Wystan Hugh Auden

Total Page:16

File Type:pdf, Size:1020Kb

Wystan Hugh Auden AUDEN, WYSTAN HUGH 4 ics," in Critical Perspectives on Men, I In 1937 he ex~ressedhis svm~a-. - Masculinity and Sports, Michael thy for the loyalist cause by visiting Spain, Messner and Don Sabo, eds., Champaign, and the followingyear he traveled to China IL: Human Kinetics Publishing 1988) D. Sabo and R. Runfola, lock: Sports and with Isherwood. In 1940, having become Male Identity, Englewood Cliffs, NJ: disillusioned with left-wing causes, he Prentice-Hall, 1980; Michael J. Smith, converted back to Anglicanism,- a change- "The Double Life of a Gay Dodger," in that profoundly affected the character and Black MenlWhite Men, San Francisco, tone of his writing. With the outbreak of Gay Sunshine Press, 1983. Brian Pronger World War 11 in Europe, he settled in New York, where he met and fell in love with a young man, Chester Kallman, who was AUDEN,WYSTAN HUGH destined to be his lifelongcompanion. This (1907-1973) relationship was celebrated in a series of Anglo-American poet and critic. poems to an anonymous and ungendered The child of cultivated, upper-class par- lover, and also in a deliberately outrageous ents, Auden profited from a traditional composition, "The Queen's Masque." This British elite schooling. As a student at unpublished dramatic composition, in- Christ College, Oxford, he first excelled in tended to be performed for Kallman's science, but shifted to English with the twenty-second birthday on February 7, intention of becoming a "great poet." A 1943, was not rediscovered until 1988. In quick study, Auden acquired an under- 1941 Auden collaborated with the gay graduate reputation as an almost oracular composer Benjamin Britten in a chamber presence, and he began to assemble around opera, Paul Bunyan. Through Kallman, him a group of young writers that included whose knowledge was expert and unflag- Christopher Isherwood (whomhe hadmet ging, Auden expanded his interest in op- at preparatory school),C. Day Lewis, Louis era, and the two collaborated on a libretto MacNeice, and Stephen Spender. After for Igor Stravinsky's The Rake's Progress, leaving Oxford in 1928 Auden decided to as well as other works. Although actual spend a year in Berlin learning German. He sexual relations between them ceased af- then held a series of school-teaching jobs ter the first years, the two men made a life that allowed time for writing. together based on mutual trust and affec- Like the other members of his tion. Auden took charge of earning a liv- group-who came to be known as "the ing, while Chester excelled in cooking and poets of the thirtiesM-Auden broke with homemaking. Despite some asperities, the pastoral placidity of the Georgian trend their relationship survived not only in in English poetry, seeking to encompass New York, but in Ischia on the Mediterra- such modern technology and such trends nean and in Kirchstetten in Austria, where in thought as Freudianpsychoanalysis and they spent the summers. Marxism. Although he later repudiated Auden's later work is marked by their ideological commitments, Auden's ambitious cycles, such as A Christmas early poems have a numinous ambiguity Oratorio (1945) and The Age of Anxiety that unfortunately was largely lost in his (19471, which are technically expert but, later more pellucid but often facile work. for many readers at least, lacking in the In his early poetry the exaltation of the charisma of truly great poetry. Partly to figures of the Airman and the Truly Strong make ends meet, Auden produced a con- Man represents a continuation of the siderable body of prose criticism, and this adolescent aesthete's admiration for the sometimes deals movingly with other "hearty." His work in the 1930s had both homosexual authors. His most explicit the exhuberance and the limitations of homosexual poem is a piece of doggerel youth. called "The Platonic Lay" or "A Day for a 4 AUDEN, WYSTAN HUGH Lay," which is not included in authorized anism, which held that man was a product editions of his works. Late in life he had of a primal struggle between the high god some contacts with the emerging Ameri- and his Satanic opponent, whose powers can gay movement, though to some his at- were almost equally great. Although he titudes seemed old-fashioned and not de- later abandoned this dualistic belief, im- void of self-contempt. portant residues of its dark coloration Auden's works are still being remained with him. edited and published, and consensus on During his youth he formed a his ultimate status has not been achieved. very deep bond withanothermale student. A recent