Empowering Your Music Gull THE WAH-WAH THE WORLD’S

A GREAT THING JUST GOT WAY BETTER BEEN WAITING FOR

Musicians and reviewers were astonished when Brilliant features, stunning design T-Rex Effects released the original SpinDoctor, SpinDoctor2 is a masterpiece of sonic art. But it’s Two wahs and the long-forgotten yoy a tube-driven preamp stomp box with four pro- also a triumph of design – packing a stunning ar- Many of the wah-wah pedals produced over the decades are very grammable channels, a full set of tone controls, ray of features into a set of controls so intuitive different from each other. And then there are related effects – like motorised knobs and gorgeous vintage tone. Now, and easy to use: the, in our opinion, underrated yoy-yoy pedal. When we designed we are pleased to introduce SpinDoctor2 – offer- Gull, we wanted to bring you the very best that history has to of- ing all the amazing features of the original, but • 4 channels of T-Rex tone. Switching between fer – and then some. revamped guts that deliver a wider spectrum of channels and making adjustments on the fly is clean and dirty sounds and an even richer, more simple, fast and intuitive. Gull gives you two distinct wah-wah sounds – a light wah which vibrant tone. is great for clean guitars and rhythm parts, a massive, smoking • Tone controls let you tune your tone (bass, mid, wah for distorted leads – plus the unique dual-filter yoy-yoy effect. The world’s best overdrive pedal treble and presence) for each individual channel. Yoy-Yoy is basically a wah effect with an ultra-high When plugged into your stage amp, SpinDoctor2 frequency sweep soaring overhead. It’s an incredibly rich sound. is nothing less than the best overdrive pedal on • Motorised knobs move when you switch chan- the planet. You’ll broaden and deepen your amp nels – like faders on a state-of-the-art studio mix- A classic SLOPE knob lets you shape the character of your wah/ with four custom channels of analogue overdrive ing board. yoy sweep, and a BOOST function lets you set a higher volume for – each with its own settings for gain, bass, mid, your output signal when you kick your Gull into action. treble, presence and output level. A “lead” button • Gain gives you the entire spectrum of analogue is always available to take you right over the edge, gain in a single knob. Turn it down low for a warm A more musical wah and you can bypass your SpinDoctor2 from any clean sound or up to lay on the gain. If you want With Gull, we also wanted to address a complaint many guitarists channel for a clean sound straight from your even more – hit the boost button and blast off into have with traditional wah-wah pedals: their response. Wah-wahs amp. the stratosphere of world-class overdrive. often jump into action at the slightest touch, leaving little room to work the pedal and build up slowly. A programmable tube preamp We are convinced that SpinDoctor2 is the best You can also use SpinDoctor2 as a product we’ve ever built. Take it for a spin – and Gull addresses this with a special HOTSPOT button that gives you tube preamp, plugging it directly into you’ll find out why it’s the one pedal you’ll never the option of slowing the onset of the effect and using the whole a power amp via the output jack. In the want to play without. pedal to “wah” with. It makes Gull respond more like a musical studio, use the speaker-simulation out- instrument than many legacy pedals do. put to plug into a studio mixer or AD converter connected to your computer. We truly believe that the T-Rex Gull is the wah-wah the world’s Special level and frequency knobs let been waiting for. you set the volume and define the character of your virtual cabinet.

