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Psycho Killers, Circus Freaks, Ordinary People: a Brief History of the Representation of Transgender Identities on American TV Series
Psycho Killers, Circus Freaks, Ordinary People: A Brief History of the Representation of Transgender Identities on American TV Series Abstract: In 1965, popular TV Series The Alfred Hitchcock Hour (NBC) aired the episode “An Unlocked Window”, in which it is revealed that the nurses killer in the area is a transvestite. It was the first time a transgender character appeared on a TV series, and until the late 80s that was the most stereotypical and basic – because it was minimal – representation of transsexuals on broadcast TV series and films: as psychopaths and serial killers. Other examples are Aldo Lado’s Who Saw Her Die? (1972), Brian de Palma’s Dressed to Killed (1980), Robert Hiltzick’s Sleepaway Camp (1983) and Jonathan Demme’s The Silence of the Lambs (1991). Throughout the 90s the paradigm changed completely and transsexual characters became much more frequent. However, the change was not for good, as they were turned now into objects of mockery and disgust in comedy TV series and films, in which the protagonist heterosexual male was “deceived” into kissing or having sex with an “abhorrent” trans just as a comic device. In the comedies Soapdish (1991), Ace Ventura (1994), and Naked Gun 33 1/3 (1994), the male protagonist ends up literally throwing up when he realizes that the girl he had been kissing was not born a female. Friends (1994-2004) and Ally McBeal (1997-2002) are also series of the late 90s in which the way transgender characters are represented is far from being appropriate. It has not been until the Golden Globe and Emmy awarded TV series Transparent (2014-2016) when transgender issues have been put realistically on the front line with the accuracy and integrity that they deserve. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Annual Report 2015 – 2016 1
GLAAD ANNUAL REPORT 2015 – 2016 1 ANNUAL REPORT 2015 – 2016 GLAAD ANNUAL REPORT 2015 – 2016 2 GLAAD ANNUAL REPORT 2015 – 2016 3 CONTENTS 07 MESSAGE FROM THE PRESIDENT & CEO HIGHLIGHTS 10 2015 HIGHLIGHTS 12 2016 HIGHLIGHTS KEY PROGRAMMATIC ACCOMPLISHMENTS 16 ACCELERATING ACCEPTANCE 2016 18 HOLDING HOLLYWOOD ACCOUNTABLE 20 BUILDING ACCEPTANCE AROUND THE GLOBE 22 SPIRIT DAY: STANDING UP FOR LGBT YOUTH 24 LEADING THE CONVERSATION ON TRANSGENDER VISIBILITY 25 DRIVING ACCEPTANCE IN SPANISH-LANGUAGE & LATINO MEDIA 26 MOVING HEARTS & MINDS IN THE U.S. SOUTH 27 RECOMMITTING TO ENDING HIV & AIDS OUR WORK 30 GLOBAL VOICES 32 SPANISH-LANGUAGE & LATINO MEDIA 34 TRANSGENDER MEDIA PROGRAM 36 U.S. SOUTH 38 ENTERTAINMENT 40 GLAAD MEDIA AWARDS GLAAD BY THE NUMBERS 44 GLAAD AT WORK 46 INDEPENDENT AUDITOR’S REPORT 47 LETTER FROM THE TREASURER INVESTORS & DIRECTORY 50 MILLION DOLLAR LIFETIME 51 FOUNDATIONS 51 CORPORATE PARTNERS 51 LEGACY CIRCLE 52 SHAREHOLDERS CIRCLE 54 STAFF 54 BOARD OF DIRECTORS GLAAD ANNUAL REPORT 2015 – 2016 4 Accelerating Acceptance 2016 transgender media program global voices spanish-language & latino media program OUTHER S STORIES N entertainment media program GLAAD ANNUAL REPORT 2015 – 2016 5 GLAAD is the world’s lesbian, gay, bisexual, and transgender (LGBT) media advocacy organization promoting and ensuring fair, accurate, and inclusive representation of people and events in the media as a means to build a culture that embraces full acceptance of the LGBT community, thereby eliminating homophobia, transphobia, and discrimination based on gender identity and sexual orientation. “ WE WILL NOT SEE AN END TO VIOLENCE, DISCRIMINATION, OR ATTEMPTS AT DENYING RIGHTS TO LGBT AMERICANS UNTIL WE CHANGE THE HEARTS AND MINDS OF OUR FELLOW CITIZENS. -
LGBTQ Timeline of the 21 Century