attempt to show that his work After the premature death of this beloved anticipated the feminist and ecology friend, Augustine movingly remarked: "I movements is unconvincing. Often coura- still thought my soul and his soul to have geous in his outspokenness, Auden no been but one soul in two bodies; and there- doubt suffered at the hands of critics who fore was my life a very honor to me, were uncomfortable with his sexuality. because I would not live by halves. And His poetry and prose, which were wide- even therefore perchance was I afraid to ranging and copious, retain a strong sense die, lest he should wholly die, whom so of period: they tell us much of what the passionately I had loved." (Confessions, thirties werelike inBritah, and the forties 46). and fifties in America. In his thirties Augustine came under the influence of Ambrose, Bishop of BIBLIOGRAPHY. Works: Collected Milan, and was baptized in 387. He then Poems, New York: Random House., 1976; The English Auden: Poems, returned to North Africa, where he be- Essays, and Dramatic Writings, came a priest in 391. Four years later he 1927-1939, New York: Knopf, 1977; became bishop of Hippo, where he led a Porewrds and Afterwords, New York: demanding life of church administration, Vintage., 1974. Studies: Humphrey theological controversy, and serious writ- Carpenter, W. H. Auden: A Biography, Boston: Houghton Mifflin, 198 1; ing. His best known works are his Dorothy J. Farnan, Auden in Love, New autobiography, The Confessions, and his York: New American Library, 1985; lengthy meditation on Christian history, Martin E. Gingerich, W. H. Auden: A me City of God, which was occasioned by Reference Guide, Boston: G. K. Hall, the news of the sack of Rome in 410. 1977. Wayne R. Dynes In keeping with the mainstream views of the Greek and Latin theologians who had preceded him, the mature Au- ystinemaintained that sexual intercourse AUGUSTINE,SAINT was lawful only within marriage with the (354-430) aim of producing offspring-thus exclud- Bishop of Hippo and one of the ing birth control. Even within marriage he Doctors of the Church. Born at Thagaste in denied that sexual pleasure could ever be North Africa, he was raised as a Christian. approved as an end in itself. Somewhat As a young man Augustine seems to have exceptionally, he held that, despite the been deeply troubled by the strength of his cleansing efficacy of baptism, some taint sex drive. Later he recalled how "in the of the sin of Adam lingered in the very act sixteenth year of my flesh. the madness of procreation through semen which as- of raging lust exercised its supreme do- cended genealogically to our first parent. minion over me." In the course of his From such premises Augustine concluded studies of rhetoric at Carthage he gadu- that the individual free will is radically ally abandoned his Christian faith. Au- circumscribed, seeing in the capacity of ystine was drawn instead to Manichae- the male member for unsought-after erec- .
Recommended publications
  • Evolvong Wilds: Auden, Ecology, and the Formation of a New Poetics
    EVOLVONG WILDS: AUDEN, ECOLOGY, AND THE FORMATION OF A NEW POETICS A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts by Jeremy Davis Jagger May 2020 © Copyright All rights reserved Except for previously published materials i Thesis written by Jeremy Davis Jagger B.A., Malone University 2016 M.A., Kent State University, 2020 Approved by Dr. Tammy Clewell, PhD. , Advisor Dr. Robert Trogdon, PhD. , Chair, Department of English Dr. James Blank, PhD. , Dean, College of Arts and Sciences ii TABLE OF CONTENTS………………………………………………………………………...iii ACKNOWLEDGMENTS………………………………………………………………………..iv CHAPTERS I. A Legacy in Crisis…………………………………………………………………….1 II. A Brief Note on Sacred Objects………………………………………………………6 III. Ecology in the Audenesque………………………………………………………….11 IV. Auden, Politics, and Hints of the Ecological………………………………………...26 V. America, Yeats, and a New Poetics………………………………………………….45 VI. A Reformed Poetics in Practice……………………………………………………...53 VII. When Nature and Culture Collide……………………………………………………72 VIII. A Legacy Cemented………………………………………………………………….86 BIBLIOGRAPHY………………………………………………………………………………..89 iii ACKNOWLEDGMENTS The author would like to thank Dr. Tammy Clewell for her many contributions to the production of this text. He would also like to acknowledge the contributions of his committee, Dr. Ryan Hediger and Dr. Babacar M’Baye. iv A Legacy in Crisis For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. —W.H. Auden, “In Memory of W.B. Yeat “The unacknowledged legislators of the world” describes the secret police, not the poets.
