Newsletter | January 2018
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
134TH COMMENCEMENT James E
134 th Commencement MAY 2021 Welcome Dear Temple graduates, Congratulations! Today is a day of celebration for you and all those who have supported you in your Temple journey. I couldn’t be more proud of the diverse and driven students who are graduating this spring. Congratulations to all of you, to your families and to our dedicated faculty and academic advisors who had the pleasure of educating and championing you. If Temple’s founder Russell Conwell were alive to see your collective achievements today, he’d be thrilled and amazed. In 1884, he planted the seeds that have grown and matured into one of this nation’s great urban research universities. Now it’s your turn to put your own ideas and dreams in motion. Even if you experience hardships or disappointments, remember the motto Conwell left us: Perseverantia Vincit, Perseverance Conquers. We have faith that you will succeed. Thank you so much for calling Temple your academic home. While I trust you’ll go far, remember that you will always be part of the Cherry and White. Plan to come back home often. Sincerely, Richard M. Englert President UPDATED: 05/07/2021 Contents The Officers and the Board of Trustees ............................................2 Candidates for Degrees James E. Beasley School of Law ....................................................3 Esther Boyer College of Music and Dance .....................................7 College of Education and Human Development ...........................11 College of Engineering ............................................................... -
Canada at Expo 2005: Nation, Audience, and the Branded Display Complex
Canada at Expo 2005: Nation, Audience, and the Branded Display Complex: by Laurie J. Dalton A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Canadian Studies Carleton University Ottawa, Ontario © 2014 Laurie Dalton Abstract Popular culture events, such as world’s fairs, are important objects of study as they demonstrate how visual culture functions as an agent of nation branding on a global scale. Much of the research on these events has focused on the nineteenth and early twentieth centuries as sites of imperialism and modernism. Although less attention has been paid to contemporary world’s fairs, this study argues that these continue to be critical areas of study. Expo 2005 in Aichi, Japan was the first world’s fair held in Asia in the twenty-first century. As global power dynamics shift to Asia, an examination of cultural events allows us to explore how countries hope to position themselves in this shift. My case study of the Canadian pavilion at Expo 2005 demonstrates how the display simultaneously projected a federal brand and reflected tourist expectations of Canada for the Japanese audience. I use a visual analysis drawing from iconology and visual semiotics to understand how the design of the pavilion represented the unique expectations of three different stakeholders: the organizers of the Aichi expo who sought to position Japan within a wider global framework, the Canadian federal planners who wanted to project a distinct Canadian identity abroad, and the attending public, who went to be entertained. -
The Future of Human-Robot Interaction a Socio-Economic Scenario Analysis
DEGREE PROJECT IN MECHANICAL ENGINEERING, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2021 The Future of Human-Robot Interaction A socio-economic Scenario Analysis BENEDIKT KRIEGER KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF INDUSTRIAL ENGINEERING AND MANAGEMENT A socio-economic Scenario Analysis Benedikt Krieger Supervised by Andreas Archenti (KTH) & Thomas Bohné (University of Cambridge) Abstract – English Advancing research in an interdisciplinary field such as robotics is a complex undertaking. Seldom, it is moved beyond the scope of an individual science and the challenges from other fields of research are incorporated. Research on Human-Robot Interaction (HRI) is attributed interdisciplinarity and, thus, is a case in point. Therefore, this thesis aims to integrate both engineering, psychosocial, and socio-economic research streams. By doing so, the goal is to reveal and to identify underlying questions which are tacitly assumed by either research field, but require explicit contemplation and elaboration. The engineering