Participants Will Move, Stretch, Rejuvenate and Relax Through a Series of Gentle Yoga Movements, Breathing Exercises, and Meditation
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Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Found Media: Interactivity and Community in Online Horror Media
SUNY College Cortland Digital Commons @ Cortland Master's Theses 4-2021 Found media: interactivity and community in online horror media Jax Mello Follow this and additional works at: https://digitalcommons.cortland.edu/theses Part of the American Film Studies Commons, Fiction Commons, Film and Media Studies Commons, Social Media Commons, and the Social Psychology and Interaction Commons Found Media: Interactivity and Community in Online Horror Media by Jax Mello A Thesis Submitted in Partial Fulfillment of the Requirements For the Master of Arts in English Department of English, School of Arts and Sciences STATE UNIVERSITY OF NEW YORK COLLEGE AT CORTLAND April 2021 Master of Arts Thesis, English Department SUNY Cortland Student Signature: ______________________________________________________ Thesis Title: Found Media: Interactivity and Community in Online Horror Media Thesis Advisor’s Signature: _______________________________________________ MA Coordinator’s Signature: ______________________________________________ Being isolated is a common fear. The fear can take many forms, from the fear of being the last one alive in a horrific situation to being completely deserted by everyone you love. This is a fear that has been showcased many different times in movies, novels, and every other piece of media imaginable. Although not always tied to the horror genre, the fear of being isolated is tightly intertwined with many horror stories. Therefore, it is interesting when a horror production goes out of their way to encourage interactivity within its audience. This goes beyond an artist’s desire for a creation to have a raving fanbase behind it, which is typically generated through external means from the narrative itself. Instead, there is an as-yet-unaccounted-for subgenre of horror that integrates Found Footage techniques with the specific goal of eliciting interactivity within the audience. -
Q: Does Anyone Know of Any Specific Ace Representation in Media of Any
Ace Toronto Discussion Notes (July 15, 2018): fandom & media 1 of 8 Ace Toronto Discussion Notes: July 15, 2018 “Fandom & Media” 8 attendees Respect guidelines (available here) Introductions: Names and pronouns shared; Q: Does anyone know of any specific ace representation in media of any kind? • Jughead [Comics] o He is asexual In the comics, not the show [Riverdale] o We’re very sad that they didn’t include his orientation in the show o Chip Zdarsky – the comics creator who identified Jughead’s asexuality specifically TV shows: • Sheldon from The Big Bang Theory [TV show] o Referenced as being probably ace because of his portrayal, but it’s not positive representation o But nothing in the show is really positive representation! • Rafael from Shadowhunters [Netflix series] o Minor character – appears in one episode o The rest of show has gay stuff o Filmed in Toronto – ex. Allen Gardens is the exterior of the Institute o Rafael is definitely asexual but it’s not made clear whether he's aromantic o Cassandra Clare said he's aroace, but the show didn't confirm o Discussion members are glad that his orientation was put in the show (unlike Dumbledore’s erasure in Harry Potter) • Todd from Bojack Horseman [Netflix series] ◦ Todd comes out as asexual ◦ Show’s humour is a little… not dark but cynical ◦ In one episode he goes to an ace meetup - "how do I be ace?" Books: • Nancy from Every Heart a Doorway by Seanan McGuire [fantasy novella] ◦ Main character is ace, book is fantasy (doesn't focus on ace experiences) ◦ Although Nancy does express -
{PDF EPUB} the Art of District 9 Weta Workshop by Daniel Falconer the Art of District 9: Weta Workshop
