DOCSLIB.ORG

JESSIEBM&Hook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JESSIEBM&Hook I * A his new bride, Dorothy fo: Clarence Berry, Is now rereading “Th< AMUSEMENTS two weeks while he does shots foi Secret Garden” which he will mak« jAMUSEMENTS here Instead of In. "The Law and Martin Rome” lr England with *°w kayim Hollywood: Margaret O’Brien. NATIONALHHilHUh ! Constitution Hall, Hex! Sunday Aft., Mar. 21 Iw. Real New York. Dorothy was to hav« »30, Mata. I* They’re Hollywood Ants, (Released hr North American Newspapei -RIWTIY EXCEPT FRIDAYS- Ava Gets First gone along but she is still recuperat- Alliance 1 Mata. Wed., Mar. 17, Sale.. Mar, M. »» So Can’t Be Bashful Role ing from a recent operation. Victor and Bandar, Mar. Slat They Starring who is selling his house here, tolc Ezio "WorU'i tstPinza By Harry MacArthur At Metro me before he left that when he Where and When IPIKE JONES grant •pwraf/c basso”-TIME wants to buy a new one in Los Current and hit la Open letter to Ernest care of Theater Attractions RtcHd—$1.20, $1.80, $2.80, $3.00 Emerling, Loew’s, Inc., New York: Sheilah Graham Angeles, Boss Zanuck will pay foi Thank much for the By “MUSICAL Ma Dtrtty'i, 1108 i !) you very ants. Ants are just what we need it! That’s the kind of and Time of (Campbell NA.7151 around the office. Robert Taylor and Ava Gardner employer Showing Sitting around watching ants dig tunnels and we should all have. DEPRECIATION are the stars for Metro in “House Stage. conduct their nefarious underground affairs is the we way long have * * * REVUE" wanted to our time. Inasmuch Above the River”—the first starring * National—Spike Jones: Musical pass as ants are generally supposed to F*t twin THE CITY SI I(IBS Constitution Hnll, Tomorrow nt 8:30 role for Ava at her own be intelligent and this life a studio. She Butch Jenkins was offered the role Depreciation Revue; 2:30 and 8:30 industrious, with village of them ought tc Ptaa 14 Vaudeville Arta and ! G. C. Cappel Present# Gen. PlatodTS < plays a very modern of the p.m. prove enlightening. glamorous, little boy in "On Borrowed DOODLES WEAVER siren. Vincente Screen. There is something we think you! next time you are touting a picture Minnelli directs Time,” to be revived on Broadway, •• "Profeanor Fettlebauaa” with Sam Zimbalist with Charles Cobum as Vh Hours of should know, however. This man which stars, as does “The Bride producing. the grand- Ambassador—■■“Saigon”; 1:05,3:15. Musical Miriness father, If Butch can you commissioned to the I bump into Parks and his do it for just 5:20, 7:30 and 9:40 ■ In 11 V m capture Goes Wild,” some ants and June Larry pm. --—A_ ilTfll § ■ | 4| a few his I v 1 i * iiii beasts and set them up in house- wife, Betty Garrett, at her studio months, mother, Doris Capitol—"Tenth Avenue Angel”; «j illill Allyson, please send us—well, not But keeping for us, the fellow who calls and Larry tells me it is definite that Dudley, may accept. she does 11:10 am.’, 1:50, 4:35, 7:20 and 10:05 the ants. not want him to work himself the Ant King, sent us a Sincerely, etc. he will appeal the case he recently for more pm. Stage shows: 12:50, 3:35, 6:20 \‘thc than four months a hIarch Ticket* 90a t. $3.00 batch of backward ants. Accord- ♦ * * * lost at Columbia. Furthermore, he year. and 9:05 pm. ROOSEVELT STORY'” ®" J* CAPPEL CONCERT BTREAC ing to the Ant a is not a cent of the I ask Franchot Tone 1“ BALLARD S 1300 G King, scientist,! The repeal of the British 75 per taking money why he Columbia-i-“Son of Frankenstein; ST. RE. 3503 once asked if man or ant were more due him on either his old or hasn’t made a movie cent tax on motion new recently, and 12:40, 4:40, 6:40 and 9:45 I import pictures pm. Intelligent, replied with all the contract at Columbia. “What are he tells me that with the British may or may not have something to Hippodrome—“That Hamilton clear directness of the Delphic do with you living on?” I ask him. “Faith, market what it’s been he couldn’t it, but certain corners in Woman”; 7 and 9:30 “That on the man but not he financial and 2:15, 4:40, pm. oracle, depends Hollywood are being lighted with hope, charity,” replies. get backing, all the —or the ant.” studios have been Keith’s—"The Senator Was Indis- good cheer. It has been a long time Dennis Morgan will probably get major using