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literature CHORAL PERFORMANCE WELCOME EVOKINGSOUNDchoralseries Welcome to GIA’s Choral Performance Literature and Resources catalog! Our goal in compiling this catalog is to introduce you to GIA’s library of remarkable choral literature and to our guild of extraordinary composers. James Jordan, editor of the Evoking Sound Choral Series (pages 3-6), selects stunning works by many of today’s best writers. Each edition includes invaluable performance practice suggestions. Dr. Jordan’s Music for Young Voices series (page 13) features high-quality works that take into account the challenges of teaching and working with adolescent voices. TheMusic from Westminster Choral Series, edited by Joe Miller (page 11), and named for the venerable institution of choral singing, Westminster Choir College of Rider University, features innovative works. The new GIA Historical Music Series (page 12), edited by Dennis Shrock, focuses on lesser-known and previously difficult-to-find historical masterpieces drawn from the Renaissance through the Romantic eras. If you’re looking for essential resources to help you and your choir members, we hope you will turn to pages 2, 14–15, and 16 for a wide range of resources, including Evoking Sound: The Choral Warm-Up and The Musician’s Trust, the latest in the best-selling Musician’s Soul series. All of our printed editions can be ordered “on approval” with full return privileges for 30 days. We encourage you to explore and enjoy. We’re here to serve you. You can order online at www.giamusic.com, or feel free to call one of our friendly customer service representatives to help you with your purchase at 1.800.GIA.1358 during normal business hours, weekdays from 8:30 a.m. to 5 p.m. CST. Happy music making!

Gratefully, The People of GIA Publications, Inc. TABLEofCONTENTS Evoking Sound Series. . . . 3–6 Roger Ames...... 9 Performance Practices in the Baroque James Jordan ...... 3 Daniel Elder...... 9 Era...... 12 Nathan Jones...... 3 Anthony Maglione...... 9 Performance Practices in the Classical Jackson Hill...... 4 Steve Pilkington...... 9 Era...... 12 Ryan Brechmacher...... 5 Brian Schmidt...... 10 Music for Young Voices Series. 13 Thomas LaVoy...... 6 Brandon Waddles...... 10 Neil Ginsberg...... 13 Joel Phillips ...... 6 Colin Britt...... 10 Peter Frost ...... 13 Blake Henson...... 7 Music from Westminster Choral Peter Fischer...... 13 William Payn...... 7 Series...... 11 Evoking Sound Resources. . . 14 The Composer’s Craft...... 7 Joe Miller...... 11 Books from The Musician’s Soul Gerald Custer...... 8 GIA Historical Series . . . . 12 Series...... 15 Inscape...... 8 Dennis Shrock...... 12 Evoking Sound: Fundamentals of Choral Conducting and Rehearsing...... 16 Choral Vocal Technique Sabine Horstmann Marilyn Shenenberger, Accompanist Introduction by James Jordan

I am proud to recommend these exercises to anyone who works with choirs and to introduce this gifted teacher to a wider American audience. While Sabine is my friend, she is one of my most valued teachers and mentors. This DVD and exercise book presents not only some of the magical ways she teaches vocal technique but also how she uses the exercises to connect herself, in a very human way, to the singers she teaches. —James Jordan

Frauke Haasemann and her teachings regarding vocal technique have become legendary. Thousands of choral conductors have benefited from her books and workshops. Now, her primary student in Europe, Sabine Horstmann, has published and newly recorded her creative exer- cises based on the teachings of Frauke Haasemann. On this DVD, Horstmann demonstrates the vocal technique sequences covered in her book, which in the past have been difficult to convey by just ink and paper. This DVD provides an overview of choral vocal technique for choirs at any level of development. The sequential exercises Horstmann demonstrates can serve as the central part of vocal training for any choir.

DVD-901 DVD, 90 minutes ...... $24 .95 G-7424 Original Choral Vocal Technique book, Spiral-bound ...... 24 .95 G-7424A Optional accompaniments by Marilyn Shenenberger ...... 24 .95 2 WELCOME EVOKINGSOUNDchoralseries James Jordan, Editor

The Evoking Sound Choral Series presents high-quality editions for accomplished choirs and includes both sacred and secular choral music. The series represents new editions of standard repertoire as well as newly composed pieces. Each piece is edited by Dr. Jordan with singers in mind and includes performance and practice suggestions. It is our goal that the Evoking Sound Choral Series will not only provide excellent choral literature for church and performance use, but also provide accessible literature to choirs that will help to enhance their vocal technique.

James Jordan is considered to be one of the most influential choral conductors and educators in America. His more than 25 books covering rehearsal and teaching pedagogy, conducting technique, and the spirituality of musicing, as well as numerous DVDs and recordings, have brought about far-reaching peda- gogical and philosophical changes not only in choral music but also in the worlds of orchestral conducting, wind conducting, piano, and music education. The Choral Journal has described his writings as “visionary.” Dr. Jordan is Professor and Senior Conductor at Westminster TABLEofCONTENTS Choir College of Rider University, where he conducts the West- minster Williamson Voices and the Westminster Schola Cantorum, and teaches undergraduate and graduate choral conducting.

Abendlied (Ger.) Josef Annie Laurie—Danny Boy: Love Ave Maria Blake Henson Rheinberger, ed. James Jordan Songs in Times of War Arr. SSAATTBB, soprano solo, Text from Luke 24:29. SSATTB Roger Ames SSATTBB, piano organ (13-M/D) G-7547 2.05 (6-M) G-7460 1.90 (10-M) G-8372 2.05 Ave verum Corpus William Byrd, Abide with Me (eventide) Annie Laurie Peter Fischer 3 ed. Gerald Custer SATB (4- William Henry Monk, arr. equal voices, piano (8-E/M) E/M) G-6523 1.60 Blake Henson SATB divisi (7- G-8068 2.05 Be Thou My Vision (slane) Arr. M) G-7338 1.80 Arise, My Love Blake R. Henson Brian A. Schmidt TTBB (3- Alleluia Thomas LaVoy SATB divisi, opt. solos (6-M) E/M) G-6984 1.70 SSAATTBB (6-M/D) G-8390 G-7038 1.80 Calme des Nuits (Stillness of the 1.90 August Moonrise Blake R. Nights) (Fre.) Camille Saint- Alleluia, Alleluia, Hearts and Henson Text by Sara Teasdale. Saens, ed. Matthew Mehaffey, Voices Heavenward Raise SSAATTBB, cello, piano (16- Heather Buchanan SATB (2- Richard Kenneth Fitzgerald SA, M) G-8187 2.25 M) G-7605 1.80 2 octaves (21) English handbells (13-E/M) G-6148 1.60 Also hat Gott die Welt geliebt Steve Pilkington is both an educator and a (Ger.) Heinrich Schütz, ed. church musician. He has taught sacred mu- Gerald Custer From Geistliche sic at Westminster Choir College for twenty Chormusik, 1684. SATTB, soli, years, where he is an associate professor. organ continuo, opt. bass inst. He is also director of music and organist at (8-M) G-6524 1.70 Christ Church, United Methodist in New And Dream Awhile Blake R. York City, where he has built a diverse and Henson SSAATTBB (9-M) vibrant music program over the last eighteen G-7711 2.05 years. He is both a published author and Anna, Thy Charms Matthew composer. Samson Text by Robert Burns. Coventry Carol, The Arr. Steve Pilkington SATB, opt. 7 handbells SSATBB (10-M/D) G-7459 (4-E) G-6102 1.90 2.05 I Wonder As I Wander John Jacob Niles, arr. Steve Pilkington SSAATTBB, mezzo-soprano solo (10-M) G-5933 1.90

