DOCSLIB.ORG

Ryuichi Sakamoto Playing the Piano

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ryuichi Sakamoto Playing the Piano DIUMENGE 15 DE NOVEMBRE · 21 H · SALA SIMFÒNICA (FORMAT REDUÏT) Ryuichi Sakamoto Playing the Piano ESTRENA I ÚNIC CONCERT A CATALUNYA DOS PIANOS, PROJECCIONS ESPECTACULARS I SAKAMOTO Expert a creuar fronteres musicals i trencar barreres tecnològiques, Sakamoto va revolucionar per sempre la música electrònica amb la Yellow Magic Orchestra. Un cop iniciada la seva carrera en solitari, ha sabut combinar la música per al cinema (amb Almodóvar, Stone, de Palma o Bertolucci) amb treballs innovadors al costat dʼartistes com David Bowie, David Byrne, Iggy Pop o els experimentals Christian Fennesz i Alva Noto. A Playing the piano, Sakamoto ens mostra projeccions espectaculars i dos pianos –un dʼacústic i un de MIDI- que li permet fer duets amb ell mateix. RYUICHI SAKAMOTO Ryuichi Sakamoto va néixer el 1952 a Tòquio (Japó). Va començar a estudiar composició musical de molt jove a la Universitat Nacional de Belles Arts i Música de Tòquio, on es va llicenciar i es va especialitzar en música electrònica i world music. El 1978 va formar el grup Yellow Magic Orchestra, amb Haroumi Hosono i Yukihiro Takahashi. El seu primer treball va aconseguir ser àlbum de platí i de seguida van assolir el reconeixement internacional. Durant anys van ser líders de lʼescena tecnopop, fins el 1982, quan es va disoldre el grup. Sakamoto, però, ha estat popular gràcies a la creació de bandes sonores de pel·lícules. La primera va ser Merry Christmas, Mr. Lawrence, de Nagisa Oshima (1983), en la qual també va participar com a actor juntament amb David Bowie. Després dʼaquest debut, va compondre la banda sonora dʼEl Últim Emperador, de Bernardo Bertolucci, treball que el va portar a assolir un èxit mundial, i pel qual li van concedir un Òscar, el Globus dʼOr i els Premis dels Crítics Cinematogràfics de Nova York, Los Ángeles i Britànics. Posteriorment va treballar amb Bertolucci dos cops més, a El cielo Protector i a Petit Buda. Durant la seva trajectòria ha compost les bandes sonores de Tacones Lejanos de Pedro Almodóvar; Snaked Eyes de Brian de Palma, o Wild Palms, dʼOlver Stone, entre dʼaltres. Sakamoto ha estat sempre un artista transversal i ha col·laborat amb artistes i intel·lectuals com ara Brian Wilson, Iggy Pop, Robbie Robertson, David Bowie, David Byrne, David Sylvian, Caetano Veloso, Youssou Ndour, William Burroughs i Willian Gibson. Els interessos musicals de Sakamoto són molt diversos i se li reconeixen influències del pop, el jazz i la bossa nova, la música clàssica i la contemporània, entre dʼaltres. Això li ha permès treballar amb molts artistes diversos com el creatiu multimèdia Tohio Iwai. Amb ell ha creat Music Plays images x Images Play Music, un duet de piano i imatge amb tecnologia de darrera generació. Playing the piano A Playing the piano, Sakamoto mostra un cop més la seva devoció per la tecnologia. Amb espectaculars projeccions i dos pianos -un dʼacústic i un de MIDI amb el qual fa duets amb ell mateix- interpretarà cinc peces del seu darrer disc Out of noise. A continuació interpretarà una selecció de quinze temes seus (que al llarg de la gira aniran canviant a cada concert) així com peces clàssiques de compositors com Satie, Bach i Mompou. DISCOGRAFIA Thousand Knives (1978) Summer Nerves (1979) B2-Unit (1980) Left-Handed Dream (1981) Illustrated Musical Encyclopedia (1984) Esperanto (1985) Futurista (1986) Coda (1986) Neo Geo (1987) Tokyo Joe (1988) Beauty (1990) Heartbeat (1991) Sweet Revenge (1994) Smoochy (1995) 1996 (1996) Discord (1997) BTTB (1998) Cinemage (1999) Intimate (1999, amb Keizo Inoue) L I F E (2000) Zero Landmine (2001) Cómica (2002) Elephantism (2002) Love (2003) Vrioon (2003, amb Alva Noto) World Citizen (2003, amb David Sylvian) Derrida (2003) Chasm (2004) Moto.tronic (2003, recopilatori de cançons entre 1983 i 2003) Insen (2005, amb Alva Noto) Sala Santa Cecilia (2005, amb Fennesz) Cantus omnibus unus (2005) Bricolages (2006) Cendre (2007, amb Fennesz) Seda (2008, col·labora amb Carlos Núñez) Out of Noise (2009).
