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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Apo-Nid63005.Pdf
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1991-92 Australian Broadcasting Tribunal Sydney 1992 ©Commonwealth of Australia ISSN 0728-8883 Design by Media and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 Contents 1. MEMBERSIDP OF THE TRIBUNAL 1 2. THE YEAR IN REVIEW 7 3. POWERS AND FUNCTIONS OF THE TRIBUNAL 13 Responsible Minister 16 4. LICENSING 17 Number and Type of Licences on Issue 19 Grant of Limited Licences 20 Commercial Radio Licence Grant Inquiries 21 Supplementary Radio Grant Inquiries 23 Joined Supplementary /Independent Radio Grant Inquiries 24 Remote Licences 26 Public Radio Licence Grants 26 Renewal of Licences with Conditions or Licensee Undertaking 30 Revocation/Suspension/Conditions Inquiries 32 Allocation of Call Signs 37 5. OWNERSHIP AND CONTROL 39 Applications and Notices Received 41 Most Significant Inquiries 41 Unfinished Inquiries 47 Contraventions Amounting To Offences 49 Licence Transfers 49 Uncompleted Inquiries 50 Operation of Service by Other than Licensee 50 Registered Lender and Loan Interest Inquiries 50 6. PROGRAM AND ADVERTISING STANDARDS 51 Program and Advertising Standards 53 Australian Content 54 Compliance with Australian Content Television Standard 55 Children's Television Standards 55 Compliance with Children's Standards 58 Comments and Complaints 59 Broadcasting of Political Matter 60 Research 61 iii 7. PROGRAMS - PUBLIC INQUIRIES 63 Public Inquiries 65 Classification of Television Programs 65 Foreign Content In Television Advertisements 67 Advertising Time On Television 68 Film And Television Co-productions 70 Australian Documentary Programs 71 Cigarette Advertising During The 1990 Grand Prix 72 Test Market Provisions For Foreign Television Advertisements 72 Public Radio Sponsorship Announcements 73 Teenage Mutant Ninja Turtles 74 John Laws - Comments About Aborigines 75 Anti-Discrimination Standards 75 Accuracy & Fairness in Current Affairs 76 Religious Broadcasts 77 Review of Classification Children's Television Programs 78 8. -
Community Broadcasting Foundation Annual Report 2016
Community Broadcasting Foundation Annual Report 2016 Snapshot 2015.16 500 $200M 24,600 Licensed community owned and The Community Broadcasting Foundation has given more operated broadcasting services making than $200M in grants since 1984. Volunteers involved in community broadcasting Australia's community broadcasting largest independent media sector. 230 70% 5,800 This year the Community Broadcasting 70% of community radio and television People trained each year in Foundation allocated 617 grants totaling services are located in regional, rural media skills, leadership skills $ $15,882,792 to 230 organisations. and remote areas. The median income and digital literacy. at regional and rural stations is $52,900. 42% of regional and rural stations are 605M wholly volunteer operated. With a turnover of over $120m and the economic value of its volunteer effort estimated at $485m per annum, the community broadcasting sector makes a significant contribution to the 78% 8,743 Australian economy. 78% of all community radio broadcast 8,743 hours of specialist programming in an average week time is local content. Local news and information is the primary reason Australians listen to community radio. Religious Ethnic + RPH Cover: 100.3 Bay FM broadcaster Hannah Sbeghen. This photo taken 5M Indigenous by Sean Smith won the Exterior/ 27% of Australians aged over Interior category in the CBF’s Focus 15 listen to community radio in an LGBTIQ on Community Broadcasting Photo average week. 808,000 listen exclusively Competition. to community radio. 0 500 1000 1500 2000 2500 3000 3500 4000 Community Broadcasting Foundation Annual Report 2016 1 Success Stories Leveraging support to expand Success broadcast range Coastal FM broadcasts to the Stories northwest coast of Tasmania, with the main transmitter located The increase in phone in Wynyard and additional calls and visits to our transmitter sites in Devonport and Smithton. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
2019-Information-Book-V1.Pdf
