Identity Adversity Into the Multicultural Manoeuvre in Philip Roth's the Human Stain
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Philip Roth's Confessional Narrators: the Growth of Consciousness
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1979 Philip Roth's Confessional Narrators: The Growth of Consciousness. Alexander George Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation George, Alexander, "Philip Roth's Confessional Narrators: The Growth of Consciousness." (1979). Dissertations. 1823. https://ecommons.luc.edu/luc_diss/1823 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Alexander George PHILIP ROTH'S CONFESSIONAL NARRATORS: THE GROWTH OF' CONSCIOUSNESS by Alexander George A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1979 ACKNOWLEDGE~£NTS It is a singular pleasure to acknowledge the many debts of gratitude incurred in the writing of this dissertation. My warmest thanks go to my Director, Dr. Thomas Gorman, not only for his wise counsel and practical guidance, but espec~ally for his steadfast encouragement. I am also deeply indebted to Dr. Paul Messbarger for his careful reading and helpful criticism of each chapter as it was written. Thanks also must go to Father Gene Phillips, S.J., for the benefit of his time and consideration. I am also deeply grateful for the all-important moral support given me by my family and friends, especially Dr. -
Childhood Memories in Three Novels by Philip Roth: Portnoy's Complaint
CROSSROADS. A Journal of English Studies Stefan Kubiak 10.15290/cr.2016.14.3.05 University of Białystok Childhood memories in three novels by Philip Roth: Portnoy’s Complaint, The Plot Against America, and American Pastoral as pivotal components of the protagonists’ identities Abstract. The objective of the paper is to discuss Philip Roth’s approach to the Jewish community in Newark, where he spent his childhood and where he chose to set several of his novels. Roth’s narrations referring to his hometown are written in the first person singular and often take the form of childhood memories. The persistent return to the -set tings of the Jewish quarter of Newark in the past seems an attempt at understanding the reality of a relatively closed community, yet far from isolation, which provided him with all the elements determining his complex sense of iden- tity. Despite the various grades of fictitiousness of the characters and settings, the narrating protagonist of a number of Roth’s novels is usually a Jewish schoolboy born and brought up in Newark. The paper includes short analyses of “Jewish memories” in three novels by Philip Roth: The Plot Against America, where the narrator is called Philip Roth but the circumstances are elements of pure political/historical fiction, American Pastoral, where the speaker is Nathan Zuckerman, Roth’s frequent alter ego, and Portnoy’s Complaint, narrated by the fictitious Alexander Portnoy. Being both American and Jewish has considerable implications, which include, for example, the characters’ sexuality. The image of the childhood and adolescence of Roth’s protagonists seems not only an obsessive theme to be found in so many of his texts, but also the core of the intellectual construct which may be recognized as his sense of identity. -
The Ghostwriter
Van Damme 1 Karen Van Damme Dr. Leen Maes Master thesis English literature 30 July 2008 The evolution of Nathan Zuckerman in Philip Roth’s The Ghost Writer and Exit Ghost. 0. Introduction I was introduced to Philip Roth and the compelling voice of his fiction during a series of lectures on the topic of Jewish-American authors by Prof. Dr. Versluys in 2006 at Ghent University. The Counterlife (1986) was one of the novels on the reading list, in which I encountered for the first time his famous protagonist, Nathan Zuckerman. Ever since I have read this novel, I have been intrigued by Roth‟s work. My introduction to Jewish-American writing has made a lasting impression through him, which is why the choice was an easy one to make when we were asked to select a topic for this master thesis. I will not be dealing with Philip Roth‟s whole oeuvre, since the man is such a prolific writer and his work is in title to a thorough discussion. I will write about the first and the last novel in his Zuckerman-series, namely The Ghost Writer (1979) and Exit Ghost (2007). Nathan Zuckerman can be seen as Roth‟s alter-ego, an American- Jewish writer with a sharp pen. Since I have, unfortunately, only had the opportunity to read four of the eight Zuckerman-novels, I want to make it absolutely clear that the two novels mentioned here will be the sole basis for my analysis of the story-line and the character named Nathan Zuckerman. -
A Autoficção Biográfica Na Obra De Philip Roth