Read Ebook {PDF EPUB} The Art of District 9 Weta Workshop by Daniel Falconer The art of District 9: Weta Workshop. 'District 9 is that modern rarity: an adventure thriller that's even better than its advertising campaign.' Telegraph This book illuminates the incredible design process behind this ground-breaking film. Set in Johannesburg, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With their care contracted out to a for- profit corporation, the shantytown has become a violent slum. A provocative science fiction drama, with a powerful message, District 9 boasts an original story and seamless special effects. Now comes a beautiful book that reveals the creative design process behind the film. Detailing two years of interaction between Weta Workshop's artists, the director Neil Blomkamp and multi Academy Award winner Richard Taylor, The Art of District 9 gives an unrivalled glimpse into how it was all put together, shining a spotlight on the intricate creations and artistic processes. Content includes: construction of the creatures and special make-up elements, the alien weapons and special props, armour and custom vehicles and developed the language that defined the film's distinctive alien aesthetic. Available at Middlesbrough Campus. Middlesbrough Campus – 1 available: (Floor 3) 791.4372 DIS/FAL. Barcode Shelfmark Loan type Status 23287926 (Floor 3) 791.4372 DIS/FAL Standard Available. -
Virtual Space Categories Description Participants Dealers Hall Pre
Title Day NZT Time Length Virtual Space Categories Description Participants NZT (min) Dealers Hall Pre-Opening Wed, Jul 29 08:00 50 Programme Room 7 Meet this year's ConZealand Cyber-dealers! Find out early what types of wares they will be offering including and Coffee and Doughnuts (Zoom Meeting) any special ConZealand deals. Dealers will introduce themselves and highlight some interesting things from their Reception inventory. Breakout rooms will be available to talk to a dealer after their short presentation. A list of participating dealers for this session will be added closer to the reception date. Escape Artists Fan Meetup Wed, Jul 29 09:00 55 Discussion Groups Fandom Join members of the Escape Artists crew in discussing your audio fiction and audio Escape Artists Fan Meetup Marguerite Kenner, Alasdair Stuart Join members of the Escape Artists crew in discussing your audio fiction and audio drama favorites. Live Long and Prosper: Wed, Jul 29 09:00 50 Programme Room 6 If you really want to live long and prosper, try yoga. A certified instructor will guide the group through simple Erin Wilcox Meditation for Trekkies (Zoom Meetings) movements to warm up the spine and energize, followed by a meditation that incorporates Mr Spock’s favourite mudra: the Vulcan salute. Fantasy Today: The Best of Wed, Jul 29 10:00 50 Programme Room 2 Science Fiction/ Fantasy now dominates the SFF market. How did it that happen? What are the stories you absolutely can't miss, Sarah Gailey, Graci Kim, Claire Rousseau, Recent Fantasy (Webinar) Fantasy and who is writing them? Emma Osborne (M) Future Laws Wed, Jul 29 10:00 50 Programme Room 1 Science/ Law changes when the world changes. -
Iywm Schedule
GUEST/PRESENTER BIOGRAPHIES PANELS AND EVENTS Amy Acosta is an acquisition and production editor at Entangled Publishing. She is interested in diversity-rich YA, NA, and Adult fiction in the genres of Contemporary Romance, Historical (Regency/Victorian), Fantasy, and Science Fiction. One of her main goals is to help LGBTQIA+ and POC voices become mainstream and bring diversity into the publishing world. Amy lives in Puerto Rico with three very bossy rescue cats, and she ardently believes that love has no boundaries, that representation matters, and that spaceships are very cool. Find her on Twitter @AmarilysWrites Editor/pitches Linda D. Addison is an award-winning author of five collections, including How To Recognize A Demon Has Become Your Friend, and the first African- American recipient of the HWA Bram Stoker Award®. She is a recipient of the HWA Lifetime Achievement Award, HWA Mentor of the Year and SFPA Grand Master. Addison has published over 360 poems, stories and articles and is a member of CITH, HWA, SFWA and SFPA. She is a co-editor of Sycorax’s Daughters, an anthology of horror fiction/poetry by African-American women. Catch her work in Black Panther: Tales of Wakanda, The Magazine of Fantasy & Science Fiction (May/June), Weird Tales Magazine #364 and Don’t Turn Out the Lights. Women Writing Dark Fantasy and Horror 7/10 6PM, Carla E. Anderton is Editor-in-Chief of Mon Valley Vistas, an online publication that covers the arts, entertainment, education, lifestyle, health and wellness, and other areas of interest in the Mon Valley and surrounding areas, with a particular focus on people of color, people with disabilities, and members of the LGBTQ+ community. -
