DOCSLIB.ORG

UCLA Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UCLA Electronic Theses and Dissertations UCLA UCLA Electronic Theses and Dissertations Title Data-Driven Structural Sequence Representations of Songs and Applications Permalink https://escholarship.org/uc/item/7dc0q8cw Author Wang, Chih-Li Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Data-Driven Structural Sequence Representations of Songs and Applications A dissertation submitted in partial satisfaction of requirements for the degree Doctor of Philosophy in Electrical Engineering by Chih-Li Wang 2013 © Copyright by Chih-Li Wang 2013 ABSTRACT OF THE DISSERTATION Data-Driven Structural Sequence Representations of Songs and Applications by Chih-Li Wang Doctor of Philosophy in Electrical Engineering University of California, Los Angeles, 2013 Professor Vwani Roychowdhury, Chair Content-based music analysis has attracted considerable attention due to the rapidly growing digital music market. A number of specific functionalities, such as the exact look-up of melodies from an existing database or classification of music into well-known genres, can now be executed on a large scale, and are even available as consumer services from several well-known social media and mobile phone companies. In spite of these advances, robust representations of music that allow efficient execution of tasks, seemingly simple to many humans, such as identifying a cover song, that is, a new recording of an old song, or breaking up a song into its constituent structural parts, are yet to be invented. Motivated by this challenge, we introduce a method for determining approximate structural sequence representations purely from the chromagram of songs without adopting any prior knowledge from musicology. Each song is represented by a sequence of states of an underlying Hidden Markov Model, where each state may represent a property of a song, such as the harmony, chord, or melody. Then, by adapting ii different versions of the sequence alignment algorithms, the method is applied to the problems of: (i) Exploring and identifying repeating parts in a song; (ii) identifying cover songs; and (iii) extracting similar sections from two different songs. The proposed method has a number of advantages, including elimination of the unreliable beat estimation step and the capability to match parts of songs. The invariance of key transpositions among cover songs is achieved by cyclically rotating the chromatic domain of a chromagram. Our data-driven method is shown to be robust against the reordering, insertion, and deletion of sections of songs, and its performance is superior to that of other known methods for the cover song identification task. iii The dissertation of Chih-Li Wang is approved. Lieven Vandenberghe Ying Nian Wu Kung Yao Vwani Roychowdhury, Committee Chair University of California, Los Angeles 2013 iv Table of Contents Biography ..................................................................................................................................... viii 1 Introduction ............................................................................................................................. 1 2 Features .................................................................................................................................... 8 2.1 Root-mean-square Energy (RMS) .................................................................................... 9 2.2 Zero–crossing Rate ........................................................................................................... 9 2.3 Mel-frequency Cepstral Coefficient (MFCC) ................................................................ 10 2.4 Fluctuation Pattern ......................................................................................................... 11 2.5 Unwrapped/Wrapped Chromagram ............................................................................... 16 2.5.1 Chromagram Estimation ......................................................................................... 16 2.5.2 Key Transposition ................................................................................................... 18 2.6 Key Strength ................................................................................................................... 20 3 Music Feature Interpretation ................................................................................................. 22 3.1 Self-similarity Matrix ..................................................................................................... 22 3.2 Interpretation .................................................................................................................. 22 3.2.1 Key Variation .......................................................................................................... 24 3.2.2 Remove/Reduce Vocal Signals ............................................................................... 26 3.2.3 Wahwah Effect........................................................................................................ 27 3.2.4 Tempo Variation ..................................................................................................... 28 3.3 Music Feature Analysis by Clustering ........................................................................... 32 v 3.3.1 K-means .................................................................................................................. 32 3.3.2 Fuzzy C-mean ......................................................................................................... 32 3.3.3 Self-organizing Map (SOM) ................................................................................... 