their He should see these ants sent own contract creet”; 11:50 a.m., 1:50, 3:50, you since any one in the movie colony Lauren Bacall as his gal in “Sacra- players—if any—in 5:50, us. These ant j to 7:50 and 9:50 pm. colonies (as you did anything but view with alarm. mento Sal,” for Milton Sperling. preference borrowing free-lanc- pupopr emeu don’t know because ers. the new Little—“The you certainly Today, however, the drama desk Lauren likes the script so much Maybe Anglo-Ameri- Barber of Seville”; never of can film agreement will 11:15 thought decorating your bears not one, but two messages that, to make the picture, she is change all a.m., 1:25, 3:25, 5:25, 7:30 and own office with one of them) have that. 9:35 p.m. from motion picture figures facing , even not grumbling about giving a down which the ants are runway the future bravely. up a cruise on Humphrey Bogart’s Pete Lawford and his best pal, Metropolitan—“Panhandle”: 11:20 supposed to crawl to the dirt where Jackie One is from Paramount, yacht. Cooper, are off to Manhat- am., 1:20, 3:25, 5:30, 7:35 and 9:45 ■ NOW... Opea 11 A. M. 1 are to tunnels to quoting they supposed dig the tan for a look at the plays and p.m. be Adolph Zukor, chairman of its board Bogey, by way, is trying to get observed digging tunnels. Our nightclubs. Then to 1 2 BLOOD of directors. Mr. Zukor has just re- Evelyn Keyes as his leading lady they go Palace—"Sleep My Love”; 10:45 ( ants have spent their first after- Jamaica for a rest. I CURDLING HITS turned from a visit to the studio, YEOMAN—Errol Flynn plays in "Knock On Any Door,” at Co- am., 12:55, 3:05, 5:15, 7:25 and 9:40 noon filling the runway with dirt | during which he examined its com- lumbia. He's virtually sure to suc- Esther Williams gets Jules Mun- pm. so they cannot get down below to Robin Hood in the Techni- pleted pictures and announced hap- ceed, as Evelyn is the wife of his shin for a comedy sidekick in "The dig tunnels. color “The PbcT“Comedy Carnival”; 2:40, 8,1 “if the rest of is as film, Adventures best friend and best John Duchess of Idaho.” 7:20 Either that scientist friend of pily, Hollywood director, ind 9:40 p.m. the wre good, have nothing to fear.” of Robin Hood” The reissued Huston. Clarence Brown tells me that he Trans Lux — News Ant King has a low opinion of | and shorts.' | is looking for a movie to make that Continuous man's or Modestly, Mr. Zukor added: “If I at the Warner William Bendix, who isn’t thin, from 10:15 a.m. intelligence these ants have picture opens will were to mention the has to on a lot of bring people out of the theater 11 a union. It can't be that they are; forthcoming put weight and Warner—"Saigon”; a.m., 1:10, Paramount \ tomorrow. smiling. That’s quite an idea. 7:45 r 14th4 H M.W. bashful and do not want to have pictures which are tops flatten his nose for his movie role! 3:20, 5:30, and 9:55. •JcmthiShorts FINAL SHOWINGS TUES. 4 WED. their life in I would appear to be bragging so I Theater of the as Babe Ruth. The only private tunnels w-atched Players University thing Bill] AMUSEMENTS March of Time's will that are doesn't YEAR 4 POUL came from; only say they intended of Maryland launched a five-day have to do for this _AMUSEMENTS_ “PRESIDENTIAL through glass. They picture; MARSARYK ENDS LIFE to be entertaining and they achieve run of Williams’ is learn how to baseball. Hollywood. We think the man Emlyn “Night play He’s! _MIDWEEK NEWS—BASEBALL their I have seen a whiz palmed off stupid ants on us. purpose. other Must Fall” last night at the Uni- at the game—he says. WMAL Newscasts—Last Shew I0:4T Hollywood products too, and in the • • • • *lvJhKli »~iKmn2 There Theater. The is just one more thing. The versity leading role '&.&*& wtk ^A ■Ly^^B fall, the new season, we is beginning being played by Kennard Calsee, Judy Garland is out as the lead-i are to have a flow of box- of # # • • —— -1 I strong Riverdale, Md., and others in ing lady in “Take Me Out to the! | office product.” the cast are Kit Herman » and Helen Ball Game,” and now Gene Kelly; Norman Hereford. The murder Complete Taurog, the director, Is psychological and Frank Sinatra are looking fori another who views the cinema's drama was directed a sweet but 'PAULETTE GODDARD by Eugene strong-minded young! <• Alexander Korda'i fndvctmi future with no alarm.