Load more

Recommended publications
  • What Cant Be Coded Can Be Decorded Reading Writing Performing Finnegans Wake
    ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output What cant be coded can be decorded Reading Writing Performing Finnegans Wake http://bbktheses.da.ulcc.ac.uk/198/ Version: Public Version Citation: Evans, Oliver Rory Thomas (2016) What cant be coded can be decorded Reading Writing Performing Finnegans Wake. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email “What can’t be coded can be decorded” Reading Writing Performing Finnegans Wake Oliver Rory Thomas Evans Phd Thesis School of Arts, Birkbeck College, University of London (2016) 2 3 This thesis examines the ways in which performances of James Joyce’s Finnegans Wake (1939) navigate the boundary between reading and writing. I consider the extent to which performances enact alternative readings of Finnegans Wake, challenging notions of competence and understanding; and by viewing performance as a form of writing I ask whether Joyce’s composition process can be remembered by its recomposition into new performances. These perspectives raise questions about authority and archivisation, and I argue that performances of Finnegans Wake challenge hierarchical and institutional forms of interpretation. By appropriating Joyce’s text through different methodologies of reading and writing I argue that these performances come into contact with a community of ghosts and traces which haunt its composition. In chapter one I argue that performance played an important role in the composition and early critical reception of Finnegans Wake and conduct an overview of various performances which challenge the notion of a ‘Joycean competence’ or encounter the text through radical recompositions of its material.
    [Show full text]
  • À¸£À¸ΜวÀ¸À¸´À¸Šà¸´ À
    รีวà¸à​ ¸´à¸Šà¸´ ซะà¸à​ ¸°à¹‚มะโตะ à¸​‐ ัลบั้ม รายà¸à​ ¸²à¸£ (รายชื่à¸​‐ จานเสียง & ระยะเวลา) Thousand Knives https://th.listvote.com/lists/music/albums/thousand-knives-11405209/songs Neo Geo https://th.listvote.com/lists/music/albums/neo-geo-3338075/songs BTTB https://th.listvote.com/lists/music/albums/bttb-595614/songs Futurista https://th.listvote.com/lists/music/albums/futurista-11519577/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Sweet Revenge https://th.listvote.com/lists/music/albums/sweet-revenge-11311201/songs The Sheltering Sky https://th.listvote.com/lists/music/albums/the-sheltering-sky-7763767/songs Discord https://th.listvote.com/lists/music/albums/discord-3030144/songs CM/TV https://th.listvote.com/lists/music/albums/cm%2Ftv-11193441/songs /05 https://th.listvote.com/lists/music/albums/%2F05-941663/songs Bricolages https://th.listvote.com/lists/music/albums/bricolages-2925132/songs Illustrated Musical Encyclopedia https://th.listvote.com/lists/music/albums/illustrated-musical-encyclopedia-3148759/songs Esperanto https://th.listvote.com/lists/music/albums/esperanto-11290111/songs Media Bahn Live https://th.listvote.com/lists/music/albums/media-bahn-live-11343838/songs /04 https://th.listvote.com/lists/music/albums/%2F04-2806449/songs Left Handed Dream https://th.listvote.com/lists/music/albums/left-handed-dream-11479657/songs US
    [Show full text]
  • “PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
    TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Ryuichi Sakamoto Discography 19782012
