DOCSLIB.ORG

Discorder - February 2005 POPLIN's Discorder That Magazine from Citr 101.9Fm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

T^l* **^ry *£*£/* DiSCORDER - February 2005 POPLIN'S DiSCORDER That magazine from CiTR 101.9fm. IRISH PUB Monday, February 2005 EDITRIX Feb 14, 2005 Kat Siddle AD MANAGER 3rd Annual Jason Bennet PRODUCTION MANAGER Graeme Worthy Anti-Valentine'a ART DIRECTOR Dale Davies FEATURES Day _ TA EDITOR Vampyra' Draculea RLA EDITOR Arcade Fire §$§888^ Kimberley Day Saturday, Feb 26, 2005 @ 11:30 am Dandi Wind P. n REVIEWS EDITOR RE/MAX Sea to Sky Hookey Challenge Mairin Deery •• -' T£?ang Bang p. 14 LAYOUT & DESIGN Dose One p. 15 Dale Davies Team Burke vs Team Nonis Graeme Worthy V x Mariana's Trench ..p...tMH Tickets $45.00 includes: Jason Bennet Kimberley Day Saturday Dublin Brekkie Buffet Vampyra Draculea Transportation to and from Pacific Coliseum Dory Komteld REGULARS Great lower bowl seats Jordie Sparkle After party at Doolin's for beers Presented by: PRODUCTION £3W|»oHSBC<» Graeme Worthy Hockey highlights P€fi^f6tyotty Ifwnnent Disaster Dale Davies mSHm Kat Siddle Riff Raff P5 To purchase tickets or info please contact Brad Toews 604.306.6177 or [email protected] Kimberley Day Db it Youf O^m Ddjrnn Self Vampyra Draculea M4P5 Jason Bennet Strut, Fret & Flicker P.7 Jordie Sparkle Chris Walters -\ textuaffyActtv® P-ffP Dory Kornfeld. Calendar p. 12-13 Mairin Deery Nick Ffad^ Ji§y", V ••'tfiflls; Parmida Z. Charts p. 17 Roast Beef Saelan rv:B!e^Uye,A0rOn p. l|ll§ Susy Webb Caroline Walker Under Review p. 20-21 Kim Cook Program-Guide '• p. 22% Michelle Mayne ON THE DIAL Bryce Dunn CHARTS Luke Meat DATEBOOK Kat Siddle Jordy Sparkle FRONT COVER Chris Walters Owen is the founder and creator of the Rubber DISTRIBUTION Popsicle Factory that has self-published over 80 zines on the Marching Chicken Press {marchingchickenpre Matt Steffich [email protected]) and is repsented by Perro Verlag US DISTRO ([email protected]). Owen currates art Frankie Rumbletone shows at Lucky's Comics on Main Street. Owen's art PUBUSHER has been shown around Vancouver, Seattle, Toronto, Student Radio Society Body Painting, Beach Balis, Bathing suit Montreal and New York and can be seen in the Infinity Project show at the Helen Pitt Gallery currated Corona, Mikes ai|d by Jo Cook. Owen draws with Puffers and paints with James Whitman of the Lions fame. Owen lives with his lovely wife Terry in Mt. Plesant but would rather live in the heart of Strathcona. •Jm& Party Music Nightly. 1 © DiSCORDER 2005 by the Student Radio Society of the University of British Columbia. All ^^» - Tees: Joe's Garage Tuss: Canadian Conten|n^^^l|pgg; rights reserved. Circulation 17,500. Subscriptions, payable in advance, to Canadian residents are & - Fri: Dr. Strangelove Sat: Sees Your Monkey Bite / DJ Junior tTorttiacH fjjjs. $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to Son: Campground "C Country that rocks with Byron James from*JWl^g cover postage). Please make cheques or money orders payable to DiSCORDER Magazine. Please note that my birthday is February 15. DEADLINES: Gopy deadline for the March issue is February 7, 2005, not that any of you win care. Ad space is available until February 24 and can be booked 032 Granville st | 604-3^9HS[ www.roxyvan.coin * gj by calling Jason at 604.822.3017 ext. 3. Our rates are available upon request. DiSCORDER is not responsible for loss, damage, or any other injury to unsolicited manuscripts, unsolicited artwork (including but not limited to drawings, photographs, and transparencies), or any other unsolicited material. Material can be submitted on disc or in type or via email. As always, English is preferred, but we will accept French. Actually, we won't. Send email to DiSCORDER at [email protected]. ubc.ca. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Cat the CiTR DJ line at 622.2487, our office at 822.3017, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at www.cirr.ca or just pick-up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC, V6T 1Z1, CANADA. THE FIBRES BURN THEMAPS DiSCORDER - February 2005 Perpetually Imminent Disaster Greetings readers. I bought a cheap beer and greeted my friends a couple minutes before Hank and Lily hit This month, I feel its my duty to share a personal the stage. Their exuberant swampditties, sweet FOLK & ROO lecdote with you. Not because I want to. Not costumes and strip-tease dancer fueled my social icause it satisfies me. It's for your own good, all mood. I smiled at a few people I recognized from seeing at ©ther shows. They looked away. Weird, I thought. It happened again a few minutes later. I "Is it me?" I wondered. "Do I have a disfiguring THE ANECDOTE: rash on my face or something?" My friends hadn't' So one night, a couple weeks ago, I went to mentioned anything. Maybe they were being nice? this boy's house, hoping that after a little beer and I looked in the large mirror near the stage (you know a lot of awkward pauses he might want to make out the one I mean). Eyeliner, coif, and teeth were ali in with me. We're standing in his kitchen talking about order. I looked like my usual self. I glanced from my ptr MM own reflection to that the people standing behind . :X COKCSRT jsg£ people we know and I'm paying a little too much attention to how I'm standing and how I'm holding me. They were all either looking at their hair too, or fe^f&aay 2© # llie Railway my drink, like that's going to make any difference staring at the ground. Every last one of them. -skg^^gO now, like he's going to be struck with a sudden My purpose in telling this unflattering anecdote epiphany and think, "Wow, I thought she was a is this: you people are going to die out if you don't repulsive little troll until I saw how alluringly she holds start breeding. And I tell you, that is NOT going to a glass. I must have her, now." happen unless you stop looking at your haircuts and Things were going pretty well until, he -shoes and starting talking to each other. You may not announced that he wanted to watch a funny realize it, but like the mighty Panda, the scenester is movie. He queued up the film and sat on the far in decline. You won't see evidence of it now. You end of the couch, chortling and snorting through won't see evidence of it two years from now. But the first half hour. I sat on the other end, aware of without a scenester generation to replace ours, the 2 feet 5 inches between us, but more aware of symbiotic species like musicians, t-shirt makers, and the fact that I'd lost his attention, and the movie one-inch button designers will also face extinction. wasn't keeping mine at all. I got bored. A friend An entire ecological niche is in grave danger. called my cell phone from Pat's Pub: "We're at the This Valentines' Day, when you're sitting all alone Hank and Lily show. It's going to be really good. You listening to depressing music, pretending you "don't coming?" I looked at the TV screen and the way the believe in commercialized holidays," keep this in light reflected on the boy's face. "Yeah," I said, "I'll mind. Forget the haircut. Talk to someone. Breed be right there." like there's no tomorrow. Because if you don't, there Stepping off the bus, I felt a heartskip of glee. won't be any tomorrow for the common scenester. MEMONESH0W I'd saved my night from the lameness of being You alone can act to save it. ignored. I was out in public; I could meet people features WAGONWJU£7>^' and talk with them. I had resigned myself to a night Thanks you and goodnight, andTELLITTOi^Bp without kissing, but I could find out about new books and bands, swap witticisms, hear funny stories I'd Kat Siddle hash's spirit fives QKajNSf: never been told before. a young and rowdy Nashville quartet tliat pulls back-oofch - i^pffS banjos and frenetic fiddles | down from tike mountain^ aBiljfjB and onto the doorstep of CBGB's." - Esquire m mL*** *&$?!£ $t&98 Red Cat Records NITHAN h 4307 Main St. "If David Lynch had .*.J| directed O Brother *ofl Wkem Art Tkau$f: *JTH Nathan's music 1 would he the soundtrack .* .L* El GBCJtafio $16.98 ~ j Br* © HTTWIHI.CBK • IITTf lfiKfl0BT8.aM <**. 1972 West 4th Ave 604-738-3232 f » New & Used CD's & Vinyl **w* ph. 708-9422 * email buddy$redeaiea Riff Raff by Bryce Dunn My stereo spilleth over with 7" fans of exotica and the surf-styled abundance • this month, and among you will enjoy. "Jennifer we've no less than ten (!) entries Jennings" has a seventies soft-core to pontificate and deliberate on, soundtrack feel to it, while "Theme so let's get spinnin'l From F.A.C.T.S." and "Banana Split" Our sojourn begins with a are caught live and in the red for picture disc or two, and it's always maximum drinkin' and dancin' a bonus when you get to make pleasure.
Recommended publications
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)

