SUMMER 2016 NATIONAL PARK SERVICE CENTENNIAL WHAT DOES IT MEAN? by Bill Schuler
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How a German Became King of England: Part II
Blank page inserted to enable two page view on PDF edition THE ADVISORY MCA Volume 19 MAY — JUNE — 2016 Number 3 MCA Advis ry 2016 May / June Issue Volume 19, No. 3 Editor John W. Adams [email protected] In This Issue Producer President’s Message 3 Neil Musante Introduction by the Editor 4 [email protected] Letters to the Editor 5 Advanced Research • • • • • • • • Tony J. Lopez [email protected] How a German Became King of Photography England — A Medallic History of Religious Bob Williams Conflicts in Britain – Part 2 8 [email protected] by Benjamin Weiss Webmaster Benjamin Weiss The Lore & Lure of American Medals [email protected] A Presentation before the Medal Collectors Editorial Advisor of America by Q. David Bowers 20 Dave Bowers [email protected] The 1897 McKinley Presidential Medal 33 MCA Officers by Robert W. Julian Skyler Liechty, President [email protected] Tony J. Lopez, Vice President [email protected] Anne E. Bentley, Secretary [email protected] Barry D. Tayman, Treasurer 3115 Nestling Pine Court Ellicott City, MD 21042 Medal Collectors of America [email protected] Medal Collectors of America was founded in 1998. Its purpose is to foster the MCA Board of Directors collection and study of world, American art and historical medals. Our goal is John W. Adams - Dover, MA to encourage research and publication in the medal field, while bringing together [email protected] all who are interested, through meetings, publications and activities. Our print David T. Alexander - Patterson, NY Advisory is published six times a year and we encourage submission of articles with [email protected] original research. -
Geographical List of Public Sculpture-1
GEOGRAPHICAL LIST OF SELECTED PERMANENTLY DISPLAYED MAJOR WORKS BY DANIEL CHESTER FRENCH ♦ The following works have been included: Publicly accessible sculpture in parks, public gardens, squares, cemeteries Sculpture that is part of a building’s architecture, or is featured on the exterior of a building, or on the accessible grounds of a building State City Specific Location Title of Work Date CALIFORNIA San Francisco Golden Gate Park, Intersection of John F. THOMAS STARR KING, bronze statue 1888-92 Kennedy and Music Concourse Drives DC Washington Gallaudet College, Kendall Green THOMAS GALLAUDET MEMORIAL; bronze 1885-89 group DC Washington President’s Park, (“The Ellipse”), Executive *FRANCIS DAVIS MILLET AND MAJOR 1912-13 Avenue and Ellipse Drive, at northwest ARCHIBALD BUTT MEMORIAL, marble junction fountain reliefs DC Washington Dupont Circle *ADMIRAL SAMUEL FRANCIS DUPONT 1917-21 MEMORIAL (SEA, WIND and SKY), marble fountain reliefs DC Washington Lincoln Memorial, Lincoln Memorial Circle *ABRAHAM LINCOLN, marble statue 1911-22 NW DC Washington President’s Park South *FIRST DIVISION MEMORIAL (VICTORY), 1921-24 bronze statue GEORGIA Atlanta Norfolk Southern Corporation Plaza, 1200 *SAMUEL SPENCER, bronze statue 1909-10 Peachtree Street NE GEORGIA Savannah Chippewa Square GOVERNOR JAMES EDWARD 1907-10 OGLETHORPE, bronze statue ILLINOIS Chicago Garfield Park Conservatory INDIAN CORN (WOMAN AND BULL), bronze 1893? group !1 State City Specific Location Title of Work Date ILLINOIS Chicago Washington Park, 51st Street and Dr. GENERAL GEORGE WASHINGTON, bronze 1903-04 Martin Luther King Jr. Drive, equestrian replica ILLINOIS Chicago Jackson Park THE REPUBLIC, gilded bronze statue 1915-18 ILLINOIS Chicago East Erie Street Victory (First Division Memorial); bronze 1921-24 reproduction ILLINOIS Danville In front of Federal Courthouse on Vermilion DANVILLE, ILLINOIS FOUNTAIN, by Paul 1913-15 Street Manship designed by D.C. -
The Studio Homes of Daniel Chester French by Karen Zukowski
SPRING 2018 Volume 25, No. 1 NEWSLETTER City/Country: The Studio Homes of Daniel Chester French by karen zukowski hat can the studios of Daniel Chester French (1850–1931) tell us about the man who built them? He is often described as a Wsturdy American country boy, practically self-taught, who, due to his innate talent and sterling character, rose to create the most heroic of America’s heroic sculptures. French sculpted the seated figure in Washington, D.C.’s Lincoln Memorial, which is, according to a recent report, the most popular statue in the United States.1 Of course, the real story is more complex, and examination of French’s studios both compli- cates and expands our understanding of him. For most of his life, French kept a studio home in New York City and another in Massachusetts. This city/country dynamic was essential to his creative process. BECOMING AN ARTIST French came of age as America recovered from the trauma of the Civil War and slowly prepared to become a world power. He was born in 1850 to an established New England family of gentleman farmers who also worked as lawyers and judges and held other leadership positions in civic life. French’s father was a lawyer who eventually became assistant secretary of the U.S. Treasury under President Grant. Dan (as his family called him) came to his profession while they were living in Concord, Massachusetts. This was the town renowned for plain living and high thinking, the home of literary giants Amos Bronson Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau at Walden Pond nearby. -
