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9780521790901 Index.Pdf Cambridge University Press 0521790905 - The Devil and the Sacred in English Drama, 1350-1642 John D. Cox Index More information Index All for Money (Lupton) Ashley, Kathleen seven deadly sins in, on Mankind, social commentary in, Aske, Robert, All’s Lost by Lust (Rowley), Atheist’s Tragedy, The (Tourneur) Allen, William Cardinal, magical thinking in, Anderson, Benedict, n. Anglo, Sydney, n. Baillie, William M., n. Anti-Catholicism Baines, Richard in Bussy D’Ambois, confession of, in Edward II, n. Bale, John. See also titles of particular plays in Henry VI, , Acts of English Votaries, in Merry Devil of Edmonton, Carmelite friar, in A Pleasant Comedy Called Wily Beguilde, deconstruction ofhis oppositional thinking, in St. Patrick for Ireland, Image of Both Churches, , Antichrist responds to Ten Articles, in Chester mystery plays, Bancroft, Richard, papacy as, according to Bale, Barber, C. L., n. Anti-Jewishness, Barish, Jonas, in Friar Bacon and Friar Bungay, Barnes, Barnabe. See “The Devil’s Charter” in mystery plays, Beckwith, Sarah, n. Anti-Puritanism Belman of London, The (Dekker), in The Chances, Berek, Peter, and charity, Berry, Edward, n. in If This Be Not a Good Play, the Devil Is in It, Bevington, David and E. K. Chambers, in Knack to Know a Knave, on the date of Dr. Faustus, n. in Monsieur Thomas, on evolution ofmorality plays, in A New Trick to Cheat the Devil, on Magnificence, in The Puritan Widow, – on vices and the Vice, in The Temple of Love, Birth of Merlin, The (Rowley) in Twelfth Night, magical thinking about language in, in Volpone and The Devil Is an Ass, self-conscious theatrical illusion in, Antonio and Mellida (Marston), Brooke, Nicholas, n. Aquinas, Saint Thomas Bostridge, Ian, n. on resisting authority, Brayne, John Armada of and Red Lion Theatre, and the date of Dr. Faustus, n. Brome, Richard. See “The Queen’s Exchange” and Henry VI, Brooke, Christopher, Arte or Crafte to Live Well and Die Well, The, Brownlow, F. W., n. As You Like It (Shakespeare), Bruster, Douglas, n. © Cambridge University Press www.cambridge.org Cambridge University Press 0521790905 - The Devil and the Sacred in English Drama, 1350-1642 John D. Cox Index More information Index Burbage, James as normative social virtue in The Puritan builds the Theatre, Widow, Bussy D’Ambois (Chapman) prerequisite ofgood deeds,, anti-Catholicism in, and sacramental community, , , , charity in, and social class, magical thinking about language in, in The Virgin Martyr, Stoicism in, – in The Witch of Edmonton, – Charney, Maurice, n. Cambises (Preston) Chester mystery plays Vice and social class in, Antichrist, n. Canons of , forbidding exorcism, Antichrist in, and Bussy D’Ambois, Dance ofDeath inJudgment , and A Mad World, My Masters, n. and devil’s costume, and The Puritan Widow, , Harrowing of Hell, and Volpone and The Devil Is an Ass, Judgment, Carroll, William, , n. Slaughter of the Innocents, Castle of Perseverance, The, – and theatrical illusion, , charity and sacramental community in, Chlorida (Jonson) conflict among devils in, serious demonology in, compared to Conflict of Conscience, Clark, Stuart, devil opposes sacramental community in, on apocalyptic arguments, n. dissimulation in, on demonology and oppositional thinking, and sacraments, on the devil and illusion, sartorial satire in, on God and the devil, n. vice mockery in, on the ineffectiveness of Scot’s skepticism, World, Flesh, and Devil in, Caxton, William, n. on official resistance to magical thinking, Chambers, E. K. n. on devils in The Conversion of St. Paul, n. on oppositional thinking and Enlighten- on the evolutionary goal ofearly drama, ment, -n. on “preposterous,” n. and oppositional thinking, , , on royal charisma, n. on secularization and social awareness, on witches and the natural order, on social ambivalence in mystery plays, Clopper, Lawrence, –n. on social satire in mystery plays, Clubb, Louise, on stage devils and secularization, , Cohen, Walter, n. on the Vice and John Heywood, Collinson, Patrick , n. Chances, The (Fletcher), Community anti-Puritanism in, and charity, , , religious secularization in, and social conflict, and Scot’s Discoverie of Witches, closely tied to monarchy by reformers, , self-conscious theatrical illusion in, , , Changeling, The (Middleton and Rowley), conceived parochially, Chapman, George. See titles of particular plays conceived sacrally, , Charity defined by Protestant martyrdom, , and anti-Puritanism, defined by Protestant nationalism, in Bussy D’Ambois, English Protestant, and oppositional defense against the devil in dying, , thinking about Armada, failure of, as failure of community, , , focused