Here's News Capsule of Music World for 1945

Total Page:16

File Type:pdf, Size:1020Kb

Here's News Capsule of Music World for 1945 Chicago. lanuary 1, 1946 NEWS DOWN BEAI Ho-Hum! So It's Sleepy Here's News Capsule of Memories! New York—Aa elephant is a great big fat thing, and Frankie Time On The Platters! Boy I* just about the opposite, but they have our thing in eum- Music World for 1945 on. Neither of ’em ever forget«. Sinatra had «ome tangles with New York—DeLuxe Record Co. of Linden, New Jersey, By EVELYN EHRLICH ID ii couple of year* ago, and doesn’t give a hoot in hade« that hypnotist Ralph Slater didn't that he hasn't completely forgot­ put Charlie Spivak's hand to sleep at all, and met with equally JANUARY—The music world was anxiously awaiting word ten nor forgiven wa* evidenced negligible results when he tried his whammy on Tony Pastor's by hi* remark on a recent radio on the missing Glenn Miller . Harry James went on the new crew. The firm, knowing Sla­ Danny Kaye air show January 6 ... Horace Heidt was dropped show. Asked by the announcer whether he wav going to purchase ter'« Spivak deal didn't jell from the Hires program ... “Zoot suit** riots were popular on a gadget on a 52-week easy-pay- and on Pa«tor, well, it waa just Rex Stewart on St, ike wert eoart. Maxiue Johnson -------------------------------------------------------------- ment plan, the Verce asserted: one of those crazy things, look the voeal «pul with Count Ba*ie fitial decree. Lionel Hampton “Not tne. In 52 week* I may signed the hypnotist for a a* Thelma Carpenter went *olo at played a concert at Carnegie Ite back with Dorsey—and you Bothwell Leaves the Ruban Bleu.. Duke Ellington Hall. Pianist Teddy Weather­ know what hind of money I’d be series of seven one-record al­ and Charlie Spivuk won the Beat’» ford died in Calcutta, India. making then!” bums titled Timp To Sleep. Mew York—Rex Stewart, who annual poll by dose margin* over The hit tune that gagged (and left Duke Ellington when he W oudy Herman and Tommv Dorsey, not gassed)—One Meat Balli Idea of records is that a 1 sten closed at the Zanzibar last while Bing Crosby (who won award* tu Slater, even on wax, will lull month organized a combo >1 sev­ MAY—The Sam Dunuhuc band Carter won the right to retain the hearer to sleep, which may or for everything front being Amer, and live in his own home on a en men to open at the Three ica’s bert dreed man lo champion wa* back in the »tales from its sec­ may not be a startling change Druces on 52nd Street December ond oversea* trip. Clyde McCoy suit filed by some nasty ofay bur*» breeder) won over Frank from some current discs which 20 Group is operating on a co- Sinatra... Wedding bell* for Teddy got out of the navy. Toot* Canui- neighbor. Charlie Spivak was don’t plan to do that at all Actu- wearing a cast and using a cane opeiative oasii. booked by the Wilson and Janice Carante, Donna rata was in London «coring for a aly it s no Joke, alleged deal be­ William Morris Agency. British musical. Jimmy Dorsey because he stumbled on a cobble­ Dae and “W ild Bill” Cumming* and tween firm und Slater calling for Johnny Bothwell closed at the Hyde McCoy und Maxine Bennett. wii* forced lo leave hi« lumd in stone and fractured a foot. a $25,000 guarantee vs. $50.000 Chicago for an operation in Los Harry James returned to the west return in royalties. Deuces December 13, and broke FEBRUARY—Much udo about Angeles. Ray Eberle was induct­ coast after a series of eastern up his combo to vacation in Flor­ the sudden 12 o’clock curfew or­ ed. Hal McIntyre and hi* band dates... Hazel Scott wed her fa­ Demonstration of Slater's sleep ida before proceeding with his der which began February 26 headed overseas. So did Frank vorite congressman. 