Load more

Recommended publications
  • Katie Wackett Honours Final Draft to Publish (FILM).Pdf
    UNIVERSITY OF CALGARY Female Subjectivity, Film Form, and Weimar Aesthetics: The Noir Films of Robert Siodmak by Kathleen Natasha Wackett A THESIS SUBMITTED TO THE FACULTY OF ARTS IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF BA HONOURS IN FILM STUDIES DEPARTMENT OF COMMUNICATION, MEDIA, AND FILM CALGARY, ALBERTA APRIL, 2017 © Kathleen Natasha Wackett 2017 Abstract This thesis concerns the way complex female perspectives are realized through the 1940s noir films of director Robert Siodmak, a factor that has been largely overseen in existing literature on his work. My thesis analyzes the presentation of female characters in Phantom Lady, The Spiral Staircase, and The Killers, reading them as a re-articulation of the Weimar New Woman through the vernacular of Hollywood cinema. These films provide a representation of female subjectivity that is intrinsically connected to film as a medium, as they deploy specific cinematic techniques and artistic influences to communicate a female viewpoint. I argue Siodmak’s iterations of German Expressionist aesthetics gives way to a feminized reading of this style, communicating the inner, subjective experience of a female character in a visual manner. ii Acknowledgements This project would not have been possible without my supervisor Dr. Lee Carruthers, whose boundless guidance and enthusiasm is not only the reason I love film noir but why I am in film studies in the first place. I’d like to extend this grateful appreciation to Dr. Charles Tepperman, for his generous co-supervision and assistance in finishing this thesis, and committee member Dr. Murray Leeder for taking the time to engage with my project.
    [Show full text]
  • Exploring Movie Construction & Production
    SUNY Geneseo KnightScholar Milne Open Textbooks Open Educational Resources 2017 Exploring Movie Construction & Production: What’s So Exciting about Movies? John Reich SUNY Genesee Community College Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Reich, John, "Exploring Movie Construction & Production: What’s So Exciting about Movies?" (2017). Milne Open Textbooks. 2. https://knightscholar.geneseo.edu/oer-ost/2 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Milne Open Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Exploring Movie Construction and Production Exploring Movie Construction and Production What's so exciting about movies? John Reich Open SUNY Textbooks © 2017 John Reich ISBN: 978-1-942341-46-8 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks Milne Library State University of New York at Geneseo Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Exploring Movie Construction and Production by John Reich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Dedication For my wife, Suzie, for a lifetime of beautiful memories, each one a movie in itself.