3 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries Choral Reflection on “Amazing Coventry Carol, The Arr. Steve Geistliches Lied, Op . 30: “Lass Grace” (new britain) Arr. Pilkington SATB, opt. 7 dich nur nicht dauren” (“Let Roger Ames Text includes Kyrie handbells (4-E) G-6102 1.90 Nothing Ever Grieve You”) and Alleluia. SSAA, soprano Deep River Harry T. Burleigh, arr. (Ger.) Johannes Brahms, ed. and alto solos, piano (12-M) Gerald Custer SSAATBB, tenor James Jordan Solfège edition: G-7198 2.15 solo (4-M/D) G-7233 1.70 Major/Ionian mode. SATB, organ (14-M) G-6480 2.25 God Rest Ye Merry, Gentlemen Jackson Hill was a Morehead Scholar at the University of North Caroli- (god rest ye merry) Arr. na, Chapel Hill (Ph.D. in musicology in 1970). He has served as a choral Marilyn Shenenberger A jazz assistant at Exeter College, Oxford, and as a visiting fellow at Clare Hall, arrangement of the familiar Cambridge University. He has taught at Duke University (1966–1968) Christmas carol; includes choral and since 1968 at Bucknell University, where he has served as associate warm-up. Solfège edition: dean, presidential professor, and chair of the Department of Music. Major mode. SATB (10-M/D) In Mystery Veiled SATB, organ (9-M) G-6785 1.70 G-6486 1.85 Love Is Life SSAATTBB (8-M) G-6369 1.70 Good Fence, The Blake Henson When Spring Is Born at Last (Haru Sareba Hikoe Moitsutsu) (Jap.) SSAATTBB, organ, opt. brass Text by eight-century poet Yakamochi reflects upon the changing seasons. quintet, timpani, children’s SATB (15-M/D) G-6525 2.25 1.70 choir (18-D) G-8070 2.35 Grass, The Michael Larkin Text by Emily Dickinson. SATB, piano Choral Reflection on “Amazing Die mit Tränen säen Heinrich (5-M) G-6323 1.90 Grace” (new britain) Arr. Schültz, ed. Matthew Mehaffey, He Gave Them Hailstones from Roger Ames SSATBB, solos Heather Buchanan From Israel in Egypt Georg Friderick (sopr. and mezzo-sopr.), piano Geistliche Chormusick, 1648. Handel, ed. James Jordan (15-M) G-5926 2.15 SSATB (14-M) G-7039 1.70 Double SATB choir, piano (21- G-5926BR Full Score and Brass Elegy Gerald Custer Three texts M) G-5928 2.35 Parts 31.00 associated with Robert Kennedy. Heart, We Will Forget Him Choral Reflection on “Amzaing Solfège edition: mixed modes. Michael C. Kregler Text by Grace” (new britain) Arr. SSAATTBB, piano (21-D) Emily Dickinson. SA, piano (6- Roger Ames TTBB, tenor and G-6479 1.90 M) G-7041 1.60 baritone solos, piano G-8542 Erie Canal, The Arr. Roger Ames Herr, nun lässest du deinen In preparation SSATB, piano (13-M) G-6487 Diener in Frieden fahren Come Down, O Love Divine 1.70 (Song of Simeon) (Ger., Eng.) (down ampney) Ralph Farewell Gerald Custer Text by Felix Mendelssohn, ed. James Vaughan Williams, arr. Gerald W. B. Yeats. SATB divisi, piano Jordan From Drei Motetten, Custer SATB, keyboard (3-E) (5-M) G-7004 1.60 Op. 69. With solfége. SATB, G-7032 1.60 Fiddler of Dooney, The Gerald SATB soli (17-M/D) G-8026 Come, Labor On (ora labora) Custer SATB divisi, piano 2.25 T. Tertius Noble, arr. Richard (E/M-6) G-7003 1.60 Herr, wir trau’n auf deine Güte Fitzgerald SATB, assembly, Fix Me, Jesus Arr. Brandon (Lord, We Trust in Your organ (10-E/M) G-6236 1.60 Waddles SSAATTBB (7-M/D) Goodness) from Drei Geistliche Come, Marie, Elisabette Arr. G-8293 1.90 Lieder, Op. 96. (Ger.) Felix Clarence Dickinson, Peter For Love Ronald A. Hemmel The Mendelssohn-Bartholdy, ed. Fischer French carol. 2 treble text is from The Way by St. Amelia Nagoski SATB, alto voices, piano (8-E) G-8069 Josemaría Escrivá. SATB, piano solo, organ (13-M) G-6979 2.05 (6-M) G-7763 1.90 1.85 Come, O Christ Roger Ames Four Russian Peasant Songs Hineh Mah Tov (Heb. & Eng.) SATB, organ (10-M) G-6235 (Russian) Igor Stravinsky, arr. Arr. Gerald Custer Psalm 133. 1.80 Amelia Nagoski SSAA (M-11) SAB, piano (E/M-6) G-7030 Come, Soft Slumber (Lat., Eng.) G-6977 2.25 1.80 Joel Phillips Solfège edition: Fyer, Fyer! Thomas Morley, ed. Hodie Christu natus est Blake Phrygian, Lydian modes. SATB Gerald Custer One of Morley’s Henson SSAATTBB G-8387 (13-M) G-6368 1.85 most involved madrigals. 1.90 Come, Thou Redeemer Colin Rewarding and delightful! How Can I Keep from Singing Britt SATB (4-M) G-8190 SSATB (9-D) G-7022 1.95 (based on lowry) Robert 1.90 Lowry, arr. Gerald Custer SATB divisi, organ, opt. brass quartet (6-E/M) G-7227 1.60 4 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries I Am Soft Sift Gerald Custer Kyrie Josef Rheinberger, ed. Brian O God of Light (elstad) Richard SSAA, organ (5-E/M) G-7319 Krajcik From Mass in E-flat, Kenneth Fitzgerald SATB, 1.60 Op. 109. Double SATB choirs organ (10-M) G-5931 1.60 I Close My Eyes and Dream Joel G-8430 2.05 O Magnum Mysterium (Lat.) Phillips SSATB, piano (14-M) Kyrie Eleison from Solemn Mass, Gerald Custer SAATTBB, soli, G-6355 1.95 Op. 16 (Latin) Louis Verne; harp (8-M) G-7093 2.05 I Wonder As I Wander John Jacob ed. John Hudson and James O magnum mysterium Tómas Niles, arr. Steve Pilkington Jordan SATB, organ G-8525 Luis de Victoria, ed. Gerald SSAATTBB, mezzo-soprano 2.05 Custer SATB (6-M) G-7025 solo (10-M) G-5933 1.90 La Madre Triste Eric Johnson 1.80 If Ye Love Me Thomas Tallis, ed. SSAA, opt. piano (9-M) O Master, Let Me Walk with Thee Marilyn Shenenberger Solfège G-7702 1.85 Anthony Maglione SATB edition: Ionian mode. SATB (4- Laudate pueri / Ihr Kinder Israel divisi, organ (7-M) G-7343 E/M) G-6519 1.70 from Drei Motetten, Op. 39 2.05 Il est bel et bon (French) Pierre Felix Mendelssohn-Bartholdy, O Padre Nostro (Ital.) Gerald Passereau, arr. Marilyn ed. Amelia Nagoski SSA, soli, Custer Text excerpted from Shenenberger Solfège edition: organ (12-M) G-6981 2.15 Dante’s Divine Comedy, canto Dorian mode. SATB (10-M) Lead Me On Brian A. Schmidt XI. SATB divisi (8-D) G-6992 G-6504 1.70 SATB (4-E/M) G-7457 1.90 1.80 In Mystery Veiled Jackson Hill Little Lamb Blake R. Henson O vos omnes Blake R. Henson SATB, organ (9-M) G-6785 SSAATTBB (7-M) G-7353 SSATB (4-E) G-6483 1.90 1.70 2.05 Oh, Po’ Little Jesus Brandon In Thy Sleep Blake R. Henson Lord Jesus, Think on Me Waddles SSAATTBB (5-M/D) Text by William Blake. (southwell) Arr. Richard G-8304 1.90 SSAATTBB (5-M) G-7406 Kenneth Fitzgerald SAB (4-E) Old Dan Tucker Meets Cindy Arr. 1.70 G-6237 1.60 Roger Ames SSATB, Acc. (12- Innisfree Gerald Custer Text by Love Is Life Jackson Hill M/D) G-6489 2.15 W. B. Yeats. SATB with divisi, SSAATTBB (8-M) G-6369 On This Day Earth Shall Ring piano (5-E/M) G-7005 1.90 1.70 (personent hodie) William A. Payn SSAATTBB, organ, 3–5 octaves handbells (7-M) All of our printed editions can be G-8196 1.90 ordered “on approval” with full return One and the Many, The Anthony J. Maglione SSAATTBB, viola, privileges for 30 days. piano (12-D) G-7407 1.95 Or nous dites, Marie (Now Tell Order online at www.giamusic.com Us, Gentle Mary) (chartres) (Fre., Eng.) Peter Fischer The first two verses are in French, the Interpolations on “Sicut cervus Love’s Gift Roger Ames SATB, third in English. 2-part treble desiderat” (Lat.) Giovanni P. piano (7-M) G-6234 1.90 voices, piano, opt. C inst. (6- Palestrina, arr. James Jordan, Love’s Gift Roger Ames Text from E/M) G-8067 2.05 Jeremy Powell, ed. Mike Spoer “One lost morning” by James Out of the Depths Anthony SATB, soprano saxophone (10- Agee. TTBB, keyboard G-8389 Maglione SSAATTBB, piano M) G-6893 1.70 1.90 (21-M) G-7818 2.35 Jerusalem, My Happy Home Masters in This Hall Arr. Marilyn Pange lingua (Lat.) Anton (land of rest) Arr. Gerald Shenenberger Solfège edition: Bruckner, ed. James Jordan Custer SAB, piano (4-E) harmonic and natural minors. Solfège edition: Phrygian mode. G-7031 1.90 SSAA (9-M) G-6505 1.70 SATB (9-E) G-6481 2.05 Jesus Loves the Little Children Nobody Knows the Trouble Psalm 42 (Wie der Hirsch schreit) (children) George Root, arr. I’ve Seen Arr. Gail B. (Ger.) Felix Mendelssohn Brian A. Schmidt SATB, opt. Poch Traditional spiritual. Bartholdy, ed. James Jordan divisi (3-E) G-6986 1.70 SSAATTBB (5-M) G-5927 SATB, piano (13-M/D) King of Love My Shepherd Is, 1.90 G-7922 2.15 The (st. columba) Arr. Brian O Come, O Come, Emmanuel A. Schmidt TTBB (4-M) (veni emmanuel) Arr. Brian A G-6983 1.90 Schmidt TTBB (2-E) G-6985 1.70 5 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries Psalm 100 (Jauchzet dem Herrn, Thomas LaVoy is a pianist and a composer of alle Welt!) (Ger.) Felix contemporary concert music. He is currently Mendelssohn-Bartholdy, ed. completing his final year of undergradu- James Jordan SATB with ate study at Westminster Choir College in SSAATTBB soli, keyboard Princeton, New Jersey, where he has studied reduction (16-M) G-5929 composition with Joel Phillips and Benjamin 2.25 C.S. Boyle and piano with James Goldswor- Rest James Douglas SATTBB thy. Thomas’ work has been commissioned (or SATB choir and TTBB and performed by numerous choral ensem- quartet), soprano solo (13- bles, including Westminster Kantorei, West- M/D) G-7029 2.15 minster Williamson Voices, andthe Westminster Choir, among others. Revoici Venir du Printemps / Here Alleluia SSAATTBB (6-M/D) G-8390 1.90 Comes the Spring (French only) Claude Le Jeaune, ed. Star-Spangled Banner, The (to Velum templi (Lat.) Paul Gregory W. Brown SAATB anacreon in heaven) Arr. Nicholson SATB (3-M) (12-E/M) G-7446 2.05 Carl W. Haywood SSAATTBB G-7592 1.70 Richard Crashaw’s Carol Gerald (5-M) G-6669 1.70 Veni, Domine / Herr erhöre uns Custer SATB divisi, harp (4- Surrexit pastor bonus / Er Felix Mendelssohn-Bartholdy, M) G-7231 1.60 ist ein guter Hirte Felix ed. Amelia Nagoski From Drei Richte mich, Gott (Ger.) Felix Mendelssohn-Bartholdy, ed. Motetten Op. 39. SSA, soli, Mendelssohn-Bartholdy, Amelia Nagoski) From Drei organ (13-M) G-6980 1.85 ed. James Jordan Psalm 43. Motetten Op. 39. SSAA, soli, Venite Exultemus Domino (Latin) Solfège edition: Major, Aeolian. organ (M-10) G-6982 1.70 Jan Pieterszoon Sweelinck, ed. SSAATTBB (21-M/D) The Heart’s Reflection Daniel James Jordan SSATB, opt. G-6482 2.05 Elder Based on Proverbs 27:19. basso continuo (10-M/D) Riddle Song, The Arr. Roger Ames SSAATTBB G-8448 2.25 G-5930 2.05 SSATBB (9-M) G-6488 1.70 There Is No Rose Colin Britt Verbum caro factum est Hans Salve Regina (Lat.) Orlando di SSAATTBB (10-M) G-8189 Leo Hassler, ed. Matthew W. Lasso, ed. Simon Carrington 2.05 Mahaffey, Heather Buchanan SATB (8-M/D) G-7769 2.05 They Also Serve Blake R. Henson SSATTB (8-M) G-7037 2.05 She Anthony J. Maglione Based From Sonnet XIX by John Wedderburn’s Carol and Kit on Richard Le Galienne’s poem Milton. SATB, organ (11-E) Smart’s Carol Gerald Custer “Song.” SSAATTBB (10-D) G-7345 1.95 SATB (3-M) G-7764 1.90 G-7355 2.05 This Day William A. Payn Weihnachten from Sechs She Moved through the Faire Arr. SSAATTBB (10-M/D) Sprüche, Op. 79 (Ger.) Felix Roger Ames Solfège edition: G-7458 2.05 Mendelssohn-Bartholdy, ed. Mixolydian mode. SSATB (9- Three Elizabethan Lyrics Gerald James Jordan SSAATTBB (9- M) G-6507 1.50 Custer Texts from Shakespeare M) G-6484 1.70 Silent Noon Ralph Vaughan and Gibbons. SATB, one with When Jesus Wept William Williams, arr. Blake R. Henson short soprano obbligato (8- Billings, arr. Gerald Custer SSATBB, piano (10-M) M/D) G-6990 1.80 SAB, piano (7-E) G-7033 G-7356 2.05 Orpheus with His Lute - The 1.90 Sing We and Chant It Thomas Silver Swan - O Mistress Mine When Spring Is Born at Last Morley, ed. Gerald Custer Under Your Feet Blake R. Henson (Haru Sareba Hikoe SSATB (3-M) G-7026 1.40 Text by William Yeats. SATB Moitsutsu) (Jap.) Jackson Hill Splendor in the Grass Roger divisi, piano (M-9) G-7935 SATB (15-M/D) G-6525 Ames Based on a text by 2.05 2.25 William Wordsworth. SATB, C Wild Geese, The Blake R. Henson instrument, piano, opt. string SSA (6-E) G-7354 1.90 quintet (21-M) G-6892 2.15 Winter’s Cold Gerald Custer Joel Phillips is professor of composition and music theory at Westmin- SATB, soprano solo, piano, ster Choir College of Rider University where he has taught since 1985. handchimes (6-M) G-7024 He is the 2009–2010 recipient of the Rider University Distinguished 1.90 Teaching Award. With What Shall I Come before the Lord William A. Payn Come, Soft Slumber (Lat., Eng.) Solfège edition: Phrygian, Lydian SSAATTBB (8-D) G-6673 modes. SATB (13-M) G-6368 1.85 1.70 I Close My Eyes and Dream Joel Phillips SSATB, piano (14-M) G-6355 1.95 6 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries Blake R. Henson has been praised for his music that Gramophone magazine says “moves from soothing sentiments to more exultant territory with exceptional har- monic vibrancy; it casts a spell that must be even more thrilling when heard in live performance,” and the New Jersey Star-Ledger called “powerful and thoughtful at the same time.” Dr. Henson’s choral works have been performed at ACDA national conventions as well as by numerous all-state choirs.