    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)

    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
  • At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November

    At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November

    [email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 207 October Oxford’s Music Magazine 2012 Alphabet Backwards photo: Jenny Hardcore photo: Jenny Hardcore Go pop! NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net DAMO SUZUKI is set to headline The album is available to download this year’s Audioscope festival. The for a bargain £5 at legendary former Can singer will www.musicforagoodhome.com. play a set with The ODC Drumline at the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10th November. Damo first headlined Johnny Moto officially launches his Audioscope back in 2003 and has new photo exhibition at the Jericho SUPERGRASS will receive a special Performing Rights Society Heritage made occasional return visits to Tavern with a gig at the same venue Award this month. The band, who formed in 1993, will receive the award Oxford since, including a spectacular this month. at The Jericho Tavern, the legendary venue where they signed their record set at Truck Festival in 2009 backed Johnny has been taking photos of deal back in 1994 before going on to release six studio albums and a string by an all-star cast of Oxfordshire local gigs for over 25 years now, of hit singles, helping to put the Oxford music scene on the world map in the musicians. capturing many of the best local and process. Joining Suzuki at Audioscope, which touring acts to pass through the city Gaz Coombes, Mick Quinn and Danny Goffey will receive the award at the raises money for homeless charity in that time and a remains a familiar Tavern on October 3rd.
  • Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism

    Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism

    Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism By Matthew W. Horton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Dr. Na’ilah Nasir, Chair Dr. Daniel Perlstein Dr. Keith Feldman Summer 2019 Working Against Racism from White Subject Positions Matthew W. Horton 2019 ABSTRACT Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism by Matthew W. Horton Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory University of California, Berkeley Professor Na’ilah Nasir, Chair This dissertation is an intervention into Critical Whiteness Studies, an ‘additional movement’ to Ethnic Studies and Critical Race Theory. It systematically analyzes key contradictions in working against racism from a white subject positions under post-Civil Rights Movement liberal color-blind white hegemony and "Black Power" counter-hegemony through a critical assessment of two major competing projects in theory and practice: white anti-racism [Part 1] and New Abolitionism [Part 2]. I argue that while white anti-racism is eminently practical, its efforts to hegemonically rearticulate white are overly optimistic, tend toward renaturalizing whiteness, and are problematically dependent on collaboration with people of color. I further argue that while New Abolitionism has popularized and advanced an alternative approach to whiteness which understands whiteness as ‘nothing but oppressive and false’ and seeks to ‘abolish the white race’, its ultimately class-centered conceptualization of race and idealization of militant nonconformity has failed to realize effective practice.
  • BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER

    BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER

    BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age.
  • Activity Report 2014-15

    Activity Report 2014-15

    ACTIVITY REPORT 2014-15 10TH ANNIVERSARY PROJECT ELAN celebrated its 10th anniversary in 2014 and received project funding from the Government of Canada through the Department of Canadian Heritage for a number of special activities. The first was to feature trailblazers in building Quebec’s current dynamic English- language arts community from the sparsely populated, marginal scene of the 1970s and 80s. Three panel discussions were presented in collaboration with POP Montreal and Expozine: The Montreal Formula: Thinking outside the box for survival in Montreal arts (POP Montreal) with Albert Nerenberg (host; filmmaker and laughologist), Murray Lightburn (the Dears), Krista Muir (Lederhosen Lucil), and visual artist J.C. Little; Literary Legacies: A Montreal Story (POP Montreal) with host Katia Grubisic (writer and translator), Linda Leith, founder of Blue Metropolis Foundation, and Marianne Ackerman, founder of the bilingual theatre company Theatre 1774 and Rover Arts; and Montreal Blooming: From Backwater to Music Hotbed (Expozine) with Howard Bilerman (legendary Montreal producer, former drummer for Arcade Fire), Kevin Komoda (Rational Youth), Ryhna Thompson (Envision Management), and musician Molly Sweeney. For our 10th anniversary year, ELAN co-produced Schmoozers with partners from each of the major artistic disciplines: April in collaboration with the Quebec Writers' Federation; June in collaboration with the St-Ambroise Montreal International Fringe Festival; October in collaboration with the Montreal Film Group; and December at McGill's Schulich School of Music, with a focus on students. Eastern Bloc was selected as the venue for ELAN's 10th anniversary event because it is a well- equipped visual and media arts centre. A photo retrospective of ELAN's 10-year history was projected on one wall while the Wonderwall, created at three stations where guests were photographed as they arrived, was projected on another.
  • THE BENNINGTON FREE PRESS Dr.Randy on the H1N1 Bvjonah LIPSKY '12 Do, Which Is Contain the Spread of Diabetes