LGBTQ Timeline of the 21 st Century 2001 Same-sex marriages laws : o Came into effect : The Netherlands (with joint adoption) Civil Union/Registered Partnership laws : o Came into effect : Germany (without adoption until Oct 2004, then with step-adoption only) o Passed : Finland (without joint adoption until May 2009, then with step-adoption) Limited Partnership laws : o Passed and Came into effect : Portugal (without joint adoption) (replaced with marriage in 2010) o Came into effect : Swiss canton of Geneva (without joint adoption) Anti-discrimination legislation : US states of Rhode Island (private sector, gender identity) and Maryland (private sector, sexual orientation) Equalization of age of consent : Albania , Estonia , Liechtenstein and United Kingdom . Repeal of Sodomy laws : US state of Arizona Decriminalisation of homosexuality : the rest of the United Kingdom's territories [citation needed ] Homosexuality no longer an illness : China Marches and Prides : Protesters disrupt the first Pride march in the Serbian city of Belgrade The first memorial in the United States honoring LGBT veterans was dedicated in Desert Memorial Park , Cathedral City, California. [1] Helene Faasen and Anne-Marie Thus , from the Netherlands, became the first two women to legally marry. [2] 2002 Civil Union/Registered Partnership laws : o Passed and Came into effect : Canadian province of Quebec (with joint adoption) o Came into effect : Finland (without joint adoption until May 2009, then with step-adoption) o Passed : Argentinian city of -
Annual Report 2014–2015 Contents
ANNUAL REPORT 2014–2015 CONTENTS MESSAGE FROM THE CEO & PRESIDENT 2 HIGHLIGHTS 2014–2015 FINANCIAL STATEMENTS 2014 2014 HIGHLIGHTS INDEPENDENT AUDITOR’S REPORT 6 42 2015 HIGHLIGHTS FINANCIAL STATEMENT 8 43 OUR WORK INVESTORS NEWS MEDIA MILLION DOLLAR LIFETIME CLUB 10 46 ENTERTAINMENT FOUNDATIONS 14 46 TH 25 ANNUAL GLAAD MEDIA AWARDS CORPORATE PARTNERS 17 47 26TH ANNUAL GLAAD MEDIA AWARDS LEGACY CIRCLE 21 48 TRANSGENDER MEDIA SHAREHOLDERS CIRCLE 25 49 GLOBAL VOICES 29 DIRECTORY SOUTHERN STORIES 32 GLAAD STAFF SPANISH-LANGUAGE & LATINO MEDIA 54 35 GLAAD NATIONAL YOUTH BOARD OF DIRECTORS 38 55 LEADERSHIP COUNCILS 55 My first year as GLAAD’s CEO & President was an unforgettable one as it was marked by significant accomplishments for the LGBT movement. Marriage equality is now the law of the land, the Boy Scouts ended its discriminatory ban based on sexual orientation, and an LGBT group marched in New York City’s St. Patrick’s Day Parade for the very first time. And as TIME noted, our nation has reached a “transgender tipping point.” Over 20 million people watched Caitlyn Jenner come out, and ABC looked to GLAAD as a valued resource for that game-changing interview. MESSAGE FROM THE CEO & PRESIDENT But even with these significant advancements, at GLAAD, we still see a dangerous gap between historic policy advancements and the hearts and minds of Americans—in other words, a gap between equality and acceptance. To better understand this disparity, GLAAD commissioned a Harris Poll to measure how Americans really feel about LGBT people. The results, released in our recent Accelerating Acceptance report, prove that beneath legislative progress lies a dangerous layer of discomfort and discrimination. -
The Bold and the Beautiful Cast 1997
The bold and the beautiful cast 1997 click here to download This is a list of past cast members on the CBS Daytime soap opera The Bold and the Beautiful. Michelle Davison, Ruthanne Owens, –93, , The Bold and the Beautiful is an American television soap opera, created by William J. Bell and Mick Cain · C.J. Garrison, –, , , –.Current cast members · Main cast · Recurring cast. The Bold and the Beautiful (TV Series –) cast and crew credits, including actors, actresses, directors, writers Lt. Bradley Baker episodes, "The Bold and the Beautiful" Episode # (TV Episode ) cast and crew credits, including actors, actresses, directors, writers and more. Drama · Add a Plot» The Bold and the Beautiful (–). Needs 5 Ratings. Rate This. Episode credited cast: Marilyn Alex Molly Carter. Drama · Add a Plot» Soundtracks · The Bold and the Beautiful (–). Needs 5 Ratings. Rate This Episode credited cast: Judi Beecher Flight Attendant. I believe from around late '95, early '96, they modified the music of the closing credits a bit because if you. Version 1 of 2 I have of the openers. The Bold and the Beautiful opening credits (version 1, HD. The Bold and the Beautiful: Ashleigh Brewer, Darin Brooks, Kimberlin Brown, Scott Clifton, Patrika Darbo, Don Diamont, Bridget Forrester [1] (). The Bold and the Beautiful/Cast Listing. From The TV IV Current contract cast members Jacob Young · Eric "Rick" Forrester, Jr. ; Meet the cast and learn more about the stars of of The Bold and the Beautiful with exclusive news, photos, videos and more at www.doorway.ru The Bold and the Beautiful is a television soap opera created by William J. -
Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005. -
Leadership Development
DECEMBER 2015 | VOLUME 8 | ISSUE 2 — IN THIs Issue——————— Stiletto 3 Good News 7 Black Lives Matter & the Movement for Black Lives Current Events 8 Trans Liberation Tuesday 9 Justice for Jennifer Laude 10 L etters from the Inside 12 Pelican Bay Hunger Strike 12 Agreement to End Hostilities 13 Trans Sex in the City 13 Profile of trans entrepeneur Martine Rothblatt 14 TGI JUSTICE PROJECT says NO NEW JAIL IN SF 15 Ashley Diamond released from Georgia prison 16 Oakland Power Projects 17 The Intersex Basics 17 Legal Updates 18 Ally Updates LEADERSHIP DEVELOPMENT I want to thank you all for working with me and being part of the transitions and changes we’ve ALLY UpdatES (CONTINUED) gone through at TGIJP over the years. And I want to be placed in housing that is more appro- to assure you that while I’m stepping down as Hearts on a Wire priate for their gender identity and instructs Executive Director, my mouth is not stepping Check it out! New commissary policies in PA prison staff to give “serious consideration” down and I will continue to bitch and let people prisons! to people’s views as to their housing prefer- know what my community is going through. It’s Hearts on a Wire welcomes the announce- ences. The rules also state that housing should difficult living in our truth, but what better way to ment of the Pennsylvania Department of be re-assessed every 6 months, that all trans- survive? It’s important that we survive; we’ve got Corrections that it has revised its policies with gender and intersex people should be allowed to come out on top. -
Gian Marco Griffi
gian marco griffi ° VITA A SABBIONE 1 A Paola, e a Roby Avvertenza Non è intenzione dell’autore promulgare in alcun modo il suicidio, né promuover- lo. Egli – l’autore – è profondamente convinto che la vita sia meravigliosa. Pertanto tutto l’infernale, grottesco, fantascientifico mondo che troverete nelle pa- gine di questo libro non rispecchia minimamente (o in modo trascurabile) il no- stro bellissimo Pianeta Terra, ma è frutto di un’immaginazione deviata o, se pre- ferite, di una cattiva digestione prolungata. g.m.g. 2 Sarai mentre che tu verrai ne l'orribil sabbione. Però riguarda ben; sì vederai cose che torrien fede al mio sermone Dante 3 4 PREGHIERA AGLI EDITORI Caro Editore, ormai da dodici anni sono prigioniero di una città chiamata Sabbione. Di questi, gli ultimi cinque li ho trascorsi in un appartamento ammobiliato a scrivere, ad attendere l’uomo dell’Ufficio Turistico e a osservare il vento, ancora e ancora, mentre stimola la bianche- ria, i calzoni, le lenzuola; mentre solletica i bulletti del quartiere, giù in strada, fuori dal bar per fumare; mentre inturgidisce i capezzoli delle ragazzine quando escono dal liceo. Sempre il vento. Mi accompagna. Di tanto in tanto mi stringe. E sempre qui, in questa casa al quarto piano di un condominio lo- goro, sul copriletto che fu di mia madre, dove ho lasciato le mie tracce; macchie perlopiù, di sperma, piscio, sudore vario. I miei aguzzini mi trattano bene, non posso certo lamentarmi, e talvolta mi concedono addirittura brevi incursioni oltre i confini della città. Ma tali incursioni sono esperienze fugaci e non del tutto piacevoli: quasi sempre mi concedono la libertà solo per permettere che io mi occupi di bollette da pagare, del denti- sta da prenotare, di golfisti da far giocare per accaparrare quel tan- to denaro bastevole a pagare le bollette, il dentista, il gasolio che permette alla mia Fiat Bravo di condurmi nel luogo in cui fac- cio giocare i golfisti per accaparrare il denaro. -
Leur Vraie Vie!
