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WHO's on FIRST - BLUES HAPPENINGS AROUND the STATE & AREA NEXT ISSUE: Week of May 24, 2017 Great N
1 WHO'S ON FIRST - BLUES HAPPENINGS AROUND THE STATE & AREA NEXT ISSUE: Week of May 24, 2017 Great N. Blues Soc.: Next meet: 6/13/2017 - Loppnow's Bar, Wausau at 7 PM Dates do change! Check with the venue and/or band to confirm before you go!!!! GROUP DATE VENUE TIME 20 Watt Tombstone 5/11 HBGB, Brunswick; GEORGIA 8 PM Robert Allen Jr. Band 5/07 PAZ Pub, Waukesha 3 PM Altered Five Blues Band 6/03 Jackson Blues Fest, Jackson; MI. 4:30 PM Dale Anderson Big Mouth & Power Tool Horns 5/20 Fox Harbor, Green Bay 9 PM The Blue Olives The Blues Disciples 5/12 Harbor Lite Yacht Club, Racine 8 PM Chris Brandenburg & the 6/24 Classics Lounge, Shawano 8 PM Bluetones Cadillac Pete & Howard Luedtke 5/14 Romano's Pizza, Nekoosa 4:30 PM Cash Box Kings 5/07 Shaw's Crab House, Chicago; ILLINOIS 7 PM Steve Cohen/Lil' Rev Band 5/12 Von Trier's, Milwaukee 6:30 PM Davina and the Vagabonds 5/07 SPACE, Evanston; ILLINOIS 8 PM Glenn Davis & Cruise Control 5/10 Harry's Cafe Blues JAM, Lake Geneva 9 PM Sena Ehrhardt Band 6/13 Saint Paul Saints Game, St. Paul; MN 7 PM Bobby Evans Band 7/07 Gibson Music Hall, Appleton 8 PM Paul Filipowicz 5/13 Al's Cycle Shop, Lake Mills 1 PM Flat Broke Blues Band Billy Flynn 5/13 Ground Zero, Clarksdale; MS ? Nick Foytik 5/12 Wehnona Brewing, Winona; MN 7 PM Highway 414 5/11 Harley-Davidson Museum, Milwaukee 5 PM Hip Pocket 6/16 Bull Falls Brewery, Wausau 6 PM Jonny T-Bird & Big Dad 5/12 Art Bar, Milwaukee 9 PM Katz Sass Band 6/11 Locust Street Fest, Milwaukee ? Greg Koch & the Tone Controls 5/10 The Raven, Straubing, GERMANY 10 -
Eddie Taylor Career Discography
EDDIE TAYLOR CAREER DISCOGRAPHY ------------------------------------------------------------------------------ Born Benoit, Bolivar County, Mississipi, 29th January 1923 Died Chicago, Illinois, 25th December 1985 ------------------------------------------------------------------------------ JOHN BRIM John Brim, vcl/gtr with prob. Eddie Taylor, gtr; Sunnyland Slim (Albert Luandrew), piano; unk. bass; Grace Brim, drums. Chicago, Illinois, 22nd August 1952 51923-1 Hard Pill To Swallow Juke Joint LP1501, Flyright LP568 51923-2 Hard Pill To Swallow Flyright LP594 NOTE: Flyright issues are as shown, despite information given on LP568 sleeve. Also issued on KC CD 03, which take unknown. FLOYD JONES & BAND Floyd Jones, vcl -1/gtr with Eddie Taylor, gtr; James "Snooky" Pryor, hca; Albert "Sunnyland Slim" Luandrew, piano; Alfred Wallace, drums. Chicago, Illinois, 3rd February 1953 53-128 Schooldays (On My Mind) -1 Vee-Jay 111, Top Rank EP135 Python LP15, Buddah LP7511 Charly LP1047 53-129 Ain't Times Hard -1 issues as above 53-130 Floyd's Blue(s) Vee-Jay 126, Top Rank EP135 Boogie Disease LP101/2 Charly LP1047, Nighthawk LP107 53-131 Any Old Lonesome Day -1 Vee-Jay 126, Oldies 129 Top Rank EP135, Buddah LP7511 Boogie Disease LP101/2 Charly LP1047, Nighthawk LP107 Vee-Jay LP1913 SUNNYLAND SLIM Albert "Sunnyland Slim" Luandrew, vcl/piano with Eddie Taylor or Floyd Jones, gtr; James "Snooky" Pryor, hca; Alfred Wallace, drums. Chicago, Illinois, 3rd February 1953 53-132 Troubles Of My Own Vee-Jay unissued 53-133 Worried About My Baby - 53-134 I Done You Wrong - 53-135 Be My Baby - 53-136 Steady Pistol - NOTE: above session possibly purchased from Chance. JOHN BRIM John Brim, vcl/gtr with Eddie Taylor, gtr; Marion "Little" Walter Jacobs, hca; Elgin Edmonds, drums. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