A AUTOFICÇÃO BIOGRÁFICA NA OBRA DE PHILIP ROTH Paulo PANIAGO* ▪ RESUMO: Análise de parte da obra do escritor norte-americano Philip Roth, na mudança ao abandonar temporariamente o uso de alter ego e ao adotar a história pessoal numa série de romances autobiográficos. ▪ PALAVRAS-CHAVE: Literatura norte-americana. Autobiografia. Ficção. Uma reclamação constante de escritores é serem obrigados a responder às perguntas a respeito do que há de pessoal na construção de certos personagens. Num ensaio publicado no livro Como ficar sozinho, intitulado Sobre ficção autobiográfica, Jonathan Franzen (2012) menciona quatro questões que são permanentemente dispostas para escritores. A quarta é exatamente: “Sua ficção é autobiográfica?”. A pergunta é hostil, ele prossegue, porque implica uma série de pressupostos. Se o relato literário é a vida mal disfarçada, o material autobiográfico vai se encerrar em breve e nenhum livro bom virá na sequência, presume o autor da pergunta. Ou ainda, o que torna a vida do escritor mais curiosa do que a do presidente norte-americano? Em outras palavras, haveria muita arrogância do escritor em achar que a própria vida rende um relato interessante. O outro pressuposto é de que, se era para usar material verídico, por que disfarçar o livro de ficção? “Ouço todas essas outras perguntas dentro da pergunta, e já faz tempo que acho indecente a palavra ‘autobiográfico’”, conclui (FRANZEN, 2012, p.277, grifo do autor), de maneira corrosiva. Inquieto com os limites da criação e o uso de um alter ego, embora tenha lançado mão de dois modelos distintos, ainda que tradicionais, um deles de maneira mais extensa, em nove romances, o escritor Philip Roth partiu para um projeto mais radical: ficcionalizar detalhes da própria vida, o que aconteceu em cinco livros, The Facts(ROTH, 1988)1, Mentiras (ROTH, 1991a), Patrimônio (ROTH 1991b), Operação Shylock (ROTH 1994) e Complô contra a América (ROTH, 2005). -
Disseminating Jewish Literatures
Disseminating Jewish Literatures Disseminating Jewish Literatures Knowledge, Research, Curricula Edited by Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar ISBN 978-3-11-061899-0 e-ISBN (PDF) 978-3-11-061900-3 e-ISBN (EPUB) 978-3-11-061907-2 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020908027 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar published by Walter de Gruyter GmbH, Berlin/Boston Cover image: FinnBrandt / E+ / Getty Images Printing and binding: CPI books GmbH, Leck www.degruyter.com Introduction This volume is dedicated to the rich multilingualism and polyphonyofJewish literarywriting.Itoffers an interdisciplinary array of suggestions on issues of re- search and teachingrelated to further promotingthe integration of modern Jew- ish literary studies into the different philological disciplines. It collects the pro- ceedings of the Gentner Symposium fundedbythe Minerva Foundation, which was held at the Freie Universität Berlin from June 27 to 29,2018. During this three-daysymposium at the Max Planck Society’sHarnack House, more than fifty scholars from awide rangeofdisciplines in modern philologydiscussed the integration of Jewish literature into research and teaching. Among the partic- ipants werespecialists in American, Arabic, German, Hebrew,Hungarian, Ro- mance and LatinAmerican,Slavic, Turkish, and Yiddish literature as well as comparative literature. -
Paul Auster's Travels in the Scriptorium and Philip
Review of International American Studies VOL. 3.3–4.1 WINTER 2008 / SPRING 2009 ISSN 1991–2773 EDITORS EDITOR -IN -CHIEF: Michael Boyden ASSOCIATE EDITOR : Paweł Jędrzejko and Cyraina Johnson-Roullier RIAS IT AND DTP TEAM IT ADVISORS: Tomasz Adamczewski and Wojciech Liber (SFH) GRAPHIC DESIGN AND DTP ADVISOR: Michał Derda-Nowakowski (ExMachina) EDITORIAL BOARD Theo D’haen, Anders Olsson, Liam Kennedy, Sieglinde Lemke, Giorgio Mariani, Ian Tyrrell, Helmbrecht Breinig, Rosario Faraudo, Djelal Kadir TYPESETTING ExMachina Academic Press / Wydawnictwo Naukowe ExMachina (Poland) www.exmachina.pl Review of International American Studies ( RIAS ), is the electronic journal of the International American Studies Association, the only worldwide, independent, non- governmental association of American Studies. RIAS serves as agora for the global network of international scholars, teachers, and students of America as hemispheric and global phenomenon. RIAS is published three times a year: in the Fall, Winter and Spring by IASA with the institutional support of the University of Silesia in Katowice lending server space to some of IASA websites and the electronic support of the Soft For Humans CMS Designers. Subscription rates or RIAS are included along with the Association’s annual dues as specified in the “Membership” section of the Association’s website (www.iasaweb.org). All topical manuscripts should be directed to the Editor via online submission forms available at RIAS website (www.iasa-rias.org). General correspondence and matters concerning the functioning of RIAS should be addressed to RIAS Editor-in-Chief: University College Ghent Department of Translation Studies Groot-Brittanniëlaan 45 B-9000 Ghent Belgium e-mail: [email protected] On the RIAS cover we used the fragment of “Security”, a work by CarbonNYC licensed under Creative Commons Attribution 2.0 Generic. -