    Ryuichi Sakamoto Discography 19782012 1 / 4 Ryuichi Sakamoto Discography 19782012 2 / 4 3 / 4 Ryuichi Sakamoto Discography 1978-2012. 2011 Fennesz & Ryuichi Sakamoto Flumina 2011 Alva Noto & Ryuichi Sakamoto Summvs.. Upload:, 04:58 202 Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012 Genre: Modern Classical, Electronic, .... Artist Ryuichi Sakamoto Title Of Album Discography Year Of Release 1978-2012 Genre Modern Classical, Electronic, Experimental, Jazz, .... Ryuichi Sakamoto - Discography (1978-2012)http://bit.ly/2tPHUtq.. Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012. Genre: Modern Classical, Electronic, Experimental, Jazz, J‑pop, New Wave, .... Ryuichi Sakamoto Discography Download Average ratng: 4,7/5 6409 ... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... 1990 The Sheltering Sky http://sxmlaboraffairs.com/lossless- music/319705-ryuichi-sakamoto-discography-1978-2012-a.html.. Ryuichi Sakamoto Discography.rar - [Fast Download] kbps. ... Sakamoto on AllMusic - 2011Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... The Japanese musician Ryuichi Sakamoto has released 19 solo studio albums, six live albums, several compilation albums, two EPs, and various singles and .... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any other file from Music. Fennesz & Ryuichi Sakamoto - Flumina [320. Pure Best [192kbps] .... Listen to Ryuichi Sakamoto - Discography (1978-2012) and ninety- six more episodes by Solicall V1.7.7, free! No signup or install needed. Far.. Ryuichi sakamoto 05 rar shared files: Here you can download ryuichi sakamoto 05 rar shared ... Ryuichi Sakamoto - Discography (1978-2012).. Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi?, born January 17, 1952) (Japanese pronunciation: [sakamoto ɽju͍ːitɕi]) is a Japanese musician, activist, ...
    [Show full text]
  • The Works an D Life of Walter Bagehot
    THE WORKS AN D LIFE OF WALTER BAGEHOT VOL. III. THE WORKS AND LIFE OF WALTER BAGEHOT EDItED BY MRS. RUSSELL BARRINGTON THE WORKS J.1'; NI.1';E VOLUME:" THE LIFE IN ONE VOLU~IE VOL. III. OF THE WORKS LON G MAN S, G R E EN, AND C O. 39 PATERNOSTER ROW, LONDON FOURTH AVENUE & 30TH :"TREET, NEW YORK BOMBAY, CALCUTTA, AND MADRAr" CONTENTS OF VOLUME III. PAOi BERANGER (1857) THE WAVERLEY NOVELS (1858) 37 CHARLES DICKENS (1858) 73 PARLIAMENTARY REFORM (1859) 108 JOHN MILTON (1859) • THE HISTORY OF THE UNREFORMED PARLIAMENT, AND ITS LESSONS (1860) • 222 MR. GLADSTONE (1860) 272 MEMOIR OF THE RIGHT HONOURABLE JAMES WILSON (1850) . 302 THE AMERICAN CONSTITUTION AT THE PRESENT CRISIS. Causes of the Civil War in America. By j. Lothrop Motley Manwaring (from Na- tIonal Review, October, 1861) 349 v ERRATA. Page 378, line 14,jor eight read eighth 379, " 7,,, member read minister BERANGER.l THE invention of books has at least one great advantage. It has half-abolished one of the worst consequences of the diver- sity of languages. Literature enables nations to understand one another. Ora) intercourse hardly does this. In English, a distinguished foreigner says not what he thinks, but what he can. There is a certain intimate essence of national mean- ing which is as untranslatable as good poetry. Dry thoughts are cosmopolitan; but the delicate associations of language which express character, the traits of speech which mark the man, differ in every tongue, so that there are not even cum- brous circumlocutions that are equivalent in another.