    [Show full text]
  • The Baseball Film in Postwar America ALSO by RON BRILEY and from MCFARLAND
    The Baseball Film in Postwar America ALSO BY RON BRILEY AND FROM MCFARLAND The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010) Class at Bat, Gender on Deck and Race in the Hole: A Line-up of Essays on Twentieth Century Culture and America’s Game (2003) The Baseball Film in Postwar America A Critical Study, 1948–1962 RON BRILEY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London All photographs provided by Photofest. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Briley, Ron, 1949– The baseball film in postwar America : a critical study, 1948– 1962 / Ron Briley. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6123-3 softcover : 50# alkaline paper 1. Baseball films—United States—History and criticism. I. Title. PN1995.9.B28B75 2011 791.43'6579—dc22 2011004853 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2011 Ron Briley. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: center Jackie Robinson in The Jackie Robinson Story, 1950 (Photofest) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Preface 1 Introduction: The Post-World War II Consensus and the Baseball Film Genre 9 1. The Babe Ruth Story (1948) and the Myth of American Innocence 17 2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949) 33 3.
    [Show full text]
  • Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
    Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Aspects of Film Noir: Alan Ladd in the 40'S
    The Museum of Modern Art 50th Anniversary NO. 38 •JO RELEASE ON OR BEFORE JULY 11, 1980 "ASPECTS OF FILM NOIR: ALAN LAPP IN THE 40*5" OPENS AT MoMA ON JULY 11, 1980 A series of four important Alan Ladd films forms ASPECTS OF FILM NOIR: ALAN LADD IN THE 40'S, an exhibition running from July 11 through July 15, 1980 at The Museum of Modern Art. To be shown in the series are: THIS GUN FOR HIRE, Ladd's first starring role; THE GLASS KEY; THE BLUE DAHLIA; and the 1949 Paramount production of the F. Scott Fitzgerald classic, THE GREAT GATSBY. The films will be shown in 35mm studio prints made available by Universal/MCA and the UCLA Film Archives. Notes from The Museum's Department of Film indicate that "During the 1940's Hollywood studios produced a large number of crime melodramas whose stylistic con­ sistency has since been given the name of 'Film Noir'. These shadowy and urbane films not only commanded consummate studio craftsmanship, but enabled a charismatic group of performers to express the tensions that provided the thematic content for the 'Film Noir'. At Paramount Pictures during the 1940's perhaps the emblematic figure of the 'Film Noir' was Alan Ladd." The series opens with THIS GUN FOR HIRE at 8:30 PM on Friday, July 11 (to be repeated at 6 PM on Sunday, July 13). The film was directed by Frank Tuttle in 1942 with Ladd, Veronica Lake and Robert Preston and runs 81 minutes. THIS GUN FOR HIRE was the film that launched Ladd's career.
    [Show full text]
  • A Subcategory of Neo Noir Film Certificate of Original Authorship
    Louise Alston Supervisor: Gillian Leahy Co-supervisor: Margot Nash Doctorate in Creative Arts University of Technology Sydney Femme noir: a subcategory of neo noir film Certificate of Original Authorship I, Louise Alston, declare that this thesis is submitted in fulfillment of the requirements for the award of the Doctorate of Creative Arts in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the exegesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: 05.09.2019 2 Acknowledgements Feedback and support for this thesis has been provided by my supervisor Dr Gillian Leahy with contributions by Dr Alex Munt, Dr Tara Forrest and Dr Margot Nash. Copy editing services provided by Emma Wise. Support and feedback for my creative work has come from my partner Stephen Vagg and my screenwriting group. Thanks go to the UTS librarians, especially those who generously and anonymously responded to my enquiries on the UTS Library online ‘ask a librarian’ service. This thesis is dedicated to my daughter Kathleen, who joined in half way through. 3 Format This thesis is composed of two parts: Part one is my creative project. It is an adaptation of Frank Wedekind’s Lulu plays in the form of a contemporary neo noir screenplay. Part two is my exegesis in which I answer my thesis question.