Abide with Me (eventide) Away in a Manger Arr. Blake O vos omnes SSATB (4-E) William Henry Monk, arr. Henson Original text by Adam G-6483 1.90 Blake Henson SATB divisi (7- Tice. SATB, keyboard, opt. C Silent Noon Ralph Vaughan M) G-7338 1.80 inst. (6-E) G-7765 1.80 Williams, arr. Blake R. Henson And Dream Awhile SSAATTBB Good Fence, The SSAATTBB, SSATBB, piano (10-M) (9-M) G-7711 2.05 organ, opt. brass quintet, G-7356 2.05 Arise, My Love SATB divisi, opt. timpani, children’s choir (18- They Also Serve From Sonnet XIX solos (6-M) G-7038 1.80 D) G-8070 2.35 by John Milton. SATB, organ August Moonrise Text by Sara Hodie Christu natus est (11-E) G-7345 1.95 Teasdale. SSAATTBB, cello, SSAATTBB G-8387 1.90 Under Your Feet Text by William piano (16-M) G-8187 2.25 In Thy Sleep Text by William Yeats. SATB divisi, piano (M- Ave Maria SSAATTBB, soprano Blake. SSAATTBB (5-M) 9) G-7935 2.05 solo, organ (13-M/D) G-7547 G-7406 1.70 What Comfort Can Our Worship 2.05 Little Lamb SSAATTBB (7-M) Bring Text by Adam Tice. SATB G-7353 2.05 (5-M) G-7716 1.80 My Flight for Heaven SATB Wild Geese, The SSA (6-E) divisi, piano (7-M) G-7189 G-7354 1.90 2.05