    [Show full text]
  • Auden's Revisions and the Responsibility of the Poet
    W. H. Auden’s Revisions and the Responsibility of the Poet Katharine Peddie Biography Katharine Peddie is working towards a PhD at the University of Kent comparing Robert Lowell with his contemporaries in the American avant-garde through their inheritances from William Carlos Williams and Ezra Pound. She lectures in twentieth century American literature. Abstract The development of Auden’s attitude towards his left-wing poetry of the 1930s is indicative of his change in perception of how poetry should operate in the public world, and whether it is the correct vehicle for expounding political opinion. These 1930s poems were explicitly engaged with issues of war: ‘September 1, 1939’ records Auden’s reactions to the declaration of the war that was to become WWII, and ‘Spain, 1937’ is effectively a call to arms for the communist cause in the Spanish Civil War. These earlier poems display a conviction that the role of the poet is that of spokesperson, even shaper of political values, for his readership. In ‘September 1, 1939’, Auden wrote: ‘All I have is a voice / To unfold the folded lie’. During the 1940s, ‘September 1, 1939’ was one of a number of poems that Auden attempted to expunge from his canon, no longer confident that his voice had been as easily equitable with truth as the line had suggested. In fact, he claimed to find the whole poem ‘infected with an incurable dishonesty’ (qtd. Fuller 1970, 260). This is symptomatic of Auden’s volte face in the 1940s concerning the role of the poet. Auden had become suspicious of the power of his own voice: it was beautiful and persuasive, or ‘rhetorically effective’, as Auden himself put it.
    [Show full text]
  • Auden at Work / Edited by Bonnie Costello, Rachel Galvin
    Copyrighted material – 978–1–137–45292–4 Introduction, selection and editorial matter © Bonnie Costello and Rachel Galvin 2015 Individual chapters © Contributors 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–45292–4 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.
    [Show full text]
  • Religion in Wystan Hugh Auden's Poetry Asst. Lect. Hawraa Fadil
    Ministry of Higher Education And Scientific Research University of Al-Qadissiya College of Education Department of English Religion in Wystan Hugh Auden’s Poetry Submitted By: Fatima Hadi Taghreed Hassan Supervised By: Asst. Lect. Hawraa Fadil Dedication We would like to dedicate this work to our dear family . ii Acknowledgements First of all . We would like to thank almighty Allah for giving us the strength and health to do this paper . We , also would like to express our gratitude and appreciation to our Supervisor Assist Lect. Asst. Lect. Hawraa Fadil for providing the needed advice and encouragement. iii Contents Dedication ii Acknowledgements iii Contents iv Abstract v Chapter One 1.1 Wystan Hugh Auden’s Life and Career 1 1.2 Religion in Wystan Hugh Auden’s Poetry 7 Notes 9 Chapter Two Religion in Wystan Hugh Auden’s “Nones” , 11 “New Year Letter” and “For the Time Being: A Christmas Oratorio” Notes 20 Conclusion 22 Bibliography 24 iv Abstract This paper consists of two chapters. chapter one deals with Wystan Hugh Auden’s life and career and with religion in his poetry. Chapter two discusses Religion in Wystan Hugh Auden’s “Nones” ,“New Year Letter” and “For the Time Being: A Christmas Oratorio” Finally ,the conclusion sums up the findings of this paper. v Chapter One 1.1 Wystan Hugh Auden’s Life and Career Wystan Hugh Auden was born in York, Britain, on February 21, 1907.He applied a noteworthy impact on the poetry of the twentieth century. Auden sought after science and building at Oxford College before he moves toward becoming as 1 an essayist .
    [Show full text]
  • W. H. Auden and Opera: Studies of the Libretto As Literary Form
    W. H. AUDEN AND OPERA: STUDIES OF THE LIBRETTO AS LITERARY FORM Matthew Paul Carlson A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2012 Approved by: George S. Lensing Erin G. Carlston Tim Carter Allan R. Life Eliza Richards !2012 Matthew Paul Carlson ALL RIGHTS RESERVED ii ABSTRACT MATTHEW PAUL CARLSON: W. H. Auden and Opera: Studies of the Libretto as Literary Form (Under the direction of George S. Lensing) From 1939 to 1973, the poet W. H. Auden devoted significant energy to writing for the musical stage, partnering with co-librettist Chester Kallman and collaborating with some of the most successful opera composers of the twentieth century, including Benjamin Britten, Igor Stravinsky, and Hans Werner Henze. This dissertation examines Auden’s librettos in the context of his larger career, relating them to his other poetry and to the aesthetic, philosophical, and theological positions set forth in his prose. I argue that opera offered Auden a formal alternative to his own early attempts at spoken verse drama as well as those of his contemporaries. Furthermore, I contend that he was drawn to the role of librettist as a means of counteracting romantic notions of the inspired solitary genius and the sanctity of the written word. Through a series of chronologically ordered analyses, the dissertation shows how Auden’s developing views on the unique capacities of opera as a medium are manifested in the librettos’ plots.