The information in this booklet is presented to give parents an appreciation of the objectives and operations of the Australian Boys Choir. If you wish to know more, you are invited to contact a member of staff or the ABCI Board. Contents Contact Details .............................................................................................. 4 Child Safety ................................................................................................... 5 Key People .................................................................................................... 7 A Brief History ................................................................................................ 8 Organisation and Management ...................................................................... 8 Staff ............................................................................................................. 10 The Training Program .................................................................................. 14 Rehearsals .................................................................................................. 16 Weekend Workshops ................................................................................... 18 Summer Music School ................................................................................. 18 Attendance Requirements ........................................................................... 19 Tours .......................................................................................................... -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance. -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
Commercial Radio
FINALISTS FOR 2019 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan>Syndication/Production Company BEST ON-AIR TEAM – METRO FM The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold Nova Network, NOVA Entertainment M Chrissie, Sam & Browny Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne VIC, NOVA Entertainment M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM, Sydney NSW, Australian Radio Network M Fifi, Fev & Byron; Fifi Box, Brendan Fevola & Byron Cooke, 101.9 The Fox, Melbourne VIC, Southern Cross Austereo M Kennedy Molloy; Jane Kennedy & Mick Molloy, Triple M Network, Southern Cross Austereo M BEST ON-AIR TEAM – METRO AM Afternoons with Erin Molan & Natalie Peters; Erin Molan & Natalie Peters, 2GB, Sydney NSW, Macquarie Media Limited M Breakfast with David Penberthy & Will Goodings; David Penberthy & Will Goodings, 5AA, Adelaide SA, NOVA Entertainment M Drive with Mark Allen & David Schwartz; Mark Allen & David Schwartz, Macquarie Sports Radio, Melbourne VIC, Macquarie Media Limited M Ray Hadley's Continuous Call Team; 2GB, Sydney NSW, Macquarie Media Limited M Laurel, Gary & Mark; Laurel Edwards, Gary Clare & Mark Hine, 4KQ, Brisbane QLD, Australian Radio Network M BEST ON-AIR TEAM COUNTRY AND PROVINCIAL Monkey in the Morning; Matt Monk, Lachi Rooke & Danielle Keilar, -
Hazard (Edition No
Hazard (Edition No. 25) V.I.S.S. December 1995 Victorian Injury Surveillance System Monash University Accident Research Centre Translating injury surveillance to prevention: an update As VISS is moving to a new system of data collection in 1996 it is timely to review our achievements over the past eight years. This edition of Hazard highlights some VISS success stories and outlines some of the challenges that face us in 1996 and beyond. Erin Cassell or more significant injury issues and progress has been made by VISS and Virginia Routley Joan Ozanne-Smith a discussion of actions that need to be other bodies but where there is good taken to reduce or eliminate the potential for further gains. In these Summary potential for injury. areas a modest increase in human and financial resources applied to the The first edition of Hazard was As background to this (the 25th) problem could be repaid by significant published in July 1988, the year in edition of Hazard, progress on all the reductions in the number and/or the which the Victorian Injury recommendations to reduce injuries severity of injuries. Surveillance System was established. made in Hazard was reviewed. The The quarterly publication of Hazard review not only covered follow-up Enclosed in this edition is a client is one of the major methods VISS action undertaken by VISS alone or in survey. In 1995 VISS received a uses to disseminate information. The collaboration with other Monash small grant from the Victorian selection of topics forHazard is based University Accident Research Centre Health Promotion Foundation to on the relative severity, frequency (MUARC) projects but also included support the implementation of and the potential preventability of significant action on VISS findings from VISS data analyses injury problems that emerge from recommendations taken by other and research. -
COMMERCIAL RADIO AWARDS (Acras) Please Note: Category Finalists Are Denoted with the Following Letters: Country>Provincial>Non-Metropolitan>Metropolitan