William Payn has achieved prominence as a conductor and composer. As director of choral studies at Bucknell, he has led his choirs to international recognition for their creative interpretation of significant choral literature of the past five centu- ries. Dr. Payn has more than 40 published compositions. On This Day Earth Shall This Day SSAATTBB (10-M/D) Ring (personent hodie) G-7458 2.05 SSAATTBB, organ, 3–5 octaves With What Shall I Come before handbells (7-M) G-8196 1.90 the Lord SSAATTBB (8-D) G-6673 1.70

The Composer’s Craft a practical guide for students and teachers Blake Henson & Gerald Custer

In this ingenious book, award-winning composers and composition teachers Blake Henson and Gerald Custer take a fresh look at what composers actually do by focus- ing on the elements of craft that composers use every day: the manipulation of sound and silence, gesture and color, text and texture. In an engaging style that resembles an informal conversation between friends (which is how this book began), the authors unpack each major aspect of the com- poser’s craft, explaining what it is and how it works in straightforward language. Selected works by master composers—as well as excerpts from music by Henson, Custer, and a number of student composers—provide concrete illustrations of the practical concepts described in the text. Henson and Custer also confront larger questions seldom considered in most books about composers and com- posing: Why write music in the first place? Where does inspiration come from? How do you survive writer’s block? What’s the best way to get published—and how important is it anyway?

