Performance Art Festival Archive Inventory and Shelflist
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Australian SF News 28
NUMBER 28 registered by AUSTRALIA post #vbg2791 95C Volume 4 Number 2 March 1982 COW & counts PUBLISH 3 H£W ttOVttS CORY § COLLINS have published three new novels in their VOID series. RYN by Jack Wodhams, LANCES OF NENGESDUL by Keith Taylor and SAPPHIRE IN THIS ISSUE: ROAD by Wynne Whiteford. The recommended retail price on each is $4.95 Distribution is again a dilemna for them and a^ter problems with some DITMAR AND NEBULA AWARD NOMINATIONS, FRANK HERBERT of the larger paperback distributors, it seems likely that these titles TO WRITE FIFTH DUNE BOOK, ROBERT SILVERBERG TO DO will be handled by ALLBOOKS. Carey Handfield has just opened an office in Melbourne for ALLBOOKS and will of course be handling all their THIRD MAJIPOOR BOOK, "FRIDAY" - A NEW ROBERT agencies along with NORSTRILIA PRESS publications. HEINLEIN NOVEL DUE OUT IN JUNE, AN APPRECIATION OF TSCHA1CON GOH JACK VANCE BY A.BERTRAM CHANDLER, GEORGE TURNER INTERVIEWED, Philip K. Dick Dies BUG JACK BARRON TO BE FILMED, PLUS MORE NEWS, REVIEWS, LISTS AND LETTERS. February 18th; he developed pneumonia and a collapsed lung, and had a second stroke on February 24th, which put him into a A. BERTRAM CHANDLER deep coma and he was placed on a respir COMPLETES NEW NOVEL ator. There was no brain activity and doctors finally turned off the life A.BERTRAM CHANDLER has completed his support system. alternative Australian history novel, titled KELLY COUNTRY. It is in the hands He had a tremendous influence on the sf of his agents and publishers. GRIMES field, with a cult following in and out of AND THE ODD GODS is a short sold to sf fandom, but with the making of the Cory and Collins and IASFM in the U.S.A. -
Oral History Interview with Rachel Rosenthal
Oral history interview with Rachel Rosenthal Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Rachel Rosenthal AAA.rosent89 Collection Overview Repository: Archives of American Art Title: Oral history interview with Rachel Rosenthal Identifier: AAA.rosent89 Date: 1989 September 2-3 Creator: Rosenthal, Rachel, 1926- (Interviewee) Roth, Moira (Interviewer) Women in the -
Noumenon 41 Outside the Theatre
EDITORIAL “Yes, Brian Thurogood from Waiheke here. You were going to send out that information two weeks ago.” Noumenon is published 10 times per year, hopefully "Yes, Brian. I'm sorry but we've had a terrible at 5-weekly intervals. week. In fact, a terrible fortnight — the worst I've Subscriptions are: ever had. I think. Although the air strike has been . S5.7S/10 issu es NZ [incl. postage] over for two weeks we're still drastically affected S12.25/10 issues | Surface ] S7.00/I0 issues by ” "Oh. I'm sorry to hear that.” S13.25/10 issues Britain [Airmail] . "Well, we've had to borrow equipment hack, . S7.00/I0 issues [Surface] . even go to other suppliers — honestly, it's been Retail |New Zealand] 7 5c/copy diabolical.” Trade Discount . Less ‘6 "In a way it's good to hear we're not the only ones with weeks like that.” Noum mon Is edited end published by: "No, you're not — not by a long shot.” Brian Thurogood “Okay, we'll hear from you soon.” 40 Korora Road, Oneroa "Yes, I'll finish it tonight, or at the latest, to Waiheke Island, HaurakiGulf morrow morning.” NEW ZEALAND Phone WH 8502 Art Consultant: Colin Wlbon Hello again. But let me tell you the good news. Typesetting & Assistance: Kath Alber Next issue, gods and demons willing, will see the Subscription cheques, postal notes or Bank drafts should be introduction of the marvelous made payable to Noumenon and sent to the above address. High Tech, Silicon Chip, Laser Generated We welcome unsolicited contributions. -
Download the Final Program