community is currently focusing on collaboration and cooperation (CoCo) as it enables humans and robots to operate together in heterogenous teams. Human-robot teamwork, in turn, is promising to enable the integration of both a human’s flexibility, dexterity, and creative problem solving with robotic strength, precision, reliability, and efficiency. In contrast, economic considerations evolve around elaborations on technological unemployment and further macroeconomic implications. To unite these streams, this thesis conducts a scoping literature review. Through it, the fundamental design considerations necessary to achieve CoCo are laid out, while pointing towards the currently most promising research direction in each of the design aspects. Both engineering as well as psychosocial aspects are considered. -
'Ompiled by Bob Hamilton
AMERICA'S ONLY REVIEW Jan. 1 -June 30, 19 THE RADIO MARKETPLACE . ----Volume f 'ompiled by Bob Hamilton www.americanradiohistory.com Each week these eight morning men wake up more than twice the total population of Paris, France! and- Paris, Arkansas Paris, Iowa Paris, Mississippi Paris, Idaho Paris, Kentucky Paris, Missouri Paris, Illinois Paris, Maine Paris, Texas Over five million peo- Gambling, WOR ple each week invite these N.Y. Dale Dorman, entertaining air personali- WRKO Boston Dr. ties into their homes. To Don Rose, KFRC those listeners who have made San Francisco the RKO Radio morning men Charlie Tuna, KHJ the most outstanding group in Los Angeles Rick the industry, we say "Merci Dees, WHBQ Memphis Fred Beaucoup." Winston, WFYR Chicago Pete Jay Thomas, 99X N.Y. John Jamerson, WGMS Wash., D.C. IIK«o RADIO repuesl ARB lotel Versons 12. TSe. morn In 6 am-10 am cerne eud,ence genl-Mey 1977 Esnmales suDlecl lo pualilicelrons 0r1111a19e 09 www.americanradiohistory.com THE CAPITOL QUARTERLY REPORT OF HITS! THE BEATLES THE STEVE MILLER AT THE BAND HOLLYWOOD BOWL 1111 s2e ) TAVARES o Love Storm 1h LITTLE RIVER BAND Diamantina Cocktail sCapitol www.americanradiohistory.com www.americanradiohistory.com THE PEOPLE WHO PUT I ELIZABET- " ALLA LISA t3 ODBL:I`_' P r.. SMITH .. +E DANVERS UDETTE PIRTLE GN - LAVEZZO GRAPE3IS PHOTOGRAPHY BY ROB CLAYTON P.O.BOX3135 : ARMEL, CALIFORNIA 4392= (408) 624-0338 sx PUBLICATIONS www.americanradiohistory.com Listen k of Peter F Wind Framptons Sumethins Frampton Frampton Of Carnet Happening SP 4512 Conies Alive Change SP 4389 SP 3619 SP 37113 SP 4,318 Produced www.americanradiohistory.com D the life rampton. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H. -
Social Robots on a Global Stage: Establishing a Role for Culture During Human–Robot Interaction
International Journal of Social Robotics https://doi.org/10.1007/s12369-020-00710-4 Social Robots on a Global Stage: Establishing a Role for Culture During Human–Robot Interaction Velvetina Lim1 · Maki Rooksby2 · Emily S. Cross2,3 Accepted: 1 October 2020 © The Author(s) 2020 Abstract Robotic agents designed to assist people across a variety of social and service settings are becoming increasingly prevalent across the world. Here we synthesise two decades of empirical evidence from human–robot interaction (HRI) research to focus on cultural influences on expectations towards and responses to social robots, as well as the utility of robots displaying culturally specific social cues for improving human engagement. Findings suggest complex and intricate relationships between culture and human cognition in the context of HRI. The studies reviewed here transcend the often-studied and prototypical east–west dichotomy of cultures, and explore how people’s perceptions of robots are informed by their national culture as well as their experiences with robots. Many of the findings presented in this review raise intriguing questions concerning future directions for robotics designers and cultural psychologists, in terms of conceptualising and delivering culturally sensitive robots. We point out that such development is currently limited by heterogenous methods and low statistical power, which contribute to a concerning lack of generalisability. We also propose several avenues through which future work may begin to address these shortcomings. In sum, we highlight the critical role of culture in mediating efforts to develop robots aligned with human users’ cultural backgrounds, and argue for further research into the role of culturally-informed robotic development in facilitating human–robot interaction. -