27-year- system on wax was given in Phil­ plans for a large band. Much ado after that, too .. Anita Sinatra. Shorts Sherock quit hi* old pianist Nat Jaffe passed tway ly a couple of weeks ago to a set The Cats and Fiddle followed O’Day left Stan Kenton to return band und went eart lo reorganize. suddenly. Jimmy Dorsey signed of Deluxe Distributors, theory be­ Bothwell into the Deuces for a to Hollywood Bob Allen was in­ . V-F. Day, May 8. and the end of youthful diummer Karl Kiffe and ing that after it was proved to week, alternating with a combo ducted at Ft. MacArthur .. Ben­ the curfew! replaced vocalist Teddy Walters *hein they could be put to sleep organized ny Charlie Shavers for ny Goodman out of the Seven with Dick Culver.. Cab Calloway by the discs they’d pressure the a few weeks while vacationing Lively Arts show, with his sextet JUNE—It was Glenn Miller Day and Claude Hopkins cami to sales. Slater, both m the flesh from the Tommy Dorsey band. augmented... Jimmy McPartland at the Paramount in New York blows at the Zanzibar. Bud and on wax, worked on them married Marian Page in Aachen, June 5. Two Kings of Corn Freeman and “Bullets” Durgom Several yawns were noted in the Germany. A delay enroute (Wayne and Spike) spiked the civilians again. Benny Good­ audience. from New York to Chicago made networks is summer replace­ ments. Neal Hefti rejoined the man nnd MCA doing business no Hal McIntyre’s opening it the more. Frank Stacy left the Eberly, Johnny Detmond, Trigger Jack Jenney Sherman a late one... Billie Rog­ Woody Herman trumpet section Beat to become editor of the Alpert and Doc Goldberg. » ers junked tier band . Randy ... Shep Fields and his orchestra Capitol (and people are always Brooks, Gil Rodin and Raj Bau­ went across , . Earle Warren left asking about him) I DECEMBER — Cab Calloway duc, and Les Elgart became band Count Basie. Carol Bruce be­ began New Year’s festivities at DiesSuddenly leaders. Pee Wee Hunt joined came a bride. Louis Jordan SEPTEMBER—Lionel Hanipton the College Inn in Chicago for made several personnel changes. v«a* parking the Panther riiupi of Los Angeles—Jack Jenney. one 3. the Merchant Marine. the third consecutive year. The Phil Spitalnys made the the College Inn, . Spotlight Band* Louis Prima takes a much-need­ of the great trombonists of mod­ it MARCH---Lurry Finley filed hit split legal , . Dave Rose joined -xung into it* fourth year with ern music, died here Sunday, ie J 13,000,000 tuit agaimt MCA. ed (by all) rest. Swing Alley the civilian rank. Erno Rapee Tommy Dorvey heading the list of not the same with Dizzy Gilles­ Dec. 16 oi peritonitis followuig Benny Carter pulled out of the died of a heart attack Bob the band* most aired. • . Irene Daye an appendectomy. Jenney, who it Trocadero in Hollywood ’caute the pie and Charlie Parker at Billy Crosby wa« overseas with the inude an exit from thr Charlie Spi- Berg’s in Hollywood. Buddy was 34, had been working in iy management thought hit nutrie wa* marines. Red Nichols and his vak buml. The Voice began Rich opened at the Terrace Room coast radio circles since his navy “loo hot and loud” and he refuted “Five Pennies” opened at th( Mo­ five-year pact to broadcaut fur IM. discharge. He is survived by his •a to bend an ear to pleat for a "more in Newark Christmas night. rocco in Hollywood... Mrs. Young c igareb*. Hui McIntyre and Shep Alvlri" Rey, taking up whye he wife, singer Bonnie Lake. There is. tubdued »trie’ Buty Man : divorced Trummic. Fields completed their oversea* are no children. e, Michael Doted—joined Kay Kyter, left off pre-navy days, rounded JULY—Dixsy Cilletpie organised lour*. Thelma Carpenter signed up men co open at ftisino Gar­ Jersey wa> long a star side­ ie changed hit name from Dowd to for tho Eddie Cantor show. Dick d. Dou