G-8533 Hardcover (208 pages)...... $24 .95 7 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries

Gerald Custer is a multifaceted choral musician, active as conductor, composer, author, clinician, and teacher. His work is featured on the CD Inscape: Choral Music of Gerald Custer, sung by the voices of Anam Cara conducted by James Jordan, and as the title track on the Grammy-nominated Innisfree by the same forces.

Also hat Gott die Welt geliebt Hineh Mah Tov (Heb. & Eng.) O magnum mysterium Tómas (Ger.) Heinrich Schütz, ed. Arr. Gerald Custer Psalm 133. Luis de Victoria, ed. Gerald Gerald Custer From Geistliche SAB, piano (E/M-6) G-7030 Custer SATB (6-M) G-7025 Chormusik, 1684. SATTB, soli, 1.80 1.80 organ continuo, opt. bass inst. How Can I Keep from Singing O Padre Nostro (Ital.) Gerald (8-M) G-6524 1.70 (based on lowry) Robert Custer Text excerpted from Ave verum Corpus William Byrd, Lowry, arr. Gerald Custer Dante’s Divine Comedy, canto ed. Gerald Custer SATB (4- SATB divisi, organ, opt. brass XI. SATB divisi (8-D) G-6992 E/M) G-6523 1.60 quartet (6-E/M) G-7227 1.60 1.80 Balulalow Gerald Custer SATB I Am Soft Sift Gerald Custer Richard Crashaw’s Carol Gerald (1-E/M) G-7190 1.60 SSAA, organ (5-E/M) G-7319 Custer SATB divisi, harp (4- Beneath This Dome Nathan Jones 1.60 M) G-7231 1.60 Text by Gerald Custer. SATB Innisfree Gerald Custer Text by Sing We and Chant It Thomas Daniel Elder is from Athens, GA. As a writer of choral, vocal, and instrumental divisi. (5-M) G-7604 1.90 W. B. Yeats. SATB with divisi, Morley, ed. Gerald Custer music, he ties these genres together to create forms and aesthetics that are at once Come Down, O Love Divine piano (5-E/M) G-7005 1.90 SSATB (3-M) G-7026 1.40 lyrical and textural. His choral works have been performed by high school All-State (down ampney) Ralph Inscape: Choral Music of Three Elizabethan Lyrics Gerald and regional honors choirs, renowned college ensembles, and recently, by the inter- Vaughan Williams, arr. Gerald Gerald Custer Gerald Custer Custer Texts from Shakespeare nationally acclaimed Eric Whitacre Singers. All of Daniel’s works are all part of the Custer SATB, keyboard (3-E) Collection G-7527 19.50 and Gibbons. SATB, one with Music from Westminster choral series. G-7032 1.60 Jerusalem, My Happy Home short soprano obbligato (8- Deep River Harry T. Burleigh, arr. (land of rest) Arr. Gerald M/D) G-6990 1.80 Gerald Custer SSAATBB, tenor Custer SAB, piano (4-E) Orpheus with His Lute - The solo (4-M/D) G-7233 1.70 G-7031 1.90 Silver Swan - O Mistress Mine Elegy Gerald Custer Three texts Lord of All (carwithen) Gerald Wedderburn’s Carol and Kit associated with Robert Kennedy. Custer SATB divisi, keyboard, Smart’s Carol Gerald Custer Solfège edition: mixed modes. opt. brass sextet (7-E/M) Two original settings of texts by SSAATTBB, piano (21-D) G-7606 1.80 Martin Luther and Christopher G-6479 1.90 My Heart I Offer to You, Lord Smart. SATB (3-M) G-7764 Farewell Gerald Custer Text by Gerald Custer Based on Psalm 1.90 W. B. Yeats. SATB divisi, piano 116 and 1 John 3. Optional When Jesus Wept William (5-M) G-7004 1.60 refrain for congregation. SATB Billings, arr. Gerald Custer Fiddler of Dooney, The Gerald divisi, piano, opt. congregation SAB, piano (7-E) G-7033 Custer SATB divisi, piano (8-E) G-7090 1.70 1.90 (E/M-6) G-7003 1.60 O Magnum Mysterium (Lat.) Winter’s Cold Gerald Custer Fyer, Fyer! Thomas Morley, ed. Gerald Custer SAATTBB, soli, SATB, soprano solo, piano, Gerald Custer Rewarding harp (8-M) G-7093 2.05 handchimes (6-M) G-7024 and delightful! SSATB (9-D) 1.90 G-7022 1.95

Inscape choral music of gerald custer (GIA ChoralWorks) Gerald Custer Featuring the voices of Anam Cara with James Jordan conducting