PDF UTC Schedule
Flights of Foundry 2021 A Art/Illustration D Audio/Podcasting C Comics F Guest of Honor I Industry Biz L Limited Access P Poetry O Prose T Translation W Writing APRIL 16 • FRIDAY 14:00 – 14:25 W Diane Turnshek - Reading Courtyard Speakers: Diane Turnshek I'll read shorter and shorter fiction as I walk around to different spots in my very small house until I tell my story with a negative word count. Small is beautiful! Happy to welcome you folks to my tiny house tour and tiny reading. 15:00 – 15:25 W Gregory Wilson - Reading Courtyard Speakers: Gregory Wilson From my most recent bio--please let me know if you need more information! Gregory A. Wilson is Professor of English at St. John's University in New York City, where he teaches creative writing, speculative fiction, and various other courses in literature. In addition to academic work, he is the author of the epic fantasy The Third Sign, the graphic novel Icarus, the dark fantasy Grayshade, and the D&D adventure/sourcebook Tales and Tomes from the Forbidden Library. He also has short stories in a number of anthologies, and has several projects forthcoming in 2021. He co- hosts the critically acclaimed actual play Speculate! The Podcast for Writers, Readers, and Fans (speculatesf.com) podcast, is a member of the Gen Con Writers' Symposium and co-coordinator of the Origins Library, and is a regular panelist at conferences nationally and internationally. He is the lead vocalist and trumpet player for The Road, a long running progressive rock band with three albums to its credit, and is the lead writer for Chosen Heart, a video game currently in production. -
Game Developers Who Started Their Careers by Working on Mods
you can make games now! ANNUAL FALL 2012 INSIDE: HANDS-ON HOW-TOS FOR THE UNREAL DEVELOPMENT KIT, THE SOURCE ENGINE, AND MORE! Change Your World DOWNLOAD FREE* 2013 AUTODESK SOFTWARE The future is closer than you think. Join a whole new class of artists in the Autodesk Education Community, and receive free* access to the same software and tools used by professional digital artists. autodesk.com/freesoftware *Free products are subject to the terms and conditions of the end-user license agreement that accompanies download of the software. The software is for personal use for education purposes and is not intended for classroom or lab use. Autodesk is a registered trademark of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and/or other countries. All other brand names, product names, or trademarks belong to their respective holders. Autodesk reserves the right to alter product and services offerings, and specifications and pricing at any time without notice, and is not responsible for typographical or graphical errors that may appear in this document. © 2012 Autodesk, Inc. All rights reserved. DigiPen student games have won 40 awards at the Independent Games Festival—more than those of any other school. Download and play them at digipen.edu/gamers. NOUS PIXI NITRONIC RUSH 2012 IGF Student Showcase Winner 2012 IGF Student Showcase Winner 2012 IGF Honorable Mention DigiPen Institute of Technology offers bachelor's and master's degrees in hardware and software engineering applied to VLPXODWLRQYLGHRJDPHGHVLJQDQGGHYHORSPHQW¿QHDUWVDQG digital art production, and sound design. www.digipen.edu ANNUAL FALL 2012 CONTENTS postmortem 44 SNOWFIELD THE SNOWFIELD is an experimental project in emergent narrative set during World War I, made in eight weeks by a team of 10 student interns from Singapore and the U.S., that was featured in the Independent Games Festival 2012 Student Showcase. -
Uvic Thesis Template