glut, became the father of i big band for a theater and one- dens in Ocean Park. Cal. For­ man with radio and name bands, Stabile sued Graeie Barrie fur an mer members of the original among them Isham Jones, Artie ty twin»! . Shorty Sherock debuted nighter tour. Je»» Stacy took hi* iii-ti band to Virginia Beuch. accounting of hi» eash and a di- Memphis Five reorganized as The Shaw and Red Norvo. He got his id hit band on the wort coati, at Hor­ vorce. Roy Eldridge left Artie start, as have so many name mu­ ace Heidt ditbandrd. Pianitt Johnny Bothwell and Claire Hogan New Memphis Five and preeined left the Boyd Raeburn band to get Shaw. Manny Kk in became a ar the 400 Restaurant. Rex sicians, with Austin Wylie (in h Clyde Hart patted auar. Charlie civilian and a father almost at tbti Shaven joined TD ditto Stuart Fat­ married in Hollywood. • Buddy Stewart, no .onger with Duke El 1928). During the ’30’s he was one same time. It wa* Duke Ellington of the most in demand tram men •d ter, while Gut Rirona, out of the DeFranco took hi» bride, Nita Bar­ lington, fronts a co-op group at va. Louis Jordan in a billing feud at the Three Deuces... Billie Rogers in New Yvrk radio studios. Then, terviec replaced Buddy DeFranco, • . net, to the xeit coatt and rejoined the Zanzibar. Jan Garber revert­ rehearsing her own coinbu in 1939 he organized his own it The Dick Hayme», nearly divorced, Tommy Dortey.
Recommended publications
  • Lucky Drummer from NYC Jazz to Johnny Carson
    Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20
    [Show full text]
  • Jazzletter PO Box 240, Oiai CA93024-0240
    GerE Lrc Ad Libitwm & Jazzletter PO Box 240, Oiai CA93024-0240 Rodin, Dick Morgan, Benny Goodman and Glenn Miller had The Glenn Miller Years II a suite. We all moved into that, practically the whole band, with the exception of Pollack, sleeping on chairs, couches, of the apartment was 1411' The Pollack band was booked to play at the Little Club on the floor, anywhere. The number came up: Room l4l l,with Benny 44th Street in New York, and opened there in March 1928. And that is how that title We hadbeen out ofwork about five weeks Bud Freeman years later recalled that the band's personnel at Goodman's Boys. home and said, 'I've got a recording date that time included himself, Gil Rodin, and Benny Goodman when Benny came can get some money, buy some food, on saxes; Glenn on trombone, Al Harris on trumpet, Jimmy with Brunswick. We McPartland playing jazzcornet, Goodman's brother Harry on eat."' least in that period of the big bands, bass, Vic Briedis on piano, Dick Morgan on guitar, and of (Jazz mtsicians, at have always found charming and course Pollack on drums. had a term, that I for one to staying in someone else's hotel Freeman said, "We were only there a couple of months and inventive: they referred paying for it as "ghosting.") were continually getting in trouble with the boss. We were room without registering or o'We Miller, myself and two or jusl an independent bunch of individuals and were always made that date. Goodman, playing different kinds of numberclike Blue and fluffing the boss off and getting just as fed up with him as he three more, we named Room l4l l.
    [Show full text]
  • Guide to the Milt Gabler Papers
    Guide to the Milt Gabler Papers NMAH.AC.0849 Paula Larich and Matthew Friedman 2004 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Correspondence, 1945-1993..................................................... 5 Series 2: Writings, 1938 - 1991............................................................................... 7 Series 3: Music Manuscripts and Sheet Music,, 1927-1981.................................. 10 Series 4: Personal Financial and Legal Records, 1947-2000...............................