With this recording, Gerald Custer firmly establishes himself as a major talent in choral composition. Gloriously performed by the voices of Anam Cara, conducted by James Jordan, this CD is simply breathtaking. As beautiful as this music is, most is readily accessible to high school and college choirs, and is published as part of GIA’s Evoking Sound Choral Series. CD-754 Compact Disc...... $15 .95 8 EVOKINGSOUNDchoralseries EVOKINGSOUNDchoralseries Roger Ames’ fascination with American folk music and his love for choral music have inspired him to write many folk song arrangements, some of which are in the GIA catalog. His “Choral Reflection on Amazing Grace” was comissioned and premiered by James Jordan and the Westminster Chapel Choir. Annie Laurie—Danny Boy: Love Choral Reflection on “Amzaing Songs in Times of War Arr. Grace” (new britain) Arr. Roger Ames SSATTBB, piano Roger Ames TTBB, tenor and (10-M) G-8372 2.05 baritone solos, piano G-8542 Choral Reflection on “Amazing In preparation Grace” (new britain) Arr. Come, O Christ SATB, organ Riddle Song, The Arr. Roger Ames Roger Ames Text includes Kyrie (10-M) G-6235 1.80 SSATBB (9-M) G-6488 1.70 and Alleluia. SSAA, soprano Erie Canal, The Arr. Roger Ames She Moved through the Faire Arr. and alto solos, piano (12-M) SSATB, piano (13-M) G-6487 Roger Ames Solfège edition: G-7198 2.15 1.70 Mixolydian mode. SSATB (9- Choral Reflection on “Amazing Love’s Gift SATB, piano (7-M) M) G-6507 1.50 Grace” (new britain) Arr. G-6234 1.90 Splendor in the Grass Based on Roger Ames SSATBB, solos Love’s Gift Text from “One lost a text by William Wordsworth. (sopr. and mezzo-sopr.), piano morning” by James Agee. TTBB, SATB, C instrument, piano, (15-M) G-5926 2.15 keyboard G-8389 1.90 opt. string quintet (21-M) G-5926BR Full Score and Brass Old Dan Tucker Meets Cindy Arr. G-6892 2.15 Parts 31.00 Roger Ames SSATB, keyboard (12-M/D) G-6489 2.15 Daniel Elder is from Athens, GA. As a writer of choral, vocal, and instrumental music, he ties these genres together to create forms and aesthetics that are at once lyrical and textural. His choral works have been performed by high school All-State and regional honors choirs, renowned college ensembles, and recently, by the inter- nationally acclaimed Eric Whitacre Singers. All of Daniel’s works are all part of the Music from Westminster choral series. Ballade to the Moon SATB, piano Seven Last Words from the Cross (12-M) G-8071 2.15 (Lat.) This piece explores the Heart’s Reflection, The progression of the Crucifixion SSAATTBB G-8448 2.25 events from Jesus’ own point of Lullaby from Three Nocturnes view through the traditional SATB divisi, piano (10-M) scriptural passages. SSAATTBB G-8368 2.05 (20-D) G-8231 2.35

Anthony J. Maglione, director of choral studies at William Jewell College in Liberty, MO, is a graduate of Westminster Choir College of Rider University, East Carolina University, and the University of California, Los Angeles. He has had numerous works performed by high school, festival, all-state, collegiate, community, religious, and professional organizations in concerts, recordings, video games, and on TV and is published in GIA’s Evoking Sound Choral Series. O Master, Let Me Walk with Thee One and the Many, The Anthony Anthony Maglione SATB J. Maglione SSAATTBB, viola, divisi, organ (7-M) G-7343 piano (12-D) G-7407 1.95 She Anthony J. Maglione Based 2.05 Out of the Depths Anthony on Richard Le Galienne’s poem Maglione SSAATTBB, piano “Song.” SSAATTBB (10-D) (21-M) G-7818 2.35 G-7355 2.05

Nathan Jones is a promising young composer published by both GIA Publications and G. Schirmer/Hal Leonard. His music is performed throughout the United States, South Korea, and Taiwan. He has been commissioned by both high school and collegiate choirs as well as collegiate wind ensembles. Beneath This Dome Text by Gerald Custer. SATB divisi. (5-M) G-7604 1.90 In the Bleak Midwinter SATB (6-E/M) G-7793 1.90 Newlyweds SSAATTBB (7-M/D) G-7792 2.05

9 EVOKINGSOUNDchoralseries MUSICfromWESTMINSTER Brian A. Schmidt is artistic director of the South Dakota Chorale, a professional chorus organization in Sioux Falls, SD, and associate conductor and administrative choralseries coordinator of chapel music at Duke University in Durham, NC, where he serves as conductor of the Duke Vespers Ensemble and Duke Divinity School Choir. Brian graduated in May of 2012 from the University of North Texas, where he was the first student to have conducted both of the top choirs, the A Cappella Choir and Chamber Choir, in recital concerts. He maintains an active career as conductor and composer.

Be Thou My Vision (slane) Arr. King of Love My Shepherd Lead Me On SATB (4-E/M) Brian Schmidt TTBB (3-E/M) Is, The (st. columba) Arr. G-7457 1.90 G-6984 1.70 Brian Schmidt TTBB (4-M) O Come, O Come, Emmanuel Jesus Loves the Little Children G-6983 1.90 (veni emmanuel) Arr. Brian (children) George Root, arr. Schmidt TTBB (2-E) G-6985 Brian Schmidt SATB, opt. 1.70 divisi (3-E) G-6986 1.70

Richard K. Fitzgerald is currently in his final year of study for the doctor of musi- cal arts degree in Organ Performance at the Peabody Conservatory of Johns Hopkins University, Baltimore, Maryland. He holds a master of music degree in Organ Per- formance from the Peabody Conservatory. His anthem entitled “O God of Light” (G-5931) was selected as the graduating class anthem of Westminster Choir College, Princeton, New Jersey.

Alleluia, Alleluia, Hearts and Lord Jesus, Think on Me Voices Heavenward Raise SA, (southwell) Arr. Richard K. 2 octaves (21) English handbells Fitzgerald SAB (4-E) G-6237 (13-E/M) G-6148 1.60 1.60 Come, Labor On (ora labora) O God of Light (elstad) SATB, T. Tertius Noble, arr. Richard organ (10-M) G-5931 1.60 K. Fitzgerald SATB, assembly, organ (10-E/M) G-6236 1.60

Brandon Waddles, a graduate of Morehouse College (Atlanta, GA), a choral composer and arranger. In addition to Brandon’s original compositions and ar- rangements, he has transcribed several classic gospel songs written by some of Detroit’s legendary gospel writers (Charles Nicks, Thomas Whitfield, etc.) to be added to some of the hymnal supplements published by GIA.

Oh, Po’ Little Jesus SSAATTBB This Little Light of Mine Arr. (5-M/D) G-8304 1.90 Brandon Waddles An Ride in the Chariot Arr. Brandon alternative melody of the more Waddles SATB, tenor familiar “campfire” tune. SATB, ensemble, soprano descant soprano and tenor soloists Fix Me, Jesus Arr. Brandon G-8532 2.05 G-8498 1.90 Waddles SSAATTBB (7-M/D) G-8293 1.90

Colin Britt’s compositions have been performed by ensembles at Westminster Choir College, Hartt, Yale, and throughout Connecticut. His works have been performed in several states, and his choral compositions are published with Alliance Music Publica- tions and GIA Publications, Inc.

Come, Thou Redeemer Colin Dream, The Colin Britt Text by Britt SATB (4-M) G-8190 Edna St. Vincent Millay. SATB 1.90 G-8215 1.90 There Is No Rose Colin Britt SSAATTBB (10-M) G-8189 2.05 10 EVOKINGSOUNDchoralseries MUSICfromWESTMINSTER choralseries Joe Miller, Editor

The Music from Westminster choral series is a collection of choral literature commis- sioned by or selected for performance by the choirs at Westminster Choir College of Rider University in Princeton, New Jersey one of the nation’s foremost centers for the study and performance of choral music. Editions selected for this series will contain music for choirs at all levels and all voicings with the hope of introducing or reviving innovative compositions into the choral literature. The series will also publish materials in a wide variety of compositional genres.

