The Seventeenth-Century Dutch Hospital in Colombo
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Jakarta Heritage, Kampung Tugu Drs Dirk Teeuwen Msc
Jakarta heritage, Kampung Tugu drs Dirk Teeuwen MSc 1. Front of Tugu Church, 2006 Kampung Tugu is located south from Tanjung Priok Port in the Dustrict of Cilincing Jakarta, formerly Batavia. The Dutch founded modern Jakarta in 1619, named it Batavia on March 13th , 1619. Tugu Village is a community of Portuguese descendents. Because they were, or became, of mixed blood, the Dutch called them “Black-Portuguese”. These Portuguese were taken prisoner of war in India, Malaysia and Ceylon, now Sri Lanka, during the seventeenth and eighteenth century. At first they were kept as slaves by the Dutch. But - after accepting the Christian protestant faith and after expressing their loyalty to the Dutch government - they could become free citizens. Dirk Teeuwen, Holland 1 Like I said, after doing so they got their merdeka, which means freedom. Because of that those Black Portuguese were also called “Mardijkers”, free people. A corruption of this Bahasa Indonesia word “merdeka”. The Mardijkers were not the only prisoners of war category in those days in and around Batavia. The Dutch took prisoner “black Spaniards” from the Philipines, from districts north from Manilla. They served mostly as soldiers, so-called Papangers, in the army of the Dutch East-Indian Company and specially as soldiers, encamped in the Company’s Batavia Castle (demolished about 1800, the castle I mean). After 1800, until 1907, Papangers served as ceremonial military guards in front of the Amsterdam Gate. This gate was only castle gate left from the olden days. Papangers merged more with the Batavian population than Mardijkers did. 2. -
Facets-Of-Modern-Ceylon-History-Through-The-Letters-Of-Jeronis-Pieris.Pdf
FACETS OF MODERN CEYLON HISTORY THROUGH THE LETTERS OF JERONIS PIERIS BY MICHAEL ROBERT Hannadige Jeronis Pieris (1829-1894) was educated at the Colombo Academy and thereafter joined his in-laws, the brothers Jeronis and Susew de Soysa, as a manager of their ventures in the Kandyan highlands. Arrack-renter, trader, plantation owner, philanthro- pist and man of letters, his career pro- vides fascinating sidelights on the social and economic history of British Ceylon. Using Jeronis Pieris's letters as a point of departure and assisted by the stock of knowledge he has gather- ed during his researches into the is- land's history, the author analyses several facets of colonial history: the foundations of social dominance within indigenous society in pre-British times; the processes of elite formation in the nineteenth century; the process of Wes- ternisation and the role of indigenous elites as auxiliaries and supporters of the colonial rulers; the events leading to the Kandyan Marriage Ordinance no. 13 of 1859; entrepreneurship; the question of the conflict for land bet- ween coffee planters and villagers in the Kandyan hill-country; and the question whether the expansion of plantations had disastrous effects on the stock of cattle in the Kandyan dis- tricts. This analysis is threaded by in- formation on the Hannadige- Pieris and Warusahannadige de Soysa families and by attention to the various sources available to the historians of nineteenth century Ceylon. FACETS OF MODERN CEYLON HISTORY THROUGH THE LETTERS OF JERONIS PIERIS MICHAEL ROBERTS HANSA PUBLISHERS LIMITED COLOMBO - 3, SKI LANKA (CEYLON) 4975 FIRST PUBLISHED IN 1975 This book is copyright. -
Dress Fashions of Royalty Kotte Kingdom of Sri Lanka
DRESS FASHIONS OF ROYALTY KOTTE KINGDOM OF SRI LANKA . DRESS FASHIONS OF ROYALTY KOTTE KINGDOM OF SRI LANKA Dr. Priyanka Virajini Medagedara Karunaratne S. Godage & Brothers (Pvt) Ltd. Dedication First Edition : 2017 For Vidyajothi Emeritus Professor Nimal De Silva DRESS FASHIONS OF ROYALTY KOTTE KingDOM OF SRI LANKA Eminent scholar and ideal Guru © Dr. Priyanka Virajini Medagedara Karunaratne ISBN 978-955-30- Cover Design by: S. Godage & Brothers (Pvt) Ltd Page setting by: Nisha Weerasuriya Published by: S. Godage & Brothers (Pvt) Ltd. 661/665/675, P. de S. Kularatne Mawatha, Colombo 10, Sri Lanka. Printed by: Chathura Printers 69, Kumaradasa Place, Wellampitiya, Sri Lanka. Foreword This collection of writings provides an intensive reading