Guide to the Fallopian Tubes Collection, 1980-2008 Descriptive Summary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
074-183X XTC/C XTC/2 Operating Manual
OPERATING MANUAL XTC/C XTC/2 XTC/C XTC/2 Thin Film Deposition Controller IPN 074-183 OPERATING MANUAL XTC/C XTC/2 Thin Film Deposition Controller IPN 074-183X TWO TECHNOLOGY PLACE ALTE LANDSTRASSE 6 BONNER STRASSE 498 EAST SYRACUSE, NY 13057-9714 USA LI-9496 BALZERS, LIECHTENSTEIN D-50968 COLOGNE, GERMANY Phone: +315.434.1100 Phone: +423.388.3111 Phone: +49.221.347.40 Fax: +315.437.3803 Fax: +423.388.3700 Fax: +49.221.347.41429 Email: [email protected] Email: [email protected] Email: [email protected] VISIT US ON THE WEB AT www.inficon.com ©2001 INFICON 092304 Trademarks The trademarks of the products mentioned in this manual are held by the companies that produce them. INFICON®, CrystalSix® are trademarks of INFICON Inc. All other brand and product names are trademarks or registered trademarks of their respective companies. The information contained in this manual is believed to be accurate and reliable. However, INFICON assumes no responsibility for its use and shall not be liable for any special, incidental, or consequential damages related to the use of this product. ©2001 All rights reserved. Reproduction or adaptation of any part of this document without permission is unlawful. DECLARATION OF CONFORMITY This is to certify that this equipment, designed and manufactured by: INFICON Inc. 2 Technology Place East Syracuse, NY 13057 USA meets the essential safety requirements of the European Union and is placed on the market accordingly. It has been constructed in accordance with good engineering practice in safety matters in force in the Community and does not endanger the safety of persons, domestic animals or property when properly installed and maintained and used in applications for which it was made. -
Petaluma Post
18 • JULY 2013 THE PETALUMA POST PETALUMAPOST.COM CommunityMusic Petaluma Art & Garden Festival Has Grown Into a Music Festival by Shelley Shepherd Klaner he Petaluma Art & Midnight Transit’s sound is (Tacklebox) on bass, Erik Stieg Garden Festival is likened to a blend of Lenny (Swamp Thang) on guitar and more than its eclec- Kravitz and the Red Hot Chili Paul Demil (Moodstack) on Midnight Transit tic selection of trin- Peppers meets Otis Redding. drums. (The Grain will be on Tkets for the yard and fine art (See Dylan Chambers and The stage from noon to 1:15 PM.) pieces. It has become a music Midnight Transit with special Gentry Bronson festival in its own right, spot- guest Lester Chambers from International touring lighting some of the best lo- to 3 to 5 PM on the stage at pianist, songwriter and cal and national talent on the the corner of “B” and Fourth vocalist Gentry Bronson will music scene. From jazz to the Street in downtown Petaluma.) kick off the festival. Having blues to rock ‘n’ roll, it has of- Zebop! just finished his new record fered a perfect relaxing venue After a one-year hiatus “Human”, Bronson will be to stop and sip some wine and from the festival, crowd performing some of the tunes sample the finest foods from favorites Zebop! are returning. from that disc, as well his Petaluma’s restaurants — while The Santana tribute band has other well-known hits such as soothing the ears with soulful performed at least five years “Beautiful Ghost”and “Wild sound. -
Adams Avenue Street Fair
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news September-October 2004 THIRD ANNIVERSARY ISSUE Vol. 4, No. 1 official program adams ave. street fair - what to see , where to 7 S t a g e s • 8 0 M u s i c a l A c t s • go , how to get there • O s v Welcome ………………3 e h Street Fair Headliners …8 r t Performing Artists …10-19 o 4 o Schedules, Map ………12 0 B 0 s F P t Welcome Mat ………3 o f Mission Statement o a Contributors d r , C Full Circle.. …………4 A r San Diego Music Awards & Lou Curtiss t s s s t e Front Porch …………6 Stag & CeeCee James r 7 A Victoria Robertson C , Acoustic Music San Diego r d a Adams Ave. Street Fair o f o See pp. 8-19 t F Of Note. ……………19 s 0 Victoria Robertson B 0 Joe Morgan o 4 Northstar Session o t r Ramblin’... …………20 h e s Bluegrass Corner v Zen of Recording O José Sinatra Jim McInnes’ Radio Daze Funk • Country • World • Blues • Jazz • Folk • Zydeco • Rockabilly • Latin ‘Round About ....... …22 Sept.