Nemesis and the Persistence of Tragic Framing: Bucky Cantor As Job, Hebrew Prometheus, And
1 Nemesis and the Persistence of Tragic Framing: Bucky Cantor as Job, Hebrew Prometheus, and Reverse Oedipus Nicholas Stangherlin ABSTRACT. This article analyzes the protagonist of Nemesis, Eugene “Bucky” Cantor, in order to delineate those elements that define him not only as a Promethean figure, but as a modern incarnation of both Job and Oedipus. The evocative power of these archetypes contributes to establishing the tragic framework of the novel and the heroic status of its protagonist, both of which resist the narrator’s attempt to deconstruct them in the final chapter. The Prometheus archetype is a recurrent presence in Philip Roth’s works and it is in the Nemeses tetralogy that the author further develops the syncretic use of topoi and symbols of Hebrew and Greek mythology and Attic tragedy that had only been hinted at in American Pastoral. If in the Zuckerman novels, particularly in Zuckerman Bound and The Anatomy Lesson, the figure of Prometheus is alluded to with a certain degree of irony, in the American trilogy it acquires a more epic grandeur and tragic gravitas.1 Moreover, in American Pastoral, Roth introduces Jobian themes, which he is able to integrate within the context of the Swede’s Promethean transgression of the boundaries of ethnicity and history. The objective of this article is to analyze the characteristics of the protagonist of Nemesis, Eugene “Bucky” Cantor, in order to define those elements that make him not only a Promethean figure, but a modern incarnation of the biblical Job. Moreover, I will discuss those traits that Bucky shares with the figure of Oedipus; it will be observed how the very co-existence within the protagonist of the intrinsically divergent features of Job, Prometheus and Oedipus contributes to heightening the tragedy of his fall. -
Rethinking Race in Philip Roth's the Human Stain
ROCZNIKI HUMANISTYCZNE Tom LXIV, zeszyt 11 — 2016 DOI: http://dx.doi.org/10.18290/rh.2016.64.11-9 PATRYCJA ANTOSZEK * THE PHANTOM IN AMERICAN ARCADIA: RETHINKING RACE IN PHILIP ROTH’S THE HUMAN STAIN A b s t r a c t. The article explores the problem of race and racial ambiguity in Philip Roth’s The Human Stain (2000). Referring to Toni Morrison’s Playing in the Dark: Whiteness and the Liter- ary Imagination and her assumptions concerning “the Africanist presence,” the paper discusses how the character’s repressed African-American past returns to haunt not only the protagonist but also the reader. As biracial Coleman Silk succeeds in passing for a Jew, his body becomes a sig- nifier whose signified turns out to be problematic. While Roth’s narrative argues that the ideal of a self-made man that the protagonist represents is always already haunted by the ghost of racial uncertainty, it also demonstrates that the issue of race functions in contemporary writing primarily as a metaphor, or “a way of referring to and disguising forces, events, classes, and expressions of social decay and economic division far more threatening to the body politic than biological ‘race’ ever was.” Finally, the paper explores the way in which Roth’s novel addresses the long familiar fear that racial boundaries do not exist and the coherent white American self is an illusion. Key words: African American; biracial; identity; Jewish-American; passing; race; racial bounda- ries; whiteness. Philip Roth’s novel The Human Stain (2000), a third book in his “American trilogy” including American Pastoral (1997) and I Married a Communist (1998) is, at least on the surface, a story of racial passing. -
Professor Anthony Wexler Weighs in on Philip Roth's Life & Legacy