2 3 MUDHONEY II HOBO DRIVE 2 MUDHONEYS IN 1 START WITH A DISTORTION & OVERDRIVE 2-STAGE PREAMP Now even more deliciously dirty Dirty and sweet, this classic dual distortion pedal At its core, HOBO DRIVE is a 2-stage preamp has been praised for its amazing tonal range and controlled via traditional PREAMP and MASTER ability to deliver everything from a smooth dirty volume controls. But that’s not all. A TONE control edge to a harrowing wall of distorted sound. lets you customize your overdrive sound right from the start, shaping the timbre to your exact tastes. 2 Mudhoneys in 1 With two channels of vintage gain, you can easily Then add an adjustable BOOST switch switch between a clean sound from your amp, a On top of the preamp core, you get a very useful nice edgy overdrive from the one Mudhoney chan- boost function for soloing, single-note lines, you nel and a thick warm distortion from the other chan- name it. This not only makes HOBO DRIVE a nel – delivering deliciously dirty T-Rex tone all the more versatile pedal, it can also eliminate the need way. for an external boost pedal, if you normally use an overdrive sound for your leads. New tone controls Mudhoney II features the same convenient boost Finally, the real sauce… Alter Bridge When you kick your HOBO DRIVE into boost MARK TREMONTI & MYLES KENNEDY function you’ll recognise from the original Mud- Cph, Denmark honey (now one switch for each channel) and even mode, it takes your overdrive sound to your desired adds a tone control for each channel – so you can volume level. But HOBO DRIVE lets you do some- shape the timbre of your drive to create your own thing else too: An ingenious PRE/POST switch signature sound. gives you the option of boosting your signal before the preamp – adding even more drive as you raise the stakes with extra volume.” mudhoney CRUNCHY, FUZZY DISTORTION Designed for those who want an in-your-face wall of guitar sound jumping out of the speakers. The boost button and the tone knob enable you to dial in every sound you like, from ultra fuzz to smooth jazz sounds. In “OFF-mode” (with the boost-function by-passed), the Mudhoney delivers moderate gain and a smooth rich sound favoured by many jazz-guitarists. For a more hairy sound - just hit that “boost-button” and feel the rumble from hell.

4 5 alberta II bass juice DOUBLE UP ATTENTION ON A CLASSIC! BASS PLAYERS! 2 Albertas in 1 Rediscover the joys of adding juice to your sound. With two channels of overdrive, you can now get This beauty offers organic distortion specially de- the clean sound from your amp, a nice “on-the- signed for bass. In “normal” mode (boost function edge” overdrive from one channel and a punchy off), it delivers awesome sustain with rich creamy rock sound from the other channel, or go from a overtones and big bottom. Engage the boost func- medium boost to a fat, clean-ish boost to push the tion, and you are in fuzztone heaven! The mix knob front end of your amp. lets you blend just the right amount of distortion with your original clean tone. Need a low-end boost for those “stratty” moments? Now you can flip a switch for an even thicker tone on either channel of the Alberta II, expanding the tonal range and usage further than was possible be- fore. We´ve also given channel 2 a slightly more PASCAL KRAVETZ open and punchy sound, for a little more pick attack Germany and push, but with the same voice of channel 1.

MØLLER 2 MEAN MACHINE CHOOSE YOUR FLAVOUR DOUBLE DISTORTION BUILT TO MELT METAL MØLLER is a classic overdrive pedal that provides a wealth of dynamic overdriven tones with superb The T-Rex Mean Machine is a double distortion tonal control, as well as separate transparent 0-20 pedal that takes the spirit of early amplifier hot- db adjustable and switchable clean boost, and a rodding and then multiplies it by as much as you unique overdrive/clean mix option. want. You’ve got two channels, each with its own The mix knob lets you dial in the perfect balance LEVEL, DRIVE and TONE controls, and that’s between distorted and non-distorted signal. it. Like a screaming vintage hot rod that’s pared down to the bare essentials. Rolled all the way up and with distortion maxed The green wording does not stand for “environ- too, the pedal sounds just like an old tube amp on mentally friendly” full volume. Roll the mix knob back a bit, and your The word “mean” might appear in green on the clean signal starts to get through, meaning that if top of your Mean Machine, but watch out – this you pick lightly, or roll back the volume on your pedal is red hot. There’s no easing up from clean guitar, you get a stunning clean/softly clipping to crunch to distort. Hit the ON switch even with sound that retains all the feel and dynamics of your drive at zero, and you’ll burn rubber. Turn up the original tone, only bigger, louder and richer. gain and you’ll smoke every other player in town, DISTORTION & OVERDRIVE with a gorgeous tight distortion and the most mu- The boost function lets you dial in a solo level, sical feedback you’ve ever heard. whether the overdrive circuit is activated or not.