    THE BENNINGTON FREE PRESS Dr.Randy on the H1N1 Bvjonah LIPSKY '12 Do, Which Is Contain the Spread of Diabetes

    THEBENNINGTON Financial Freeze Concerns BYCONNIE PANZARIELLO '12 etc.), Vice President for Plan­ which was put into effect in June, be a financially prudent option FEATURESEDITOR ning and Special Programs Joan happened at a time when it still for saving money. While Morgan Goodrich and College President didn't look like our nation was said that he wouldn't characterize ogic at our school is Liz Coleman. Morgan firmly going to be experiencing much the measure as "precautionary," a rare find. We tend denied the rumor going around economic recovery. According to it will help us save some money Lto skip some steps, that Goodrich and Coleman gave Morgan, this has an effect on our in other areas such as the always­ jump around, and themselves pay raises. before the donors, who are more reluctant to needed financial aid. As for elim­ hope things will work out for the freeze happened. Not only is this give us funds at a time of finan­ inating faculty positions Morgan best. Thankfully, the person who incorrect (and trust me, I asked cial crisis. said, "you never know, but I don't handles our financial matters pos­ the man five times, in various Also not helping the situation foresee it and it's not in our cur­ sesses logic in bulk, and that's ways), it is impossible: they sim­ is the fact that "not surprisingly rent plans." . New hires will also all that really matters, right? Bill ply do not have the power. Pay the need for financial aid has in­ be decided by who they are and Morgan was nice enough to clear raises have to go through the bud­ creased." Morgan also reiterated what position they are filling, in up the always-impressive gossip get and be approved by the Board something that we should all be tenns of salary.
  • UNBOUNDLATE NIGHTS at the EDINBURGH INTERNATIONAL BOOK FESTIVAL 10 25 AUG 2014 an Introduction to Jura Unbound 2014

    UNBOUNDLATE NIGHTS at the EDINBURGH INTERNATIONAL BOOK FESTIVAL 10 25 AUG 2014 an Introduction to Jura Unbound 2014

    UNBOUNDLATE NIGHTS AT THE EDINBURGH INTERNATIONAL BOOK FESTIVAL 10 25 AUG 2014 An Introduction to Jura Unbound 2014 he Edinburgh International Book Festival is once more that it’s not just in August that the T18 days of bookish brilliance bursting out of literary sun shines bright in Edinburgh. the tents inside Charlotte Square Gardens. 16 It wouldn’t be a proper Jura Unbound of those days transform into nights of literary programme without a delicious collision of delight with Jura Unbound, the Book Festival’s words and music, and the lovely Willy Vlautin eclectic programme of fantastic, free events and legendary Vic Galloway both host their own inviting you to discover the makers of some truly special evenings. Importantly, we remain rooted magnificent stories. in books and stories, with the ethereal tales Jura Unbound is a mischievously magical of E.O. Higgins and the literary fitness freak thing. Quietly created from dreams and schemes, Andy Miller. To top it all, Spoken Word takes to ideas and frivolous fancies, it unleashes our centre stage with Nasty Little Press plus a word- unique creative chaos onto the world from inside wrestling battle-to-the-death independence the magnificent Guardian Spiegeltent. Each debate with a difference. night, enveloped by the velvet roof and mirrored Look out for Jura Unbound’s special series walls, a little bit of magic happens. Maybe of #shelfies from participants, performers and, it's because of the mysterious stilt-walking hopefully, you. Belgians who build the venue, or perhaps it’s the And the most magical thing about Jura audience, who are looking to fend off the festival Unbound? It is still completely free.
  • Record Store Day 2015 Releases Price Record