FINALISTS FOR 2016 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan BEST ON-AIR TEAM – METRO FM Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Network, NOVA Entertainment M The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M The Hamish & Andy Show; Hamish Blake & Andy Lee, Hit Network, Southern Cross Austereo M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM , Sydney NSW, Australian Radio Network M Fifi & Dave; Fifi Box & Dave Thornton, hit101.9 Fox FM, Melbourne VIC, Southern Cross Austereo M Chrissie, Sam & Browny; Chrissie Swan, Sam Pang & Jonathan Brown, Nova 100, Melbourne VIC, NOVA Entertainment M BEST ON-AIR TEAM – METRO AM FIVEaa Breakfast; David Penberthy & Will Goodings, FIVEaa, Adelaide SA, NOVA Entertainment M 3AW Breakfast; Ross Stevenson & John Burns, 3AW, Melbourne VIC, Macquarie Media Limited M 3AW Nightline/Remember When; Bruce Mansfield & Philip Brady, 3AW, Melbourne VIC, Macquarie Media Limited M The Big Sports Breakfast with Slats & TK; Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney NSW, Tabcorp M Breakfast with Steve Mills & Basil Zempilas; Steve Mills & Basil Zempilas, 6PR, Perth WA, Macquarie Media Limited M Nights with Steve Price; Steve Price & Andrew Bolt, 2GB, Sydney NSW, Macquarie Media Limited M BEST ON-AIR TEAM COUNTRY & PROVINCIAL Bangers & Mash; Janeen Hosemans & Peter Harrison, 2BS Gold, Bathurst -
Commercial Radio
MEDIA RELEASE 8 May 2009 Melbourne first on the east coast to switch on digital radio Commercial radio stations in Melbourne MIX, GOLD, SEN, 3AW, 3MP, FOX, MAGIC, TRIPLE M, NOVA, VEGA, Sport 927, Radar, Pink Radio, Koffee and NovaNation create radio history on Monday, 11 May 2009 when they begin broadcasting the first permanent DAB+ digital radio services on the east coast of Australia. Joan Warner, chief executive officer of Commercial Radio Australia the industry body that has driven the move to digital radio said Monday was another milestone for the industry in Australia following the switch on of DAB+ digital radio in Perth last week. “The possibilities for digital radio in the sport loving state of Melbourne are very exciting. AFL final calls on radio with scrolling text scores and stats or the Melbourne Cup with photos of winners or pause and then rewind if you missed the end of the race - these are all possible with the new capabilities of digital radio,’ said Ms Warner. “DAB+ services in Melbourne have been greatly anticipated with many of the digital radio manufacturers such as Pure, Sangean, Teac, Roberts and Yamaha based in Melbourne. The digital radio switch on in Perth went very smoothly and traffic to our www.digitalradioplus.com.au website has been very high with listeners seeking more information about digital radio.” “The switch on of digital radio is a culmination of seven years work with the Federal Government, the Australian Communications and Media Authority (ACMA), commercial broadcasters, the ABC and SBS, together with retailers and manufacturers of digital radios to ensure a comprehensive and coordinated switch on of a compelling new way of listening to radio,” said Ms Warner. -
THE PACIFIC-ASIAN LOG January 2019 Introduction Copyright Notice Copyright 2001-2019 by Bruce Portzer
THE PACIFIC-ASIAN LOG January 2019 Introduction Copyright Notice Copyright 2001-2019 by Bruce Portzer. All rights reserved. This log may First issued in August 2001, The PAL lists all known medium wave not reproduced or redistributed in whole or in part in any form, except with broadcasting stations in southern and eastern Asia and the Pacific. It the expressed permission of the author. Contents may be used freely in covers an area extending as far west as Afghanistan and as far east as non-commercial publications and for personal use. Some of the material in Alaska, or roughly one half of the earth's surface! It now lists over 4000 this log was obtained from copyrighted sources and may require special stations in 60 countries, with frequencies, call signs, locations, power, clearance for anything other than personal use. networks, schedules, languages, formats, networks and other information. The log also includes longwave broadcasters, as well as medium wave beacons and weather stations in the region. Acknowledgements Since early 2005, there have been two versions of the Log: a downloadable pdf version and an interactive on-line version. My sources of information include DX publications, DX Clubs, E-bulletins, e- mail groups, web sites, and reports from individuals. Major online sources The pdf version is updated a few a year and is available at no cost. There include Arctic Radio Club, Australian Radio DX Club (ARDXC), British DX are two listings in the log, one sorted by frequency and the other by country. Club (BDXC), various Facebook pages, Global Tuners and KiwiSDR receivers, Hard Core DXing (HCDX), International Radio Club of America The on-line version is updated more often and allows the user to search by (IRCA), Medium Wave Circle (MWC), mediumwave.info (Ydun Ritz), New frequency, country, location, or station.