    [Show full text]
  • (WYSTAN HUGH), 1907-1973. WH Auden Collection, 1934-1988
    AUDEN, W. H. (WYSTAN HUGH), 1907-1973. W.H. Auden collection, 1934-1988 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Auden, W. H. (Wystan Hugh), 1907-1973. Title: W.H. Auden collection, 1934-1988 Call Number: Manuscript Collection No. 1046 Extent: 2 linear feet (4 boxes), 1 oversized papers box and 1 oversized papers folder (OP), and AV Masters: .25 linear feet (1 box) Abstract: Collection of material related to English poet W.H. Auden, including essays, a manuscript poem, newspaper clippings, reviews, programs, and photographs. Language: Materials primarialy in English, with some materials in German. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Gift of Raymond Danowski, 2004. Additions were purchased from Ken Lopez Bookseller in 2006, from Charles Agvent in 2007, and from Am Here Books in 2010. Custodial History Originally received as part of the Raymond Danowski Poetry Library. Additions purchased from dealers, provenance unknown. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
    [Show full text]
  • Reminiscing About Wystan Auden at Christ Church
    Reminiscences about Wystan Auden at Christ Church: a Research Lecturer’s Anecdotes from the Years 1972 and 1973 R. B. Mallion School of Physical Sciences, University of Kent, Canterbury, England, United Kingdom ( e-mail address: [email protected] ) 1. Introduction W. H. Auden, whose one hundredth anniversary of birth fell on 21 February, 2007, arrived at Christ Church, Oxford for his third and last residence there in Michaelmas Term, 1972. He came at the invitation of the Governing Body, in which his principal sponsor was the Official Student in German, the late Dr. F. D. (‘David’) Luke.1 Auden was supposed to be living in a delightful sixteenth-century dwelling called the Brewhouse ─ these days invariably referred to as ‘Auden Cottage’ ─ situated in the garden of the Canon’s Residence at the south-west corner of Tom Quad. However, this accommodation was not at that stage ready for occupation and so, in the meantime, Auden lodged temporarily at All Souls College. Even though, as a result of this arrangement, he was ‘living out’ of College,2 Auden did, nevertheless, as an Honorary Student of Christ Church,3 still have his High-Table dining-rights and his membership of the Christ Church Senior Common Room. I myself enjoyed similar privileges in the period 1971−1976 as a ‘Research Lecturer of the House’ ─ a (then) five-year research- post that is these days dubbed a ‘Junior Research Fellowship’4 ─ and it was thus at the High Table and in the Senior Common Room that I used to meet Wystan Auden. These encounters were only occasional during most of Michaelmas Term, 1972 but when, by November that year, and throughout Hilary Term, 1973, he was at last fully established in ‘the cottage’, they were daily.
    [Show full text]
  • The Achievement of Auden PETER PORTER
    SYDNEY STUDIES The Achievement of Auden PETER PORTER If you believe, as I do, that W. H. Auden was not only the greatest English poet so far this century, but probably the last Englishman to dominate the civilized world of letters, then there is a great sadness in sitting down to assess his achievement as a writer. Everywhere English confidence is in flight - in many re­ spects quite unnecessarily. Nobody wants any of the old arro­ gance to return, but the serene acceptance of his educated tongue as the true voice of feeling, an unpedantic knowingness and clubability, and a certainty that society is listening, were all qualities of the English man-of-letters in his prime which are sadly missed today. I have seen Dr Leavis's chastening of the limp-wristed "children of the sun" spoken of as an heroic cam­ paign for truth, but the horrors of his Protectorate need no elaborating. And someone should tell Martin Green that a Brian Howard or a Harold Acton is not automatically equatable with an Auden or a Waugh, however willing the latter were to give testimonials to the former. Auden's (and Waugh's) lives were highly productive. They gave the world more than they took from it, and if each in his way adopted the attitudes of the over­ privileged classes (to which they belonged rather haphazardly), then this was to avoid that Germanic-American solemnity which serious art has suffered from so badly during the last fifty years. I am sure anyone who knew Auden could give me chapter and verse to prove that he was a giggling, predatory homosexual, leader of an overvalued coterie, serious in none of his apparent enthusiasms, amateur as a psychologist, insincere as a theologian, lacking weight as moralist and poet alike.