    [Show full text]
  • Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
    Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona.
    [Show full text]
  • University of Birmingham from Microsound to Vaporwave
    University of Birmingham From Microsound to Vaporwave Born, Georgina; Haworth, Christopher DOI: 10.1093/ml/gcx095 Document Version Peer reviewed version Citation for published version (Harvard): Born, G & Haworth, C 2018, 'From Microsound to Vaporwave: internet-mediated musics, online methods, and genre', Music and Letters, vol. 98, no. 4, pp. 601–647. https://doi.org/10.1093/ml/gcx095 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 30/03/2017 This is a pre-copyedited, author-produced version of an article accepted for publication in Music and Letters following peer review. The version of record Georgina Born, Christopher Haworth; From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre, Music and Letters, Volume 98, Issue 4, 1 November 2017, Pages 601–647 is available online at: https://doi.org/10.1093/ml/gcx095 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain.
    [Show full text]
  • Negotiating Sound, Noise and Silence Through Improvisation, Composition and Image
    University of Huddersfield Repository Harvey, Stephen Negotiating sound, noise and silence through improvisation, composition and image Original Citation Harvey, Stephen (2014) Negotiating sound, noise and silence through improvisation, composition and image. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/23395/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Negotiating sound, noise and silence through improvisation, composition and image Stephen Harvey A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of MA by research August 2014 Copyright Statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.
    [Show full text]
  • Flopen 2020 Packet K: FST Expansion Pack Edited By: Taylor
    FLopen 2020 Packet K: FST expansion pack Edited by: Taylor Harvey and Jonathen Settle Written by: Mateo Javier Acosta, Mike Bentley, Nicholas Dai, Anthony Delgado, William Grossman, Shawn Jarrard, Zachary Knecht, Leo Law, Lalit Maharjan, Tracy Mirkin, Khanh Nguyen, Grant Peet, Ani Perumalla, Jason Zappulla, and the editors Tossups 1. These people’s love of tobacco is attested by the fact that their word for “poor” literally means “without ​ tobacco.” In the creation myth of these people, women are born from the wabu fruit while men are born from ​ ​ the silver blood of the moon. These people’s multi-village, plantain-heavy feasts often feature ritualized chest slapping duels. These people wear a distinctive bowl-shaped haircut with the topmost crown of the head shaved bald. A widely disputed book by Patrick (*) Tierney accused James Neel of purposely exacerbating a ​ measles outbreak among these people; that book is Darkness at El Dorado. Films of these people like “The Axe ​ ​ Fight'' purport to show their culture as one characterized by “constant warfare.” For 10 points, name this Amazonian tribe who live in Brazil and Venezuela, who were called “a fierce people” in an ethnography by Napoleon Chagnon. ANSWER: Yanomami [accept Yąnomamö; accept Yanomama; prompt on Amazonian people until “Amazonian” ​ ​ ​ ​ ​ ​ ​ ​ ​ is read; prompt on Indigenous peoples of America; prompt on American Indians; prompt on Native Americans; ​ ​ ​ ​ ​ ​ ​ prompt on Amerindians] ​ ​ ​ <Social Science: Sociology/Anthropology, TH> 2. In a novel by this author, the narrator uses the codenames “Buzz” and “The Black Mamba” in her ​ childhood journal, except in one reading: “Dear God, I wish Nana would just die already, please, just let this be over.” That novel by this author interweaves flashbacks of the narrator’s Pentecostal upbringing in Huntsville with her life in the present performing optogenetic experiments on mice.