Joe Miller is conductor of two of America’s most renowned choral ensembles: the Westminster Choir and the Westminster Symphonic Choir. As director of choral activities at Westminster Choir College of Rider University (Princeton, NJ), he oversees an extensive choral program that includes eight ensembles. Keynote speaker at a recent Chorus America conference, he said “Choral music in the United States has seen unprecedented growth in the past several decades. The influence of our past leaders is part of our fabric, but we must seize this time to create a new vision based on the foundation that has been laid before us. We must keep the traditions but be willing to change in order to build a vision for the future.” Joe Miller earned his masters and doctorate in choral conducting from the Col- lege-Conservatory of Music, University of Cincinnati. He received his Bachelors in Music Education and Voice from the University of Tennessee.

Ballade to the Moon Daniel Elder Dream, The Colin Britt Text by Ride in the Chariot Arr. Brandon SATB, piano (12-M) G-8071 Edna St. Vincent Millay. SATB Waddles SATB, tenor 2.15 G-8215 1.90 ensemble, soprano descant Balulalow Gerald Custer SATB Heart’s Reflection, The G-8532 2.05 (1-E/M) G-7190 1.70 SSAATTBB G-8448 2.25 Seven Last Words from the Cross Beneath This Dome Nathan Jones In the Bleak Midwinter Nathan (Lat.) Daniel Elder This piece Text by Gerald Custer. SATB Jones SATB (6-E/M) G-7793 explores the progression of the divisi. (5-M) G-7604 1.90 1.90 Crucifixion events from Jesus’ De Camera Obscura de Jan van Lullaby from Three Nocturnes own point of view through the Eyck (Latin and Italian) Robert Daniel Elder SATB divisi, traditional scriptural passages. Vuichard After “Salve Regina” piano (10-M) G-8368 2.05 SSAATTBB (20-D) G-8231 by Johannes Ockeghem. SATB My Flight for Heaven Blake R. 2.35 and SSAA semichorus (D-36) Henson SATB divisi, piano The Lord Bless and Keep You G-7546 8.95 (7-M) G-7189 2.05 Peter Lutkin, ed. Joe Miller Newlyweds Nathan Jones SATB (2-E/M) G-8192 1.70 SSAATTBB (7-M/D) G-7792 This Little Light of Mine Arr. 2.05 Brandon Waddles An alternative melody of the more familiar “campfire” tune. SATB, soprano and tenor soloists G-8498 1.90

11 GIAHISTORICALMUSIC choralseries Dennis Shrock, Editor

The GIA Historical Music Series, edited by Dennis Shrock, presents repertoire suit- able for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of for- eign language texts and information regarding the lives of the composers, genres, and relevant performance practices.

Dennis Shrock is director of choral activities at Texas Christian University and author of numerous books. Dr. Shrock received a bachelor’s degree in music education from Westminster Choir College and both master’s and doctoral degrees in choral conducting from G-8358 Palestrina Quando dal terzo cielo Indiana University. Se cantano gl’augelli Giovanni Gabrieli SSAATB (6-M) G-8360 1.90 Quando dal terzo cielo Giovanni Pierluigi da Palestrina Three Dowland Part Songs (Eng.) ca. 1525-1594 For SSATTB Voices John Dowland What If I Never Leggiadre ninfe Luca Marenzio Speed - Can She Excuse My SSATTB (8-M/D) G-8359 2.05 GIA Wrongs - Now, O Now, I Needs Historical Music Series Quando dal terzo cielo (Ital.) G. Dennis Shrock, Editor Music Part SATB, piano (21- P. da Palestrina SSATTB (6- GIA Publications, Inc. 60DVRQ$YH‡&KLFDJR,/ E/M) G-8361 2.35 *,$‡ZZZJLDPXVLFFRP M) G-8358 1.90

Performance Practices in the Baroque Era Dennis Shrock

The Baroque era, stretching from 1600 to the 1750s, is a truly beloved time in the history of classical music, featuring works of Bach, Vivaldi, Monteverdi, and many more. In this remarkable book, a companion to Performance Practices in the Classical Era, noted scholar and choral conductor Dennis Shrock brings together in one place treatises, primers, tutorials, letters, prefaces, and essays from the period to paint a de- tailed and informative portrait of this wonderful music as it was originally intended and experienced.

G-8470 Hardbound...... $44 .95

Performance Practices in the Classical Era Dennis Shrock

The Classical era, from 1751 to the 1830s and beyond, is one of the most revolution- ary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to gen- erations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time.

G-7815 Hardbound ...... $44 .95

12 MUSICforYOUNGVOICES choralseries James Jordan, Executive Editor

In response to the many requests for quality choral music for children’s choirs in the age range of 10 to 15 years old, GIA Publications’ Evoking Sound Choral Series proudly introduces its new Music for Young Voices series. Initial publications feature arrange- ments by recognized composer Neil Ginsberg and a new authority on composing for the middle-school voice, Peter Frost. These editions take into account the challenges of teaching and working with adolescent voices, especially the male changing voice.

Neil Ginsberg is cochair of the Performing Arts Department at Brooklyn Friends School, where he currently teaches music and drama. His work has been com- missioned by a variety of choirs and institutions of higher learning, including the Stillwater Boys Choir, the Westminster Chapel Choir, and Lehigh University. Neil received a graduate certificate in Composition from the University of Southern California, where he received the BMI award for excellence in film composition.

Ryan Brechmacher is an active performer, composer, teacher, and pianist. His works have been premiered by the Westminster Schola Cantorum, Westminster Youth Chorale, the Bowling Green Area Community Band, and many other ensembles. Neil Ginsberg

Peter Fischer is associate professor of music at Texas Tech University, where he teaches theory and com- position. His works have been performed nationally and internationally. He completed a DMA in music composition at Louisiana State University and holds degrees in Music and English Literature from Illinois Bedictine College and a masters degree in music composition from Eastern Illinois University.

Peter Frost is currently the Music Director of the Children’s Aid Society Chorus program in New York City where he is the administrator of eighteen choruses (K- 12) and director of five. Peter’s two select choirs have recently performed in Carn- egie Hall with Mandy Patinkin, Jazz at Lincoln Center, and Radio City Music Hall. As an actor-singer, he has appeared in musicals in a variety of venues. Peter studies composition with Roger Ames.