of dress fashions of royalty which intensified Portuguese political power over the Kingdom of Kotte. The royalties were at the top in the social strata eventually known to be the fashion creators of society. Their engagement in creating and practicing dress fashion prevailed from time immemorial. The author builds a sound dialogue within six chapters’ covering most areas of dress fashion by incorporating valid recorded historical data, variety of recorded visual formats cross checking each other, clarifying how the period signifies a turning point in the fashion history of Sri Lanka culminating with emerging novel dress features. This scholarly work is very much vital for university academia and fellow researches in the stream of Humanities and Social Sciences interested in historical dress fashions and usage of jewelry. Furthermore, the content leads the reader into a new perspective on the subject through a sound dialogue which has been narrated through validated recorded historical data, recorded historical visual information, and logical analysis with reference to scholars of the subject area. -
Faculty of Humanities Institute for History
Faculty of Humanities Institute for History Master’s Thesis A Distant Mirror: Violent Public Punishment in the VOC Batavia, 1729-1739 Submitted by Muhammad Asyrafi S2248891 Program: Colonial and Global History Supervisor: Prof. dr. J.L.L. Gommans Second reader: Dr. Alicia Schrikker October 2020 Leiden Abstract This thesis examines the violent colonial penal practice in VOC’s Batavia by comparing it with the penal practice in Amsterdam. This thesis argues that colonial penal practice is different compared to the penal practice in the metropole in various aspects. Using various primary sources, this thesis identifies these differences in five fields: the legal codex, the persons directly involved in the event, the location of execution, the procedure of execution, and the spectators at the event. The thesis seeks to find the extent of the use of violent measures in colonial penal practice resembles that in the metropole and to what extent does it differ. Keywords: Penal History, Capital Punishment, Colonial Punishment, Torture, Colonial, VOC, Batavia Contents Abstract.....................................................................................................................................2 Contents ....................................................................................................................................3 List of Images, Tables, Figures, and Maps ............................................................................4 Introduction..............................................................................................................................5 -
Part I: the Kandyan Kings and Cosmopolitan Discourse
THE MANY FACES OF THE KANDYAN KINGDOM, 1591-1765: LESSONS FOR OUR TIME?1 PART I: THE KANDYAN KINGS AND COSMOPOLITAN DISCOURSE Introduction This paper discusses the reign of Vimaladharmasūriya, the first consecrated king of Kandy (1591-1604) and his successors during whose reigns the Kandyan kingdom became a place that provided a home for diverse cultures and communities. Prior to this Kandy was ruled by three local kings, the first being Senāsammata Vikramabāhu (c. 1469-1511). Senāsammata means elected by the sēna or army or perhaps by members of the aristocratic class known as banḍ āras (“lords).” Vikramabāhu tried to assert his independence from the sovereign kings of Kōṭṭe. That kingdom commenced with Bhūvanekabāhu V (1371-1408) and ended with Bhūvanekabāhu VII (1521-51) and his grandson Dharmapāla (1551- 1597), the first Catholic sovereign. Vikramabāhu was badly defeated and had to pay a large tribute. After Dharmapāla died Kōṭṭe became part of Portugal which now had control over much of Jaffna in the north and the Maritime provinces in the south. The Portuguese were a presence in Kōṭṭe from 1506 and had the support of Bhūvanekabāhu VII but not his brother Māyādunne, the ruler of Sītāvaka 1 who was a foe of the Portuguese. His intrepid son Rājasinha I (1581-1593) at one time nearly brought about the whole kingdom of Kōṭṭe and much of Kandy under his rule. As for the fortunes of Kandy Vikramabāhu was followed by his son Jayavīra Banḍ āra (1511- 1552) during whose time Catholic friars became a presence in the court.2 In order to please the Portuguese and the king of Kōṭṭe he became a nominal Catholic until he was deposed and exiled by his son Karalliyadde Banḍ āra (1552-1582) who became a devoted Catholic and publicly embraced Catholicism around 1562-1564. -