Twelfth International Conference on Design Principles & Practices “No Boundaries Design” ELISAVA Barcelona School of Design and Engineering | Barcelona, Spain | 5–7 March 2018 www.designprinciplesandpractices.com www.facebook.com/DesignPrinciplesAndPractices @designpap | #DPP18 Twelfth International Conference on Design Principles & Practices www.designprinciplesandpractices.com First published in 2018 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2018 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism, or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. Common Ground Research Networks may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. By attending this conference, you consent and hereby grant permission to Common Ground to use pictures which may contain your appearance at this event. Design Principles & Practices Table of Contents Welcome Letter - ELISAVA Barcelona School of Design and Engineering .........................................................1 Welcome Letter - Common Ground Research Networks .....................................................................................3 About Common Ground ........................................................................................................................................5 -
Partial Artist List: Nancy Angelo Jerri Allyn Leslie Belt Rita Mae Brown Kathleen Burg Elizabeth Canelake Velene Campbell Carol Chen Judy Chicago Clsuf Michelle T
Doin’ It in Public: Feminism and Art at the Woman’s Building October 1, 2011 – January 28, 2012 Ben Maltz Gallery, Otis College of Art and Design This exhibition presents artwork, graphic design, ephemera, and documentation of work by the artist collectives and individual artists/designers who participated in collaborative projects at the Woman’s Building in Los Angeles between 1973-1991. Artist Collectives/Projects: Ariadne: A Social Network, Feminist Art Workers, Incest Awareness Project, Lesbian Art Project, Mother Art, Natalie Barney Collective, Sisters of Survival, The Waitresses, Chrysalis: A magazine of Women’s Culture, and more. Partial artist list: Nancy Angelo Jerri Allyn Leslie Belt Rita Mae Brown Kathleen Burg Elizabeth Canelake Velene Campbell Carol Chen Judy Chicago Clsuf Michelle T. Clinton Hyunsook Cho Yreina Cervantez Candace Compton Jan Cook Juanita Cynthia Sheila Levrant de Bretteville Johanna Demetrakas Nelvatha Dunbar Mary Beth Edelson Marguerite Elliot Donna Farnsworth Anne Finger Audrey Flack As of 9-27-11 Amani Fliers Nancy Fried Patricia Gaines Josephina Gallardo Diane Gamboa Cristina Gannon Anne Gauldin Cheri Gaulke Anita Green Vanalyne Green Mary Bruns Gonenthal Kirsten Grimstad Chutney Gunderson Berry Brook Hallock Hella Hammid Harmony Hammond Gloria Hajduk Eloise Klein Healy Mary Linn Hughes Annette Hunt Sharon Immergluck Ruth E. Iskin Cyndi Kahn Maria Karras Susan E. King Laurel Klick Deborah Krall Christie Kruse Sheila Levrant de Bretteville Suzanne Lacy Leslie Labowitz-Starus Lili Lakich Linda Lopez Bia -
Download Publication
Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Of Pi Beta Ph'
THE OF PI BETA PH'. DE£E~IBEB 1943 THE AR R OW O F PI B ETA PHI ..... ,,, ..........................................................,, ........ '10'"'''' .. """"" •• ,"',''', ..... , ........... ",,,.,,',, ............ ,,.,,'' ................. "." .... " .01.".01' .. OFFICIAl. ORGAN OF THE ~ PI BETA PHI FRATERNI1Y F ...... Y 1861 STAF F Offiu 01 Publication: 206 National Bank Bldg., Decatur 16, Ill. Arrow Edilor: AohE TAYLOR ALFORD (Mrs. T. N.), 930 Olive Ave., Coronado, Calif. AHiJWII Edilor and BIiJinnJ Manager: GLADYS WAllEN, De<atur. Ill., or 115 Robin. son Ave., San Diego, Calif. A/Jlmn. CllIb Edilor: LOITA JOHNSON W~JR (Mrs. Benjamin). 8" 6th St., Charles ton, III. Chltpl" Lei", Editor: CANDACB SECOR ARMSTRONG (Mrs. James G.), R.R. I, Box 489. Orlando, Fla. News from lillie Pigeon : BETH BRAINARD LEROY (Mrs. H. G.). 142 Forest St., Win chester, Mass. Exchanl.'s lind Col/el.e Noles: NITA DAY CARMAN (Mrs. Ernest), 761 Wilson St., Ltguna Beach, Calif. F,om Pi Phi P~nJ: MAi.]ORlE BRIGHT SHARPE (Mrs. W . E.), 945 Summerland Ave., San Pedro, Calif. "What a F,aJ"nit] Girl Thinll': CANDACE SECOR ARMSTRONG (Mrs. James G .), R.R. I, Box 489, Orlando, Fla. A"ow Filt: Pi Beta Phi Central Office, 206 Natio nal Bank Bldg., Decatur 16, III. Arrow Cont,ibutor;.' WHITNEY SWITH; MARGARElTA SPENCE DRAXE ; FLO LELAND THOMPSON; HOPE lCJ.MBROUGH MCCROSKY; 1I.Wy ELIZABETH lAsHER. VOLUME 60 December • 1943 NUMBER 2 Our Magazine Agencv Is Doing a War Service, Too! It's hard for those of us who stay at home to realize that in many parts of the world, magazines are beyond reach. We are glad to print below, therefore, portioos of an advertisement published by Tim •. -
Table of Contents