The Bees of Greater Puerto Rico (Hymenoptera: Apoidea: Anthophila)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Center for Systematic Entomology, Gainesville, Insecta Mundi Florida August 2008 The bees of Greater Puerto Rico (Hymenoptera: Apoidea: Anthophila) Julio A. Genaro York University, Toronto, [email protected] Nico M. Franz University of Puerto Rico, Mayagüez, PR, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/insectamundi Part of the Entomology Commons Genaro, Julio A. and Franz, Nico M., "The bees of Greater Puerto Rico (Hymenoptera: Apoidea: Anthophila)" (2008). Insecta Mundi. 569. https://digitalcommons.unl.edu/insectamundi/569 This Article is brought to you for free and open access by the Center for Systematic Entomology, Gainesville, Florida at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Insecta Mundi by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INSECTA MUNDI A Journal of World Insect Systematics 0040 The bees of Greater Puerto Rico (Hymenoptera: Apoidea: Anthophila) Julio A. Genaro Department of Biology, York University 4700 Keele St., Toronto, ON, M3J 1P3, Canada Nico M. Franz Department of Biology, University of Puerto Rico PO Box 9012, Mayagüez, PR 00681, U.S.A. Date of Issue: August 22, 2008 CENTER FOR SYSTEMATIC ENTOMOLOGY, INC., Gainesville, FL Julio A. Genaro and Nico M. Franz The bees of Greater Puerto Rico (Hymenoptera: Apoidea: Anthophila) Insecta Mundi 0040: 1-24 Published in 2008 by Center for Systematic Entomology, Inc. P. O. Box 147100 Gainesville, FL 32614-7100 U. S. A. http://www.centerforsystematicentomology.org/ Insecta Mundi is a journal primarily devoted to insect systematics, but articles can be published on any non-marine arthropod taxon. -
Out There in the Dark There's a Beckoning Candle: Stories
OUT THERE IN THE DARK THERE’S A BECKONING CANDLE: STORIES By © Benjamin C. Dugdale, a creative writing thesis submitted to the School of Graduate Studies in partial fulfillment for the degree of Master of Arts in English Memorial University of Newfoundland April 2021 St. John’s, Newfoundland & Labrador. Abstract (200 words) OUT THERE IN THE DARK THERE’S A BECKONING CANDLE is a collection of interrelated short stories drawing from various generic influences, chiefly ‘weird,’ ‘gothic,’ ‘queer’ and ‘rural’ fiction. The collection showcases a variety of recurring characters and settings, though from one tale to the next, discrepancies, inversions, and a whelming barrage of transforming motifs force an unhomely displacement between each story, troubling reader assumptions about the various protagonists to envision a lusher plurality of possible selves and futures (a gesture towards queer spectrality, which Carla Freccero defines as the “no longer” and the “not yet”). Utilizing genres known for their unsettling and fantastical potency, the thesis constellates the complex questions of identity politics, toxic interpersonal-relationships, the brutality of capitalism, compulsory urban migration, rituals of grief, intergenerational transmission of trauma, &c., all through a corrupted mal-refracting queer prism; for example, the simple question of what discomfort recurring character Harlanne Welch, non-binary filmmaker, sees when they look into the mirror is demonstrative, when the thing in the mirror takes on its own life with far-reaching consequences. OUT THERE IN THE DARK…is an oneiric, ludic dowsing rod in pursuit of the queer prairie gothic mode just past line of sight on the horizon. ii General Summary. -
Sensitive Manipulation Eduardo Torres-Jara
Computer Science and Artificial Intelligence Laboratory Technical Report MIT-CSAIL-TR-2007-015 March 2, 2007 Sensitive Manipulation Eduardo Torres-Jara massachusetts institute of technology, cambridge, ma 02139 usa — www.csail.mit.edu Sensitive Manipulation by Eduardo Rafael Torres Jara Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY January 2007 °c Massachusetts Institute of Technology 2007. All rights reserved. Author.............................................................. Department of Electrical Engineering and Computer Science January 26, 2007 Certified by. Rodney Brooks Panasonic Professor of Robotics Thesis Supervisor Accepted by . Arthur C. Smith Chairman, Department Committee on Graduate Students Sensitive Manipulation by Eduardo Rafael Torres Jara Submitted to the Department of