33 3.3.4 Results ..................................................................................................................... 35 4 Applications ........................................................................................................................... 79 4.1 Structure of a Song ......................................................................................................... 79 4.1.1 Hidden Markov Model Estimation ......................................................................... 80 4.1.2 State-Splitting State Hidden Markov Model (SSS HMM) ..................................... 81 4.1.3 State Sequence Alignment ...................................................................................... 85 4.1.4 Score for the Local Alignment ................................................................................ 88 4.1.5 Method of Music Summarization ........................................................................... 88 4.1.6 Cover Song Identification ....................................................................................... 89 4.2 Extraction of Similar Melodies from Two Different Songs ........................................... 91 4.3 Results ............................................................................................................................ 92 4.3.1 Data-Driven Chord Sequence Representation ........................................................ 92 4.3.2 Music Summary ...................................................................................................... 94 4.3.3 Cover Song Identification ..................................................................................... 102 4.3.4 Tolerance of Tempo Variations ............................................................................ 104 4.3.5 Extraction of Similar Melodies from Two Songs ................................................. 105 5 Conclusions ......................................................................................................................... 107 vi 6 Appendix ............................................................................................................................. 108 7 References ........................................................................................................................... 115 vii Biography Chih-Li Wang received his B.S. degree in Electrical Engineering from the National Tsing Hua University, Taiwan, and M.S. degree in Electrical Engineering from the National Taiwan University, Taiwan. His research focuses on signal processing for music analysis and music information retrieval. Publications: C.L. Wang, Q. Zhong, S.Y. Wang, and V. Roychowdhury, “Cover Song Identification by Sequence Alignment Algorithms,” presented at the International Conference on Signal and Information Processing, 2010, pp. 187-191. C.L. Wang, Q. Zhong, S.Y. Wang, and V. Roychowdhury, “Data-Driven Chord-Sequence Representations of Songs and Applications” presented at the International Association of Science and Technology for Development (IASTED) on Signal and Image Processing, 2011. viii 1 Introduction The proliferation of the Internet has facilitated the acquisition of digital music. However, digital recordings, especially older recordings, are not always tagged with appropriate metadata. Therefore, content-based automatic music analysis, such as organizing songs into genres, music summarization, locating a specific song, or finding a cover version among thousands of songs, has attracted considerable attention in recent years. Various groups of researchers have focused on content-based automatic music analysis. Normally, automatic music analysis comprises two steps. The first is numerical representation of a musical property, such as timbre, pitch, and
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Voting Problems Cause Halt in Honor Council Elections the Ballot Itself
    Freshman phenom Administration wants Tribe baseball opens Quinn McDowell fraternities gone season with 3 wins SEE BACK PAGE SEE PAGE 4 SEE BACK PAGE The twice-weekly student newspaper of the College of William and Mary — Est. 1911 VOL.98, NO.35 TUESDAY, FEBRuaRY 24, 2009 FLATHATNEWS.COM HITTING THE LINKS Voting problems cause halt in Honor Council elections the ballot itself. Glitches force council From the opening of voting at 8 a.m., members of the Honor Council and the Student Assembly to move referendum were flooded with complaints from students expe- riencing difficulties casting their ballots. to Wednesday Honor Council Elections Committee By IAN BRICKEY Chairman Will Eaton VOTE WEDNESDAY The referendum and Flat Hat Staff Writer ’09 said the initial problem was caused election vote will take place College of William and Mary administrators by transferring the Wednesday between postponed Monday’s referendum on possible ballot’s Word docu- 8 a.m. and 8 p.m. online changes to the Honor Code, along with the elec- ment to a web site. via Opinio. tion of members to the Undergraduate Honor “The text of the Council. A new election will be held Wednesday referendum was from Microsoft Word,” Eaton due to the technical problems. said. “We could view it while we were editing it, “We apologize for the technical difficulties but when some people accessed it, the script actu- concerning today’s Honor Council Elections and ally expanded and covered the choices, and stu- Honor Code Revision,” the Honor Council said in dents weren’t able to vote.” a statement to students sent through Interim Vice- Another technical difficulty involved the web President for Student Affairs Ginger Ambler ’88 addresses that were e-mailed to students.