Table of contents 1. Prologue 3 Introduction 3 “RIO” – categorical misuse 4 A “true” progressive 4 Arnold Schonberg 7 Allan Moore 11 Bill Martin 15 2. California Outside Music Assiciation 19 The story begins 19 Coma coming out 22 Demographical setting, booking and other challenges 23 An expanding festival 23 A Beginner’s Guide 26 Outside music – avant rock 27 1980’s “Ameriprog”: creativity at the margins 29 3. The Music 33 4. Thinking Plague 37 ”Dead Silence” 37 Form and melody 37 The song ”proper” 40 Development section 42 Harmonic procedures and patterns 45 Non-functional chords and progressions 48 Polytonality: Vertical structures and linear harmony 48 Focal melodic lines and patterns 50 Musical temporality – ”the time of music” 53 Production 55 5. Motor Totemist Guild / U Totem 58 ”Ginger Tea” 62 Motives and themes 63 Harmonic patterns and procedures 67 Orchestration/instrumentation 68 Production 69 ”One Nail Draws another” and ”Ginger Tea” 70 1 6. Dave Kerman / The 5UU’s 80 Bought the farm in France… 82 Well…Not Chickenshit (to be sure…) 84 Motives and themes / harmony 85 Form 93 A precarious song foundationalism 95 Production, or: Aural alchemy - timbre as organism 99 7. Epilogue 102 Progressive rock – a definition 102 Visionary experimentalism 103 Progressive sensibility – radical affirmation and negation 104 The ”YesPistols” dialectic 105 Henry Cow: the radical predecessor 106 An astringent aesthetic 108 Rock instrumentation, -background and –history 109 Instrumental roles: shifts and expansions 109 Rock band as (chamber) orchestra – redefining instr. roles 110 Timbral exploration 111 Virtuosity: instrumental and compositional skills 114 An eclectic virtuosity 116 Technique and “anti-technique” 117 “The group’s the thing” vs. -
![IN EXTREMIS" (Cuneiform Rune 113) UPC Code: [0 45775 0113 2 5]](https://docslib.b-cdn.net/cover/2250/in-extremis-cuneiform-rune-113-upc-code-0-45775-0113-2-5-1672250.webp)
IN EXTREMIS" (Cuneiform Rune 113) UPC Code: [0 45775 0113 2 5]
Bio information: THINKING PLAGUE Title: "IN EXTREMIS" (Cuneiform Rune 113) UPC code: [0 45775 0113 2 5] Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: [email protected] http://members.aol.com/Cuneiform2/cuneiform.html Thinking Plague is a Colorado-based ensemble that explores the frontiers where rock, folk, jazz and modern symphonic music meet. Through these explorations, the band has created what Journal Wired called "a genre of music unto itself, eclectically derivative in a bold way and spectacularly innovative in the old-fashioned sense of genuine originality." Guitarist/composer Mike Johnson's music combines lyricism with intense and sophisticated rhythmic and harmonic ideas. The band grew out of the basement recording experiments of Johnson and bassist/drummer Bob Drake in the early eighties. In 1982 they formed an ensemble for live performance. They released their first LP, "..a thinking plague," in 1984 on their own Endemic label. They produced and engineered the record themselves, and used minimal funds borrowed from friends or scraped together amongst themselves to press it. Each album cover was hand painted by Bob Drake. Intent on making more powerful recordings and dissatisfied with the chemistry of that first lineup, Johnson and Drake disbanded the group. They began recording new songs and began working with a singer/songwriter named Suzanne Lewis. In 1987 their second album, "Moonsongs," was released by Dead Man's Curve in London. The record was described as "stunning" by Option. In early 1989 reed player Mark Harris joined the group, making clarinet, saxes and flute permanent features of the sound. -
The Next Gen Art Collectors 2021
COLLECTORS 1 THE NEXT COLLECTORS REPORT 2021 3 LARRY’S LIST is pleased to present The Next Gen that have not yet been acknowledged or made visible For us, size wasn’t a main consideration. Indeed, not a blue-chip artist will most likely generate more “likes” FOREWORDArt Collectors Report. Here, we continue our mission on a global scale. We want to share their stories and everyone listed has a large collection; charmingly, the than an unknown artist in an equally brilliant interior of monitoring global happenings, developments and thoughts. Next Gen often have collections in the making. The setting. But we still try to balance it and set aside any trends in the art world—particularly in the contemporary We also consider LARRY’S LIST as a guide and tool process is a development that happens over years care about the algorithm. art collector field—by looking extensively at the next for practitioners. We share and