Electrical Engineering and Computer Science on January 26, 2007, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Electrical Engineering and Computer Science Abstract This thesis presents an effective alternative to the traditional approach to robotic manipulation. In our approach, manipulation is mainly guided by tactile feedback as opposed to vision. The motivation comes from the fact that manipulating an object implies coming in contact with it, consequently, directly sensing physical contact seems more important than vision to control the interaction of the object and the robot. In this work, the traditional approach of a highly precise arm and vision system controlled by a model-based architecture is replaced by one that uses a low mechanical impedance arm with dense tactile sensing and exploration capabilities run by a behavior-based architecture. -
Syllabus-406 12 29 20 Rev. for 2021S
THTR 406 "Theatre on the Edge" Units: 4 –Course Section #: 63099R Spring 2021—Tuesday/Thursday—4-5:50PM Location: Online, via Blackboard and Zoom Instructor: Dr. Meiling Cheng Office: Via Zoom Office (814 129 6039) Office Hours: By appointment only. Contact Info: [email protected]; cell: 323-683-9259 I will respond to your email queries within 48 hours. Course Assistant: John Allis Contact Info: [email protected] Course Description This course explores the art of theatre on the edge of possibilities. The curriculum proceeds through a series of interrelated themes to examine how the time-based art of theatre intersects with other art forms and absorbs socio-political and technological forces to venture beyond its preexisting boundaries. Highlighting the concept of the edge as a margin, a border, a scar, a threshold, an ecotone, and a membrane, our inquiry investigates various ways in which the edge fosters performing artists' iconoclastic ventures and sustains their constant struggles to evolve beyond the limit of imagination. The course guides the participants to critique, curate, and create theatre on the edge. Per the Professor's research strength, the course will emphasize analytical literacy in reading contemporary visual cultures and will intermittently feature performative artworks from Chinese contemporary time-based art, among other global live art modes. A precautionary note: much of the course material contains intense, gritty, and, for some, potentially offensive materials. Please consider this syllabus a “trigger warning” and guage your receptibility to controversial artworks before you join the class. Your voluntary participation in the course consistitutes an explicit consent to experiencing difficult and/or troubling art. -
2017 with a Processes Modernized, Pipes Started Playing a Critical Role in Waste and Potable Bachelor of Science in Engineering Water Conveyance
Acknowledgements Albert Einstein is often quoted as saying “If the bee disappeared off the surface of the globe then man would only have four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man.” Although we now know that the statement is not attributable to Einstein, it is a strong statement that feels right somehow. We know bees are critical to the big picture of life, we also know important outcomes are often the result of many smaller actions. And so it is for our Madison Engineering xChange. Our event is not only many hundreds of people coming together, but it is the culminating result of many hundreds of people working together. No other engineering program makes this happen like Madison Engineering. All students contributing. All faculty and staff contributing. If our engineering building is our hive, then the xChange is our honey. Its golden, sweet, and sticky qualities are the work of many, many hours flying around and beyond the hive. Thanks to all of you for making our hive buzz, and our honey delicious, all while letting so many curious critters explore without getting stung. Kurt Paterson, Ph.D., P.E. Head, Department of Engineering 3 DISCOVER DESIGN BUILD REDESIGN BUILD DELIGHT Welcome. It’s fitting that this year’s Madison Engineering xChange is on Earth Day. Earth Day provides an annual reminder of how everything and everyone on our planet is connected. Action in one part of the system evokes reaction in another part. Earth Day is also a reminder that the world is dependent on immutable laws of nature that ultimately assist or resist the pursuits of its many inhabitants.