6 7 TREMSTER TAPSTER MODULATION CLASSIC TREMOLO TAP TREMOLO If you are in need of a great classic tremolo/vi- Just imagine if T-Rex took all the gorgeous vintage brato effect with an excellent sound and with a tone and uncluttered functionality of the Tremster wider range of controls for very slow and excep- tremolo pedal… and then added the Tap Tempo tionally deep sounds, you want to try the Tremster. function that has made the T-Rex Replica delay a The Tremster has all the controls you would expect certified platinum classic? It would give you all the with depth, volume and speed dials as well as a swampy pulsation you love about the tremolo, plus MODE-button switching between tremolo/vibrato- let you change the tempo of your tremolo pulse dy- effect and a foot switch to toggle the effect on or off. namically, as you play. Last but not least the Tremster has a flashing LED Well, you don’t have to imagine it, because it’s here light that will help to tailor the speed of the effect – Tapster tremolo. Like a great organist adjusts the and get it in time with your tune. rotation speed of his Leslie speaker, you can now shift from a dizzying tremolo shimmer to a funky slow sweep – all while keeping in sync with the beat. Just tap your foot along. Included is also a JAMES BLUNT useful Subdivision switch that lets you choose how your tremolo pulsates to the beat – in quarter notes, October 2011 eighth notes, or eighth note triplets. Denmark

Sweeper 2 TWISTER 2 CLASSIC CHORUS STEREO CHORUS FOR BASS/GUITAR & FLANGE A premium-quality chorus effect, and although The Twister 2 has been updated with new algorithms the label says “BASS CHORUS” it is custom en- and is now delivering that warm vintage-sounding gineered to sound equally fantastic on both bass chorus people have been asking for. AND guitar. This means that whether you play bass or guitar, and no matter what rate or depth you set, Did you say chorus and flanger? you’ll get a phenomenalsounding chorus effect – in We sure did. Although they sound quite different, stereo. these two classic effects are so closely related that a The Sweeper 2 isn’t especially complicated, or single pedal can produce them both. We could have packed with all sorts of extra features. It’s a simple, taken the usual path and built two separate units, intuitively designed pedal that does just one job – but we wanted to give you both great effects in a producing an exquisite chorus effect for your bass single box. While the chorus adds sparkle and shine and guitar. to your sound, the flanger puts a funky twist on both chords and single-note lines. Give it a try, and discover how it’s the wild and weird effect you’ve been looking for.

8 9 TREMONTI PHASER CLASSIC PHASE SHIFTER

Signature Sound To create the T-Rex phase-shifter, we teamed up with one of AlterBridge our time’s masters: Alter Bridge and former Creed guitar- MARK TREMONTI ist Mark Tremonti. A devoted T-Rex user, Mark was look- Cph, Denmark ing for the perfect phaser to add to his onstage arsenal, and we’ve come up with a pedal he’s proud to endorse. Tremonti sets a new standard for gorgeous phased sound.

Perfect Control Tremonti Phaser delivers everything you expect in a phaser and then some. The Stage switch lets you choose between a raw, vintagesounding effect and a richer, more modern swirl. And the ingenious Bite knob adds a sexy overdrive edge to any setting. Fast or slow, deep or shallow, vintage or modern, Tremonti Phaser delivers extraordinary-sounding phased modulation that will take your playing to another world.

OCTAVIUS TRIPLE YOUR IMPACT

The T-Rex Octavius is our take on this unusual and powerful effect. A tri-tone generator with a perfect set of controls and a brilliant BOOST function, Octavius gives you everything you could want in octave generation – plus incredible T-Rex tone

Rise above, Go below… Octavius lets you get that classic octave-down effect you’ll recognise from Hendrix’ “Machine Gun” and other record- ings. But it also lets you add in a third high octave so you can hit your audiences with a sonic wall of three-octave lead lines. You can mix the octaves however you want to create your own signature sound. And the pedal features a controllable boost button to help you lift your solos up above the mix. MODULATION