Leur vraie vie! Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Générations : aînés Band (Jahr): 30 (2000) Heft 5 PDF erstellt am: 01.10.2021 Persistenter Link: http://doi.org/10.5169/seals-826425 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch SSM Dossier Leur vraie vie Hors des plateaux de tournage, lorsqu'ils quittent leurs personnages, les héros de Top Models ont leur propre vie. Qui sont les comédiens qui prêtent depuis de longues années leur talent à cette série-culte? John McCook (Eric Forrester) Dans la série, il est le patriarche du clan Forrester. Le comédien fait partie des plus anciens de la série, puisqu'il est l'un des héros principaux de Top Models depuis le premier épisode. -
Acting to Make Aann Imimpactpact ‘Serenity’ Now? No Thank You
Section D | January 26, 2019 VALLEYLIFE TV WEEK SAG honoree Alan Aldada keepskeeps using acting to make anan imimpactpact ‘Serenity’ now? No thank you ALDA ON Byy JAKE COYLECO APAP FilmFilm WriterWr The elevator ppitchitch for Steven KKnight’s “Serenity” would be: “‘Ke“‘Keyy Largo”Largo” meets “Westworld.”’“Westw And it’s every bit as ACTING rirridiculousdid culous asas ththatat ssounds.ounds. SeSSevenven decades after HHumphrey Bogart indel- By JOJOHNO CARUCCICARARUCUCC ibiiblylyy ssteeredteered a bboatoat throught stormy Atlantic Associated Press sesseas,easa , Matthew MMcConaughey has found NEWEW YORKYORK hhihisis own tropictropicala noir. But “Serenity,” one When Alan Alda receives his life achievementevement vveveryeryr lleakyeaky vevessels indeed, has a strange, award from the Screen Actors Guild on Sunday,unday, it hheheightenedeigi htened aatmospheret that goes well will celebrate a career that includes multiplee EmmEmmyy bbebeyondeyoy nd the uusual thickened air of fi lm awards, an Oscar nomination and social activismactivism nnonoir.oir. over nearly seven decades. McMMcConaughey’sCona Baker Dill is a And one that continuesnues to fi sshshinging boboat captain who, like Bog- IF YOU WATCH thrive, despite a diagnosiss ooff Par- aarartrt was iinn “Key Largo,” is a veter- kinson’s disease. U aanan.n. He llivesi the life of an ornery What: Screen At 82, Alda is still practicingicing hihiss aanandnd hheavy-drinkingea bachelor on Actors Guild craft, describing the idea of retiretire-rree- PPlPlymouthlyymou Island, a small spit of Awards ment as “a living hell.” uununknownnknow whereabouts (the fi lm U Where: TBS, “Thank goodness I’m stillstiilll wwawasas sshoth in Mauritius) where TNT working and having fun. -
GLAAD's Annual Report on LGBTQ Inclusion
W H E R E W E A R E GLAAD’s O N annual report on LGBTQ T V inclusion ‘1 6 – ‘1 7 2 CONTENTS 3 From the desk of Sarah Kate Ellis, GLAAD President & CEO 4 Methodology 5 Highlights 6 Summary of Broadcast Findings 8 Summary of Cable Findings 10 Summary of Streaming Findings 12 Gender Representation 14 Race & Ethnicity 16 Representation of Black Characters 18 Representation of Latinx Characters 20 Representation of Asian-Pacific Islander Characters 22 Representation of Characters With Disabilities 24 Representation of Bisexual Characters 26 Representation of Transgender Characters 28 Representation in Alternative Programming 29 Representation in Daytime Programming 30 Representation in Spanish-Language Programming 31 GLAAD’s Entertainment Media Team 3 FROM THE DESK OF SARAH KATE ELLIS For more than 20 years, GLAAD has tracked the nuanced motivation, developed backstory, and the same presence of lesbian, gay, bisexual, transgender, and odds of death. When the most repeated ending for a queer (LGBTQ) characters on television. In that time, the queer woman is violent death, producers must do better entertainment and cultural landscapes have changed to question the reason for a character’s demise and what dramatically, and today we see the highest percentage of they are really communicating to the audience. LGBTQ series regular characters on broadcast television found since expanding our count to gather more Moreover, it is not enough for LGBTQ characters simply comprehensive data 12 years ago. Additionally, record- to be present on screen; they must be crafted with high percentages of both black characters and those with thought, attention, and depth.