* Omslag Dutch Ships in Tropical:DEF 18-08-09 13:30 Pagina 1
* omslag Dutch Ships in Tropical:DEF 18-08-09 13:30 Pagina 1 dutch ships in tropical waters robert parthesius The end of the 16th century saw Dutch expansion in Asia, as the Dutch East India Company (the VOC) was fast becoming an Asian power, both political and economic. By 1669, the VOC was the richest private company the world had ever seen. This landmark study looks at perhaps the most important tool in the Company’ trading – its ships. In order to reconstruct the complete shipping activities of the VOC, the author created a unique database of the ships’ movements, including frigates and other, hitherto ignored, smaller vessels. Parthesius’s research into the routes and the types of ships in the service of the VOC proves that it was precisely the wide range of types and sizes of vessels that gave the Company the ability to sail – and continue its profitable trade – the year round. Furthermore, it appears that the VOC commanded at least twice the number of ships than earlier historians have ascertained. Combining the best of maritime and social history, this book will change our understanding of the commercial dynamics of the most successful economic organization of the period. robert parthesius Robert Parthesius is a naval historian and director of the Centre for International Heritage Activities in Leiden. dutch ships in amsterdam tropical waters studies in the dutch golden age The Development of 978 90 5356 517 9 the Dutch East India Company (voc) Amsterdam University Press Shipping Network in Asia www.aup.nl dissertation 1595-1660 Amsterdam University Press Dutch Ships in Tropical Waters Dutch Ships in Tropical Waters The development of the Dutch East India Company (VOC) shipping network in Asia - Robert Parthesius Founded in as part of the Faculty of Humanities of the University of Amsterdam (UvA), the Amsterdam Centre for the Study of the Golden Age (Amsterdams Centrum voor de Studie van de Gouden Eeuw) aims to promote the history and culture of the Dutch Republic during the ‘long’ seventeenth century (c. -
Chatting Sri Lanka: Powerful Communications in Colonial Times
Chatting Sri Lanka: Powerful Communications in Colonial Times Justin Siefert PhD 2016 Chatting Sri Lanka: Powerful Communications in Colonial Times Justin Siefert A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy Department of History, Politics and Philosophy Manchester Metropolitan University 2016 Abstract: The thesis argues that the telephone had a significant impact upon colonial society in Sri Lanka. In the emergence and expansion of a telephone network two phases can be distinguished: in the first phase (1880-1914), the government began to construct telephone networks in Colombo and other major towns, and built trunk lines between them. Simultaneously, planters began to establish and run local telephone networks in the planting districts. In this initial period, Sri Lanka’s emerging telephone network owed its construction, financing and running mostly to the planting community. The telephone was a ‘tool of the Empire’ only in the sense that the government eventually joined forces with the influential planting and commercial communities, including many members of the indigenous elite, who had demanded telephone services for their own purposes. However, during the second phase (1919-1939), as more and more telephone networks emerged in the planting districts, government became more proactive in the construction of an island-wide telephone network, which then reflected colonial hierarchies and power structures. Finally in 1935, Sri Lanka was connected to the Empire’s international telephone network. One of the core challenges for this pioneer work is of methodological nature: a telephone call leaves no written or oral source behind. -
Some Context of Colour and the Dress of the Kandyan