Finding Aid for the Blues Archive Poster Collection (MUM01783)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library April 2020 Finding Aid for the Blues Archive Poster Collection (MUM01783) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, and the Other Music Commons Recommended Citation Blues Archive Poster Collection (MUM01783), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Blues Archive Poster Collection MUM01783 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Scope and Content Creator - Collector Arrangement Cole, Dick "Cane"; King, B. B.; Living Blues Administrative Information (Magazine); Malaco Records; University of Mississippi; Miller, Betty V. Related Materials Controlled Access Headings Title Blues Archive Poster Collection Collection Inventory ID Series 1: General Posters MUM01783 Series 2: B. B. King Posters Date [inclusive] 1926-2012 Series 3: Malaco Records Posters Date [bulk] Series 4: Living Blues Bulk, 1970-2012 Posters Extent Series 5: Dick “Cane” 3.0 Poster cases (16 drawers) Cole Collection Location Series 6: Betty V. Miller Blues Archive Collection Series 7: Southern Language of Materials Ontario Blues Association English Broadsides Abstract Series 8: Oversize These blues posters, broadsides, and oversize Periodicals printings, collected by various individuals and Series 9: Blues Bank institutions, document the world of blues advertising. -
Checkers Has Da Blues! at Mem Shannon Chicken in the Very Near Future
I read the news today, oh boy!I read the today, news Issue 166 The Publication of the Linn County Blues Society- lcbs.org May 2008 Checkers has da blues! da has Checkers at at Shannon Mem chicken in the very in the chicken Checkers? neardining at Fine future. includeexpanding his food menu burgers to and broasted the Checkerson finising renovations kitchen areawas and It was overheard at Checkers that P.J. said he was that Checkers at overheard was It P.J. that Checkers tavern CEDAR RAPIDS,IA. checkerstavern.com In this blue issue — Cover photos: Mem Shannon at Checkers Jim Kern gets cool shirt from LCBS! Chicago Blues Fest lineup! Big Mo’s CD Review The ubiquitous Bill Ray was there to capture Mem Shannon and the Mem- Eddy Clearwater & Ernie Peniston photos bership band and many more bands at Checkers Tavern with his trusty, little Studebaker John, Tornadoes photos Kodachrome camera.” When I think back on all the crap I learned in high Blues at Liars Theatre school...” Local LIVE Music Schedules — Paul Simon ©2008-Linn County Blues Society The Linn County Blues Society is a way cool, non-profit organization dedicated to the preservation of Blues music in The gift that keeps on giving Eastern Iowa as well as to provide charitable contributions to other commu- nity organizations. LCBS is an Affiliated LCBS presents Jim Kern the Bluesmore shirt Organization in the Blues Foundation’s international network. The BLUESPAPER is a monthly publication of the LCBS. Website: lcbs.org LCBS Officers President - Andy Dergo Vice President - Evan Vulich -
Lurrie Bell Contents Band Managers
With Special Guest Lurrie Bell Contents Band Managers ............................................... 3 Press Release/Quotes ...................................... 4 Pierre Lacocque: Bandleader ........................ 6 Inetta Visor: Lead Singer ............................... 8 Lurrie Bell: Guitar.......................................... 9 Maximiliano Valldeneu: Guitar ................... 11 Spurling Banks: Bass.................................... 12 Kenny Smith: Drums.................................... 15 History Of The Band .................................... 16 Mississippi Heat: Greatest Events ............... 17 Discography................................................... 