10 11 replica DUCK TAIL DELAY THE WORLD’S BEST DELAY CLASSIC DELAY With its perfect mix of controls, its ingenious tap Ducking – or the automatic reduction of your de- control feature and its astonishingly warm tone, the layed signal when your clean signal rises above a Replica delivers everything the most demanding certain level – is a complex effect that can really guitarists could want in a delay – Which is probably give your musical expression a lift. In quiet pas- why this pedal has become such a phenomenon. sages, the delay supports the special atmosphere you want to create. As you start to play harder, the Warm, analogue tone delay recedes to let the notes you’re playing come Like everything T-Rex makes, the Replica is a mu- through pure and uncluttered. It is a sophisticated sician’s pedal, built by and for musicians with just effect, and now it’s yours with the T-Rex Duck Tail one thing in mind: incredible tone. The first time Delay. you hear the Replica, you won’t believe your ears. In addition to the ducking mode, the Duck Tail De- It delivers a tubey warmth that brings out the best lay gives you 2 non-ducking modes – Classic and in your natural tone, without taking the upper hand Tape. Please do yourself a favour and check out the by adding too much colour. sound of our Tape delay mode. We might be partial, but we have not yet heard a more realistic reproduc- tion of vintage tape loop technology in a modern guitar effect pedal.

repA REPTILEtile EVOLVES 2 T-Rex is pleased to bring you Reptile 2 – the next step in the evolution of this sonic savage for guitar and bass. With the Reptile 2, we’ve brought our re- nowned Tap Tempo function to the Replica’s “baby brother”. Tap Tempo gives you ultimate control of your delay on stage, by letting you match the speed of your delay effect to the tempo of your music – without ever missing a beat.

Enhanced flutter section Besides Tap Tempo, Reptile 2 also features an en- hanced Flutter section, with a new Tone control. STEVE LUKATHER Flutter introduces a touch of random-sounding Horsens, Denmark “warble” to your delay for that great retro tape- effect sound. The Tone control lets you take the top end off your delayed repeats for an even more au- thentic vintage tone. In the Reptile 2, you’ll find a gorgeous-sounding delay that easily beats the com- petition and comes closer than ever to offering the total Replica control – but at a price you can afford even if you’re not (yet…) a rock star.

12 13 room-mate MORE ROOM, A BETTER MATE Generation 2 of tubey reverb based on customer feedback We started by adding a decay knob – so you can adjust the length of your reverb trail in all four modes. Then, we added a hi-cut knob for that great vintage vibe, and a gain knob – which makes it possible to use your Room-Mate in an effects loop without overloading the pedal’s input stage. The new Room-Mate offers the same phenomenal-sounding Room , Hall and LFO modes you already know. But we’ve added a completely revamped Spring mode that will simply blow your mind. When the decay is set low in Spring mode, Room-Mate emulates a short-spring reverb. Turn the decay CARL VERHEYEN up, and you get a killer long-spring reverb you just won´t Supertramp hear anywhere else.

ROOMMATE JUNIOR

Presenting the newest addition to our successful line of re- verb pedals – the Room-Mate Junior – all the best from the original Room-Mate packed into one incredibly authentic sounding unit. Our new Room-Mate Junior offers 4 state-of-the-art sound algorithms; SPRING, ROOM, HALL and LFO. The reverb options are endless. Use the decay knob to adjust the length of your reverb trail in all four modes. It is also possible to use your Room-Mate Junior in an effects loop without over- loading the pedal’s input stage – you simply adjust the IN- PUT GAIN knob accordingly. REVERB

14 15 COMP-NOVA COMPRESSION DONE RIGHT With its perfectly simple set of controls and pure, naturally compressed sound, the Comp-Nova is compression done right. It delivers a subtle, musical compression – no matter whether you are using it to even out funky single-note lines, add sustain to searing leads, or take the edge off an acoustic rhythm part. Comp-Nova delivers a warm, natural tone that brings out the original richness of your instrument and the way you play it.

Never tried a compressor? If you’ve never used a compressor before, the effect can seem complicated at first, but it only takes an hour or so of experimenting and you’ll discover a world of settings that add the subtle enhancement only a compressor can provide.

polyswitch TRUE HARDWIRE STEREO A-B SWITCH PolySwitch is the perfect solution for guitarists looking to route their signal to two different setups – even in stereo – and easily switch between these.