Ballast Quarterly Review, V15n2, Winter 1999-2000
University of Northern Iowa UNI ScholarWorks Ballast Quarterly Review Winter 1999 Ballast Quarterly Review, v15n2, Winter 1999-2000 Roy R. Behrens University of Northern Iowa, [email protected] Let us know how access to this document benefits ouy Copyright ©2000 Roy R. Behrens Follow this and additional works at: https://scholarworks.uni.edu/ballast Part of the Arts and Humanities Commons Recommended Citation Behrens, Roy R., "Ballast Quarterly Review, v15n2, Winter 1999-2000" (1999). Ballast Quarterly Review. 57. https://scholarworks.uni.edu/ballast/57 This Periodical is brought to you for free and open access by UNI ScholarWorks. It has been accepted for inclusion in Ballast Quarterly Review by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. El BALLAST Q U A R Ballast Quarterly Review Volume 15 Number 2 Winter 1999-2000. Copyright © 2000 by Roy R. Behrens, editor, publisher, and art direc tor. ISSN I 093-5789. E-mail <ballast@netins. net>. Editor's website <http://www.uni.edu/ artdept/gd/rbehrens I .html>. Ballast is an acronym for Books Art Language Logic Ambiguity Science and Teaching, as well STEVEN as a distant allusion to Blast, the short-lived WRIGHT publication founded during World War I by Wyndham Lewis, the Vorticist artist and • I have an answering writer. Ballast is mainly a pastiche of astonish l ing passages from books, magazines, diaries machine in my and other writings. Put differently, it is a jour car. It says, nal devoted to wit, the contents of which are "I'm home intended to be insightful, amusing or thought now. -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
1996 Audrey Munson, Was Born in Mexico, New York in 1891 to Edger and Catherine Mahaney Munson. She Attended the Local Me
1891 - 1996 Audrey Munson, was born in Mexico, New York in 1891 to Edger and Catherine Mahaney Munson. She attended the local Mexico Academy before leaving in 1906 with her Mother for New York City. Munson was discovered by chance in New York City by a professional photographer who passed her on the street. She soon became the most famous artists' model, posing for hundreds of works that still adorn public buildings and museums in New York City and around the country. In 1915 she was selected to be the primary model for sculptures and murals for the Panama Pacific Exposition in California. Audrey not only was a model for sculptures and statues but was the model for two U.S. Minted Coins, the Mercury Dime and a Half-Dollar. She starred, nude, of course, in four silent films. She was the first female to appear nude in a film, which proved to be the beginning and the end of her career. The films, entitled, "Inspiration'" "Purity," "Girl O'Dreams," and "Heedless Moth," caused picket lines attempting to block entry to theaters that dared to screen them. Ministers throughout the country objected to her appearance in these films which added to her noteriety. Headlines announcing, "Syracuse Model wanted in N.Y.C. Tragedy," contributed to her downfall as an actress. The 1919 murder of a doctor's wife in N.Y.C. by the woman's husband scandalized Munson as she and her Mother had lived at the seaside home of this doctor. Audrey was not involved and the doctor was arrested but this unfortunate publicity put an end to her film career. -
Westinghouse Memorial City of Pittsburgh Historic Landmark Nomination
