE The District Detroit is a dynamic urban destination in the heart of Detroit. One that includes something for everyone — a dense neighborhood experience with a variety of developments alongside Detroit’s premiere sports and entertainment venues. Connecting downtown Detroit to growing nearby neighborhoods such as Midtown, Corktown and Brush Park, The District Detroit is having a dramatic economic impact on Detroit and is a driving catalyst of the city’s remarkable resurgence. The District Detroit is delivering $1.4 billion+ in new investment in Detroit including the new Little Caesars Arena, the Mike Ilitch School of Business at Wayne State University and Little Caesars world headquarters campus expansion. Additionally, new office, residential and retail spaces will continue to add momentum to Detroit’s amazing comeback for years to come.