    [Show full text]
  • 6 Pairs of Lebowski
    Contents Acknowledgments 6 1 An Unlikely Story 9 2 Pulp Fictions 22 3 Movies on the Cheap 38 4 In Search of Meaning 57 5 And the Sky was Grey 74 6 Detour Redux 87 Postscript: Alone in the Dark 96 Notes 98 Credits 108 Bibliography 109 DETOUR 9 1 An Unlikely Story Every day, to earn my daily bread I go to the market where lies are bought, Hopefully I take up my place among the sellers. Bertolt Brecht, ‘Hollywood’ (1942) How could a film that was shot on a girdle-tight schedule, with no big-name talent, no real sets to speak of – just a couple of dingy motel rooms, a roadside diner, a low-rent nightclub and a Lincoln convertible flooded with an abundance of rear projection – and a legendary ‘lemonade-stand budget’ ultimately attain such classic status as Edgar G. Ulmer’s Detour?1 Sure, for standard second-billing fare, the film earned some hearty praise in the industry trade papers and the popular press when it was first released the week after Thanksgiving 1945. Even so, at the time of its debut, it would have been all but unthinkable that this unvarnished, gritty little B-picture would ever make it into the celebrated pantheon of film noir, let alone into the National Film Registry of the Library of Congress. Indeed, it wasn’t for many years, decades really, that the film found its most ardent following and finally outran its fate as the bastard child of one of Hollywood’s lowliest Poverty Row studios. Humble origins Detour began its long, twisted career as a slim 1939 pulp novel by Martin Goldsmith, an aspiring New York writer still in his mid- twenties at the time of publication, who had made Hollywood his base of operation by the late 30s.
    [Show full text]
  • 1946-05-10, [P ]
    Friday, May W, 1946 THE TOLEDO UNION JOURN AJ, Page Five Paramount’s Picture “Kitty Delightful Film Fare By Burny Zawodny Granddaddv Of Them A Hub! >a Hui .ba Girl Take a combination like Paulette Goddard and Ray Milland, Hewnomor Wins Vote New Acting Honors put them together in a spicy" story of Eighteenth Century vintage and top it all off with Mitchell Leisen at the directorial helm, Makas Movie Debut ? t For Peter Lawford and you have as entertaining a picture as moviegoers could hope HOLLYWOOD. — Douglas to see. Adapted from Rosamond Marshall’s sensational book, Dick, a new Hal Wallis find, HOLLYWOOD — Firmly Paramount’s “Kitty,” which whose discovery is one of those establishing him as one of the opened at the Paramount The- stories that makes Hollywood leading young actors of the 4re to an enthusiastic audience, Midgets Are the fabulous place that it is, has year. Peter Lawford has been is the kind of been handed a prize role in signed for a featured role in the film t h ■ t i “The Searching Wind,” the new Metro-Goldwyn-Mayer musical, breezes merri­ Real Live Wallis production at Paramount, “It Happened in Brooklyn,” co- ly along from with Robert Young, Sylvia Sid­ starring Frank Sinatra and start to finish '• ney and Ann Richards. Kathryn Grayson. with never a ^g Pixies To Star The sandy-haired youth !n his Young Lawford won the role dull moment, on the strength of his outstand­ An excellent early twenties, who has had no previous ew York or screen ex­ ing performance in the musical, supporting cast HOLLYWOOD (Special) — “Two Sisters From Boston,” includes Patrie perience, has been signed to play The life of a midget, in Holly­ Sam, the soldier-son and one of and his recent work in “My Knowles, Reg­ wood or anywhere else for that Brother Who Talked to Horses.” inald Owen, the five principals in the picturi- Cecil Kella- matter, has its advantages to­ zation o fthe Lillian Hellman “It Happened in Brooklyn,” is Burny Zawudtiy way, Constance gether with its probles.