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. MARIAN McPARTLAND NEA Jazz Master (2000) Interviewee: Marian McPartland (March 20, 1918 – August 20, 2013) Interviewer: James Williams (March 8, 1951- July 20, 2004) Date: January 3–4, 1997, and May 26, 1998 Repository: Archives Center, National Museum of American History Description: Transcript, 178 pp. WILLIAMS: Today is January 3rd, nineteen hundred and ninety-seven, and we’re in the home of Marian McPartland in Port Washington, New York. This is an interview for the Smithsonian Institute Jazz Oral History Program. My name is James Williams, and Matt Watson is our sound engineer. All right, Marian, thank you very much for participating in this project, and for the record . McPARTLAND: Delighted. WILLIAMS: Great. And, for the record, would you please state your given name, date of birth, and your place of birth. McPARTLAND: Oh, God!, you have to have that. That’s terrible. WILLIAMS: [laughs] McPARTLAND: Margaret Marian McPartland. March 20th, 1918. There. Just don’t spread it around. Oh, and place of birth. Slough, Buckinghamshire, England. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 WILLIAMS: OK, so I’d like to, as we get some of your information for early childhood and family history, I’d like to have for the record as well the name of your parents and siblings and name, the number of siblings for that matter, and your location within the family chronologically. Let’s start with the names of your parents.
    [Show full text]
  • History of Jazz Tenor Saxophone Black Artists
    HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz.
    [Show full text]
  • [CHICAGO] 1950S ALUMNI NEWSLETTER VOLUME 16 ISSUE 3 SUMMER 2021 -- [email protected]
    `````````````` AUSTIN HIGH [CHICAGO] 1950s ALUMNI NEWSLETTER VOLUME 16 ISSUE 3 SUMMER 2021 www.austin1955.org -- [email protected] HAPPY INDEPENDENCE DAY TO ALL!! AUSTIN HIGH SCHOOL [Chicago] '50s REUNION Week-End is Oct.1-3. BALANCE DUE JULY 31ST FLASH!!! NEW OPPORTUNITY TO ATTEND REUNION: It has come to the Reunion committee's attention that there are a number of individuals who would love to attend the REUNION, but for one reason or another don't want to drive at night or just aren't comfortable driving a great distance. GREAT NEWS! Word comes from our Events Chair Shel Marcus that he has arranged with a service to provide transportation for anyone from Chicago and its suburbs to be picked up from their residence and be driven to the Drury Lane /Hilton Suites complex and then have that same service drive them home again for a flat rate. One rate, whether 1, 2, 3, or however many passengers. For complete information, contact Shel at his office, 847-966-7670 ASAP. GO TIGERS!!!! A message from Ken Rosko, President of the Austin High [Chicago] '50s Alumni Committee: Good News to report! The response to attend our gala event is most gratifying. We are getting registrations from all classes from across the country. Our goal is to have representation from every year. If you still haven't sent in your registration, please do so NOW. It helps us in our planning! Remember you can customize what events you want to attend. Your committee has made every effort to make it possible for everyone to attend at any financial level.