SOME CONTEXT OF COLOUR AND THE DRESS OF THE KANDYAN KINGDOM OF SRI LANKA Gayathri Madubhani Ranathunga Abstract Colour of the dress has been derived through inherited values, customs and norms of culture since time immemorial, ultimately colour, dress, and culture have been interwoven into the lives of the people. The objective of this research is to discuss cultural explanations for how people perceived colour in order to communicate different meanings through dress. The selected study setting is the Kandyan era of Sri Lanka which was the last Kingdom of ancient Sri Lankan administration, extended from 15th century AD to 1815. The era was a well-demarcated of foreign influences in dress. During the reign, both Western and Eastern foreign influences spread over the Kingdom, namely South Indian, Western (Portuguese, Dutch, British), Siamese. These influences have caused a huge impact on Sri Lankan dress in every aspect like novel dress items and patterns, silhouette, accessories, headdress, dress materials and colour. Colour had been a successful stimulus in influencing foreign attire. The analysis is explored through actual descriptions made by observational - participants, historical records, murals of the period, folklore which depicted the dress of the era relevant to the subject. According to the cultural exploration of colour perception, it was found that people perceived colour in a common way although there were some differences in perception at the individual level. As a community people had a common perception of values and norms of a certain colour and that was cleared through common ceremonies like the temple, funeral and marriage ceremonies. Perception of colour is unique to individual cultures. -
Environment, Trade and Society in Southeast Asia
Environment, Trade and Society in Southeast Asia <UN> Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (Sydney University) Anna Tsing (University of California Santa Cruz) VOLUME 300 The titles published in this series are listed at brill.com/vki <UN> Environment, Trade and Society in Southeast Asia A Longue Durée Perspective Edited by David Henley Henk Schulte Nordholt LEIDEN | BOSTON <UN> This is an open access title distributed under the terms of the Creative Commons Attribution- Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distri- bution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of kitlv (Royal Netherlands Institute of Southeast Asian and Caribbean Studies). Cover illustration: Kampong Magetan by J.D. van Herwerden, 1868 (detail, property of kitlv). Library of Congress Cataloging-in-Publication Data Environment, trade and society in Southeast Asia : a longue durée perspective / edited by David Henley, Henk Schulte Nordholt. pages cm. -- (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; volume 300) Papers originally presented at a conference in honor of Peter Boomgaard held August 2011 and organized by Koninklijk Instituut voor Taal-, Land- en Volkenkunde. Includes bibliographical references and index. ISBN 978-90-04-28804-1 (hardback : alk. paper) -- ISBN 978-90-04-28805-8 (e-book) 1. Southeast Asia--History--Congresses. 2. Southeast Asia--Civilization--Congresses. -
Johannes Rach Batavia 1770
Johannes Rach 1720 – 1783 Author Dirk Teeuwen This article consists of an introduction and fifteen pictures. Pictures are available on request. The Koninklijk Bataviaasch Genootschap (Royal Cultural Society of Batavia / Jakarta) edited a beautiful jubilee volume (above) dedicated to Johannes Rach and his work in 1928. Johannes Rach was born in Copenhagen, Denmark, in 1720. His father was an innkeeper. Rach worked as a painter in Russia, Sweden and in Denmark. In 1750 he moved to The Netherlands and worked as a painter in Haarlem. In 1756 he married Maria Valenzijn and later a daughter was born. Because of poverty he left for Asia in 1762 to serve as a gunner with the “Vereenigde Oost-Indische Compagnie” V.O.C. (Dutch East India Company, V.O.C. for short). His wife and daughter stayed behind, he never saw them again. Rach made a career in the military hierarchy. In 1779 he became a major with the artillery in Batavia / Jakarta. Rach died in 1783 and left behind: - a house along Rua Malacca in Jakarta Kota, - cash money, - registered securities, - furniture, carriages, horses, slaves, paintings, gold, silver, clothes an a lot of wine. He was a member of the Bataviaasch Genootschap voor Kunsten en Wetenschappen, predecessor of the Koninklijk Bataviaasch Genootschap. ©2008 drs (msc) D. Teeuwen - Rendez-vous Batavia – The Netherlands 1 Joh. Rach 1 Joh. Rach 2 ©2008 drs (msc) D. Teeuwen - Rendez-vous Batavia – The Netherlands 2 Joh. Rach 3 Joh. Rach 4 ©2008 drs (msc) D. Teeuwen - Rendez-vous Batavia – The Netherlands 3 Joh. Rach 5 Joh. Rach 6 ©2008 drs (msc) D. -