Peter Frost

Annie Laurie Peter Fischer 3 Five Folk Songs for Treble Voices Or nous dites, Marie (Now Tell equal voices, piano (8-E/M) Arr. Michael Burkhardt SA, Us, Gentle Mary) (chartres) G-8068 2.05 with Orff instruments or (Fre., Eng.) Peter Fischer By the Waters of Babylon Arr. handbells/handchimes G-8156 2-part treble voices, piano, opt. Neil Ginsberg 3 equal or mixed 2.25 C inst. (6-E/M) G-8067 2.05 voices, keyboard (3-E) G-7467 Hava Nashira (Heb.) Johannes Peace Ryan Brechmacher SA divisi 1.60 Ockeghem, arr. Neil Ginsberg G-8392 1.90 Come, Marie, Elisabette Arr. Structured as a catch rather This Little Light of Mine Harry Clarence Dickinson, Peter than a round. 3 equal or mixed Dixon Loes, arr. Peter Frost Fischer 2 treble voices, piano voices, piano (3-E) G-7469 SSA, piano, bass guitar (12- (8-E) G-8069 2.05 1.70 E/M) G-7472 2.05 Dona Nobis Pacem (Grant Us In Nightly Stillness Ryan This Train Arr. Peter Frost SSA Peace) Arr. Neil Ginsberg Brechmacher SSA divisi, piano (opt. cambiata), piano (8-M) Structured as a catch. 3 mixed G-8391 2.05 G-7473 1.90 or equal voices, piano (3-E) Oh, Susanna Stephen Foster, arr. Water Is Wide, The (o waly waly) G-7704 1.70 Peter Frost 2 treble voices, Arr. Neil Ginsberg SAB, piano Elijah Rock Arr. Neil Ginsberg 3 piano, opt. descant, bass guitar (6-E) G-7405 1.70 equal or mixed voices, piano (7-E) G-7471 1.90 (6-E/M) G-7468 1.90 13 EVOKINGSOUNDRESOURCES BOOKSfromtheMUSICIAN’SSOULseries The Choral Rehearsal, Volume One techniques and procedures

This comprehensive sourcebook is an essential guide to a productive and musical choral rehearsal written by a leading voice in choral pedagogy. Intended for choirs of all skill levels, The Choral Rehearsal: Volume 1 covers a wide range of subjects. G-7128 Hardcover (516 pages) ...... $39 .95 DVD-720 The Choral Rehearsal DVD: A personal master class on conducting and rehearsal technique...... 24 .95

The Choral Rehearsal, Volume Two inward bound James Jordan

For the first time in a single volume, this book provides choral directors with a com- prehensive guide to score analysis techniques used by the world’s leading choral con- ductors and innovators. G-7129 Hardcover (464 pages)...... $39 .95

Choral Singing Step by Step eleven concise lessons for individual or choral ensemble use James Jordan

This unique self-study guide distills the essentials of good choral vocal technique into eleven concise, accessible lessons.

G-7934 Spiral-bound (88 pages)...... $12.95

The Choral Warm-Up accompanied canons for choirs James Jordan & Roger Ames

This addition to the successful Choral Warm-Up series provides one of the most im- portant tools in teaching elements of choral intonation: canons. By singing canons, the ensemble can develop listening skills that revolve around “listening to everyone but themselves.” These modal canons by Roger Ames extend that listening skill even further by adding harmonically supportive and enriching accompaniments.

G-7145 Conductor’s Edition with CD...... $24 .95 G-7145A Singer’s Edition...... 2 .25

The Choral Warm-Up Core Vocal Exercises Method, Procedures, and Core Vocal Exercises accompanist supplement with cd James Jordan for children’s choirs and treble voices G-6397 Hardcover...... $39 .95 Jordan / Shenenberger / Velez G-8005 ...... $24 .95 Core Vocal Exercises accompanist supplement with cd Modal Exercises James Jordan / Marilyn Shenenberger Roger Ames G-6397A ...... $26 .95 G-6912 ...... $24 .95

Teaching and Rehearsal Cards For a complete description of these James Jordan choral resources, visit G-6397I ...... $25 .95 www.giamusic.com 14 BOOKSfromtheMUSICIAN’SSOULseries The Musician’s Trust James Jordan / James Whitbourn

In The Musician’s Trust, musical collaborators James Jordan and James Whitbourn bring the importance of trust center stage and explore the many facets of this mysterious quality, both for individuals and ensembles.

G-8388 Hardcover (150 pages)...... $24 .95

The Musician’s Breath the role of breathing in human expression James Jordan

With The Musician’s Breath, all musicians—from choral directors to solo instrumentalists— will deepen their understanding of the miracle of human expression through breath. This pioneering book is also a passionate and compelling call for the use of the breath as a peda- gogical tool for performers of all ages and levels.

G-7955 Hardcover (228 pages)...... $26 .95 DVD-844 DVD, 2 hours...... 24 .95

The Musician’s Walk James Jordan

In The Musician’s Walk, Jordan confronts the ethical questions musicians face in the course of their work. The ethical “walk” musicians take is like a journey through a labyrinth—as we walk toward the center, turns and challenges confront us. When we are open to changes in our course, we can move closer to the center of the labyrinth, closer to that core musical experience.

G-6734 Hardcover (432 pages) ...... $38 .95

The Musician’s Spirit James Jordan

The Musician’s Spirit focuses not on the self, but on others and the stories each artist is able to share through his or her work. Using thought-provoking quotations, real-life stories, and visual art, Jordan challenges all artists to share themselves with their audience and fellow artists, thereby creating a more personal and beautiful body of work.

G-5866 Hardcover (228 pages) ...... $32 .95

The Musician’s Soul James Jordan

James Jordan’s The Musician’s Soul starts all musicians on a journey to that higher plane. Jordan offers words of wisdom and encouragement based on his own journey as a conduc- tor, yet these writings are pertinent to all musicians, perhaps to any creative being. Filled with inspiring, thought-provoking quotations, life experiences, and ideas, this book will encourage you to explore your inner self.

G-5095 Hardcover (174 pages)...... $22 .95

Toward Center the art of being for musicians, actors, dancers, and teachers James Jordan & Nova Thomas • Foreword by James Conlon

In this book, conductor and educator James Jordan details how the power of Center grounds performance, teaching, and learning, bringing the reader full circle to the ideas first intro- duced in his best-selling book The Musician’s Soul.

G-7661 Hardcover (220 pages, illustrated throughout) ...... $24 .95 15 GIA Publications, Inc. PRSRT STD 7404 South Mason Avenue U.S. Postage Chicago, IL 60638-9927 PAID www.giamusic.com Woodstock, IL Permit No. 249

Evoking Sound second edition fundamentals of choral conducting and rehearsing James Jordan Foreword by Morten Lauridsen CHORAL PERFORMANCE literature & resources G-7359 Hardcover with DVD . . . . . $49 .95 G-7359A Music for Conducting Study. . . 29 .95 WWW.GIAMUSIC.COM