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • Count Basie and His Bands
    NEW YORKJAZZ MUSEUM , . (:OU~T 13A,I~ and 171,13A~u, _.......-- · ' - . -~•,.,. - (:OU~T 13Ail~ and I-iii 13A~l)i Edited by Dan Morgenstern and Jack Bradley Biographies by Bill Esposito Dan Morgenstern Arnold J. Smith © Copyright 1975 by New York Jazz Museum Cover photo/Phil Stern Cover design/ Fran Greenberg WILLIAM "COUNT" BASIE A PROFILE OF HIS LI FE & MUSIC 1904 Born , August 21, at Red Bank, N.J. 1917 Starts as a drummer, switches to piano. 1919-20 Plays in local bands and stage shows in N. Y. and N.J. Takes lessons from Fats Waller. 1925-27 Tours theaters accompanying variety acts: Kate Crippen and Her Kids, Sonny Thompson Band, Gonzelle White. Vaudevillians ; first hears Kansas City style music in Tulsa, Walter Page Blue Devils; Gonzelle White Show folds in Kansas City; Accompanies Whitman Sisters in Kansas City . 1928 Join s Blue Devils in Dallas, Texas in July. 1929 Plays briefly with Elmer Payne and his Ten Royal Americans (summer). 1930 Basie and members of the Blue Devils join Benny Mote.n's band. 1934 Leaves Moten early in year to lead own band (under Mote.n's auspices) in Little Rock, Arkansas, then rejoins Moten. 1935 Death of Moten breaks up the famous Kansas City unit, after working a short time under Mote.n's brother Buster's leadership; returning to Kansas City, · works as a single, then with own trio before jointly leading "Barons of Rhythm" with altoist, Buster Smith. 1936 Broadcasts over Station WIXBY and is heard by John Hammond, famed jazz buff and sponsor, who initiates the band's first national tour; plays at Grand Terrace in Chicago - not a rousing success - then the Vendome Hotel in Buffalo, N.Y.
    [Show full text]
  • THE INFLUENCE of BIX BEIDERBECKE – VOLUME ONE: USA by Max Easterman Even Though It Became Known As “The Jazz Age”, Real Ja
    THE INFLUENCE OF BIX BEIDERBECKE – VOLUME ONE: USA By Max Easterman Even though it became known as “The Jazz Age”, real jazz was rarely popular in its own right during the 1920s, as witness the rarity of many of the finest jazz recordings from this era. Jazzmen – particularly white jazzmen – made much more money and often won greater fame using it to pep up dance music than they ever did making pure jazz recordings, though, of course, it’s by the jazz they played on records that we now judge their worth. Such is the distorting mirror of history! Of course, to the general public of the time, arranged dance music played with a rhythmic bounce and offering the occasional jazz-like solo was what they thought of as “jazz”. Two recordings suffice to illustrate the point. The recording of Paul Whiteman’s Back In Your Own Backyard , issued in March 1928, sold 88,000 copies; Bix’s recording of Somebody Stole My Gal , recorded a few weeks later, made sales of only 2400. The first is a highly arranged dance band recording containing just two short solos by Bix; the latter is a romping jazz gem, on which Bix flies like a bird throughout and inspires his fellows to greater things than they knew they were capable of. Bix was a legend in his lifetime for the men who played with him, or listened to him and tried to play like him. But for the general public, who bought the discs, he was just another name, a name which only became significant, for some of them, long after his death.
    [Show full text]
  • Oran Thaddeus Page “Hot Lips”
    1 The TRUMPET of ORAN THADDEUS PAGE “HOT LIPS” Solographer: Jan Evensmo Last updated: March 31, 2020, April 28, 2021 2 Born: Dallas, Texas, Jan. 27, 1908 Died: NYC. Nov. 5, 1954 Introduction: Hot Lips Page was for unknown reasons rather marginally recognized in my Oslo Jazz Circle upbringing, and only later I opened my ears to his fine trumpet playing! Dan Morgenstern’s various liner notes helped a lot too! History: First music lessons from his mother, a former school-teacher. Early efforts on clarinet and saxophone, specialised on trumpet from the age of 12. Joined kids’ band led by bass drummer Lux Alexander. Left music temporarily, attended high school in Corsicana,Texas, left to do manual work in Seminole oil fields in Texas. Became regular member of band accompanying Ma Ra iney, made first visit to New York with Ma Rainey for bookings at the Lincoln Theatre. Worked with a T.O.B.A. circuit touring band, accompanied Bessie Smith, Ida Cox, etc. Joined Troy Floyd Band in San Antonio, also worked in Texas with Sugar Lou and Eddie’s Hotel Tyler Band. Was heard with this band by bassist Walter Page (no relation) and subsequently joined the Blue Devils band early in 1928. Left the band in 1930 to join Bennie Moten’s band, worked mainly with Moten until 1935, after that leader’s death (April 1935) led own quintet in and around Kansas City. Worked as a specialty act with Count Basie at the Reno Club, Kansas City (1936), was signed by manager Joe Glaser and moved to New York.