“Cape of Execution”: the Gallows at the Cape of Good Hope As Represented in the Colonial Art of Johannes Rach and Lady Anne Barnard Russel Viljoen
“Cape of Execution”: The gallows at the Cape of Good Hope as represented in the colonial art of Johannes Rach and Lady Anne Barnard Russel Viljoen University of South Africa Email: [email protected] During the eighteenth century, the Cape Colony developed into a violent society in every sense of the word. The type of crimes committed by perpetrators, the sentences imposed by the colonial authorities and the Court of Justice were equally violent. The depiction of the gallows by colonial artists has provided scholars with new insights on South Africa’s past, especially with regard to the increase in violence and the punishment faced by the condemned. Key words: execution, gallows, Lady Anne Barnard, Johannes Rach, colonial art “Kaap van Teregstelling”: die galg aan die Kaap die Goeie Hoop soos voorgestel in the koloniale kuns van Johannes Rach en Lady Anne Barnard Gedurende die agtiende-eeu het die Kaapkolonie ontwikkel in ’n geweldadige samelewing in elke sin van die woord. Die tipe misdade wat gepleeg is deur oortreeders en die strawwe wat opgelê is deur die koloniale outoriteite en die Raad van Justisie was eweneens geweldadig. Die uitbeelding van die galg deur koloniale kunstenaars, het skoliere voorsien van nuwe insigte aangaande die Suid- Afrikaanse verlede, veral met betrekking tot die toename in geweld en die straf wat die veroordeeldes in die oë gestaar het. Sleutelwoorde: teregstelling, galg, Lady Anne Barnard, Johannes Rach, koloniale kuns key aspect of uncovering South Africa’s colonial past over the last few decades was this pre-occupation of scholars: how violent the Cape society was in terms of social A relations, the institution of slavery and the overall administration of justice at the Cape. -
Cultivated Tastes Colonial Art, Nature and Landscape in The
F Cultivated Tastes G Colonial Art, Nature and Landscape in the Netherlands Indies A Doctoral Dissertation by Susie Protschky PhD Candidate School of History University of New South Wales Sydney, Australia Contents Acknowledgments …………………………………………………………….. iii List of Abbreviations ………………………………………………………….. v List of Plates …………………………………………………………………… vi F G Introduction ……………………………………………………………………. 1 Part I — Two Journeys Chapter 1: Landscape in Indonesian Art ……………………………………….. 36 Chapter 2: Dutch Views of Indies Landscapes …………………………………. 77 Part II — Ideals Chapter 3: Order ………………………………………………………………. 119 Chapter 4: Peace ………………………………………………………………. 162 Chapter 5: Sacred Landscapes ………………………………………………… 201 Part III — Anxieties Chapter 6: Seductions …………………………………………………………. 228 Chapter 7: Identity – Being Dutch in the Tropics …………………………….. 252 Conclusion …………………………………………………………………….. 293 F G Glossary ……………………………………………………………………….. 319 Bibliography …………………………………………………………………... 322 ii Acknowledgments First, I would like to express my gratitude to the Faculty of Arts and Social Sciences at the University of New South Wales for granting me an Australian Postgraduate Award between 2001 and 2005. The same Faculty funded two research trips abroad, one to the Netherlands in 2004 and another to Indonesia in 2005. Without these sources of funding this thesis would not have possible. In the Netherlands, I must thank Pim Westerkamp at the Museum Nusantara, Delft, for taking me on a tour through the collection and making archival materials available to me. Thanks also to Marie-Odette Scalliet at the University of Leiden, for directing me toward more of her research and for showing me some of the university library’s Southeast Asia collection. I also appreciate the generosity of Peter Boomgaard, of the KITLV in Leiden, for discussing aspects of my research with me. Thanks to the staff at the KIT Fotobureau in Amsterdam, who responded admirably to my vague request for ‘landscape’ photographs from the Netherlands Indies.