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Long Métrage Feature Film
LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES MINISTÈRE DE LA FÉDÉRATION WALLONIE-BRUXELLES SERVICE GÉNÉRAL DE L’AUDIOVISUEL ET DES MÉDIAS CENTRE DU CINÉMA ET DE L’AUDIOVISUEL PROMOTION EN BELGIQUE Boulevard Léopold II 44 - B-1080 Bruxelles T +32 (0)2 413 22 44 [email protected] www.centreducinema.be WALLONIE BRUXELLES IMAGES PROMOTION INTERNATIONALE Place Flagey 18 - B-1050 Bruxelles T +32 (0)2 223 23 04 [email protected] www.wbimages.be LONG MÉTRAGE ÉDITEUR RESPONSABLE Frédéric Delcor - Secrétaire Général Boulevard Léopold II 44 - B-1080 Bruxelles PUBLICATION Février / February 2020 COUVERTURE / COVER Jumbo de Zoé Wittock Production : Kwassa Films © Caroline Fauvet LONG MÉTRAGE FEATURE FILM Hiver | 2020 | Winter CENTRE DU CINÉMA ET DE L’AUDIOVISUEL WALLONIE BRUXELLES IMAGES SOMMAIRE CONTENT ADORABLES................................ SOLANGE CICUREL .......................... 4 ADORATION ................................ FABRICE DU WELZ ........................... 5 ANIMALS .................................. NABIL BEN YADIR ............................ 6 APRÈS LA FIN .............................. FRANÇOIS HIEN ............................. 7 BULA ...................................... BORIS BAUM ............................... 8 DES HOMMES .............................. LUCAS BELVAUX ............................. 9 FILLES DE JOIE ............................. FRÉDÉRIC FONTEYNE & ANNE PAULICEVICH ...... 10 FILS DE PLOUC ............................. LENNY GUIT & HARPO GUIT -
From Nordic Noir to Belgian Bright?
volume 9 issue 17/2020 FROM NORDIC NOIR TO BELGIAN BRIGHT? SHIFTING TV DRAMA PRODUCTION AND DISTRIBUTION IN SMALL MARKETS: THE CASE OF FLANDERS Tim Raats imec-SMIT, Vrije Universiteit Brussel [email protected] Catalina Iordache imec-SMIT, Vrije Universiteit Brussel [email protected] Abstract: Shifts in audio-visual production, distribution, and consumption have increased pressure on broadcasters as main financiers of domestic content in Europe. However, within the context of internationalisation and digitalisation, there are also new opportunities for the export of European content. By taking a close look at the evolution and increasing popularity of Flemish TV drama, this article identifies key explanatory factors for the export of content produced in a small media market. The analysis also discusses the extent to which the rise in exports may contribute to the increased sustainability of a small and fragile, yet vibrant audio-visual industry. Keywords: Flanders, Belgium, distribution, co-production, transnational television, small media market, TV drama 1 Introduction Non-linear viewing, cut-backs at the level of public service broadcasting, a shift in advertising spending from legacy media to online players, and the introduction of over-the-top players like Netflix or Amazon have put significant pressure on existing TV drama financing and on broadcasters, the main financiers of domestic content in Europe.1 This is particularly the case in smaller television markets, which are traditionally more dependent on public support,2 have a limited domestic market, and less potential for export.3 However, new platforms and services also increase opportunities for export and recoupment of TV drama investments. -
Da´Il E´Ireann