“Untitled Photograph,” Carnegie Mellon University Architecture Archives. Westinghouse Memorial City of Pittsburgh Historic Landmark Nomination Prepared by Preservation Pittsburgh 412.256.8755 1501 Reedsdale St., Suite 5003 October, 2018. Pittsbu rgh, PA 15233 www.preservationpgh.org HISTORIC REVIEW COMMISSION Division of Development Administration and Review City of Pittsburgh, Department of City Planning 200 Ross Street, Third Floor Pittsburgh, Pennsylvania 15219 INDIVIDUAL PROPERTY HISTORIC NOMINATION FORM Fee Schedule HRC Staff Use Only Please make check payable to Treasurer, City of Pittsburgh Date Received: .................................................. Individual Landmark Nomination: $100.00 Parcel No.: ........................................................ District Nomination: $250.00 Ward: ................................................................ Zoning Classification: ....................................... 1. HISTORIC NAME OF PROPERTY: Bldg. Inspector: ................................................. Council District: ................................................ Westinghouse Memorial 2. CURRENT NAME OF PROPERTY: Westinghouse Memorial 3. LOCATION a. Street: W Circuit Rd. b. City, State, Zip Code: , Pittsburgh, Pa. 15217 c. Neighborhood: Schenley Park 4. OWNERSHIP d. Owner(s): City of Pittsburgh e. Street: 414 Grant St. f. City, State, Zip Code: Pittsburgh, Pa. 15219 Phone: (412) 255-2626 5. CLASSIFICATION AND USE – Check all that apply Type Ownership Current Use: Structure Private – home Memorial District Private -
Ch1 4.Pdf (2.873Mb)
Chapter 1 Introduction: A Site, Questions… Ruins provide the incentive for restoration…There has to be an interim… of death or rejection before there can be renewal and reform. The old order has to die before there can be a born-again landscape. John Brinckerhoff Jackson (Jackson 1980,102) In the summer 2001, while exploring thesis possibilities, the author made two impor- tant discoveries. The first related to the Society for Industrial Archeology (SIA). Although founded in Washington, DC, in 1971, it took 30 years before the Society returned to hold an annual conference in the nation’s capital. At the time, the Society recognized that few considered Washington a prime candidate for the exploration of industrial heritage. Yet while Washington’s heritage never duplicated that of cities such as Pittsburgh and Buffalo, the capital had evolved its own industrial heritage, one notable example of which was the Washington Aqueduct and its McMillan Reservoir Sand Filtration Plant, the largest slow sand filtration system built in the United States (SIA 2001). A second discovery came from an old issue of Landscape Architecture magazine. In late 1992, the magazine conducted a small informal work- shop (LA Forum) to explore revival of the McMillan plant site that had been closed to the public since World War II and abandoned since the late 1980s. Workshop par- 1.2 Site from First Street ticipants visited not only a 25-acre industrial ruin but also the remnants of a park designed and installed atop it by Frederick Law Olmsted, Jr. as an offshoot of the 1902 McMillan Plan for the capital’s park system. -
Altered States: the American Psychedelic Aesthetic
ALTERED STATES: THE AMERICAN PSYCHEDELIC AESTHETIC A Dissertation Presented by Lana Cook to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April, 2014 1 © Copyright by Lana Cook All Rights Reserved 2 ALTERED STATES: THE AMERICAN PSYCHEDELIC AESTHETIC by Lana Cook ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University, April, 2014 3 ABSTRACT This dissertation traces the development of the American psychedelic aesthetic alongside mid-twentieth century American aesthetic practices and postmodern philosophies. Psychedelic aesthetics are the varied creative practices used to represent altered states of consciousness and perception achieved via psychedelic drug use. Thematically, these works are concerned with transcendental states of subjectivity, psychic evolution of humankind, awakenings of global consciousness, and the perceptual and affective nature of reality in relation to social constructions of the self. Formally, these works strategically blend realist and fantastic languages, invent new language, experimental typography and visual form, disrupt Western narrative conventions of space, time, and causality, mix genres and combine disparate aesthetic and cultural traditions such as romanticism, surrealism, the medieval, magical realism, science fiction, documentary, and scientific reportage. This project attends to early exemplars of the psychedelic aesthetic, as in the case of Aldous Huxley’s early landmark text The Doors of Perception (1954), forgotten pioneers such as Jane Dunlap’s Exploring Inner Space (1961), Constance Newland’s My Self and I (1962), and Storm de Hirsch’s Peyote Queen (1965), cult classics such as Tom Wolfe’s The Electric Kool-Aid Acid Test (1968), and ends with the psychedelic aesthetics’ popularization in films like Roger Corman’s The Trip (1967). -
April Issue Of