Precision versatility Not only does PolySwitch let you split your stereo signal and switch be- tween outputs. It also works “backwards”, letting you run two separate stereo instruments into a single amplifier or other signal destination. And with every input and output available in stereo, it’s a great solution for key- boardists or anyone else needing to route a stereo signal to two destinations or two stereo signals to a single stereo in.

Signal integrity PolySwitch is specially engineered to protect the natural integrity of your sound – all the way through the signal path. True hardwire signal routing, top-grade electronics, and a built-in buffer COMPRESSION & SWITCH switch for low-level signals caused by long cables, for instance, make sure you don’t lose a single ounce of your precious tone.

16 17 FUELTANK classic Running on full Features Delivering 1.500 mA through ten outputs, FuelTank Clas- • 8 x 9-volt DC outputs, all sharing the same sic powers all your pedals – keeping you running on full ground (500 mA total) power night after night. • Switchable 115V or 230V mains With a compact design, FuelTank fits conveniently on ONE POWER SUPPLY TO FUEL THEM ALL • 1 x 12-volt DC isolated output (500 mA) every pedal board including the T-Rex ToneTrunk pedal board. And it comes with all the cables you need to get • 1 x 12-volt AC isolated output (500 mA) you up and running. • DC cables included Pure power • Compact, rugged, road-ready design FuelTank delivers 1.500 mA of reliable power through 3 • External mains power cable different output sections: 9 volt DC, 12 volt DC and 12 volt AC. Each section delivers 500 mA and each section FUELTANK GOLIATH is isolated. A TRUE GIANT AMONG POWER SUPPLIES

3000 mA of monstrous power With 7 isolated outlets and the ability to handle 9, 12 and 18 volt DC pedals FUELTANK junior plus a 12 volt AC box, Goliath will power almost every pedal you own. Each of Goliath’s standard outlets delivers a mammoth 450 mA of 9 or12-volt power -Now with switchable 115V or 230V mains. – which is enough to keep even the most demanding pedal pumping out the FuelTank Junior is a lean, mean power supply that will tone. And on top of that, you get an 18 volt DC outlet (250mA) and a 12 volt handle virtually any 9-Volt effects pedal. Junior features AC outlet, that also delivers 450 mA of ferocious T-Rex power. That adds up to 5 isolated outputs that deliver clean, quiet power to your nearly 3000 mA of simultaneous power! pedals. Don’t let the compact size of this unit fool you - FuelTank Junior is a real powerhouser! • Total 3000 mA • Rugged, attractive design • Voltage selector, 115/230 volts • Pedalboard mounting bracket included • 1 isolated 18 volt DC outlet (250 mA) • 1 isolated 12 volt AC outlets (450 mA) FUELTANK CHAMELEON • 5 isolated 9/12 volt DC outlets (450 mA each) 4 separate voltage options Features Chameleon packs all the power you need to make your pedals • 6 separate outlets (use up to 5 simultaneously) – and your playing – sound spectacular. And with 4 different voltage options, it will power just about any pedal that’s ever • Your choice of 9V DC, 12V DC, 18V DC been dreamed up. or 12V AC power • Isolated, 300mA outlets (1,500mA total) Chameleon is a powerhouse of versatility, but it doesn’t stop • Switchable 115V or 230V mains there. You get clean, quiet, isolated power outlets, an amazing • DC cables included 1.500 mA of total juice, and a big set of custom-made cables FUELTANK IS A LINE OF POWER SUPPLY UNITS THAT POWER MULTIPLE EFFECTS PEDALS FROM A SINGLE SOURCE. to help you keep your board clutter-free. • Compact, rugged, road-ready design THIS KEEPS YOUR BOARD FREE OF MESSY POWER CABLES AND COMPLICATED EXTENSION CORDS, AND REDUCES SETUP AND TEAR-DOWN TIMES - SO YOU CAN CONCENTRATE ON YOUR MUSIC INSTEAD OF YOUR GEAR.