    [Show full text]
  • Partyman by Title
    Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D.
    [Show full text]
  • Jeremyt Morrissey, Johnny Marr and the Smiths in London 1. Home to A
    Author: JeremyT Morrissey, Johnny Marr and The Smiths in London 1. Home to a Mozzer, Regent's Park Terrace, Camden Mozzer lived on this street in the 90s... but which number? Notes: 2. Morrissey & Marr call time, 2 Farmer Street, London Johnny Marr called a Smiths meeting here to leave the band Notes: 3. Pop Video Morrissey Style, Lyndhurst Hall, Warden Road Sing Your Life was filmed here with help from Chrissie Hynde Notes: 4. Ridgeway House's Musical History, Runwick Lane, Farnham, Surrey Former recording studio of choice to the stars. Notes: 5. The Beeb rocks Out!, 2-22 Portland Place Home to legendary performances from the likes of Moz Notes: 6. Morrissey Lived Here..., Campden Hill Road, Kensington He did indeed, on this road, but can you tell us the number? Notes: 7. Moz and the Suedehead House, 32 Chester Square Mozzer seen here sometime in 1987/88 recording a superb video Notes: 8. A Post made famous by Morrissey, Tench Street / Reardon Street Mozzer and Post can be seen on the 'Bona Drag' album artwork Notes: www.shadyoldlady.com Page 1/2 9. Geoff Travis calls Johnny Marr, Blenheim Crescent, Marr & Rourke blagged their way in get The Smiths signed Notes: 10. Mary Poppins author lived here, 50 Smith Street, Chelsea The home and inspiration behind Mary Poppins. Notes: 11. Dirk Bogarde does Chelsea, 30 Royal Avenue, off King's Road Home to 'The Servant' starring Dirk Bogarde back in 1963 Notes: 12. Brixton Academy & The Smiths, 211 Stockwell Road The Smiths last ever gig took place here in 1986 Notes: www.shadyoldlady.com Page 2/2.
    [Show full text]
  • 7. Annie's Song John Denver
    Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2.
    [Show full text]
  • Nibbler by Ken Urban
    NIBBLER BY KEN URBAN DRAMATISTS PLAY SERVICE INC. NIBBLER Copyright © 2017, Ken Urban All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of NIB- BLER is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation profes- sional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, elec- tronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for NIBBLER are controlled exclusively by Dra- matists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No profes- sional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requi- site fee. Inquiries concerning all other rights should be addressed to Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Nos(Otros), Los Textual
    UNIVERSITY OF CALIFORNIA Los Angeles Nos(Otros), Los Textual Poch@s: Understanding Notions of Chicanx/Latinx Identities through the Digital Art of Rio Yañez A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Chicana and Chicano Studies by María Daniela Z. Jiménez 2016 ABSTRACT OF THE THESIS Nos(Otros), Los Textual Poch@s: Understanding Notions of Chicanx/Latinx Identities through the Digital Art of Rio Yañez by María Daniela Z. Jiménez Master of Arts in Chicana and Chicano Studies University of California, Los Angeles, 2016 Professor María C. Pons, Co-Chair Professor Charlene Villaseñor Black, Co-Chair This thesis presents the concept of textual poch@ through Bay Area-based artist, Rio Yañez’s artwork. The textual poch@ is an individual who experiences marginalization and/or has to justify themselves for deviating from their society’s dominant narratives and cultural tastes. Their deviation results in their own interpretation and reconfiguration of their culture (usually associated with aspects of their identity, such as race, ethnicity, gender, sexuality, class, physical abilities) through a rasquache framework – in terms of making do with what they have to create something new. Through visual and textual analyses, I focus on two of Yañez’s digital art collections, Morrissey-inspired artwork and Japanese-influence portraiture series, as my case studies. In doing so, I demonstrate how these two collections push against essentialism and unfix Chicanx/Latinx identity as it is tied to dominant Chicanx/Latinx cultural practices and tastes. ii The thesis of María Daniela Z. Jiménez is approved. Genevieve G.
