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Fantasy Chengcing Lake
夢幻澄清湖 台灣自來水公司觀光課長 林頌富 110.3.11 By Lin Songfu, Section Chief of Tourism Section of Taiwan Water Corporation English translated by Vicky Lin Fantasy Chengcing Lake 壹、 澄清湖緣起 A. Origin of Chengcing Lake 澄清湖緣起曹公圳支流的「大埤」,初期係為調節農田灌溉之用,自 1947 年起供應工業用水,於 1954 年易名為「大貝湖」,老蔣於 1963 年更名為「澄 清湖」。(另一美化地名例子為將「草山」更名為「陽明山」。)。 Chengcing Lake originates from the "Dapi" of the Caogongzhen tributary, was initially used to regulate farmland irrigation. It has been supplying industrial water since 1947. It was renamed "Dabei Lake" in 1954, and the late President Chiang changed its name to " Chengcing Lake " in 1963. 由於天然條件優越,環境清幽,林木花卉不斷培植,湖光山色更顯秀 麗,而有「台灣西湖」之稱,1955 年立法院張道籓院長蒞臨參觀,譽之為 「台灣第一風景區」,1960 年 9 月 1 日正式對外開放。 Due to the superior natural conditions, the quiet environment, the continuous cultivation of trees and flowers, the lakes and mountains are more beautiful, and it is called "Taiwan West Lake”. In 1955, the president Zhang of the Legislative Yuan came to visit, known as "Taiwan's No. 1 Scenic Spot," and it was officially opened to the public on September 1, 1960. 因有龍脈之傳說,1950 年海軍陸戰隊司令周雨寰將軍到此巡視時,亦 覺得此處地理環境獨特,建議興建「領袖行館」,因此於 1958 年 5 月 1 日 開工興建「大貝湖招待所」,1961 年 1 月 4 日改名為「澂清樓」。 Due to the legend of dragon veins, when General Zhou Yuhuan, commander of the Marine Corps, visited this place in 1950, he also felt that the geographical environment was unique and suggested to build a "Leader's House". 1 Therefore, construction of the "Dabei Lake Guest House" was started on May 1, 1958. It was renamed "Cheng Ching Pavilion" on January 4, 1961. -
Planet China
1 Talking Point 6 Week in 60 Seconds 7 Banking and Finance Week in China 8 Economy 9 Auto Industry 11 Internet and Tech 13 Energy and Resources 14 Society and Culture 2 October 2015 17 And Finally Issue 298 18 The Back Page www.weekinchina.com Red guest at the White House m o c . n i e t s p e a t i n e b . w w w Xi visits Obama in Washington, but was his US trip overshadowed by the Pope’s? Brought to you by Week in China Talking Point 2 October 2015 Pontiff pips president Xi Jinping plays second fiddle to Pope Francis on American tour China’s president grabs his moment in the spotlight with tech executives in California last week oth hold sway over more than Catholic: “We have the propaganda The Pope’s trip to the US was Ba billion people. And both got department and you have the evan - rare – it was only the tenth Papal the top job after closed-door elec - gelicals. We have the organisation visit. Even rarer was a speech in tions that remain well nigh impos - department and you have the Col - Congress, as well as another on the sible for outsiders to figure out. lege of Cardinals. What’s the differ - White House lawn (delivered in They are, of course, Xi Jinping and ence, then?” English, and ending with the crowd- Pope Francis. Adding to the sense of mystery pleasing line “God Bless America”). Some of the similarities in the or - surrounding the two organisations Inevitably this raises the ques - ganisations that the two men lead was a new one last week. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
Chapter 4: Theatricality
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 4: Theatricality §1 Boundaries In Imagination and Power: The Ideological Analysis of Theatre 想象與權力: 戲劇意識形態研 究 (2003), Zhou Ning is “concerned with the theatricality in the deep layers of the psychological structure of Chinese cultural character,” arguing that “the function of both [ritual and thought] lies in transcending the boundaries between reality 現實 and the fabricated 虛構, or confusing the two, through illusion.”1 During the Boxer Uprising peasants believed they were immune to bullets, which shows that getting carried away can have dire consequences: The Boxer Uprising (1900-1901) has many ties with theater; it didn’t distinguish the real 真 from the illusory 幻 . [The Boxers] gathered and rebelled while singing arias, they practiced martial arts as if playacting, they were possessed by characters from plays and their spreading of fire, going into battle, tricks and moves were all just like those staged in plays.2 “Popular music creates alternative universes, echoey soundscapes allowing the listener to drift outside the often-stressful realities of everyday life,” argues Witzleben in his article on Anita Mui.3 Throughout this study, the term performance has been instrumental in conceptualizing seemingly stable concepts, such as Chineseness, rock and femininity, as constantly renegotiated creations or articulations of normative or alternative universes. -
The World Games Orienteering Event