    [Show full text]
  • 50! See Page 11
    Nomination Meeting: Officer Elections: Installation Meeting: October 2013 Tuesday, October 1st, 2013 Sunday, November 10th, 2013 Tuesday, December 10th, 2013 Vol. 73 No. 9 @1:00 pm 12:00 Noon to 6:00 pm @ 1:00 pm * Due to the Election, there is NO November Membership Meeting 50! See Page 11 Local 10-208 of AFM AFL-CIO CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2011-2013 Absentee Ballot Request Gary Matts President Terryl Jares Vice-President Spencer Aloisio Secretary-Treasurer To: Prof. Paul Grant, Election Chairman CHICAGO FEDERATION OF MUSICIANS BOARD OF DIRECTORS Chicago Federation of Musicians, Local 10-208 Robert Bauchens Bob Lizik LOCAL NO. 10-208, A.F. of M. Rich Daniels Janice MacDonald P.O. Box 481024 Frank Donaldson Leo Murphy Niles, IL 60714 B.J. Levy ELECTION OF CONTRACT DEPARTMENT Terryl Jares – Vice-President Dear Sir: OFFICERS AND DELEGATES Nancy Van Aacken ASSISTANTS TO THE PRESIDENT - JURISDICTIONS I, ___________________________, hereby request an Absentee Ballot TO BE HELD ON Terryl Jares - Vice-President Supervisor - Entire jurisdiction including theaters for the Local 10-208 election to be held on November 10, 2013. Sunday, November 10, 2013 (Cell Phone: 312-310-4100) Dean Rolando Recordings, Transcriptions, Local 10-208 Account Number _____________________________ 12:00 Noon – 6:00 PM Documentaries, Etc. (Cell Phone: 708-380-6219) At Union Headquarters DELEGATES TO CONVENTIONS OF THE ILLINOIS STATE FEDERATION OF LABOR 656 W. Randolph, Suite 2W AND CONGRESS OF INDUSTRIAL ___________________________________________________________
    [Show full text]
  • Newsletter, Created by Bob Knack and Friends, Remembers the Browsers on the SMN Network and Contains Articles for All Aficionados Might Play a Little
    THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Issue No 29 Presented by: www.dixieswing.com The Pearl Harbor 50th Anniversary Show The Browsers Lost Episode By Browser Bob Knack 1941, the day of the attack. Some of the songs sampled are “You Made Me Love You” by Harry James, “Elmer’s Twenty-two years after it was originally heard, a Tune” from Glenn Miller, and “You and I” by Tommy radio broadcast of The Browsers, experts in the big band Dorsey with the vocal of Frank Sinatra. The number one era, has been unearthed. song at the time was the Miller band’s “Chatanooga The show aired December 7, 1991 and features Choo-Choo,” which was awarded the first ever gold a musical salute to the 50th anniversary of the attack on record, a certified million seller. An oddity on this list; Pearl Harbor. Sitting in for the usual host, Eddie “Tonight We Love” appears twice in this top ten, one Hubbard, is musician and big band DJ Joe LaCina with version by Freddie Martin and the second vocally by panelists Browser President Phil Holdman, former WGN another Martin, Tony. The show also radio personality Len Johnson and big band contains vignettes of radio news accounts of historian Bob Knack. Browser Karl Kountz, the attack. a WWII veteran and Purple Heart recipient is As this was a national broadcast, also on hand for his remembrances. The time is allowed for local stations who wished show will be available as of November 29, to do so to play commercial 2013 exclusively at announcements.
    [Show full text]