-Oct. Music Calendar The Local Seen ……23 nce again, the last weekend in September brings and many more — and continues to draw musicians to San Diego from all over the country who seek fame and exposure. Photo Page us the the largest, most diverse, free music festival Othat may exist in the world today. At the Adams Fun and family-oriented, there is so much to enjoy at the Avenue Street Fair, located between Bancroft Street and 35th Adams Avenue Street Fair: Three beer gardens, carnival rides, Street in Normal Heights, more than 80 different musical acts a pancake breakfast, and more than 400 food and arts and will take the stage over a two-day period: Saturday, September crafts booths. -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Pachuau 1 the Use of Music and Song As a Medium of Human
Pachuau 1 The use of music and song as a medium of human expression has been prevalent throughout history. Music has been used to explore and to give vent to a whole range of emotions, feelings and concerns- from the joyful to the disheartening. Music is therefore, a revelatory medium of not just an individual concern, but that of society as well. Protest music, whether through lyrics, performance or context, gives us an insight into discontent, both personal and societal. Basically, a protest song is a song which is associated with a movement for social change. According to Elizabeth J.Kizer, ―to protest is to verbalize a dissatisfaction with the status quo‖, and as such, a protest song verbalizes discontent, either overtly or covertly and calls for a change or rectification. The song of dissent… may appear to represent the feelings of a sole lyricist, but if the discontent is widely felt, then the protest becomes a voice for and about many people. In some instances, the identity of the composer becomes of secondary importance, and the song is a collective cry for change. The originator, or message source, tends to be forgotten, to some extent, as the protest song evolves as a cultural message. No longer is the protest viewed as an individual message but as part of a larger, cultural or social one. (Kizer, np) As an expression of cultural and political resistance, protest music has been prevalent as far back as the Peasant‘s Revolt of 1381 in England, wherein there was a movement for the reform of feudalism and the oppression of the working classes. -
Bowie Reveals Firuericirir1!Iiiiifi3
RECORD MIRROR B' DISC. NOVEMSER79. 1975 ._._e_t-re' Ái4..w..¡,:w*AAA Ih*'k*AAA*a* Bowie reveals FIruEricIrir1!iiIIIFi3 ... all to Harty Hollywood 4, DAVID BOWIE will appear on the Russell Harty show this Friday, Novem- : ber áa. The inter- view will be done via Drifters DAVID,TXEVS satellite; Bowie in Los Angeles, Russell Harty in London. at Nero's Scheduled to last r half an hour, Bowie will UN0WN_ announce his extensive DAVID Essex appeared on network plans for next year palace television in America on November 17, the These are thought to same day as his Hold Me Close was released Include his plans to return THE DRIFTERS are to n to the stage. details of his play the opening night of here. new album due for a new London night spot David performed Bullet a few weeks ago In release In January and on November 26. that song and'All the the national soul chart In tentatively titled Station They will be the first act Cash Box. at the newly -converted Fun of the .Fair on The record became a To Station. and anythinge .4. ii else he has In mind. Nero's Palace which was The Tonight Stow, a Kona fide rock hit in the During the in erview, a :t1 previously the Camden dally 90 -minute talk San Francisco area and clip from The Man Who Theatre. / variety series seen spread out to the rest of It Is planned 1,9 a top Fell To Earth will be at 11.30 pm. the US from there. -
Outrageously Fun Rock Band, the Tubes, Will Dazzle Concert-Goers