July 16 – 26, 2009 THE WORLD GAMES ORIENTEERING EVENT Bulletin 3 - Event Information 1. General information about The World Games 2009 in Kaohsiung, Chinese Taipei The International World Games Association (IWGA) has awarded the 2009 World Games to the City of Kaohsiung, Chinese Taipei. Orienteering is one of the 31 sports included in the program of these games. The Chinese Taipei Orienteering Association has been entrusted with the organization of the orienteering events and is pleased to welcome the world’s elite orienteers to this major event. The World Games The World Games is an international multi-sport event held every fourth year under the auspices of the IWGA. The World Games is organised under the patronage of the International Olympic Committee (IOC). The IOF has been a member of the International World Games Association since 1995. In 2001 orienteering made its debut on the program of The World Games held in Akita, Japan. The programme of The 8th World Games 2009 Kaohsiung includes competitions in 26 official sports and in 5 sports on the invitational program - altogether more sports than ever before. More than 5000 athletes and officials are expected to participate in the competitions that will take place at 24 different venues in Kaohsiung and Kaohsiung County. The 8th World Games 2009 Kaohsiung will get under way with the Opening Ceremony at the Main Stadium on Thursday, July 16, 2009. The athletes and officials will parade by country under their national flags. The closing ceremony will take place at the Main Stadium on Sunday, 26th July, 2009. For detailed information on the overall sports program, please consult The World Games 2009 Kaohsiung website at www.worldgames2009.tw The Chinese Taipei Orienteering Association (CTOA) is overall responsible for the orienteering events of the games. -
Celebrity Philanthropy in China: Reconfiguring Government and Non-Government Roles in National Development’, the China Quarterly, 237, Pp
Deng, Guosheng, and Jeffreys, Elaine. 2019. ‘Celebrity Philanthropy in China: Reconfiguring Government and Non-government Roles in National Development’, The China Quarterly, 237, pp. 217–240. doi:10.1017/S0305741018001364 Celebrity Philanthropy in China: Reconfiguring Government and Non- government Roles in National Development DENG Guosheng1 Elaine Jeffreys (corresponding author)2 Abstract This article provides the first comprehensive analysis of the development of and public responses to celebrity-fronted philanthropy in the People’s Republic of China. It explores the extent and nature of celebrity philanthropy with reference to a sample of mainland Chinese celebrities in entertainment and sports. It then draws on interviews conducted with employees of large charities to examine the kinds of links that are being forged between China’s not-for-profit sector and commercial organizations managing the work of celebrities. Finally, it analyses the responses to a national survey on celebrity and philanthropy. We conclude that the relationship between China’s government, not-for-profit and celebrity sectors is becoming more professionalized and organized. This development reveals how the roles and capacities of government are being reconfigured and expanded, even as it also enhances the scope for action and the influence of new social actors and organizations to address government-led national development issues. Keywords: China; celebrity; charity; government; media; philanthropy. Introduction 1 Tsinghua University, China. Email: [email protected] 2 University of Technology Sydney. Email: [email protected] Deng, Guosheng, and Jeffreys, Elaine. 2019. ‘Celebrity Philanthropy in China: Reconfiguring Government and Non-government Roles in National Development’, The China Quarterly, 237, pp. -
Music from the 1990S to the Present
j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films. -
28Th APR Jam Reportup
Report of 28th APR Scout Jamboree, Scouts of China Centenary and 10th National Jamboree Scouts of China (Taiwan) September 2011 Jamboree Outlines 28th APR Scout Jamboree, Scouts of China Centenary and 10th National Jamboree was held on 11-17 July 2011 at Chengcing Lake, Kaohsiung, Taiwan, the Republic of China (ROC). Report Thanks of tothe the 2 8effortth APR and Scout support Jamboree of the Regional Scout Committee and RegionalScouts ofOffice, China the Centenary Jamboree and was 10th attended National by some Jamboree 10,000 participants from 25 Kaohsiung, Taiwan countries across the world. 11 The-17 Julylarge 2011st contingent is from Hong Kong of 123 participants, followed by Malaysia with 111 and the Philippines with 83. The 28th APRChief Scout Commissioner, Jamboree, Scout Dr.s ofChao, China Centenary and 10th National Jamboree was held on 11- 17 July 2011Shou at Chengcing-Po, of the Lake, Scouts Kaohsiung, of China Taiwan, the Republic(Taiwan) of China (ROC).presided Thanks and declared to the effort the and support of the Regional Scout Committee and Regional Office, the Jamboreeopening wasof Jamboree attended. by He some 10,000 participants particularlyfrom 25 countries welcome acrossd overseas the world. The largest contingent was Hong Kong with 123 participants,participants followed by Malaysiaand guests with on 111 the and the Philippines with 83. evening of 12 July. He also Scouts of Chinaencouraged Chief Commissioner, scouts to face Dr. the Chao, Shou- Po, declared the Jamboree open and welcomed the overseas participantschallenges and of guestsheavy onrain the and evening of 12 July. He also encouraged Scouts to face the challenges of heavy rainuncomfortable and uncomfortable weather weather condition condition with big smiles. -
Cantopop Songs of All Time!
THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
Chapter 1: Place §1 Chinese Popular Music
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 1: Place §1 Chinese Popular Music After introducing the singer and describing his migration from Malaysia to Singa- pore and his recent popularity in Hong Kong, Taiwan, and all over the Chinese di- aspora, the anchor [of the 1995 May 1st Concert] asked Wu [Qixian] how he de- fined himself in the final analysis. The musician’s reply, “I am Chinese” (wo shi Zhongguoren), which stirred a most enthusiastic and warm response from the au- dience, encapsulated everything Wu’s participation stood for, at least from the point of view from the state… By inviting … gangtai singers to participate in concerts and television programs, the Chinese state is not engaged so much in competing with other Chinese politics and identities … but rather in contesting their independence and in co-opting them into a greater Chinese nationalism, of which China is the core. In other words, the Chinese state is engaged in appropri- ating the concept of Greater China (Da Zhonghua).1 Gangtai is a 1980s PRC term for highly successful cultural products from Hong Kong (xiang gang) and Taiwan. In the above quotation, Nimrod Baranovitch rightly recognizes Hong Kong and Taiwan as major areas of production of Chinese pop music. -
Narrative Biographies
NARRATIVE BIOGRAPHIES Carolyn R. (“Bo”) Aldigé 2 Janice L. Krieger, PhD 8 Carolyn Angus-Hornbuckle, JD 2 Harry A. Lehman, III, MD 8 Michelle Aubertine, MBA 2 Bernard Levin, MD, FACP 9 Emily Butler Bell, MPH 2 Peter L. Levin, PhD 9 Jennifer Boehm, MPH 3 Melissa Leypoldt, RN 9 Abenaa Brewster, MD, MHS 3 Brian Mattingly 9 Durado Brooks, MD, MPH 3 Jacqueline Miller, RN, BSN,OCN 10 Philip E. Castle, PhD, MPH 3 James L. Mulshine, MD 10 Anil Chaturvedi, PhD, MPH 4 Bridget A. Oppong, MD, FACS 10 David P. Chelmow, MD 4 Mary Pasquinelli, DNP, MS, FNP-BC 10 Aneesh Chopra, MPP 4 Anjana Pillai, MD 11 Claudia Christensen, ANP 4 Heather Nicole Platter, MS 11 Katherine L. Cook, PhD 5 Kimberly Reed, RN, CPN 11 Andrew J. Dannenberg, MD 5 Kris Rhodes, MPH 11 Roy J. Duhé, PhD 5 Anne F. Rositch, PhD, MSPH 12 Ruth Etzioni, PhD 5 Robert Smith, PhD 12 Leah Frerichs, PhD, MS 6 Kathryn L. Taylor, PhD 12 Patti E. Gravitt, PhD, MS 6 Erin Thomas, MS, HSAS 13 Carmen E. Guerra, MD, MSCE, FACP 6 Nicole Unger 13 Donald Haverkamp, MPH 7 Erica Childs Warner, MPH 13 James A. Hotz, MD, MACP 7 Elizabeth A. Westbrook, MPH, MCHES 13 Djenaba Joseph, MD, MPH, CDR 7 Bill Willard 14 Hormuzd Katki, PhD 7 Faye L. Wong, MPH 14 Deborah Kinnard 8 Mitch Zeller, JD 14 Melanie Kornides, ScD, MPH, APRN 8 #Dialogue2019 www.DialogueForAction.org 1 NARRATIVE BIOGRAPHIES CAROLYN R. (“BO”) ALDIGÉ Ms. Carolyn Aldigé is founder and chief executive officer of the Prevent Cancer Foundation®, a national nonprofit organization she started in 1985 in memory of her father.