name collectors, those and so a mid-20-year-old collector may not yet be at generation of young art collectors on the scene. Over people who are buying art and contributing to the the same stage in their collection as someone in their Final words the past few months, we have investigated and profiled art scene. The Next Gen Art Collectors Report is a late 30s. I would like to express my gratitude to all the collectors these collectors, answering the questions central to this resource for artists, galleries, dealers, a general art- The end result of our efforts is this report listing over we exchanged with in the preparation of this report topic: Who are these collectors founding the next art interested audience and, of course, peer collectors. -
History of Madness
Bio information: THINKING PLAGUE Title: HISTORY OF MADNESS (Cuneiform Rune 180) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: [email protected] http://members.aol.com/Cuneiform2/cuneiform.html FILE UNDER: ROCK Led by composer/ guitarist Mike Johnson, Thinking Plague is a Colorado-based ensemble that explores the aural frontier where rock (in all its manifestations), modern classical, folk, and jazz music meet. Journal Wired called Thinking Plague’s work "a genre of music unto itself, eclectically derivative in a bold way and spectacularly innovative in the old-fashioned sense of genuine originality." Defining this genre further, Alternative Press places them, along with the 5uus and “a select array of contemporary Japanese units” in the “vanguard of groups riding the crest of a largely unheralded avant-progressive tsunami… an idiom responsible for some of the 20th century’s most significant musical achievements. …the manner in which Thinking Plague…have condensed only the most fertile (and often the most pulverizing) aspect of the last 30 years of progressive exploration into an nth-degree endgame is nothing short of awe-inspiring.” Thinking Plague grew out of the recording experiments of Johnson and bassist/drummer Bob Drake in the early 1980s. Johnson recalls being: “a classical fan since childhood, which led me to Stravinsky, Prokofiev, Bartok, Shoskatovich, W. Schumann, Britten, etc,…I developed the desire to achieve that kind of expression and depth while using the power or “rawness” of rock instruments or styles. When Bob and I met [1978] we clicked on these lines instantly”[Audion]. They were also inspired by the Art Bears and Henry Cow, who Johnson calls “The true pathfinders…[who] showed the rest of us a new way out of the limited old progressive rock/ jazz of the 70s”[ProgVisions]. -
Gavin Selerie – Jumping the Limits
Jumping the Limits: the interaction of art forms at Black Mountain & beyond, including UK practice - Gavin Selerie I Fielding Dawson says Black Mountain “had no sides (literally). It was wide open in the mountain.”1 This is a useful reminder that physical space can influence or determine thought. It was significant that the kinds of exploration associated with the college occurred far from recognized centres of learning. You could call it the permission of outlaws, and Ed Dorn, a son of the Prairie, perhaps brings this to fruition with the cinematic-linguistic slides of Gunslinger. On the other hand, no space is definitive, and a key aspect of the Black Mountain community was its willingness to bring people in to work on projects for a limited period. The corollary of this is that skills or modes of inquiry were susceptible of translation to other spheres. Geographically, the dispersal, both before and after the closure of the college, was significant, allowing Bauhaus and related approaches to be taken up in other parts of North America, and finally circulated back to Europe. New York City had a particular cluster of Black Mountain-affiliated artists and San Francisco also, but the small community or individually focused endeavour could happen anywhere. Charles Olson returned to Gloucester but kept ideas afloat through correspondence, appearances in Berkeley, Vancouver and London, and via his two-year teaching stint at Buffalo. What links figures as disparate as the weaver Anni Albers, the writer Robert Creeley and the designer Buckminster Fuller? Olson, in an unsent letter of 1952, describes Black Mountain as an “assembly point of acts”.2 The key elements are a possibility for intersection and the physical shaping of ideas.