Share this: April 2017 | Volume 12 | Number 2 Conference Preview: James There's Still Time to Register Atlas in Conversation with for the 2017 BIO Patricia Bosworth Conference! Panel sessions and tours are filling fast for the Eighth Annual BIO Conference on May 19–21 at Boston’s Emerson College. Members receive a discount by using a registration code. Anyone who needs the code can contact Membership Coordinator Lori Izykowski. Learn more about the open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com conference and register here. From the Editor In a panel called "Biography and and Patricia Bosworth will As the BIO conference draws Style," James Atlas . discuss breaking the rules of closer, the various committees are biography and making it hard at work on last-minute work anyway. arrangements. In this issue of TBC, James Atlas gives a preview of his talk with Patricia Bosworth, which By James Atlas is sure to be one of the highlights Patricia Bosworth (“Patti,” as she is known to her wide circle of friends) has of Saturday’s events. And while we been a vivid presence on the New York literary scene for as long as I can like to think the conference is the remember—which is beginning to be a very long time. Her parties, held in a book- best way for biographers to learn and art-filled apartment in Hell’s Kitchen that looks as if it had time-traveled from how to hone their craft, biographers in the New York metro the West Village of the 1920s, are the kind where you walk in and want to talk to area recently had several everyone in the room at once. -
Massachusetts Arts Curriculum Framework
Massachusetts Arts Curriculum Framework November 1999 Massachusetts Department of Elementary & Secondary Education 350 Main Street, Malden, MA 02148 Phone 781-338-3000 TTY: N.E.T. Relay 800-439-2370 www.doe.mass.edu Massachusetts Arts Curriculum Framework October 1999 October, 1999 Dear Colleagues, I am pleased to present to you the Massachusetts Arts Curriculum Framework that was adopted by the Board of Education in June, 1999. This second edition of the Arts Curriculum Framework presents the new statewide guidelines for learning, teaching, and assessment in dance, music, theatre, and visual arts for the Commonwealth’s public schools. Based on scholarship, sound research, and effective practice, the Framework will enable teachers and administrators to strengthen curriculum and instruction from PreKindergarten through grade 12. I am proud of the work that has been accomplished. The comments and suggestions received on the first edition of the Arts Curriculum Framework of 1996, as well as comments on subsequent working drafts, have strengthened this new edition. I want to thank everyone who worked with us to create a high quality document that provides challenging learning standards for Massachusetts students. We will continue to work with schools and districts in implementing the Arts Curriculum Framework over the next several years, and we encourage your comments as you use it. All of the curriculum frameworks are subject to continuous review and improvement, for the benefit of the students of the Commonwealth. Thank you again for your -
November 13, 2006 the Hon. Linda W. Cropp Chair District of Columbia City Council John A. Wilson Building 1350 Pennsylvania Aven
November 13, 2006 The Hon. Linda W. Cropp Chair District of Columbia City Council John A. Wilson Building 1350 Pennsylvania Avenue, NW Washington, D.C. 20004 Dear Chair Cropp, On behalf of the National Association for Olmsted Parks (NAOP), I am writing to express our concern over the proposed transfer of the historic 25-acre McMillan Reservoir Sand Filtration Site to the National Capital Revitalization Corporation for commercial development. The creation of McMillan Park in 1905 represented significant 20 th century advancement in the implementation of the Senate Park Commission’s plan, also known as the McMillan Plan of 1901-1902. This effort revived L’Enfant’s concept of the National Mall, re-validated Olmsted Sr.’s design for the U.S. Capitol Grounds, and called for an “Emerald Necklace” of parks, open space and recreation facilities encircling the city. With commanding views of the U.S. Capitol and the Washington Monument, McMillan Park satisfied two critical needs: safe water and open space for passive and active recreation. The site combined a massive civic infrastructure project — the sand filtration complex — with a public park and by doing so distinguished the District of Columbia as a leader in the City Beautiful planning movement, which supported beautification and monumental grandeur in cities to create harmonious social conditions to improve the lives of the city’s poor. The site’s design and construction was the collaboration of pre-eminent 20 th century civil engineers, urban planners, artists and architects including Frederick Law Olmsted Jr. ― the principal planner and sole landscape architect of this unusual and unique site.