in sacraments, , , , , , , , , , redefined by reformers, George Herbert on, Conflict of Conscience, The (Woodes) in A Knack to Know a Knave, and apostasy in The Virgin Martyr, in A New Trick to Cheat the Devil, , compared to Castle of Perseverance, as normative social virtue in If This Be Not a social criticism in, Good Play, the Devil Is in It, the Vice in, © Cambridge University Press www.cambridge.org Cambridge University Press 0521790905 - The Devil and the Sacred in English Drama, 1350-1642 John D. Cox Index More information Index Conflict of Conscience, The (Woodes) (cont.) and death, – vice mockery in, defeated at death by charity in life, vices in, defeated by his own wile, , , , Conversion of St. Paul, The (from Digby MS.), disguised as priest, – identified with traditional religion by baptism in, reformers, seven deadly sins in, increasingly identified with commoners in Coogan, Sister Mary Philippa commercial plays, – on Mankind, and illusion, Cotta, John, and magical thinking, – Courageous Turk, The (Goffe) and Michaelmas, and Richard III, mocked by the Vice, Stoicism in, – opposes reformed church under the crown, Coventry mystery plays and devil’s costume, opposes sacramental community, , , , Cox, Anna-Lisa, n. , , , , , –, , , , , Craik, T. W., n. , Cressy, David, n. and ritual year, – Crowley, Robert and Rogation, Philargyrie, and sacraments, , , , Cushman, L. W. and the sacred, , on devils and comedy in mystery plays, not linked with social ambivalence in on the Vice, n. mystery plays, St. Dunstan famous for opposing, Darrel, John, , superior to the Vice, in The Devil Is an Ass, has Vice characteristics in Disobedient Child, on God and the devil, n. Davenant, William. See also titles of particular and the Vice in Protestant plays, – masques as Vice in Dr. Faustus, and Restoration stage devils, and warfare, Davenport, Robert. See “A New Trick to Cheat the Devil and His Dame, The (Haughton), Devil” Devil Is an Ass, The (Jonson) Davidson, Clifford, n. anti-Puritanism in, Day, John charitable community in, woodcut artist for Foxe’s Acts and Monuments, and Dekker’s influence, theatrical illusion and anti-Puritan satire in, Dekker, Thomas. See also titles of particular plays – A Knight’s Conjuring, Devil’s Charter, The (Barnes), his anti-Catholicism, magical thinking about language in, The Belman of London, Diehl, Huston, n. , n. , n. The Seven Deadly Sins, Diller, Hans Jürgen, , n. Deloney, Thomas on comedy and devils in mystery plays, writes ballads on the Armada of , Disobedient Child, The (Ingelend) Dessen, Alan, n. Catholic oaths in, Devil. See also Stage devils seven deadly sins in, and All Souls eve, World, Flesh, and Devil in, and baptism, Dissimulation carries characters on his back in Friar Bacon in Castle of Perseverance, and Friar Bungay, in Dr. Faustus, –, carries off foolish virgins in St Martial and fall of Lucifer, , Sponsus, n. as euphemism in N-Town Passion Play I, carries the Vice on his back, as euphemism in Wisdom, and charity, –, , in King Johan, conceived ofoppositionally inMicrocosmus , in Magnificence, in Nature, © Cambridge University Press www.cambridge.org Cambridge University Press 0521790905 - The Devil and the Sacred in English Drama, 1350-1642 John D. Cox Index More information Index Puttenham on, forbidden by canons of , satirized in pre-Reformation plays, – Stephen Greenblatt on, , and social class, symbolic, in Jonsonian masque, as hellish vice in The White Devil, in Wisdom, Faerie Queene, The (Spenser) in York Fall of Man, influences St. Patrick for Ireland, Dives and Pauper Field, Nathan. See A Woman Is a Weathercock on devils knowing human dispositions, Fineux, Thomas, on devils and warfare, Fletcher, John. See also titles of particular plays Dollimore, Jonathan, n. tragicomedy and stage devils, – Dr. Faustus (Marlowe), – Folly anti-Catholicism in, , as personified vice, demonic bargain in, – Four Daughters ofGod demonic bargain and social relations in, in Castle of Perseverance, , devil as Vice in, in Processus Satanae, dissimulation in, –, Foure PP (Heywood), and espionage, Foxe, John fall of Lucifer in, – conceives ofjustice theologically, not compared to Henry VI, , socially, influence on Richard III, oppositional thinking in iconography of Acts contrasted with Knack to Know a Knave, and Monuments, – contrasted with Merry Devil of Edmonton, performs a dispossession, and mystery plays, on St. Dorothea, oppositional thinking in, , Freer, Coburn, n. probably earlier than Greene’s Friar Bacon, Friar Bacon and Friar Bungay (Greene), – ambiguous conjuring in, secularization in, , – Bacon’s triumphs compared to Faustus’, social class in, , – devil carries
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