18 19 3 flavours of

tonetrunk T-REX PATCH CABLE

Built to keep your T-Rex ped- als where you need them on stage – and stored safely away ACCESSORIES after the gig – ToneTrunk is a rugged, attractive and cleverly FOR PURE SIGNAL designed storage system for your T-Rex tone. Whatever your setup is, you want the TRANSPARENCY right size board for your pedals ToneTrunk Gigbag 42 T-Rex has created a new series of cables featuring gold-plated plugs, oxygen- on stage, and the storage to Size 42x32 cm free copper cable, extra shield to eliminate noise and molded strain relief for the keep them safe on their way to Holds 6 T-Rex pedals and a power supply. utmost durability. T-Rex cables are designed to improve your signal flow and to the gig. That’s why ToneTrunk ensure you maintain your original sound. now comes in three convenient The patch cables are available in 2 different sizes: 18 cm (7“) and 55 cm (22 “). sizes: 42 x 32 cm - 55 x 32 cm - 68 x 32 cm. ToneTrunk Gigbag 55 Size 55x32 cm VOLTAGE DOUBLER 12V AC CABLE CURRENT DOUBLER 12V AC LINE 6 CABLE POLARITY INVERTER Holds 8 T-Rex pedals and a power supply. Every model has these advan- tages in common: • Pedal board already covered ToneTrunk Gigbag 68 with hook-and-loop fastener - ready to mount your pedals Size 68x32 Holds 10 T-Rex pedals and a power supply. • Slanted pedal board for easier foot-clicks • Light aluminium pedal board Cable length 55 cm • 22” Cable length 50 cm • 20” Cable length 55 cm • 22” Cable length 50 cm • 20” Cable length 10 cm • 4” construction 2.1 - 2.1 mm • ¹/16” DC Jack 2.5 - 2.1 mm • ¹/8” DC Jack 2.1 - 2.1 mm • ¹/16” DC Jack 2.5 - 2.5 mm • ¹/8” DC Jack 2.1 mm • ¹/16” DC Jack Combines 2 isolated outputs To connect pedals with normal Combines 2 isolated outputs To connect your Line 6 pedal to To connect pedals with inverted • Accommodates a FuelTank from a power supply into one DC plugs to AC output. Some from a power supply into one a power supply. polarity to power supply. power supply DC plug and doubles the volt- pedals, like the Replica, accepts DC plug and doubles the cur- • Padded bag with shoulder age. both AC and DC. rent. strap • Grounded on solid rubber feet DC MINI JACK CABLE DC LINK EXTENSION DC LINK CABLE DC POWER CABLE TONE ATTACH • Lots of space for extension and patch cables

Cable length 50 cm • 20” 2.1 • Cable length 75 cm • 28½” Cable length 75 cm • 28½” Cable length 20, 50, 75 or 100 Hook-and-loop fastener ¹/16” - mini jack With 5 connectors, 2.1 - 2.1 mm With 5 connectors, 2.1 - 2.1 mm cm • 8, 20, 28½, 39” Length 2.19 m • 7.2 ft To connect pedals with mini • ¹/16” DC Jack • ¹/16” DC Jack To connect pedal to power Sticky back jack plugs to power supply. To extend the normal link cable. To connect up to 5 pedals to one supply. Starts with a female plug. output on a power supply.