PROFESSOR ANTHONY WEXLER WEIGHS IN ON PHILIP ROTH’S LIFE & LEGACY By Alanna E. Cooper | October 24, 2018 In advance of Anthony Wexler’s October 29 lecture, “Why Philip Roth Matters,” I sat down to speak with him about Roth’s incredibly productive writing career. Our lively conversation covered a range of topics addressed in Roth’s novels including aging, anxiety, sex, and the Holocaust. Alanna Cooper: I understand Roth figures prominently in your own writing Anthony Wexler: Yes, the book I’m working on focuses on the American culture of the Holocaust, and Roth has a lot to say about that topic. Roth was interested in the ways American Jews feel haunted by events they did not experience directly, and how their ideas about the Holocaust have changed over time. I look specifically at Roth’s late work, which includes novels that focus on aging. AC: What do you mean by “novels that focus on aging”? AW: I mean novels that feature characters who are old – or characters who think of themselves as old – and who are looking back on their lives. They worry about events they took too seriously, or not seriously enough, and they feel overwhelmed by the traumatic events that defined the century. They want to fully integrate their pain into a coherent life story, but that’s hard to do when your life has overlapped with the Holocaust. AC: Can you tell me a little about the Zuckerman series? AW: Nathan Zuckerman is Roth’s best-known character, and he plays an important role in nine of Roth’s novels. -
The Human Stain 1 the Human Stain
The Human Stain 1 The Human Stain The Human Stain First edition cover Author(s) Philip Roth Cover artist Michaela Sullivan Country United States Language English Genre(s) Novel Publisher Houghton Mifflin Publication date May 2000 Media type Print (Hardback & Paperback) Pages 352 pp ISBN 0-618-05945-8 [1] OCLC Number 43109968 Dewey Decimal 813/.54 21 LC Classification PS3568.O855 H8 2000 The Human Stain (2000) is a novel by Philip Roth set in late 1990s rural New England. Its first person narrator is 65-year-old author Nathan Zuckerman, who appeared in previous Roth novels, including American Pastoral (1997) and I Married a Communist (1998); these two books form a loose trilogy with The Human Stain.[2] Zuckerman acts largely as an observer rather than the protagonist of the novel. A national bestseller, The Human Stain was adapted as a film by the same name directed by Robert Benton. Released in 2003, the film starred Anthony Hopkins, Nicole Kidman, and Gary Sinise. Synopsis The Human Stain is set in the 1998 United States, during the period of President Bill Clinton's impeachment hearings and scandal over Monica Lewinsky. It is the third of Roth's postwar novels that take on large social themes.[3] The story is told by Nathan Zuckerman, a writer who lives a secluded life in New England, where Coleman Silk is his neighbor. Silk is a former classics professor and dean of faculty at Athena College, a fictional institution in the Berkshires of western Massachusetts. At 71, Silk is accused of racism by two black students because of referring to them as "spooks". -
A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth
A NEW LITERARY REALISM: ARTISTIC RENDERINGS OF ETHNICITY, IDENTITY, AND SEXUALITY IN THE NARRATIVES OF PHILIP ROTH Marta Krogh Harvell, B.A., B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: James Duban, Major Professor Robert Upchurch, Committee Member James Baird, Committee Member David Holdeman, Chair of the Department of English James D. Meernik, Acting Dean of the Toulouse Graduate School Harvell, Marta Krogh. A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth. Doctor of Philosophy (English), May 2012, 154 pp., bibliography, 246 titles. This dissertation explores Goodbye, Columbus and Five Short Stories (1959), The Ghost Writer (1979), The Counterlife (1986), The Facts (1988), Operation Shylock (1993), Sabbath's Theater (1995),and The Human Stain (2000), arguing that Roth relishes the telling of the story and the search for self within that telling. With attention to narrative technique and its relation to issues surrounding reality and identity, Roth's narratives stress unreliability, causing Roth to create characters searching for a more complex interpretation of self. Chapter I examines Roth’s negotiation of dual identities as Neil Klugman in Goodbye, Columbus feels alienated and displaced from Christianized America. The search for identity and the merging of American Christianity and Judaism remain a focus in Chapter II, which explores the implications of how, in The Ghost Writer, a young Nathan Zuckerman visits his mentor E.I. Lonoff to find him living in what he believes to be a non-Jewish environment—the American wilderness. -
The Human Stain Phillip Roth Summary
The Human Stain Phillip Roth Summary It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America." Discussion Questions 1. Why does Roth begin the novel by establishing the parallel story of the public scandal over Bill Clinton's affair with Monica Lewinsky--a scandal that "revived America's oldest communal passion, historically perhaps its most treacherous and subversive pleasure: the ecstasy of sanctimony" [p. 2]? How are Clinton's and Silk's stories similar? In what ways does this context extend the novel's scope beyond one man's experience to a larger critique of late twentieth- century American culture? 2. Coleman Silk's downfall is caused, ostensibly, by the spurious charge of racism that results from his question about two absent black students.