18 An energetic and cohesive ensemble. One of Chicago’s top bands.” Press Release/Quotes CHICAGO TRIBUNE Quite simply the hottest band “Pierre is a virtuoso.” in Chicago. “ BILLY BOY ARNOLD CHICAGO SUN-TIMES “One of the most exciting blues “MISSISSIPPI HEAT not only ensemble performing today. breathes new life into the classic “The highlight of the entire MISSISSIPPI HEAT is one of sounds of Chicago Blues but weekend occurred those bands that defies cliches they also uplift with joy and Saturday night when because each CD is better than dedication everything they play. MISSISSIPPI HEAT set the the last. Pierre Lacocque’s Pierre Lacocque is that rare street on fire.” harmonica technique and younger generation harpists MIKE SUTTLES musical imagination is who’s absorbed the lessons of (FESTIVAL DIRECTOR, superlative. He plays with the subtlety, silence, and solo LOUISVILLE, KY) finesse and golden tone. Horn construction from the masters - Big and Little Walter, the Sonny players could take lessons “Once in a blue moon a band Boy Williamsons - as from him from the lines he like this comes along. well as their raucous, hawklike uses.” MISSISSIPPI HEAT’s tonal power.” PHIL LLOYD recordings got the quality that DAVID WHITEIS (AMERICAN HARMONICA gives you the gut bucket, (CHICAGO READER) NEWSLETTER) gizzard rip feel with each and every song. -
Capital Blues Messenger Capital Blues Messenger
CapitalCapital BluesBlues MessengerMessenger Celebrating the Blues in the District of Columbia, Maryland and Virginia August 2013 Volume 7 Issue 8 Festival Issue Also Inside Blues Calendar Festival Program & Sept. Festivals Schedule And More Interviews & Bios of Performers Meet Albert Castiglia, Interview with 3 THE DC BLUES SOCIETY Become a DCBS member! Big G P.O. BOX 77315 Members are key to the livelihood of the Interview with Austin “Walkin’ Cane” 4 DCBS. Members’ dues play an important WASHINGTON, DC 25th Annual DC Blues Festival part in helping DCBS fulfill its mission to 5 - 8 20013-7315 promote the Blues and the musicians who Program keep the music alive, exciting and accessi- August & Early September Blues 9 www.dcblues.org ble. Members receive discounts on advance Calendar The DC Blues Society is a non-profit 501(c)(3) sale tickets to DCBS events, DCBS merchan- DCBS Discounts 11 dise and from area merchants and clubs organization dedicated to keeping the Blues alive Regular Blues Calendar 12 through outreach and education. The DC Blues when you present your DCBS membership Society is a proud affiliate of the Blues Foundation. card (see p 11). Members also receive the Cover Photo credits: From top left counter- monthly Capital Blues Messenger (CBM) clockwise: Albert Castiglia from The Capital Blues Messenger is published monthly newsletter and those with e-mail access get (unless otherwise noted) and sent by e-mail or U.S. the CBM via e-mail plus additional e-mail www.reverbnation.com/albertcastiglia; mail to members. Past newsletters are available at updates about DCBS events. -
Número 119 | Abril 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 119 | abril 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA Ilustración “Niño prodigio del blues” por Enia Espinosa “enes” (1 y 2) ….……………………………………………….……... 1 CONTENIDO - DIRECTORIO …..………………………..………..…..… 2 EDITORIAL La herencia del blues con el ejemplo (3) …………….... 3 BLUES A LA CARTA Los niños inquietos del blues (3) …………... 5 EN VIDEO Live at Carnegie Hall an Acoustic Evening (3) …………. 10 Cultura Blues. La Revista Electrónica ‘Escribiendo la historia del blues desde México’ PLANETA BLUES Jesse Colin Young (4) ……………………………….. 11 www.culturablues.com COLABORACIÓN ESPECIAL Gary Lucas (4) …………………..... 16 CULTURA BLUES DE VISITA Recordando a Gary Lucas en Número 119 – abril de 2021 México (5) …………………………………………………………………..