Vol. 695 Thursday, No. 2 19 November 2009 DI´OSPO´ IREACHTAI´ PARLAIMINTE PARLIAMENTARY DEBATES DA´ IL E´ IREANN TUAIRISC OIFIGIU´ IL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Thursday, 19 November 2009. Requests to move Adjournment of Da´il under Standing Order 32 ……………… 239 Order of Business ……………………………… 240 Statement of Estimates for Houses of the Oireachtas Commission: Motion ………… 257 Statement of Expenditure for Houses of the Oireachtas: Motion ……………… 258 Treaty of Amsterdam: Referral to Joint Committee …………………… 258 Statute Law Revision Bill 2009: Order for Report Stage …………………………… 258 Report and Final Stages …………………………… 258 Criminal Justice (Money Laundering and Terrorist Financing) Bill 2009: Order for Second Stage …………………………… 259 Second Stage ……………………………… 259 Referral to Select Committee ………………………… 284 Ceisteanna — Questions Minister for Defence Priority Questions …………………………… 285 Other Questions …………………………… 293 Adjournment Debate Matters …………………………… 303 Adjournment Debate Job Protection ……………………………… 304 Company Closures …………………………… 306 Waste Management …………………………… 308 Bovine Disease Controls …………………………… 310 Questions: Written Answers …………………………… 313 DÁIL ÉIREANN ———— Déardaoin, 19 Samhain 2009. Thursday, 19 November 2009. ———— Chuaigh an Ceann Comhairle i gceannas ar 10.30 a.m. ———— Paidir. Prayer. ———— Requests to move Adjournment of Dáil under Standing Order 32. An Ceann Comhairle: Before coming to the Order of Business I propose to deal with a number of notices under Standing Order 32. I will call on Deputies in the order in which they submitted their notices to my office. I call Deputy P. J. Sheehan. Deputy P. J. Sheehan: I wish to seek the adjournment of the Dáil under Standing Order 32 to raise a matter of national importance, namely, to discuss the review of emergency depart- ments and pre-hospital emergency care in Cork and Kerry by the HSE yesterday which will downgrade Bantry Hospital to a referral unit for the Cork University Hospital. -
From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: the Case of Flanders 2020
Repositorium für die Medienwissenschaft Tim Raats; Catalina Iordache From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: The Case of Flanders 2020 https://doi.org/10.25969/mediarep/15354 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Raats, Tim; Iordache, Catalina: From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: The Case of Flanders. In: VIEW Journal of European Television History and Culture, Jg. 9 (2020), Nr. 17, S. 79–92. DOI: https://doi.org/10.25969/mediarep/15354. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.18146/view.243 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ volume 9 issue 17/2020 FROM NORDIC NOIR TO BELGIAN BRIGHT? SHIFTING TV DRAMA PRODUCTION AND DISTRIBUTION IN SMALL MARKETS: THE CASE OF FLANDERS Tim Raats imec-SMIT, Vrije Universiteit Brussel [email protected] Catalina Iordache imec-SMIT, Vrije Universiteit Brussel [email protected] Abstract: Shifts in audio-visual production, distribution, and consumption have increased pressure on broadcasters as main financiers of domestic content in Europe. However, within the context of internationalisation and digitalisation, there are also new opportunities for the export of European content. By taking a close look at the evolution and increasing popularity of Flemish TV drama, this article identifies key explanatory factors for the export of content produced in a small media market. -
From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: the Case of Flanders 2020
Repositorium für die Medienwissenschaft Tim Raats; Catalina Iordache From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: The Case of Flanders 2020 https://doi.org/10.25969/mediarep/15354 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Raats, Tim; Iordache, Catalina: From Nordic Noir to Belgian Bright? Shifting TV Drama Production and Distribution in Small Markets: The Case of Flanders. In: VIEW Journal of European Television History and Culture (2020), Nr. 17, S. 79– 92. DOI: https://doi.org/10.25969/mediarep/15354. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.18146/view.243 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ volume 9 issue 17/2020 FROM NORDIC NOIR TO BELGIAN BRIGHT? SHIFTING TV DRAMA PRODUCTION AND DISTRIBUTION IN SMALL MARKETS: THE CASE OF FLANDERS Tim Raats imec-SMIT, Vrije Universiteit Brussel [email protected] Catalina Iordache imec-SMIT, Vrije Universiteit Brussel [email protected] Abstract: Shifts in audio-visual production, distribution, and consumption have increased pressure on broadcasters as main financiers of domestic content in Europe. However, within the context of internationalisation and digitalisation, there are also new opportunities for the export of European content. By taking a close look at the evolution and increasing popularity of Flemish TV drama, this article identifies key explanatory factors for the export of content produced in a small media market. -