    [Show full text]
  • Masteroppgave.Guro.Pdf (671.5Kb)
    “Please Help The Cause Against Loneliness” The Importance of being a Morrissey fan Guro Flinterud Master Thesis in History of Culture Program for Culture and Ideas Studies Spring 2007 Department of Culture Studies and Oriental Languages, University of Oslo 2 Contents Chapter 1: Theorising Morrissey-fans……………………………………………………….5 Introduction..................................................................................................................................5 Who are The Smiths and Morrissey?...........................................................................................8 Overview of the field of fan studies……………………………………………………………11 Fans as source material………………………………………………………………………...14 Selected themes and how to reach them……………………………………………………….18 Speech genres and cultural spheres…………………………………………………………….23 Emotion and the expression of personal significance………………………………………….26 Narcissism, gender and individuality…………………………………………………………..29 Chapter 2: Fandom and love…………………………………………………………………35 The Fan and narcissism………………………………………………………………………...35 Self-reflection and the “new sort of hero”………………………………………………..........41 “Oh, I can’t help quoting you”; Morrissey in Odda……………………………………............45 The emotional dimension of music…………………………………………………………….50 Chapter 3: “I had never considered myself a normal teenager” Emotion, gender and outsiderness…………………………………………………………...56 The indie scene and masculinity………………………………………………………………..58 Morrissey fans contesting hegemonic masculinity……………………………………………..61 Non-gendered identification
    [Show full text]
  • Kappale Artisti
    14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T.
    [Show full text]
  • Usic We for Everyone in the Business of Music 13 MAY 1995 £2.95
    usic we For Everyone in the Business of Music 13 MAY 1995 £2.95 mis WEEK 4 Yates takes ëepital at atglobal Sony rôle 6 HMV plan lapsedtargetsthe buyer 8 Rajars: the newhiiSi winnersfirst quarter 8 to Strikingan alulme a Tighblow of^m'fetener^'" Ibr Ihe UK radio Thestrong« station's audience1^0 fell to 10.5m lis- m 14 Stewart talksbis new about LP deMS 29 Venues: fordoors new open acts Capital Group's director^of program- Wright's résignation contributed to the M ^ ; S, f . MMç.sfnïïi ■eTlast^onday^p've C^itai Fa^streTsedthTthe BBC^ uresine contributiongive the Capital of Capital Grouprs: Gold a 28.69!. s fig- Parkr^rr^ia.• Kcgar profile, analys.s, next week ^pb Take Thaï race to • ri double platinum EMI Siusio regains pubiisiijgng crown tMM BackTHFiïïccess For Good ofbas the helped album propel and single Take THE ALBUM into the^inoe Party back 22.5.95 Celine Dion's ThinkTwice, ËNOdotm- tvith FMI pipping Warner chaPP^y iNCLUDES NEFiSA & 1ST ÏRANSMiSSiON of 11.8%. 100% of East 17 and Freak Power, put âssaa ss-r— ► ► ► ^ ►TWO MORE MAJORS T0DELIVEREARLY -P3 ► ► ► D P The Reactivate™ album sériés reaches a musical milestone on in what bas become the UK's best selling Nu-NRG/Trance ser.es with over 200,000 sales 10 a Formats: 12 track DJ-Friendly Double Vinyl. 12 track DJ-Friendly CD, 18 track DJ Mix CD & DJ M.x Tape mixed ^ pian. Télévision Advertising: 2 week campaign of 20 second spots on the following 1TV régions: London. Mendia , STV & Gram Kiss FM: Full 3 we^k campaign scheduled for bolh London & Manchester.
    [Show full text]
  • © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
    Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]