20 21

In the beginning, there was overdrive… Why just play, when you can breathe fire? Let there be distortion… It’s alive! Not distortion. Certainly not fuzz. But over- Tonebug Totenschläger is a little black box When guitarists in the early ’60s started A stunning new reverb pedal built with one drive – that almost miraculously warm, satu- of fire-breathing distortion you’ll never want experimenting with distortion, it took rock goal in mind: to bring dry, flat-sounding, rated sound of one vintage tube amp pushing to live without, once you’ve heard what it music to a whole new level. The earliest at- bedroom-bound guitar playing to life. Re- the next one just a little too hard. It’s what can do. tempts were crude, with some guitarists even verb simulates real-life performance envi- the blues are made of. With just three controls – Level, Gain and slitting their amp speakers to get a “fuzzy” ronments – from huge echoey concert halls And it’s what created rock and roll. In fact, Graphic EQ – Totenschläger is easy to mas- sound. But amplifier makers eventually fig- and modern-sounding live stages, to raun- it’s the First Foundation of just about every ter and adjust on stage. But what this pedal ured out how to “overdrive” a main amp chy clubs and basement dives. But no matter style of guitar playing out there. And now is all about is the positively hellish sound of with a hot signal from a preamp to bring true what setting you choose, loads of incredible it’s yours, with the ToneBug Overdrive. the distortion it serves up. distortion to the world of rock. T-Rex tone will keep you sounding like the best of them. ToneBug Overdrive is a masterpiece of sim- Shape your flame As easy as it gets! plicity, offering just the controls you need Totenschläger comes with a 3-band graphic Tonebug Distortion is a phenomenal-sound- Modern or spring to give your sound the unmistakable warm equalizer that lets you shape your distortion ing pedal that delivers gobs of rich, tubey- What makes Reverb so versatile is its ingen- edge that’s the hallmark of every guitarist and create your own signature tone that’ll sounding distortion you’ll recognise instant- ious dual-mode feature. The mode switch MUSTASCH that’s ever meant anything to rock and roll. set you apart from other shredders. ly as a fundamental ingredient of classic lets you go from Modern, for more con- Sweden You get a Gain control for setting the amount Boost the bass for glowing red embers, kick guitar rock. And it couldn’t be easier to use. temporary reverb sounds, to Spring – for a of overdrive, a Tone control for tuning the up the mids for unearthly blue tones, or un- A simple Gain knob lets you choose how world of vintage reverb that sounds almost timbre of your gain, and Level for making leash the highs for a searing white heat that dirty you want to get, while a Tone knob lets too authentic to be true. It’s really like hav- sure your overall volume is right. It’s neither will burn through the mix and simply stun you tune the timbre of your distortion - from ing two separate pedals in one. Try ToneBug more nor less than everything you need. your audience. a muted bluesy crunch to a searing wail Reverb today, and discover why it’s the one that’ll slice through anything in its way. pedal you’ll never want to live without. TECH GEEKS AND MUSIC FREAKS

T-Rex Engineering is a company that simply had to be born. Founders Lars Dahl and Sebastian Jensen were (and still are) both tech geeks and music freaks – and they started the company in 1996 so they could build the best guitar MIDI gear on the planet. They achieved their goal quickly, producing the legendary Mac1 MIDI controller and BigFoot MIDI board. But change was in the air, and T-Rex was set to lead the way.

A new era for the electric guitar August Burns Red By the late 90s, guitarists who had thrown away their shoulder pads at the start of the decade were now JB BRUBACKER ditching complicated amp-and-effects racks – and replacing them with vintage-sounding combo amps and a Hamburg, Germany few simple stomp boxes. The problem was that late-90s pedals didn’t live up to the standards set by a new generation of tube amplifiers. At least not until T-Rex Engineering delivered its first pedals.

Pedals as precision instruments From the moment T-Rex started making guitar pedals, the company knew where it was headed. T-Rex wanted to make simple pedals that each did one thing superbly. Like fine musical instruments, T-Rex pedals used whatever combination of technologies was needed, offered a brilliantly simple user interface, and delivered astonishing sound however they were used. The first series of pedals culminated in what is arguably the best guitar delay ever produced: the T-Rex Replica.

Commercial success and sharp growth By 2002, T-Rex was confident that it had a formula for success with guitarists around the globe – but the company was virtually unknown outside Denmark.T-Rex began a new era pushing into foreign markets. A debut appearance at the Frankfurt Musikmesse quickly led to distribution deals throughout Europe, Japan and USA. Today, T-Rex pedals are sold in some 28 countries around the world.

A passion for superior tone T-Rex has come a long way since 1996, but the company is still driven by its original spark – a passionate belief that the right technology can do great things for how music sounds. Today, the “right technology” is an ideal balance of analogue warmth and digital precision – engineered from the ground up to serve the practical needs of working musicians. T-Rex Engineering is convinced that this formula for success will continue to help deliver superior tone on stages and in studios around the world.

Lars Dahl-Jørgensen Sebastian Jensen Founder Founder

T-Rex Engineering ApS · Hjulmagervej 17E · DK-7100 Vejle Tel. +45 7572 7181 · Fax +45 7572 7198

1th edition 2013