    [Show full text]
  • Ryuichi Sakamoto Discography 19782012
    Ryuichi Sakamoto - Discography (1978-2012) 1 / 4 Ryuichi Sakamoto - Discography (1978-2012) 2 / 4 3 / 4 Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any other file from Music category. Tokyo Joe (with Kazumi. Fennesz & Ryuichi Sakamoto .. Download Ryuichi Sakamoto Cinemage Rar daughter akiko yano. Flumina 2011 & Summvs ryuichi. Ryuichi Sakamoto Discography [1978-2012]. 2011 Fennesz .... Listen to Ryuichi Sakamoto - Discography (1978-2012) and ninety-six more episodes by Solicall V1.7.7, free! No signup or install needed. Far.. The Japanese musician Ryuichi Sakamoto has released 19 solo studio albums, six live albums, several compilation albums, two EPs, and various singles and .... Ryuichi Sakamoto - Discography (1978-2012)http://bltlly.com/14nxyo.. Ryuichi Sakamoto - Discography (1978-2012) > http://bltlly.com/14ui3a b28dd56074 ... pop innovator Ryuichi Sakamoto is among the most .... Artist:Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012 Genre: Modern Classical, Electronic, Experimental, J Ryuichi .... Ryuichi Sakamoto Lack Of Love Rar Ryuichi Sakamoto Lack Of Love Rar Ryuichi. ... Find...Ryuichi...Sakamoto...discography ... (1978-2012).. Ryuichi Sakamoto Discography [1978-2012]. 2011 Fennesz & Ryuichi Sakamoto Flumina 2011 Alva Noto & Ryuichi Sakamoto Summvs. 2000 Cinemage 2001 .... Ryuichi sakamoto three rar./qg3j4pp0-979bkf8h1wq5rry/Ryuichi. 2011-09-21 379MB 9 7. Ryuichi Sakamoto - Discography (1978-2012). Ryuichi Sakamoto Silk .... free download Ryuichi Sakamoto - Discography (1978-2012) (MP3) mp3, flac.. Ryuichi Sakamoto (born January 17, 1952 in Tokyo, Japan) is a Japanese musician, composer and actor. Sakamoto studied at the Tokyo National University of .... 1993 -, GRUPPO MUSICALE II (Midi) OPERA (Midi) RYUICHI SAKAMOTO SOUNDTRACKS (Toshiba EMI) RYUICHI SAKAMOTO VIRGIN TRACKS (Toshiba .... Ryuichi Sakamoto.rar from mediafire.com host Ryuichi Sakamoto .
    [Show full text]
  • University of California Riverside
    UNIVERSITY OF CALIFORNIA RIVERSIDE Canacee’s Mirror: Gender and Treasons in Medieval Literature A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Joanna Lee Scott Bradfield December 2011 Dissertation Committee: Dr. John Ganim, Chairperson Dr. Andrea Denny-Brown Dr. Deborah Willis Copyright by Joanna Lee Scott Bradfield 2011 The Dissertation of Joanna Lee Scott Bradfield is approved: _______________________________________________ _______________________________________________ _______________________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS I would like to thank the members of my committee, Professor Andrea Denny- Brown, Professor Deborah Willis, and especially my chair, Professor John Ganim. All three have helped me grow as a scholar, both encouraging and challenging me when needed. Dr. Ganim, in particular, has been a constant source of cheerful but realistic advice for nearly a decade now, and special thanks go to him, Bea, and Joey. This dissertation would not have been possible without the love and help of my friends and family; to name them all would make a long dissertation even longer. However, a few individuals either gave me good advice or brought me back to myself when I was at crossroads: my brother, Nate Scott, and my best friend, Laura Christiansen, talked me into going to graduate school in the first place; my friend, roommate, and role model Chrissy Crockett talked me into staying in graduate school; and my sister, Rachel Scott, has the distinction, for better or worse, of having read practically every page of every draft of this dissertation. Her constant feedback and helpful renditions of the Old French and Middle English proved invaluable.
    [Show full text]