    Record Store Day 2015 Releases Price Record

    Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price 7" SINGLES 7" J Dilla : Fuck The Police - Badge Shaped 7" Edition29.99 7" Soko : Ocean Of Tears 6.99 10" The Replacements : Alex Chilton 12.99 7" Adam And The Ants : Kings Of The Wild Frontier / Ant8.99 Music7" Jagaara : In The Dark 6.49 7" The Spaceape Feat Kode9 & The Bug : Ghost Town8.99 / At War10" With Time Roxy- Gold Music Vinyl :Edition Ladytron 14.99 7" Ryan Adams : Come Pick Me Up 10.99 7" Bert Jansch : Needle Of Death EP 9.99 7" Dusty Springfield : What's It Gonna Be / Spooky 11.99 10" Tracey Thorn : Songs From The Falling 7.99 7" A-ha : Take On Me 13.99 7" Jay-Z / Ghostface Killah : U Don't Know / Whip You11.99 With A7" Strap Stealing Sheep / The Voyeurs : Split 7" 7.99 10" The Waterboys : Puck's Blues 8.99 7" Air : Playground Love 12.99 7" Sharon Jones & The Dap-Kings : Little Boys With Shiny5.49 Toys7" The Subways : Taking All The Blame 7.49 10" Young Knives : Something Awful 12.99 7" A$ap Rocky : LPFJ2 / Multiply 7.99 7" Tom Jones : Chills & Fever / Breathless 11.99 7" Supergrass : Sofa (Of My Lethargy) 11.99 10" Various : An On-U Sound Journey Through Time & 8.99Space 7" B-Movie : They Forget / Trash & Mystery 6.49 7" Joy Division : Love Will Tear Us Apart / Leaders Of14.99 Men 7" Temples / Fever The Ghost : Split 7" 7.99 12" SINGLES 7" Syd Barrett / R.E.M.
  • Call Me Maybe Deconstructed

    Call Me Maybe Deconstructed

    Hit Songs Deconstructed Deconstructing Today&#039;s Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Call Me Maybe Deconstructed Skip to: Audio/Video At a Glance Song Overview Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Primary Instrumentation, Tone & Mix Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Carly Rae Jepsen Song/Album: Call Me Maybe / Curiosity Songwriters: Josh Ramsay, Tavish Crowe, Carly Rae Jepsen Genre: Pop Sub Genre: Dance/Club, Teen Pop Length: 3:13 Structure: A-B-A-B-C-B-C Tempo: Mid/Up (120 bpm) First Chorus Occurrence: 0:28 (15% into the song) Intro Length: 0:04 Outro Length: 0:09 1 / 36 Hit Songs Deconstructed Deconstructing Today&#039;s Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Primary Instrumentation: Combo (Electric + “acoustic” sounding synth strings) Lyrical Theme: Love/Relationships Title Occurrences: “Call Me Maybe” occurs 12 times within the song Primary Lyrical P.O.V: 1st & 2nd Song Overview Back to Top If there was just one thing to be learned from Carly Rae Jepsen’s Call Me Maybe, it would be that EXCEPTIONAL CRAFT is paramount to opening the doors to success, especially in today’s mainstream music industry. If the song wasn’t as strong as it is, Justin Bieber and Selena Gomez would never have picked up on it, tweeted about it, and in the end help launch the song, and Carly Rae Jepsen into virtual overnight superstardom.
  • Wessex Scene Wessex

    Wessex Scene Wessex

    1317 - Wessex DEC Issue 20/11/01 10:03 am Page 1 WESSEX SCENE WESSEX Swessexscene.co.ukC 31st OctoberEN 2001 - ISSUE 749 - PRICELESS E 750th ISSUE SPECTACULAR INITIATION: An 18 month driving ban with a has banned initiations and drinking INDEFENSIBLE£150 fine, is this the price you want on away games. The Athletics’ to pay after your initiation Union is very worried about what ceremony? Unfortunately for one effect this will have on the individual this WAS the penalty. A reputation of not only the Sport promising Rugby playing Fresher sector of the University but on the with a glittering career ahead of him University as a whole. did not get off to the best start when The Wessex Scene feels that the he was arrested the other week. player is not the only one to blame Following his initiation, the player here. It should probably fall on the drove off in his Mini and crashed it culture of certain sports clubs. For when driving down Stoneham Lane. some reason heavy drinking and Staying with the car he then called undignified behaviour has become the police and, refusing offers of an integral part of sporting activities. lifts home, waited until they arrived. Initiations are not a necessary part of He was duly breathalysed and was sport and nor should they be. The found to be 2.5 times over the limit Wessex Scene is pushing for these with 77mg of alcohol in 100mg practices to be completely removed of breath. from University Sports Clubs. As a result of the occurrence, Tiger, More..
  • The Education of Blacks in New Orleans, 1862-1960

    The Education of Blacks in New Orleans, 1862-1960

    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 Race Relations and Community Development: The ducE ation of Blacks in New Orleans, 1862-1960. Donald E. Devore Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Devore, Donald E., "Race Relations and Community Development: The ducaE tion of Blacks in New Orleans, 1862-1960." (1989). LSU Historical Dissertations and Theses. 4839. https://digitalcommons.lsu.edu/gradschool_disstheses/4839 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
  • The Clash and Mass Media Messages from the Only Band That Matters

    The Clash and Mass Media Messages from the Only Band That Matters

    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.