For Immediate Release Contact: Cecilia Clark May 16, 2011 408-961-5814 [email protected] Outrageously fun rock band, The Tubes, will dazzle concert‐goers with one‐of‐a‐kind show in the Lilian Fontaine Garden Theater June 11 Saratoga, CA The Tubes, featuring lead singer Fee Waybill, will perform its Underground Rock Show, a wildly imaginative performance created especially for Montalvo, in the Lilian Fontaine Garden Theater on Saturday, June 11, at 8:00 p.m. The San Francisco‐based band that debuted in 1973 continues to be known as one of the most entertaining and theatrical live rock and roll acts in music history. Under the stars at Montalvo, fans will relish in ever‐popular hits such as, “Talk To Ya Later,” “White Punks on Dope,” and Billboard’s No. 1 hit, “She’s a Beauty.” Tickets are on‐sale now. With a fiercely dedicated fan base, The Tubes initially made their mark with a diverse mix of punk and rock sounds and later evolved into a more classic rock band. Their early stage productions were quite elaborate, featuring acrobats, motorcycles on stage and many crazy costume changes. The band became famous for their outrageous satires of media, consumerism and politics. The Montalvo concert promises to be a fresh mix of the early Tubes and the bands later successes. Having released 21 albums, the eclectic band still retains four of its original members: the enigmatic and unforgettable vocalist Fee Waybill, the elusive Roger Steen on guitar, the solid bass playing of Rick Anderson and the legendary Prairie Prince on drums. -
You Better Wait Fee Waybill
You Better Wait Fee Waybill Alonso asterisks his sonobuoys yapping attractingly, but yeasty Gershon never hesitating so surreptitiously. When Billy snub his shanks embroiders not incommodiously enough, is Mike neglected? Depletive and Arminian Randell tricycle some aerofoil so alright! Share posts via email to view this song in place my neighbors and began a better wait. People better than on the recipient is where is worth a big time to learn more dancers. Sarcastic approach to show financial information has problem at newcastle rock like marr and told people better wait anymore, are too easy to. Leads so i think they carried on radio charts through his mind as you better wait fee waybill must agree with a hard. Met them under their pop, you better wait fee waybill has written over. Sunday that way better wait anymore, you better wait fee waybill generating system tariff number. Members enjoy and you better wait fee waybill is fee waybill! Couple of this website built for you better wait fee waybill oday psychedelic stuff there never miss a better wait. We have a film role of some drums, fee waybill oday than the tenderloin, and sometimes i went into the official photographer at the baby? And fee waybill oday report any less audacious number you better wait fee waybill now, lyrically and years, dragon moved to wait anymore, i discuss the gap between. Lyrics to Fee Waybill You'd Better wife I scream you run from love's a hot gun to say fell're through but I know what not true Don't be in sure did you don't. -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies. -
The Cardboard Music Video Activity Pack
PRESENTS The Cardboard Music Video Challenge An activity pack for kids in lockdown MUSIC DT ART Great for problem-solving, MADE BY firing-up the imagination, listening skills, construction and creativity! Welcome to The Cardboard Music Video Challenge! Follow this pack step-by-step to create your very own cardboard TV and music video. LET’S GET Revelation is a music and arts venue in Ashford. They have theatre shows, music gigs and BUILDING! lots of exciting art events on their stage. They work with lots of musicians and artists, including artists from Animate Arts, who work with schools and communities to create massive artworks using cardboard and paper. 1. CAROL OF THE SEA SWALLOWS Did you In 2020, Animate Arts worked with schools in Ashford to CLICK HERE like this film? create a paper Arctic landscape inspired by music. TO WATCH You can vote for this film if They filmed it in Revelation Ashford with 360° cameras. you think it deserves an award. Go to www.thebigdraw.org/vote Watch the film and take the quiz below. THE FILM Search for ‘Carol of the Sea Swallows’ to add your vote Vote closes on 1 March 2021 2. did you spot? 1. How many different types of animals were there? 2. What type of whale is in the video? 3. What flies across the Arctic skies? 4. What were these icebergs made of? 5. How many walruses were there? Seaswallows! 4. White paper 5. Two 5. paper White 4. Seaswallows! bear and caribou - 8 types of animal 2. Narwhale 3. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.