……..……….. 23 © Derechos Reservados HUELLA AZUL Haase One Band Man (6) ………………………….…... 27 Director general y editor: DE BLIND RACCOON Dave Thomas: One More Mile (3) ….... 31 José Luis García Fernández DE FRANK ROSZAK PROMOTIONS The McKee Brothers Subdirector general: (3) ………………………………………..……………………………......................…... 34 José Luis García Vázquez LAS TECLAS DE ORO El increíble Jimmy Smith (7) …………….. 35 Diseño: HÁBITOS NOCTURNOS Let’s Boogie Woogie All Night Long Aida Castillo Arroyo (8) ………………………………………………………………………………..…..…………. 38 Consejo Editorial: DELMARK RECORDS PRESENTA The Fat Babies: Uptown María Luisa Méndez (9) ………………………………………….…………………………………………..……..... 41 Mario Martínez Valdez Octavio Espinosa Cabrera DELMARK RECORDS PRESENTA Tres de Carey Bell (3) .. 43 + COVERS Sentado en la cima del mundo (10) …………….…………. 45 Colaboradores en este número: DE COLECCIÓN El Río de la Música (3) ……………………….……..…. 48 1. José Luis García Vázquez 2. Enia Espinosa González “enes” ESPECIAL DE MEDIANOCHE Feliz aniversario con blues 3. José Luis García Fernández inglés (11) …………………………………………………………………………….….….. 50 4. Michael Limnios 5. Rafael Arriaga Zazueta LADO B Blues-Rock, el pecado de nacer blanco (12) ……….….…… 54 6. -
2021—02 February Program Guide
The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian Our internet radio station called RadioFreeAmsterdam.org airs two hours of original programming every day and offers a continuous flow of music on the 24/7 stream on our website, where you can hear hour after hour of our programming on end, just like a real radio station. This month Steve The Fly passes No. 400 in his Fly By Night series and the John Sinclair Radio Show is edging up to episode no. 900 since its inception on November 22, 2004. Episode 898 is another.hour of reefer tunes donated to RFA by our listener Paul Paul last year. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past fifteen years, since the formation of Radio Free Amsterdam on January 1, 2005. * FEBRUARY 2021 PROGRAM GUIDE Monday, -
March 2008 Issue 302 Jazz
March 2008 Issue 302 jazz &blues report www.jazz-blues.com now in our 34th year PREVIEWED New Orleans Jazz & Heritage Festival Ponderosa Stomp New Orleans Jazz & Heritage Festival Published by Martin Wahl A Preview By Ron Weinstock Communications 39th JazzFest Presents Rich Musical Gumbo Editor & Founder Bill Wahl April 25-27 and May 1-4 Layout & Design Bill Wahl In 1970, the first New Orleans Operations Jim Martin Jazz Festival and Heritage Fair took Pilar Martin place at the legendary Congo Contributors Square (now Armstrong Park). Michael Braxton, Mark Cole, Back in April, 1970, Mahalia Kelly Ferjutz, Dewey Forward, Jackson returned to her hometown Chris Hovan, Nancy Ann Lee, to appear at the first New Orleans Peanuts, Matt Simpson, Wanda Jazz & Heritage Festival. “While at- Simpson, Mark Smith, Dave tending the Louisiana Heritage Fair Sunde, Duane Verh, Emily Wahl in Congo Square ..., she and Duke and Ron Weinstock. Ellington, who also appeared at the event, came upon the Eureka Brass Check out our constantly updated website. Now you can search for CD Band leading a crowd of second-line Reviews by artists, titles, record revelers through the Festival labels, keyword or JBR Writers. 15 grounds. George Wein, producer of years of reviews are up and we’ll be the Festival, handed Ms. Jackson a going all the way back to 1974. microphone, she sang along with the band and joined the parade...and the spirit of JazzFest was born.” A spon- Comments...billwahl@ jazz-blues.com taneous, momentous scene—this Web .................. www.jazz-blues.com meeting of jazz and heritage—still Copyright © 2008 Martin-Wahl Communications Inc.