Blood Window Pitching Sessions & Meetings Tables: Showcase of 15 Outstanding Film Projects in Development
SESIONES DE PITCH Y MESAS DE REUNIONES PROGRAMADAS: PRESENTACIÓN DE 15 PROYECTOS DESTACADOS EN ETAPA DE DESARROLLO. Blood Window Pitching sessions & meetings tables: showcase of 15 outstanding film projects in development. LAB 26 BLOOD WINDOW LAB VENTANA SUR 2019 27 > DIRECCIÓN > DIRECCIÓN › SANFIC 15 ‹ / DIRECTED BY / DIRECTED BY Blood Window ARACNE Florencia Dupont. FASE REM Wanda Berrio ARACNE Award REM PHASE THRILLER, FANTASY / CHILE / 75 MIN Argentina establecida en Chile, se desempe- SCIENCE FICTION, DRAMA / COLOMBIA / 120 MIN W.B es Wann Teems, Directora y guionista ña como directora, productora y guionista, formada en la Universidad del Cine, Argen- trabajando también como Asistente de Di- tina. Ha dirigido y escrito 7 cortometrajes y rección y Continuista en varias producciones un Largometraje, «Fomalhaut». Actualmen- para cine, televisión e internet. Ha dirigido te viaja apostando por este nuevo proyecto; los cortometrajes «Suipacha», «Victor» trabaja desde los 14 años por sus sueños y y «Visceral». Ahora desarrolla su opera la estabilidad de su familia. primas «Aracne» y «Ngen Mawida». W.B is Wann Teems, Director and screen- Argentine established in Chile, she works as writer at Universidad del Cine, Argentina. She director, producer and screenwriter, also as has directed and written 7 short films and a Assistant Director and Script supervisor for feature film, “Fomalhaut”. She currently trav- several productions in film, television and the els betting on this, her new project, and she Internet. She has directed the short films SINOPSIS / SYNOPSIS has worked for her dreams and the stability SINOPSIS / SYNOPSIS “Suipacha”, “Victor” and “Visceral”. She is now of her family since she was 14 years old. -
Corporate 5D75854aa62b61787
WATCH OUR TERRIFIC SHOWREEL TABLE OF CONTENT 5 • COYOTES 6 • BARAKI 7 • PANDORA 8 • SON OF 9 • GOOD PEOPLE 10 • PUBLIC ENEMY 3 11 • 1985 12 • ATTRACTION 13 • ARCANA 14 • TRANSPORT 15 • THE UNICORNS 16 • RESONANCE 17 • ULTRA 18 • #INNOCENTS 19 • TALK-TALK 20 • OUESTERNE 21 • SYNDROME 22 • LOST STEPS 23 • BLACK COUNTRY 24 • SHORT SERIES 25 • BROADCASTED SERIES 26 • OUR AWARDS - THEY TALK ABOUT US 27 • RTBF’S FICTION IS ALSO... 28 • INTERVIEW - JEANNE BRUNFAUT 29 • ATELIER 31 • CONTACT ÉDITO THE SUCCESS OF BELGIAN SERIES IS MORE THEN A SMALL MIRACLE IT’S A STRATEGY OF DARING IT’S A BET Belgian series have enjoyed incredible success. That success isn’t just down to luck. It’s down to a bold and deliberate strategy. A partnership between two public bodies – the Wallonia-Brussels Federation and RTBF – that have pooled their energy and ressources and combined their mutual resolve to build a fully fledged TV drama sector. A deliberate focus on screenwriters : the men and women who have compelling stories to tell. We select them not because they fit the mould, but because they impress us with their passion and conviction. We support and guide them in their endeavours, with a team of seasoned screenwriting advisers, personalised workshops and group master classes. We help shape series that will appeal to all audiences, and all within a controlled budget. We cater to demand, both at home and worldwide, for original, effective, compelling, addictive series that stir the emotions. And we always remain true to what we are : a small, open-minded, inquisitive ans slightly quirky country that isn’t afraid to think big.