The Neoliberal Conditions for Posthuman Exceptionalism by Lori Steuart B.A., University of British Columbia, 2010 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of English Lori Steuart, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Neoliberal Conditions for Neoliberal Exceptionalism by Lori Steuart B.A., University of British Columbia, 2010 Supervisory Committee Dr. Stephen Ross, Department of English Supervisor Dr. Nicole Shukin, Department of English Departmental Member Dr. Daromir Rudnyckyj, Department of Pacific and Asian Studies Outside Member iii Abstract Supervisory Committee Dr. Stephen Ross, Department of English Supervisor Dr. Nicole Shukin, Department of English Departmental Member Dr. Daromir Rudnyckyj, Department of Pacific and Asian Studies Outside Member This thesis seeks to show that contemporary speculative fiction films both present and act as agents for an understanding of the human as increasingly economically rational. This conception of the human focuses on humanist values that project a vision of human exceptionalism into the future. Expanding on Michel Foucault’s definition of neoliberalism, this thesis follows its connection to biotechnology and the transhuman subject created through biotechnological intervention, arguing that the films Limitless (2011), Avatar (2009), and District 9 (2009) depict -
When Podcast Met True Crime: a Genre-Medium Coevolutionary Love Story
Article When Podcast Met True Crime: A Genre-Medium Coevolutionary Love Story Line Seistrup Clausen Stine Ausum Sikjær 1. Introduction “I hear voices talking about murder... Relax, it’s just a podcast” — Killer Instinct Press 2019 Critics have been predicting the death of radio for decades, so when the new podcasting medium was launched in 2005, nobody believed it would succeed. Podcasting initially presented itself as a rival to radio, and it was unclear to people what precisely this new medium would bring to the table. As it turns out, radio and podcasting would never become rivals, as podcasting took over the role of audio storytelling medium – a role that radio had abandoned prior due to the competition from TV. During its beginning, technological limitations hindered easy access to podcasts, as they had to be downloaded from the Internet onto a computer and transferred to an MP3 player or an iPod. Meanwhile, it was still unclear how this new medium would come to satisfy an audience need that other types of storytelling media could not already fulfill. Podcasting lurked just below the mainstream for some time, yet it remained a niche medium for many years until something happened in 2014. In 2014, the true crime podcast Serial was released, and it became the fastest podcast ever to reach over 5 million downloads (Roberts 2014). After its release, podcasting entered the “post-Serial boom” (Nelson 2018; Van Schilt 2019), and the true crime genre spread like wildfire on the platform. Statistics show that the podcasting medium experienced a rise in popularity after 2014, with nearly a third of all podcasts listed on iTunes U.S. -
A HISTORY of NEW ZEALAND SCIENCE FICTION and FANTASY by Simon Litten and Sean Mcmullen
FANTASTICAL WORLDS AND FUTURES AT THE WORLD'S EDGE: A HISTORY OF NEW ZEALAND SCIENCE FICTION AND FANTASY by Simon Litten and Sean McMullen CHAPTER 7: ARTISTS, COMICS, CRASH COURSES AND THE FUTURE There is a lot more to science fiction, fantasy and horror than novels, stories, films and television series. Comics, artists, musicians, podcasts, audio works, live plays, radio plays, games, re-enactment societies and non-fiction books all contribute to the overall picture, and all of the foregoing are produced in New Zealand. Each of these topics could fill a separate chapter, but deadlines have forced us to provide just a few examples of artists, comics and non-fiction books here. NEW ZEALAND ARTISTS Readers really do, more often than not, judge books by their covers, and New Zealand's artists have produced some very fine work, contributing to the success of many books. This artwork has been honoured in the Sir Julius Vogel Awards in the category of Best Professional Artwork. A selection of winners and their covers follow: Emma Weakley has won the Sir Julius Vogel Award award three times, for Newton’s Sleep (Random Static, 2008) in 2009, Regeneration: Best New Zealand Speculative Fiction (Random Static, 2013) in 2014, and At the Edge (Paper Road Press, 2016) in 2017. Frank Victoria’s cover for Mary Victoria’s Tymon's Flight (Harper Collins, 2010) won the award in 2011, and the following year won again with his cover for Mary Victoria’s Oracle's Fire (Harper Collins, 2011). Les Petersen did the cover for an Australian anthology by New Zealander Simon Petrie, Light Touch Paper, Stand Clear (Peggy Bright Books, 2012), winning him a Vogel in 2013.