    [Show full text]
  • W. H. Auden's Proto-Queer Theology of 1939-1941
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-12-2020 W. H. Auden’s Proto-Queer Theology of 1939-1941 Aaron Bisson Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons Recommended Citation Bisson, Aaron. (2020). W. H. Auden’s Proto-Queer Theology of 1939-1941. In BSU Honors Program Theses and Projects. Item 314. Available at: https://vc.bridgew.edu/honors_proj/314 Copyright © 2020 Aaron Bisson This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. W. H. Auden’s Proto-Queer Theology of 1939-1941 Aaron Thomas Bisson Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 12, 2020 Dr. Matt Bell, Thesis Advisor Prof. James A. Norman, Committee Member Dr. Halina Adams, Committee Member Bisson 1 INTRODUCTION: AUDEN’S SIGNIFICANCE With the advent of queer theory in the early 1990s, critics have increasingly sought to “queer” texts; that is, seeking out demonstrations of identity that do not fit conventional norms of sex, gender, and sexuality. Given the historic persecution of homosexuals and other “deviants” in the twentieth century, W. H. Auden is an interesting case when viewed through this lens because his expansive career brims with homoerotic (and equally homosexual) undertones. It is not sur- prising that Auden guarded himself by masking sentiments regarding his sexuality below the sur- face of his writing, though not so much so that one could not detect it if they knew the coded jargon of certain queer communities (Bozorth 709).
    [Show full text]
  • INTRODUCTION Auden Wrote His Prose So That He Would Be Able to Write His Poems, and the Benefits of Writing Prose Were Both Fina
    © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION Auden wrote his prose so that he would be able to write his poems, and the benefits of writing prose were both financial and intellectual. In a letter written from Italy in 1955, he explained: “The winter months are those in which I earn enough dollars to allow me to live here in the summer and devote myself to the unprofitable occupation of writing poetry.” During his winters in New York, punctuated by lecture tours and visiting professorships in American college towns, he wrote the commissioned essays and reviews that paid for his summers in Ischia. No matter what the nominal subject of those essays might be, he used them as exercises in which he explored whatever moral, intellectual, literary, or prosodic issues concerned him most in the poems he was writing or planning. During the late 1940s and early 1950s he wrote a sequence of poems largely about history, “Horae Canoni­ cae”, and another sequence largely about nature, “Bucolics”. He developed the structure of ideas that holds them together by writing essays and reviews on the theme indicated by the title of one of them: “Nature, History and Poetry”. Auden enjoyed deflating romantic images of inspired poets driven only by their genius. He made a point of praising the bourgeois virtues—directly in his essays, indirectly in poems such as “Under Sirius”, “Cattivo Tempo”, “Sext”, and “Mountains”. He also made a point of practicing those virtues.
    [Show full text]
  • Queering the City of God: W. H. Auden's Later Poetry and the Ethics
    Queering the City of God: W. H. Auden’s Later Poetry and the Ethics of Friendship by Olivia F. Bustion A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2012 Doctoral Committee: Associate Professor John Whittier-Ferguson, Chair Professor David Caron Professor Laurence Goldstein Professor David Halperin © Olivia F. Bustion 2012 DEDICATION For my parents. And for Dave, Libby, and Matt: µείζονα ταύτης ἀγάπην οὑδεὶς ἔχει, ἵνα τις τὴν ψυχὴν ἄυτοῦ θῇ ὑπὲρ τῶν φίλων ἀυτοῦ. ii ACKNOWLEDGMENTS I could not have written this dissertation without the sage and generous guidance of John Whittier-Ferguson, David Halperin, Larry Goldstein, and David Caron. I am thankful, too, for the inspiration of their work. For access to Auden’s papers, many thanks to Stephen Crook and Anne Garner of the Henry W. and Albert A. Berg Collection of English and American Literature at the New York Public Library. Thanks to the Rackham School of Graduate Studies, the English Department, and the Sweetland Dissertation Institute at the University of Michigan for providing fellowship support that made it possible for me to complete this dissertation. Thanks also to St. Gregory’s Abbey in Three Rivers, Michigan, where I finished writing. My greatest thanks goes to all of my friends, who loved me and cheered me on throughout the writing process: Libby (kindred spirit), Sara (an invaluable interlocutor and a tireless cook), Jim (study buddy extraordinaire), Elizabeth, Lauren, Matt (who shares my enthusiasm for later Auden), the Brent House community at the University of Chicago, and, of course, Dave (who listened to every worry and commented on every draft).
    [Show full text]