    [Show full text]
  • {PDF EPUB} the Art of Noir the Posters and Graphics from The
    Read Ebook {PDF EPUB} The Art of Noir The Posters and Graphics from the Classic Era of Film Noir by Eddie Muller Muller, Eddie 1959– PERSONAL: Born 1959, in San Francisco, CA; son of Eddie Muller (a sportswriter); married Kathleen Maria Milne. Education: Attended San Francisco Art Institute. ADDRESSES: Agent —Denise Marcil, 156 5th Ave., Ste. 625, New York, NY 10010. CAREER: Journalist; author of fiction and nonfiction. AWARDS, HONORS: Edgar Allan Poe Award nomination for best critical/biographical work, Mystery Writers of America, 1999, for Dark City: The Lost World of Film Noir , and 2003, for The Art of Noir: The Posters and Graphics from the Classic Era of Film Noir; Shamus Award for Best P.I. First Novel, for The Distance , 2003. WRITINGS: NONFICTION. (With Daniel Faris) Grindhouse: The Forbidden World of "Adult Only" Cinema , St. Martin's (New York, NY), 1996. Dark City: The Lost World of Film Noir , St. Martin's (New York, NY), 1998. Dark City Dames: The Wicked Women of Film Noir , Regan Books/HarperCollins (New York, NY), 2001. The Art of Noir: The Posters and Graphics from the Classic Era of Film Noir , Overlook Press (Woodstock, NY), 2002. (With Tab Hunter) Tab Hunter Confidential: The Making of a Movie Star , Algonquin Books of Chapel Hill (Chapel Hill, NC), 2005. NOVELS. The Distance , Scribner (New York, NY), 2002. Shadow Boxer , Scribner (New York, NY), 2003. SIDELIGHTS: Eddie Muller became fascinated with film noir while growing up in San Francisco, and his interest eventually led to three books on the subject: Dark City: The Lost World of Film Noir, Dark City Dames: The Wicked Women of Film Noir , and The Art of Noir: The Posters and Graphics from the Classic Era of Film Noir .
    [Show full text]
  • Broadside Book Awards Book/Media Board Meeting News Network Reviews at Baruch
    Newsletter of the Theatre Library Association In Memoriam: Brooks McNamara, TLA President, 1977-1980, and Founding Director of the Shubert Archive Inside this issue Executive Broadside Book Awards Book/Media Board Meeting News Network Reviews at Baruch INSIDE THIS ISSUE 4 President‘s Report BROADSIDE (ISSN: 0068-2748) is published three times a year and distributed to all members in good standing. Contents ©Theatre Library Association 6 In Memoriam Access via login—Members contact David Nochimson ([email protected]) 8 BROADSIDE News Network Editor: Angela Weaver ([email protected]), University of Washington 10 Announcements Book Review Editor: Catherine Ritchie ([email protected]), Dallas Public Library 14 Book/Media Reviews Regional News Editor: Robert W. Melton ([email protected]), 20 Books Received University of California, San Diego 20 TLA at ALA in Chicago BROADSIDE PUBLICATION GUIDELINES BROADSIDE is the principal medium through which the Theatre Library Association 20 Upcoming Events communicates news, activities, policies, and procedures. Collectively, past issues also provide historical information about the organization and the profession of performing arts librarianship. BROADSIDE has no ambition to serve as a scholarly journal. 3 TLA Board Scholarly and other articles or monographs may be considered for TLA‘s other principal publication, Performing Arts Resources. 3 TLA Mission Statement In addition, BROADSIDE serves as a means for the exchange among members of information that advances the mission of the organization. Examples of this include short news items about recent activities of both individual and institutional members; 1 Front Cover short reviews of relevant books and other resources; news of relevant exhibits, conferences, and other developments in performing arts librarianship, collections, and scholarship.
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit „The Otherness of Canadian Cinema: the Surreal in Guy Maddin’s My Winnipeg“ Verfasser Klaus Tscherner angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 190 344 445 Studienrichtung lt. Studienblatt: UF Englisch UF Biologie und Umweltkunde Betreuer: Univ.-Prof. Dr. Waldemar Zacharasiewicz Table of Contents Hypothesis............................................................................................................................................ 3 1. Introduction: what is Canadian film?............................................................................................... 4 2. Canadian cinema as a cinema of otherness...................................................................................... 9 2.1 Atom Egoyan and David Cronenberg .................................................................................... 11 2.2 Canadian Film and its ambiguous relationship to Genre film and Hollywood............................18 2.3 Canadian Film Policies .......................................................................................................... 28 2.3.1 Documentary: the National Film Board of Canada ................................................... .....28 2.3.2 Feature Film.....................................................................................................................33 2.4 The effects of Canadian film policies....................................................................................
    [Show full text]
  • Catalog Sixty-Eight the CELLULOID PAPER TRAIL
    catalog Books Royal sixty-eight Ca talog Sixty-Eight talog Royal Books THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com/cpt or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
    [Show full text]